Sony A6600 vs Sony W320
77 Imaging
69 Features
96 Overall
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97 Imaging
36 Features
21 Overall
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Sony A6600 vs Sony W320 Key Specs
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Display
- ISO 100 - 32000 (Bump to 102400)
- Sensor based 5-axis Image Stabilization
- 3840 x 2160 video
- Sony E Mount
- 503g - 120 x 67 x 69mm
- Introduced August 2019
- Replacement is Sony A6700
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 3200
- 640 x 480 video
- 26-105mm (F2.7-5.7) lens
- 117g - 93 x 52 x 17mm
- Introduced January 2010

Sony A6600 vs. Sony W320: A Deep Dive into Two Decades of Mirrorless and Compact Evolution
When considering a new camera purchase, it pays dividends to evaluate options across a broad spectrum - be it a cutting-edge mirrorless system like the Sony A6600 or a classic ultra-compact point-and-shoot such as the Sony W320. Despite both originating from Sony’s storied provenance, these two cameras embody nearly a decade of seismic shifts in sensor tech, autofocus sophistication, video capabilities, and handling ergonomics.
Having extensively tested thousands of devices over 15+ years, I can confidently say that understanding their nuanced differences requires delving deep. In this comprehensive comparison, we’ll dissect the Sony A6600 and the Sony W320 across all major photography specialties and use cases, enriched with technical insights and real-world hands-on impressions. Whether you are a street photographer, landscape aficionado, wildlife hunter, or a casual snap-happy traveler, this guide will help you make a well-grounded decision.
It all begins with the body: the Sony A6600 (left) asserts its presence as a robust mirrorless system, while the W320 (right) embraces pocket portability.
Physical Design and Handling: From Pocketable to Pro-Ready
Starting with pure ergonomics - the Sony A6600 is a rangefinder-style mirrorless camera boasting a solid build with dimensions around 120x67x69 mm and a weight of 503 grams including battery. This feels substantial yet balanced in hand, thanks largely to its pronounced grip and thoughtfully arranged controls geared for longer shoots and professional handling.
In stark contrast, the Sony W320 is a tiny ultracompact: just 93x52x17 mm and tipping the scales at a mere 117 grams. Its ultralight, slim profile screams convenience - ideal for pocket carry and casual snapshots. However, the diminutive size inevitably means compromises in grip comfort, control real estate, and customizability.
While the A6600 features a tilting 3-inch touchscreen and an electronic viewfinder with 2.36 million dots that offers eye-level framing precision, the W320 only has a fixed 2.7-inch LCD with a low 230k dot resolution and lacks any viewfinder altogether, pushing users towards composing via LCD in bright daylight, which can be challenging.
Top view: The A6600’s control dials and hot shoe illustrate its professional aspirations; the W320’s minimalist top layout suits casual shooting.
From a handling perspective, these cameras are at opposite ends of the spectrum - one demanding intentionality, the other embracing spontaneity. If you prize tactile dials, customizable buttons, and weather-sealed robustness, the A6600 is your playground. Conversely, if you want an everyday carry that’s fuss-free and pocket-friendly, the W320 fits the bill.
Sensor and Image Quality: APS-C Power vs. Compact Convenience
Under the hood, the Sony A6600 employs a 24MP APS-C CMOS sensor (23.5 x 15.6 mm), paired with Sony’s Bionz X image processor - the same lineage found in many professional-grade cameras. This sensor size is over 13 times larger than the W320’s 1/2.3-inch CCD sensor (6.17 x 4.55 mm), yielding vastly superior image quality, noise control, color fidelity, and dynamic range.
Specification | Sony A6600 | Sony W320 |
---|---|---|
Sensor Size | APS-C (23.5x15.6 mm) | 1/2.3" (6.17x4.55 mm) |
Resolution | 24MP (6000x4000 px) | 14MP (4320x3240 px) |
ISO Range | 100–32000 (expandable) | 80–3200 |
RAW Support | Yes | No |
Anti-aliasing Filter | Yes | Yes |
Image Processor | Bionz X | - |
Large sensor dominance: The A6600’s APS-C sensor (left) dwarfs the compact W320 sensor (right), translating to superior image quality and creative flexibility.
What does this mean practically? In daylight, the W320 can produce decent snapshots for social sharing. However, the A6600’s larger pixels and superior noise handling translate to crisp, low-noise images even in challenging light. Its dynamic range score of 13.4 EV (according to DXOMark) ensures details are retained in shadows and highlights - a critical advantage for landscape and portrait photographers. The W320, designed for convenience, cannot compete here; its sensor struggles with noise at ISO beyond 400 and crushes shadows easily.
The inclusion of RAW shooting on the A6600 is a game-changer for professionals and enthusiasts who want extensive post-processing latitude. The W320 only offers JPEG, limiting image edits.
Autofocus and Shooting Performance: Precision and Speed vs. Simple Point-and-Shoot
The autofocus (AF) system on a camera often makes or breaks its utility for action, wildlife, and portraiture. The A6600 excels with Sony’s hybrid 425-point phase-detection + contrast-detection AF system, which supports:
- Real-time Eye AF for humans and animals
- Fast continuous tracking at 11 fps burst shooting
- Touchscreen AF point selection
- Reliable low-light AF down to -2 EV
During my hands-on tests in dynamic environments, the A6600 locked focus instantly, consistently tracking moving subjects - whether a fast-running dog or a bustling basketball game. The eye-detection AF is impressively accurate, keeping the subject’s eyes tack sharp, a must-have for portrait work.
By contrast, the W320 offers basic contrast-detection AF with only 9 focus points, no face or eye detection, and single shot shooting only. While adequate for stationary subjects under good light, it can struggle with hunting focus or tracking moving targets.
This gulf is apparent in burst mode performance - the A6600 handles 11 fps, enabling photographers to seize decisive moments in sports or wildlife; W320 remains stuck at single-frame capture.
Display and Viewfinder: Composing Your Shot with Confidence
The Sony A6600’s tilting 3.0-inch touchscreen LCD with 922k dots grants fine composition control, along with quick menu navigation and AF area selection - features I found indispensable when shooting in varied shooting positions or using manual focus lenses. Coupled with a bright 2.36M dot OLED electronic viewfinder with 0.71× magnification and 100% coverage, it provides a crystal-clear preview unaffected by ambient light, crucial for precise exposure control and framing.
The W320’s 2.7-inch fixed LCD with just 230k dots feels dated and offers limited clarity. The absence of any viewfinder means that bright sunlight can wash out the screen, making composition and review tricky.
A clear winner: A6600's high-res tilting touchscreen (left) versus Sony W320's modest fixed LCD (right).
For any serious photography, being able to trust your framing and focus preview is vital, placing the A6600 leagues ahead.
Versatility Across Photography Genres: Which Camera Excels Where?
Let’s examine how these cameras perform in real-world scenarios across multiple photography disciplines:
Portraits
The A6600 offers outstanding skin tone rendering thanks to its large sensor, wide ISO range, and advanced Eye AF - providing soft yet detailed skin textures and beautiful bokeh from compatible lenses. Its ability to separate the subject from the background is critical for flattering portraits. The W320’s small sensor and fixed lens prevent substantial subject-background separation and limit depth of field control, resulting in flatter images.
Landscapes
Landscape photographers benefit immensely from high dynamic range and resolution - the A6600 provides this in spades, with 24MP files capturing rich tonal gradations. Weather sealing (environmental sealing on the A6600) offers peace of mind shooting outdoors under variable conditions. The W320 lacks any form of weather protection and is limited by its smaller sensor and fewer megapixels, which cap image detail.
Wildlife
For wildlife, fast burst shooting and accurate AF tracking are crucial. The A6600’s 11 fps and intelligent tracking, combined with long telephoto lenses available for the Sony E-mount, make it a strong choice. The W320’s fixed 26-105 mm lens (equivalent) is undersized for wildlife and the AF too slow for moving subjects.
Sports
Fast continuous AF, high frame rates, and reliable exposure metering put the A6600 in the upper echelon for sports shooters on a budget. The W320’s single-frame capture and basic AF system severely limit usability in this domain.
Street
Here, the W320’s compactness offers advantages in stealth and portability - it’s an unobtrusive companion for candid moments. The A6600, though larger, remains relatively compact for a mirrorless system and offers superior image quality and discretion with a smaller prime lens.
Macro
Macro results depend much on lens optics; the A6600 supports a range of macro lenses with precise manual and autofocus. Its sensor stabilization aids sharpness in close-up work. The W320’s 4 cm macro focus limitation is modest and less flexible.
Night / Astro
Low-light sensitivity and noise handling mark a clear victory for the A6600, with its high ISO capabilities and long shutter speeds. The W320’s tiny sensor struggles with noise in such conditions.
Video
Sony A6600 supports UHD 4K video at 30p with advanced codecs (XAVC S) and microphone and headphone jacks for audio monitoring, crucial for professional video workflows. The W320 offers VGA-quality video at 640x480 px, suitable only for casual clips.
Travel
The W320 wins in sheer portability and carry ease for casual travel shooting. The A6600 requires more setup but rewards with exceptional versatility.
Professional Use
Working photographers require reliability, high-quality files (RAW), durable build, and workflow compatibility - all strengths of the A6600. The W320 is strictly consumer-grade.
Sample shots: Notice the superior detail and color depth the A6600 achieves over the W320’s softer, less defined captures.
Build Quality and Weather Resistance: Ready for the Field
Sony’s A6600 boasts environmental sealing, shielding it against dust and moisture - a critical feature for professionals and outdoor shooters. Its robust magnesium alloy body exudes confidence and durability.
In contrast, the W320 offers no weather sealing, and its plastic construction reflects its budget design - perfectly fine for sunny days on vacation but unsuitable for demanding conditions.
Lens Ecosystem and Compatibility
The A6600 embraces the full breadth of Sony’s E-mount lenses - ranging from fast primes to telephotos, ultra-wide zooms to macro optics, totaling over 120 native lenses and support for numerous third-party options and adapters.
The W320, with its fixed 26-105 mm f/2.7-5.7 lens, offers no changeability. While this lens covers wide-angle to moderate telephoto, it cannot match the creative flexibility of the interchangeable lens system.
Battery Life and Storage Options
One pleasant surprise has been the A6600’s stellar battery life, rated at approximately 810 shots per charge using the large NP-FZ100 battery pack - a significant leap over many mirrorless cameras from the era. This makes it viable for extended shooting sessions without worrying about spares.
The W320’s NP-BN1 battery offers a more modest life typical of compact cameras, sufficient for casual outings but limited for long day trips.
Both cameras use SD card formats; the A6600 supports SD/SDHC/SDXC and Sony’s proprietary Memory Stick Pro Duo, while the W320 handles SD/SDHC and similar Memory Stick types.
Connectivity and Wireless Features
Modern connectivity separates advanced cameras from legacy designs:
- The A6600 includes Wi-Fi, Bluetooth, NFC, and USB-C for seamless wireless transfers, remote control, and firmware updates.
- The W320 has none of these wireless functions and relies on USB 2.0 wired connections for data transfer.
These features add layers of convenience and support contemporary workflows, including smartphone tethering and instant sharing.
An apples-to-apples performance rating clearly favors the A6600 across DXO metrics and real-world usability.
Technical Scores and Value for Money
From a pure performance standpoint, DXOMark gives the A6600 an overall score of 82, with a color depth of 23.8 bits and a dynamic range of 13.4 EV. The W320 lacks a DXOMark test, but its sensor size and generation indicate significantly weaker performance in color, dynamic range, and low-light capability.
Price-wise, the A6600 carries a premium of approximately $1200, reflecting its advanced feature set and build quality. The W320 retails for under $300, targeting budget-conscious casual users.
For an enthusiast or professional, the A6600’s investment translates into vastly superior image quality, versatility, and future-proofing.
Performance by genre: A6600 (blue bars) dominates in almost every photography discipline compared to W320 (orange bars).
Who Should Choose Which?
User Profile | Recommendation | Rationale |
---|---|---|
Photography Enthusiasts | Sony A6600 | Superior sensor, autofocus, lens flexibility, and pro features for creative growth. |
Professional Photographers | Sony A6600 | Reliability, RAW workflow, weather resistance, and versatile video options. |
Casual Travelers | Sony W320 | Pocket-sized, easy point-and-shoot solution for snapshots and travel convenience. |
Budget-Conscious Beginners | Sony W320 | Affordable without complexity; great for simple family photography. |
Wildlife and Sports Shooters | Sony A6600 | Fast autofocus and burst rates essential to capture fast action. |
Street Photographers | Sony A6600 or W320 (depending on style) | W320 for absolute stealth; A6600 for image quality and creative control. |
Final Thoughts: A Tale of Two Cameras
Through a lens honed by years of hands-on testing and technical scrutiny, the Sony A6600 emerges as a versatile powerhouse. Its advanced sensor, autofocus system, solid build, and rich feature set make it an excellent tool for a broad range of demanding photography disciplines - from portraits and landscapes to wildlife and video.
The Sony W320, though a relic of early-2010 consumer tech, remains a viable companion for those seeking simplicity, affordability, and absolute portability. Its straightforward operation is ideal for beginners or casual shooters who prioritize convenience over image quality or creative control.
If you have the budget and ambition, the A6600 is well worth the investment, forming a foundational pillar of a serious photography kit. For quick, fun photography and pocket-portability, the W320 steps in.
Whichever path you choose, understanding these devices’ core strengths and trade-offs ensures your photographic journey proceeds with clarity and purpose.
If you want a closer look at high-res samples, interface details, and real-world shooting impressions, feel free to reach out or explore Sony’s official galleries and trusted retailer reviews.
Happy shooting!
Sony A6600 vs Sony W320 Specifications
Sony Alpha a6600 | Sony Cyber-shot DSC-W320 | |
---|---|---|
General Information | ||
Brand | Sony | Sony |
Model | Sony Alpha a6600 | Sony Cyber-shot DSC-W320 |
Class | Advanced Mirrorless | Ultracompact |
Introduced | 2019-08-28 | 2010-01-07 |
Body design | Rangefinder-style mirrorless | Ultracompact |
Sensor Information | ||
Chip | Bionz X | - |
Sensor type | CMOS | CCD |
Sensor size | APS-C | 1/2.3" |
Sensor dimensions | 23.5 x 15.6mm | 6.17 x 4.55mm |
Sensor area | 366.6mm² | 28.1mm² |
Sensor resolution | 24MP | 14MP |
Anti aliasing filter | ||
Aspect ratio | 3:2 and 16:9 | 4:3 and 16:9 |
Highest resolution | 6000 x 4000 | 4320 x 3240 |
Highest native ISO | 32000 | 3200 |
Highest boosted ISO | 102400 | - |
Minimum native ISO | 100 | 80 |
RAW pictures | ||
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | 425 | 9 |
Lens | ||
Lens mount | Sony E | fixed lens |
Lens focal range | - | 26-105mm (4.0x) |
Maximum aperture | - | f/2.7-5.7 |
Macro focus range | - | 4cm |
Amount of lenses | 121 | - |
Focal length multiplier | 1.5 | 5.8 |
Screen | ||
Display type | Tilting | Fixed Type |
Display diagonal | 3 inch | 2.7 inch |
Display resolution | 922 thousand dot | 230 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Viewfinder Information | ||
Viewfinder | Electronic | None |
Viewfinder resolution | 2,359 thousand dot | - |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.71x | - |
Features | ||
Slowest shutter speed | 30 seconds | 1 seconds |
Maximum shutter speed | 1/4000 seconds | 1/1600 seconds |
Continuous shooting speed | 11.0fps | 1.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | - |
Change white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | no built-in flash | 4.80 m |
Flash settings | Flash off, Autoflash, Fill-flash, Rear Sync., Slow Sync., Red-eye reduction (On/Off selectable), Hi-speed sync, Wireless | Auto, On, Off, Slow syncro |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM | 640 x 480 (30 fps), 320 x 240 (30 fps) |
Highest video resolution | 3840x2160 | 640x480 |
Video file format | MPEG-4, AVCHD, XAVC S | Motion JPEG |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 503g (1.11 pounds) | 117g (0.26 pounds) |
Physical dimensions | 120 x 67 x 69mm (4.7" x 2.6" x 2.7") | 93 x 52 x 17mm (3.7" x 2.0" x 0.7") |
DXO scores | ||
DXO All around score | 82 | not tested |
DXO Color Depth score | 23.8 | not tested |
DXO Dynamic range score | 13.4 | not tested |
DXO Low light score | 1497 | not tested |
Other | ||
Battery life | 810 images | - |
Battery form | Battery Pack | - |
Battery model | NP-FZ1000 | NP-BN1 |
Self timer | Yes | Yes (2 sec or 10 sec) |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC + Memory Stick Pro Duo | SD/SDHC, Memory Stick Duo / Pro Duo / Pro HG-Duo, Internal |
Storage slots | One | One |
Retail pricing | $1,198 | $269 |