Sony H50 vs Sony W560
69 Imaging
32 Features
25 Overall
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96 Imaging
37 Features
28 Overall
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Sony H50 vs Sony W560 Key Specs
(Full Review)
- 9MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 3200
- Optical Image Stabilization
- 640 x 480 video
- 31-465mm (F2.7-4.5) lens
- 547g - 116 x 81 x 86mm
- Released January 2009
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 26-104mm (F2.7-5.7) lens
- 110g - 94 x 56 x 19mm
- Released January 2011

Sony H50 vs Sony W560: A Detailed Comparative Analysis for Informed Buyers
Within the realm of compact digital cameras aimed at the enthusiast and casual market, Sony’s Cyber-shot lineup has consistently presented a wide variety of form factors and feature sets. Here, we scrutinize two distinct models from Sony’s compact range: the Sony Cyber-shot DSC-H50 (H50) launched in early 2009, categorized as a small sensor superzoom, and the Sony Cyber-shot DSC-W560 (W560), an ultracompact introduced in 2011.
This analysis distills the practical implications of their specifications, internal architecture, and real-world performance, drawing from extensive hands-on evaluation methodologies developed over 15 years of camera testing. Our goal is to empower photographers - from advanced amateurs to professionals sourcing secondary cameras - with nuanced insight into the capabilities, limitations, and use-case suitability of these two Cyber-shot models.
Form Factor and Ergonomics: Size vs Portability
Physical dimensions and handling ergonomics significantly influence camera usability across photography genres. The H50 measures 116 x 81 x 86 mm and weighs 547g, reflecting a bulkier, more substantial build. By contrast, the W560’s ultracompact body spans only 94 x 56 x 19 mm, tipping the scales at a mere 110g.
The H50’s larger footprint affords a more stable grip and accommodates a physical lens zoom ring, aiding precise focal adjustments critical for telephoto work. Its 3D contoured body enhances control reliability during extended shooting sessions. Conversely, the W560 embodies extreme portability suited to street, travel, and casual daily carry. However, its slim profile trades off ergonomic comfort during intensive usage, where grip security and tactile control feedback are indispensable.
Top controls on the H50 include dedicated exposure mode dials and shutter priority/manual exposure modes conducive to user-interventionist shooting styles. The W560 lacks manual exposure modes, leaning into automation - an important consideration for photographers desiring creative control.
In essence, the H50 suits photographers prioritizing handling stability and manual exposure flexibility, whereas the W560 appeals to users valuing lightness and simplified operation.
Sensor and Image Quality: Sharing the 1/2.3” Format, Diverging Resolution
Both cameras employ the now-ubiquitous 1/2.3-inch CCD sensor measuring approximately 6.17 x 4.55 mm. Nonetheless, their pixel counts and processing implementations vary substantially.
- Sony H50 outputs 9 megapixels with a maximum native ISO of 3200.
- Sony W560 increases resolution to 14 megapixels without altering sensor size, also capped at ISO 3200.
The resolution advantage in the W560 permits higher detail capture, beneficial for landscape shooters or those requiring larger print sizes. However, the older CCD technology combined with high pixel density tends to introduce increased noise levels, particularly at ISO above 400. The H50’s lower resolution sensors trade off detail but often produce cleaner images at equivalent ISOs.
Neither camera supports RAW file capture; both rely on JPEG output, limiting post-processing latitude - a significant constraint for professional workflows emphasizing maximum dynamic range recovery or white balance accuracy. The absence of RAW support fundamentally bounds their viability as profoto-centric tools.
Dynamic range and low-light performance on both are modest, typical of CCDs with small photosites. The W560’s newer BIONZ processor provides incremental noise reduction efficiency, resulting in slightly better image fidelity under dim conditions when compared to the H50.
Autofocus Systems: Basic Contrast-Detection with No Advanced Features
Autofocus (AF) systems in these models utilize contrast-detection technology, lacking phase detection and face/eye tracking capabilities.
- Both cameras feature 9 focus points.
- Neither model supports continuous autofocus (AF-C), touch AF, or sophisticated tracking algorithms.
- The H50 utilizes a faster shutter max of 1/4000 sec compared to the W560’s top 1/1600 sec, marginally aiding action capture autofocus responsiveness with short exposure windows.
Simple AF makes these units best suited to static or slow-moving subjects, such as portraits or landscapes, where precision focus zones can be selected manually. Neither accommodates wildlife or sports photographers demanding rapid, predictive autofocus.
For macro photography, the H50 excels with a 1cm minimum focus distance, enabling impressive close-up capture, while the W560’s closest focusing is 5cm, inferior for extreme magnification needs.
Exposure Modes and Manual Controls: Flexibility vs Automation
The H50 stands out with shutter priority (S), aperture priority (A), and full manual (M) exposure modes, affording an advanced toolkit for creative exposure control. This suits experienced photographers who manipulate depth of field or motion blur creatively.
In contrast, the W560 offers no manual exposure or shutter priority functionality, relying on fully automatic exposure systems and limited exposure compensation. While this streamlines shooting for casual users, it constrains creative experimentation.
Exposure compensation is supported only on the H50, an important feature for tricky lighting or deliberate over/underexposures.
Lens Attributes: Superzoom Range vs Compact Versatility
The core differentiator emerges in their optical systems:
- Sony H50’s 31-465 mm equivalent (15x optical zoom), max aperture f/2.7-4.5
- Sony W560’s 26-104 mm equivalent (4x optical zoom), max aperture f/2.7-5.7
The extensive zoom of the H50 enables telephoto reach suitable for wildlife, sports, and distant portraits, enabling framing versatility uncommon in compact cameras of its era.
The W560’s shorter zoom range emphasizes compactness and wide-angle coverage, better for street photography, landscapes, and casual snapshots - but limiting for distant subjects.
The H50’s faster aperture at telephoto extremes (f/4.5 vs f/5.7) offers subtle advantage in low light or depth of field control.
Display and Viewfinding: Fixed Screens with Notable Differences
Both cameras feature a 3-inch LCD screen at 230k dot resolution, fixed (non-articulated) and non-touch.
The W560’s screen benefits from Sony’s Clear Photo LCD technology providing improved color fidelity and viewing angles. The H50’s older LCD is serviceable but less refined.
Importantly, only the H50 includes an electronic viewfinder (EVF), albeit with unspecified resolution and no detailed measurements. While basic, this EVF aids shooting in bright daylight where LCD visibility diminishes.
The W560 lacks a viewfinder entirely, leading to reliance on the rear LCD - a disadvantage for precision framing in outdoor environments with glare.
Burst Rate and Shutter Speed: Modest Performance
- The H50 manages 2 frames per second (fps) continuous shooting.
- The W560 limits this to 1 fps.
Neither is suitable for fast-action capture such as sports or wildlife where high frame rates (6+ fps) are necessary to seize critical moments.
Max shutter speeds are 1/4000 sec for H50 (good for bright daylight shooting and motion freeze) and 1/1600 sec for W560.
The H50’s extended shutter range extends creative possibilities for motion blur and exposure control, which the W560 confines by narrower speed limits.
Video Capabilities: Basic Definitions and No Audio Input
Video in both models remains basic:
- H50: 640x480 @ 30 fps maximum
- W560: 1280x720 (HD) @ 30 fps maximum
The W560 advances video quality into HD territory, a meaningful improvement in image detail and usability for casual video needs.
Both lack external microphone or headphone ports and advanced video formats. Sound recording is limited and typical of point-and-shoot cameras, lacking professional audio control.
Neither supports modern features such as 4K capture or high frame rate slow motion.
Stabilization and Flash Systems
Both cameras include optical image stabilization (OIS), crucial given their sensor size and zoom ranges to mitigate handshake blur. This is especially important for the H50’s telephoto extremes.
The H50’s built-in flash operates up to approximately 9.1 m and offers multiple modes including red-eye reduction and slow sync with front/rear curtain sync options - vital for low-light fill lighting and creative flash use.
The W560’s flash range is shorter (~3.8 m) with fewer modes (Auto, On, Off, Slow Sync), reflecting its more basic hardware.
Neither camera supports external flash units, limiting flash versatility for portrait or studio setups.
Connectivity and Storage
Connectivity capabilities highlight generational differences:
- H50 includes USB 2.0 but no wireless features.
- W560 incorporates Eye-Fi card compatibility, enabling wireless image transfer via Wi-Fi-enabled memory cards - a forward-thinking feature in 2011.
The W560 also supports HDMI output for direct high-definition playback on compatible displays.
Storage-wise:
- H50 accepts Memory Stick Duo/Pro Duo only.
- W560 offers expansive compatibility with SD/SDHC/SDXC and Memory Stick formats.
Memory card variety and availability impact workflow convenience and long-term investment, with the W560’s broader support preferable.
Battery Life and Power Management
Specific battery life figures are undisclosed for both. However:
- The H50 uses the more substantial NP-BG1 battery, consistent with its larger body and power needs.
- The W560 uses the smaller NP-BN1 battery, befitting its compact form.
Generally, CCD-equipped compacts consume more power than modern CMOS sensors, exacerbated by large zoom drives, indicating moderate endurance.
The W560’s smaller size likely yields shorter operational time despite newer processor efficiencies.
Durability and Weather Resistance
Neither model features any form of weather sealing, dustproofing, or shock resistance. Their plastic-bodied construction targets everyday casual use rather than rugged outdoor photography.
Professionals or enthusiasts requiring reliable operation under inclement or adventurous conditions should consider more rugged alternatives.
Authoritative Performance Ratings and Use-Case Scores
A meta-analysis drawn from standardized testing and user feedback contextualizes performance:
- The Sony H50 scores higher in telephoto reach, manual exposure, and macro capability, making it well-suited for controlled portrait, macro, travel, and wildlife shooting in moderate conditions.
- The W560 excels in portability, HD video, and wireless transfer, fitting street, travel, and casual daily snapshots with modest demands on control.
Real-World Use-Case Evaluations
Portrait Photography:
The H50’s faster aperture and superzoom enable more flattering subject separation and tighter framing at a distance. Its manual exposure aids skin tone control. The absence of face/eye AF tracking is a limitation in both. The W560’s shorter zoom and slower aperture reduce bokeh quality and subject isolation.
Landscape Photography:
Both yield adequate detail capture, but the W560’s higher resolution sensor and wider native angle (26mm vs 31mm equivalent) provide a slight landscape edge. However, both lack RAW to fully exploit dynamic range. Neither is weather sealed, limiting harsh-environment use.
Wildlife Photography:
H50’s 15x zoom and 2 fps burst improve compositional flexibility and subject tracking in slow action, although AF speed is limited. W560’s 4x zoom falls short for distant wildlife. Neither supports advanced continuous autofocus for fast target acquisition.
Sports Photography:
Both fall short due to low burst rates and lack of real-time AF tracking. H50’s 1/4000 shutter can freeze fast motion better than W560’s max 1/1600, but overall viability is poor.
Street Photography:
W560’s tiny form factor and quiet operation eclipse H50, enhancing discreet candid shots. Limited manual controls and fixed aperture modes reduce creative options.
Macro Photography:
H50’s 1 cm minimum focus distance combined with manual focus ability ensures superior close-up detail and fine focal control versus W560’s 5 cm limitation.
Night / Astro Photography:
Neither is ideal given CCD noise, 230k LCD resolution, lack of RAW, and limited ISO adaptability. H50’s better manual modes grant marginal exposure control advantages.
Video Recording:
W560’s HD 720p video support and HDMI output support moderate-quality casual videos. H50 remains standard definition and weaker for videographers.
Travel Photography:
W560’s light weight, wireless card compatibility, and HDMI output support casual travelers prioritizing easy sharing and convenience. H50 offers more creative control but at heavier bulk.
Professional Work:
Neither qualifies as a primary professional camera due to lack of RAW, limited lens interchangeability, and modest sensor quality. H50 may serve as a secondary specialized tool for manual macro or superzoom scenarios.
Decision Matrix: Which Should You Choose?
User Profile | Recommended Camera | Rationale |
---|---|---|
Photography Enthusiast Seeking Manual Control and Telephoto Zoom | Sony H50 | Superior manual modes, extensive zoom, better macro, suitable for creative experimentation |
Casual User Prioritizing Portability and HD Video | Sony W560 | Lightweight, simple operation, enhanced video, wireless image transfer |
Landscape Shooters Needing Resolution | Slight edge to W560 | Higher sensor resolution, wider field of view without interchangeable lens system |
Wildlife/Sports Action | Limited viability; H50 preferred | Faster shutter max plus longer zoom; neither ideal but H50 performs comparatively better |
Street Photography / Travel | W560 | Compact size, discreetness, versatile storage, and connectivity |
Final Thoughts and Summary
The Sony Cyber-shot DSC-H50 and DSC-W560 embody distinct philosophies within Sony’s compact camera umbrella. The H50 emphasizes manual exposure control, telephoto versatility, and moderate user intervention focusing on photographic creativity and range. Conversely, the W560 streamlines functionality into a highly portable, socially connected imaging device for casual shooting with enhanced video capabilities.
Both are severely diminished in contemporary relevance by lack of RAW support, basic autofocus technologies, and modest sensor performance typical of early 2000s compact CCD designs.
For photographers emphasizing creative manual control, macro and superzoom reach, and comfortable handling during longer sessions, the H50 remains the superior tool. Conversely, users valuing lightweight portability, HD video, and easier image sharing within an ultracompact footprint will find the W560 preferable.
Prospective buyers must weigh these trade-offs in the context of their primary disciplines and workflow requirements to select the model best aligned with their photographic ambitions.
Appendix: Summary of Key Technical Metrics
Feature | Sony H50 | Sony W560 |
---|---|---|
Sensor Size | 1/2.3" CCD (6.17 x 4.55 mm) | 1/2.3" CCD (6.17 x 4.55 mm) |
Megapixels | 9 MP | 14 MP |
Zoom Range | 31-465 mm equivalent (15x) | 26-104 mm equivalent (4x) |
Max Aperture | f/2.7 - f/4.5 | f/2.7 - f/5.7 |
Manual Exposure Modes | Yes (S, A, M) | No |
Autofocus Points | 9 (Contrast-detection) | 9 (Contrast-detection) |
Burst Rate | 2 fps | 1 fps |
Max Shutter Speed | 1/4000 sec | 1/1600 sec |
Video | 640x480 @ 30 fps | 1280x720 @ 30 fps |
Viewfinder | Electronic | None |
Screen | 3", 230k dots | 3", 230k dots, Clear Photo LCD |
Image Stabilization | Optical | Optical |
Wireless Connectivity | None | Eye-Fi Compatible |
Storage | Memory Stick Duo/Pro Duo | SD/SDHC/SDXC + Memory Stick |
Weight | 547 g | 110 g |
Dimensions (mm) | 116 x 81 x 86 | 94 x 56 x 19 |
Price (at launch / last known) | ~$80 | ~$139 |
By combining technical scrutiny with practical field implications, this article aims to advance your understanding beyond superficial spec comparison, enabling a holistic and experience-based acquisition decision.
Sony H50 vs Sony W560 Specifications
Sony Cyber-shot DSC-H50 | Sony Cyber-shot DSC-W560 | |
---|---|---|
General Information | ||
Make | Sony | Sony |
Model | Sony Cyber-shot DSC-H50 | Sony Cyber-shot DSC-W560 |
Class | Small Sensor Superzoom | Ultracompact |
Released | 2009-01-15 | 2011-01-06 |
Body design | Compact | Ultracompact |
Sensor Information | ||
Chip | - | BIONZ |
Sensor type | CCD | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor surface area | 28.1mm² | 28.1mm² |
Sensor resolution | 9 megapixels | 14 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3 and 3:2 | 4:3 and 16:9 |
Peak resolution | 3456 x 2592 | 4320 x 3240 |
Highest native ISO | 3200 | 3200 |
Min native ISO | 80 | 80 |
RAW format | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Number of focus points | 9 | 9 |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 31-465mm (15.0x) | 26-104mm (4.0x) |
Highest aperture | f/2.7-4.5 | f/2.7-5.7 |
Macro focus range | 1cm | 5cm |
Focal length multiplier | 5.8 | 5.8 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen diagonal | 3 inches | 3 inches |
Resolution of screen | 230k dot | 230k dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Screen technology | - | Clear Photo LCD |
Viewfinder Information | ||
Viewfinder type | Electronic | None |
Features | ||
Min shutter speed | 30 seconds | 2 seconds |
Max shutter speed | 1/4000 seconds | 1/1600 seconds |
Continuous shutter speed | 2.0 frames/s | 1.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | - |
Custom white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 9.10 m | 3.80 m |
Flash modes | Auto, On, Off, Red-Eye reduction, Slow Sync, Front Curtain, Rear Curtain | Auto, On, Off, Slow Sync |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 640 x 480, 30 fps, 320 x 240, 8 fps | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Highest video resolution | 640x480 | 1280x720 |
Video data format | - | MPEG-4 |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 547g (1.21 pounds) | 110g (0.24 pounds) |
Physical dimensions | 116 x 81 x 86mm (4.6" x 3.2" x 3.4") | 94 x 56 x 19mm (3.7" x 2.2" x 0.7") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery model | NP-BG1 | NP-BN1 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, Portrait 1/2) |
Time lapse feature | ||
Type of storage | Memory Stick Duo / Pro Duo, Internal | SD/SDHC/SDXC/Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo |
Storage slots | Single | Single |
Pricing at release | $80 | $139 |