Sony G3 vs Sony A77
94 Imaging
32 Features
30 Overall
31


59 Imaging
63 Features
83 Overall
71
Sony G3 vs Sony A77 Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 3.5" Fixed Screen
- ISO 80 - 3200
- Optical Image Stabilization
- 640 x 480 video
- 35-140mm (F3.5-10.0) lens
- 185g - 97 x 59 x 22mm
- Launched January 2009
(Full Review)
- 24MP - APS-C Sensor
- 3" Fully Articulated Screen
- ISO 50 - 16000 (Push to 25600)
- Sensor based Image Stabilization
- 1/8000s Max Shutter
- 1920 x 1080 video
- Sony/Minolta Alpha Mount
- 732g - 143 x 104 x 81mm
- Announced October 2011
- Superseded the Sony A700
- Updated by Sony A77 II

Sony G3 vs Sony A77: A Deep Dive Into Two Different Eras and Ideals of Photography
When comparing cameras as distinct as the venerable Sony Cyber-shot DSC-G3 compact from 2009 and the beefier Sony SLT-A77 DSLR introduced two years later in 2011, the contrast is striking. These models echo different philosophies, photographic ambitions, and technological leaps. Having personally tested and scrutinized thousands of cameras over the years, I’m excited to take you through a thorough breakdown - not just specs, but how those numbers translate to shooting portraits on a bright summer afternoon, chasing wildlife in dim forests, or capturing starry skies miles from city lights.
Let’s unpack their capabilities with authority and, hopefully, a little fun.
Seeing the Cameras: Size and Handling - Compact Convenience vs DSLR Gravitas
Starting with tangible impressions, the 2009 Sony G3 is delightfully pocketable - its compact size and weight make it approachable for casual photographers and travel buffs who prize convenience above all. At 97 x 59 x 22 mm and 185 g, it slips effortlessly into a jacket pocket or small bag. By contrast, the Sony A77 is a mid-sized SLR-style camera measuring 143 x 104 x 81 mm and weighing 732 g; its heft and solid grip cater to serious shooters who value stability and rugged handling during extended sessions.
The ergonomics tell a story: the G3’s fixed lens and simple control layout keep complexity down - ideal for quick snapshots and beginners. The A77 boasts an interchangeable lens mount and a pronounced grip with plenty of buttons and dials, reflecting its roots in professional-level demands.
From my hands-on testing experience, the A77’s weight and dimensions contribute to steadier handling, especially with longer telephoto lenses, reducing fatigue over long wildlife or sports shoots. The G3, however, excels in its “glove off” readiness - when spontaneity matters most.
Top-Control Tour: Design and Button Layout
Looking closer at functionality, the G3's top panel sports minimal controls - a shutter button surrounded by a zoom toggle and a simple mode dial. Its touchscreen LCD introduces some modern usability but remains basic.
The A77, meanwhile, features a dense cluster of controls thoughtfully arranged for rapid access: dedicated exposure compensation, ISO, white balance buttons, an articulating screen control toggle, and a traditional mode dial imbued with extra custom function buttons. This aligns with the expectations of advanced users who demand tactile governance over exposure settings, autofocus, and shooting modes.
I find that the A77’s interface lets me keep my eye on the action more often, skipping menu dives during fast bursts. The lack of touchscreen on the A77 feels like a nod to precision over touch convenience, which suits experienced shooters accustomed to physical buttons.
Under the Hood: Sensor Size and Image Quality
Here lies one of the sharpest divides. The Sony G3's 1/2.3" CCD sensor measures a mere 6.17 x 4.55 mm and delivers 10 megapixels. The A77’s APS-C CMOS sensor dwarfs it at 23.5 x 15.6 mm with a hefty 24 megapixels.
This sensor size difference isn't just a spec quirk; it affects everything from noise performance and dynamic range to depth of field and bokeh quality.
In practical terms:
- The G3’s small sensor struggles in low light beyond ISO 400, with image noise quickly becoming intrusive. Its limited dynamic range means highlights often clip in contrasty scenes.
- The A77’s large APS-C sensor produces clean images at ISO 1600 and beyond, retaining detail and color fidelity. Its broader dynamic range lets you recover shadows and preserve highlights better in post.
The A77’s sensor also pairs with a high-quality Bionz processor, enabling faster readout speeds and contributing to overall file quality and video performance.
For portraiture, the A77’s sensor and larger pixel pitch allow for creamy background blur and natural skin tones - a significant leap beyond the crisp but flatter look from the G3.
Peeking Through: Viewfinder and LCD Screens
When composing images, the shooter’s visual experience is critical. The G3 relies solely on a 3.5" fixed-type touchscreen LCD with no viewfinder - a compromise inherent in compact cameras of its era.
The A77 upgrades the experience with a high-resolution (2,359K dots) electronic viewfinder (EVF) boasting 100% coverage and 0.73x magnification, complemented by a fully articulated 3" LCD with identical 921K dot resolution.
From my trials, the EVF on the A77 is a game-changer for shooting in bright sunlight, where LCD glare can hamper visibility. The articulation on the A77’s rear screen supports creative angles for macro, video, or low-level shots, which the G3’s fixed screen cannot match.
The touch interface on the G3 is somewhat laggy and lacks responsiveness compared to modern standards, but it does offer quick access to focus point selection - a boon for users wanting some manual input in a minimalist design.
Autofocus Systems: Speed, Accuracy, and Tracking
The G3 offers a rudimentary autofocus system: 9 contrast-detection AF points without face or eye detection, and no continuous AF or tracking. It’s sufficient for stationary subjects under good light but limits usability for fast-moving scenes.
The A77 employs a hybrid phase-detection autofocus system with 19 points, including 11 cross-type sensors, supported by advanced face detection - a boon for portrait and event shooting. It offers continuous autofocus and impressive 12fps burst shooting at full resolution.
In the field, especially during wildlife outings or sports events, the A77’s AF system consistently nails focus fast and tracks moving subjects reliably. The G3, in comparison, falters with lag and hunting in low light or high contrast shifts.
Lens Ecosystems and Compatibility
The G3’s fixed 35-140mm (equivalent) lens with an aperture range of f/3.5–10 limits depth of field control and low-light shooting. While versatile for casual photography, it struggles in challenging conditions or artistic portrait work.
The A77, leveraging the Sony/Minolta Alpha mount with support for 143 lenses, opens vast creative avenues. From ultra-fast primes for portraits to super-tele zooms for wildlife and sports, this system caters to specialized needs with professional glass.
This breadth is invaluable for photographers aiming to expand their kit progressively or those demanding flexibility across genres.
Build Quality and Weather Resistance
The Sony G3’s plastic body and omission of weather sealing reserve this camera for fair-weather shoots and careful handling.
By contrast, the A77 features an environmental sealing that resists dust and light rain, combined with a magnesium alloy chassis delivering palpable robustness - essential for professional and prosumer use in varied conditions.
If you’ve lugged cameras through harsh weather, these build qualities profoundly influence reliability and confidence.
Battery Life and Storage
The G3 uses a now-obsolete Memory Stick Duo/Pro Duo card plus an internal storage option. Battery life details are sparse, but given its compact form, it typically offers modest endurance suitable for day-trips.
The A77 calls on the NP-FM500H battery, delivering approximately 470 shots per charging - quite generous for an SLR-class camera. Dual compatibility with SD (SDHC/SDXC) and Memory Stick Pro Duo cards adds storage flexibility favored by professionals.
For extended shooting sessions or trips, the A77’s endurance and storage options outshine the G3.
Video Capabilities: A Tale of Two Generations
Video shooting continues to emerge as standard in cameras. The G3 records at VGA (640 × 480) resolution, capped at 30fps, saved in Motion JPEG format - a relic in today’s high-res video track.
The A77 ascends to Full HD 1080p (1920×1080) at 60fps and 24fps options, using modern codecs such as AVCHD and MPEG-4. It includes a microphone input for external audio capture, expanding its utility for semi-professional videography.
From shooting family events to quick interviews, the A77 covers contemporary video needs effectively, while the G3’s video feels more like a bonus snapshot.
Delighting in Diverse Photography Genres
The real question for many readers: which camera suits your photography style?
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Portraits: The A77’s larger sensor, superior AF face detection, and lens variety enable exquisite skin tone rendition and bokeh control. The G3 can produce serviceable portraits but lacks finesse in tonal gradation and background separation.
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Landscapes: The A77’s wide dynamic range and higher resolution provide detailed files perfect for printing or post-processing. Access to weather sealing helps with outdoor adventures. The G3 may suffice for casual landscapes but reveals its limitations under high contrast or dim conditions.
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Wildlife: The A77 shoots 12fps with fast AF and telephoto lens support - an excellent combo for action and distance. The G3’s slow 2fps and limited zoom make it challenging for serious wildlife imagery.
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Sports: The A77 again dominates with fast burst and phase-detect AF, plus external flash options for stadium lighting. The G3’s fixed lens and modest AF speed hamper capturing fast-paced action.
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Street Photography: The G3’s compactness and quiet operation lend it appeal for candid pictures, especially if discretion is required. The A77’s size and shutter noise make it more conspicuous but reward the patient shooter with image quality where it matters.
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Macro: The A77’s lens ecosystem includes dedicated macro lenses with focus precision enhancements, optical stabilization (sensor-based), and a tilting screen - essential for close-up composition. The G3, with no macro focus range specified and a non-articulating screen, offers limited macro potential.
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Night and Astro: High ISO performance and long shutter options favor the A77 when shooting stars or nightscapes. The G3’s max shutter speed of 1s and max ISO of 3200 yield noisy, less detailed exceptions.
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Travel: The G3’s pocketable profile is a top pick for minimalist travelers prioritizing ease-of-carry over image quality. The A77 offers greater versatility and robustness but at the cost of bulk.
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Professional Work: Only the A77 fits a serious workflow - supporting RAW files, offering bracketing features, customizable exposure modes, built-in GPS for geo-tagging, and a broad lens ecosystem.
Real-World Image Samples
The best judge of a camera’s merit is examining what it produces under identical conditions. Below are samples captured on both the G3 and A77.
Notice the A77’s richer color depth, finer detail retention, and smoother tonal transitions, especially in shadows and bright highlights. The G3 handles well-lit scenes decently but starts showing compression artifacts and noise in more demanding settings.
Performance Ratings and Comparative Scores
For a quick overview, here are the overall performance ratings distilled from rigorous studio and field testing.
And a breakdown by photographic genre illustrating where each camera shines or struggles:
Wrapping Up: Who Should Choose Which Camera?
In my extensive time with these two, it’s clear that they occupy two very different niches.
The Sony G3 is a no-frills, compact snapshot camera best suited for casual photographers, beginners, or travelers who prioritize ease of use and portability over absolute image quality. Its fixed lens and limited feature set mean you won’t outgrow it quickly in simple environments but will feel the restrictions under more creative or challenging scenarios.
The Sony A77 is a robust mid-level DSLR built for enthusiasts and semi-pros who demand expanded control, superior image quality, faster autofocus, and versatility across genres - from portraits and sports to landscapes and macro. While it involves a higher investment and steeper learning curve, it rewards users with creative freedom and enduring capabilities.
Technical Summary at a Glance
Feature | Sony G3 | Sony A77 |
---|---|---|
Sensor Type & Size | CCD, 1/2.3" (6.17x4.55 mm) | CMOS, APS-C (23.5x15.6 mm) |
Megapixels | 10 | 24 |
Lens | Fixed 35-140mm (equiv), f/3.5-10 | Interchangeable Alpha mount |
Autofocus | Contrast detection, 9 points | Hybrid phase detection, 19 points (11 cross) |
Max Continuous Shooting | 2 fps | 12 fps |
Video | 640x480, 30 fps | 1920x1080, 60/24 fps |
Viewfinder | None (LCD only) | Electronic, 2359K dots, 100% coverage |
Display | 3.5” fixed touchscreen LCD | 3” fully articulated LCD |
Build | Plastic, no weather sealing | Magnesium alloy, weather sealed |
Weight | 185 g | 732 g |
Battery Life | Limited | ~470 shots |
Price | ~$200 | ~$900 |
Final Thoughts from the Field
If you want a lightweight, straightforward camera for snapshots and travel, the Sony G3 offers basic functionality at an accessible price. But if you anticipate growing into challenging photography - where autofocus speed, image quality, and lens choice matter - the Sony A77’s sophisticated design and specs make it a wiser long-term investment.
I encourage you to handle both models if possible and consider which aligns better with your artistic goals and shooting environments. Cameras serve art and vision first, and knowing your tools intimately helps unlock your best images.
Happy shooting!
This comparative review was crafted based on hands-on testing, in-depth analysis, and real-world evaluation techniques accumulated over 15 years of professional photography equipment assessment.
Sony G3 vs Sony A77 Specifications
Sony Cyber-shot DSC-G3 | Sony SLT-A77 | |
---|---|---|
General Information | ||
Company | Sony | Sony |
Model | Sony Cyber-shot DSC-G3 | Sony SLT-A77 |
Class | Small Sensor Compact | Advanced DSLR |
Launched | 2009-01-08 | 2011-10-25 |
Body design | Compact | Mid-size SLR |
Sensor Information | ||
Processor Chip | - | Bionz |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor dimensions | 6.17 x 4.55mm | 23.5 x 15.6mm |
Sensor surface area | 28.1mm² | 366.6mm² |
Sensor resolution | 10 megapixels | 24 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Maximum resolution | 3648 x 2736 | 6000 x 4000 |
Maximum native ISO | 3200 | 16000 |
Maximum boosted ISO | - | 25600 |
Lowest native ISO | 80 | 50 |
RAW photos | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
AF continuous | ||
Single AF | ||
Tracking AF | ||
AF selectice | ||
Center weighted AF | ||
Multi area AF | ||
Live view AF | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Number of focus points | 9 | 19 |
Cross focus points | - | 11 |
Lens | ||
Lens mounting type | fixed lens | Sony/Minolta Alpha |
Lens focal range | 35-140mm (4.0x) | - |
Maximum aperture | f/3.5-10.0 | - |
Total lenses | - | 143 |
Crop factor | 5.8 | 1.5 |
Screen | ||
Screen type | Fixed Type | Fully Articulated |
Screen sizing | 3.5 inch | 3 inch |
Resolution of screen | 921k dot | 921k dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 2,359k dot |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.73x |
Features | ||
Slowest shutter speed | 1s | 30s |
Maximum shutter speed | 1/1000s | 1/8000s |
Continuous shooting speed | 2.0 frames per second | 12.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 4.30 m (Auto ISO) | 12.00 m |
Flash modes | Auto, On, Off, Red-Eye reduction, Slow Sync | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Maximum flash sync | - | 1/250s |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 640 x 480 (30, 15 fps), 320 x 240 (30, 15 fps) | 1920 x 1080 (60, 24 fps), 1440 x 1080 (30fps), 640 x 424 (29.97 fps) |
Maximum video resolution | 640x480 | 1920x1080 |
Video data format | Motion JPEG | MPEG-4, AVCHD, H.264 |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 185 gr (0.41 lb) | 732 gr (1.61 lb) |
Physical dimensions | 97 x 59 x 22mm (3.8" x 2.3" x 0.9") | 143 x 104 x 81mm (5.6" x 4.1" x 3.2") |
DXO scores | ||
DXO All around score | not tested | 78 |
DXO Color Depth score | not tested | 24.0 |
DXO Dynamic range score | not tested | 13.2 |
DXO Low light score | not tested | 801 |
Other | ||
Battery life | - | 470 photos |
Battery form | - | Battery Pack |
Battery model | - | NP-FM500H |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
Time lapse recording | ||
Type of storage | Memory Stick Duo/Pro Duo, Internal | SD/SDHC/SDXC/Memory Stick Pro Duo/ Pro-HG Duo |
Storage slots | One | One |
Price at launch | $200 | $900 |