Canon 1200D vs Olympus E-520
68 Imaging
60 Features
54 Overall
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68 Imaging
44 Features
45 Overall
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Canon 1200D vs Olympus E-520 Key Specs
(Full Review)
- 18MP - APS-C Sensor
- 3" Fixed Screen
- ISO 100 - 6400 (Push to 12800)
- 1920 x 1080 video
- Canon EF/EF-S Mount
- 480g - 130 x 100 x 78mm
- Introduced February 2014
- Additionally referred to as EOS Rebel T5 / EOS Kiss X70
- Old Model is Canon 1100D
- Newer Model is Canon T6
(Full Review)
- 10MP - Four Thirds Sensor
- 2.7" Fixed Display
- ISO 100 - 1600
- Sensor based Image Stabilization
- No Video
- Micro Four Thirds Mount
- 552g - 136 x 92 x 68mm
- Launched August 2008
- Earlier Model is Olympus E-510

Canon EOS 1200D vs Olympus E-520: A Hands-On Comparison Decade Apart
When diving into the world of entry-level DSLRs from the past decade, the Canon EOS 1200D and Olympus E-520 emerge as intriguing candidates - each a sort of snapshot (pun intended) of its era’s photography technology and philosophy. Having logged many hours behind the viewfinder with both, I’m excited to take you through a detailed, hands-on comparison that not only rips apart their spec sheets but also peeks into their real-world performance, user experience, and where each might still shine today.
Whether you’re a beginner hunting for affordability and reliability, a hobbyist curious about how older models stack up, or just a gear geek seeking some nostalgic tech retrospection, this comparison covers all bases with the clarity and nuance only gained from years of testing. Let’s embark.
Size and Handling: How Do They Feel in Your Hands?
Handling a camera is deeply personal. Comfort, weight, button placement - these affect your shooting more than specs on paper because, trust me, a gorgeous sensor is useless if your hands cramp up after 30 minutes.
Let’s start with size and ergonomics. The Canon 1200D measures approximately 130 x 100 x 78 mm and weighs 480 grams, while Olympus E-520 is a tad larger at 136 x 92 x 68 mm but heavier at 552 grams. Both boast a compact SLR body design typical of entry-level DSLRs, but their build philosophies diverge.
The Canon’s slightly smaller footprint and lighter weight make it more pocketable in camera bags and less tiring during all-day shoots. The polygonal, somewhat matte finish of the Canon’s grip feels grippy without being abrasive - a crucial detail when shooting portraits outdoors or capturing wildlife kinetics.
Olympus E-520 offers a beefier heft and a more rounded grip, which for some feels more secure, especially if you have larger hands or use heavy lenses. That said, the E-520’s weight can become noticeable when walking around for travel or street photography sessions. Personally, I found the 1200D easier to wield at arm’s length, helpful in candid or street shooting scenarios where discretion and quick handling matter.
In ergonomics, both cameras are thoughtfully designed but reflect their respective years: The Canon 1200D, being newer by about six years, benefits from subtle refinements in button placement and ergonomics. However, neither camera sports illuminated buttons or advanced customization - a minor gripe since entry-level users might prefer straightforward layouts anyway.
On Top - Controls and Interface Clarity
Controls are your immediate interface to creativity. Are the dials crunchy and precise? Can you adjust exposure on the fly without diving into menus? These factors shape how quickly you respond to unfolding photographic moments.
Canon 1200D offers the classic mode dial with accessible exposure-compensation buttons, a live-view button, and intuitive power switch. Its control layout is clean and user-friendly, upholding Canon’s reputation for approachable ergonomics across their DSLRs.
Olympus E-520, while similar with its mode dial and exposure controls, reflects the design styles of mid-2000s DSLRs. The buttons feel a hair less tactile, and the mode dial has fewer dedicated positions, leaning a bit more on menu navigation. Despite that, the metal body of the E-520 provides a reassuringly solid tactile feedback, appealing if you’re accustomed to cameras that feel more substantial.
Both cameras feature optical pentamirror viewfinders with roughly 95% coverage - standard but not elite. The Canon’s 0.5x magnification edges out Olympus’s 0.46x slightly, making the 1200D’s finder marginally more comfortable, especially in bright conditions. Neither provides an electronic viewfinder, which wouldn’t be expected at this level and era.
Sensor and Image Quality: How Much Pixel Power Can You Harness?
Now, onto sensor tech - the heart of image quality. A larger, newer sensor usually translates to better image quality, especially in challenging light. The Canon 1200D sports an 18MP APS-C CMOS sensor measuring 22.3 x 14.9 mm, while Olympus E-520 packs a 10MP Four Thirds CMOS sensor at 17.3 x 13 mm.
That difference in sensor size - 332.3 mm² vs. 224.9 mm² - is enormous in real-world impact. The Canon’s APS-C sensor offers a 1.6x crop factor, giving more reach with lenses and better low-light capability, while the Olympus’s Four Thirds sensor provides a 2.1x crop factor, which can be handy if you’re into wildlife and need extra telephoto reach without heavy glass.
But megapixels and sensor size are only part of the picture. The Canon’s sensor benefits from Digic 4 processor advancements, delivering higher DxO overall scores (63 vs Olympus’s 55) indicative of superior color depth, dynamic range, and noise handling. Color depth of 21.9 bits vs. 21.4 bits and dynamic range of 11.3 EV vs. 10.4 EV are testimonials to Canon’s better image quality under demanding lighting.
Low-light ISO capabilities also favor Canon (ISO 6400 native, extendable to 12800) over Olympus’s ISO 1600 limit. In practice, the 1200D’s noise control at ISO 1600 and 3200 is cleaner, allowing more flexibility shooting indoors or at dusk without flash - a critical advantage for event shooters and street photographers.
Finally, Canon’s images out-resolve Olympus’s thanks to 18MP vs. 10MP, supporting larger prints or aggressive cropping. I’ve printed side-by-side landscapes from both - Canon’s files reveal more detail and nuance, especially in shadows.
LCD Screens and Viewfinder Usability
Flipping to the back panel matters more than you think. The screen is not just for framing but reviewing images and navigating menus.
Canon 1200D offers a 3-inch fixed TFT LCD with 460k-dot resolution - bright, reasonably sharp for checking focus on portraits or landscapes. Olympus E-520 has a smaller 2.7-inch screen at 230k dots, visibly less sharp and sometimes difficult to see under bright sun.
Neither screen supports touch input or articulates, limiting live-view flexibility. Both cameras include live-view modes but expect sluggish autofocus performance compared to modern mirrorless standards. Canon’s better resolution screen aids in culling images on the go, a significant usability advantage.
Viewfinder coverage and magnification were covered earlier; combined with screen quality, the 1200D offers more confidence when shooting handheld or in challenging light.
Autofocus Performance: Speed, Accuracy, and Focus Points
In my experience, autofocus (AF) performance separates usable camera bodies from frustrating ones - especially for action, wildlife, and sports photography.
Canon 1200D features 9 autofocus points using hybrid phase-detection and contrast-detection in live-view, with face detection capabilities. Olympus E-520 offers only 3 autofocus points and contrast-detection AF.
In practical terms, the Canon’s 9-point AF dramatically improves targeting flexibility and accuracy. Tracking moving subjects is more reliable with a greater point spread, and central cross-type sensors (though exact cross-point count is unknown) help maintain lock in varied light.
Meanwhile, the Olympus’s AF performance, though decent for static subjects, lags in speed and hunting in live-view mode. For fast shooting - say, kids running or birds in flight - Canon’s system is smoother and less frustrating.
Additionally, the Canon’s continuous AF for video/live-view assists when recording, although neither is built for professional-grade video (more on that later).
Burst Shooting and Buffer Depth
Speed matters in sports, wildlife, and street photography when capturing fleeting moments. Canon 1200D offers continuous shooting at 3 FPS, while Olympus E-520 punches slightly higher at 4 FPS.
While Olympus’s higher FPS sounds appealing, the difference of 1 frame per second is barely noticeable in casual use. More important is buffer depth (how many RAW/JPG frames before slowing), where Canon usually holds an edge with more modern processing - limiting fewer dropped frames during bursts.
For action shooters on a budget, neither camera is ideal but between the two, Canon edges ahead with more consistent burst performance and better AF tracking.
Lens Ecosystem: EF/EF-S vs. Four Thirds
Lens compatibility is critical - after all, cameras are more than bodies; the glass shapes your artistry.
Canon’s EF/EF-S mount boasts a staggering 326 native lenses, covering every genre, price point, and optical specialty - from affordable kit zooms to pro-grade primes and super-telephotos. This ecosystem provides enormous creative freedom and access to emerging glass from third parties.
Olympus’s Micro Four Thirds mount on the E-520 is somewhat smaller with about 45 native lenses available at its launch. (Correction: This camera predates the newer Micro Four Thirds mount fully, but it is compatible with Four Thirds lenses.) While its 2.1x crop factor aids reach, the limited native lens selection at launch and slower AF on legacy glass restrict flexibility.
In practical terms, Canon’s lens ecosystem dramatically outclasses Olympus, especially for those seeking specialty lenses like macro, tilt-shift, or ultra-fast primes.
Build Quality and Weather Resistance
Both cameras lack advanced weather sealing or shockproofing - understandable in entry-level DSLRs. Neither is freezeproof or dustproof. Canon’s plastic build feels a bit more modern and durable, while Olympus uses metal for a robust feel but at the expense of extra weight.
For demanding environments - say landscape or travel photography in unpredictable climates - neither is ideal without protective care. Investing in weather-sealed lenses or protective covers is recommended.
Battery Life and Storage - How Long You Can Shoot
Battery life is a practical concern if you plan all-day excursions, time-lapses, or event coverage.
Canon 1200D claims a respectable 500 shots per charge, while Olympus E-520 boasts an impressive 650 shots. Having shot with both extensively, Olympus’s longer life is tangible, especially when field charging isn’t an option.
Storage-wise, Canon uses SD/SDHC/SDXC cards, more universal and cost-effective today. Olympus requires Compact Flash or xD Picture Cards - latter being rarer and pricier now, limiting practical storage options and rapid card transfers.
Connectivity options on both are slim, with no wireless features, Bluetooth, or GPS - par for the course in their generation.
Video Capabilities: Who Wins the Moving Image Race?
If video is a side hustle or part of your workflow, Canon 1200D offers 1080p Full HD recording at 30/25 fps in H.264 format. This is entry-level by today’s standards but an excellent bonus given the camera’s price.
Olympus E-520 has no video recording capabilities at all - a definite downside for modern hybrid shooters.
Neither includes external microphone inputs or headphone outputs, so serious videographers will find these lacking. Still, Canon’s video here puts it ahead for casual videography needs.
Photography Use Case Performance Breakdown: Where Does Each Shine?
To bring it all together, let’s see how these two compete across popular photography disciplines.
Portrait Photography
Canon 1200D wins here due to higher resolution, fuller color depth, and better skin tone reproduction. Its 9 AF points and face detection facilitate sharp, well-focused eye capture critical in headshots. The Olympus’s lower resolution and slower AF make portraits workable but less versatile. Canon’s live-view focusing also aids manual focus on creative portraits.
Landscape Photography
Thanks to Canon’s larger sensor and better dynamic range, it captures more shadow and highlight detail - vital in scenic landscapes. However, Olympus’s sensor stabilization (absent in Canon) helps with handholding slow shutter shots and macro work; but the lower megapixels limit final print size fidelity. Weather sealing absence on both means cautious use outdoors.
Wildlife & Sports Photography
Canon’s superior AF system and better burst performance make it more suited to tracking fast animals or sports subjects. Olympus’s smaller lens ecosystem and slower AF are disadvantageous. Canon’s higher native ISO facilitates low-light sports arenas better.
Street Photography
Canon’s smaller size and lighter weight coupled with discreet shutter and better ISO range give it an edge in candid street shooting. Olympus’s heavier build and slower AF might make stealthier shooting more challenging.
Macro Photography
Olympus’s sensor-based image stabilization is an advantage here, helping precise focusing and reducing blur in close-up shoots. Canon’s higher resolution also helps but without IBIS, it’s more reliant on tripod support.
Night and Astrophotography
Canon’s higher ISO ceiling and better noise performance make it more flexible under low-light starry skies. Olympus’s ISO cap and sensor size limit long-exposure quality and flexibility.
Video Work
Canon wins solidly with 1080p video. Olympus does not support video at all.
Travel Photography
Canon’s lighter weight, better battery life, and lens options make it the more convenient travel companion. Olympus’s extra battery stamina is a plus but offset by card compatibility issues.
Professional Use
Both cameras are entry-level and lack pro features like robust build, advanced autofocus, or high bitrate video. Canon’s ability to shoot RAW and compatibility with a vast lens lineup make it a worthy beginner stepping stone; Olympus feels dated for professional workflows.
Overall Performance and Scores Visualized
To summarize the complex interplay of these factors:
Canon 1200D edges ahead in almost every category except battery life and stabilization (where Olympus has modest advantages).
Genre-Specific Strengths Highlighted
Breaking it down across photography specialties:
Clearly, Canon suits most users better, while Olympus has niche wins in macro and battery life.
Price and Value: What’s the Best Bang for Your Buck?
When introduced, Canon 1200D was priced around $549, the Olympus E-520 roughly $399. Today, both are discontinued but remain available secondhand at modest prices.
Considering their tech and usability, Canon’s higher price is justified by better sensor, AF, video, and lens availability. For strict budget buyers or those set on sensor stabilization and longer battery life, Olympus is a functional choice but less future-proof.
Final Thoughts and Recommendations: Who Should Pick What?
If your photography passion or work demands flexibility, image quality, and all-around performance, Canon EOS 1200D is the clear winner between these two relics. It offers better image quality, autofocus, video, and lens choices - often making it the go-to starter DSLR if you find one cheaply.
Olympus E-520 still holds value for enthusiasts needing longer battery life and sensor stabilization for macros and those who prioritize compact sturdiness over megapixels. But it’s less adept in the low-light, action, and video departments.
For beginners stepping into DSLR photography wanting to learn foundational manual controls and shoot versatile subjects, Canon 1200D remains a capable and fun tool, as long as lens options and manual settings excite you.
If you’re a collector or want to explore the quirks of the Four Thirds system with classic Olympus glass, the E-520 is a charming companion - but for serious use, it’s starting to show its age.
Summary
- Canon 1200D: Better sensor, AF system, video, and lens ecosystem. Lightweight, user-friendly, versatile.
- Olympus E-520: Lower resolution, older sensor, no video, but longer battery life, sensor stabilization, and solid build.
- Both lack advanced weather sealing, touchscreen, wireless features.
- Canon suits portrait, landscape, wildlife, sports, street, and video better.
- Olympus may appeal for macro and budget-conscious collectors.
If you’re looking for a practical, affordable gateway into DSLR photography from this era, Canon EOS 1200D is the wiser choice in most cases. Olympus’s E-520 reminds us of an earlier digital age and offers quirks that might inspire an enthusiast but comes with notable compromises.
Hopefully, this detailed journey helps you make a confident lens cap twist into your next photography adventure.
Happy shooting!
Canon 1200D vs Olympus E-520 Specifications
Canon EOS 1200D | Olympus E-520 | |
---|---|---|
General Information | ||
Manufacturer | Canon | Olympus |
Model | Canon EOS 1200D | Olympus E-520 |
Otherwise known as | EOS Rebel T5 / EOS Kiss X70 | - |
Type | Entry-Level DSLR | Entry-Level DSLR |
Introduced | 2014-02-12 | 2008-08-20 |
Physical type | Compact SLR | Compact SLR |
Sensor Information | ||
Processor | Digic 4 | - |
Sensor type | CMOS | CMOS |
Sensor size | APS-C | Four Thirds |
Sensor measurements | 22.3 x 14.9mm | 17.3 x 13mm |
Sensor area | 332.3mm² | 224.9mm² |
Sensor resolution | 18 megapixels | 10 megapixels |
Anti aliasing filter | ||
Aspect ratio | 3:2 | 4:3 |
Full resolution | 5184 x 3456 | 3648 x 2736 |
Max native ISO | 6400 | 1600 |
Max boosted ISO | 12800 | - |
Min native ISO | 100 | 100 |
RAW images | ||
Autofocusing | ||
Manual focus | ||
Touch focus | ||
Continuous AF | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
AF multi area | ||
AF live view | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Number of focus points | 9 | 3 |
Lens | ||
Lens mounting type | Canon EF/EF-S | Micro Four Thirds |
Available lenses | 326 | 45 |
Crop factor | 1.6 | 2.1 |
Screen | ||
Type of screen | Fixed Type | Fixed Type |
Screen size | 3 inches | 2.7 inches |
Screen resolution | 460k dots | 230k dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Screen tech | TFT color LCD, liquid-crystal monitor | - |
Viewfinder Information | ||
Viewfinder | Optical (pentamirror) | Optical (pentamirror) |
Viewfinder coverage | 95 percent | 95 percent |
Viewfinder magnification | 0.5x | 0.46x |
Features | ||
Lowest shutter speed | 30 seconds | 60 seconds |
Highest shutter speed | 1/4000 seconds | 1/4000 seconds |
Continuous shooting rate | 3.0 frames/s | 4.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 9.20 m (at ISO 100) | 12.00 m (at ISO 100) |
Flash options | Auto, On, Off, Red-eye | Auto, Auto FP, Manual, Red-Eye |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Highest flash synchronize | 1/200 seconds | 1/180 seconds |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1920 x 1080 (30, 25 fps) | - |
Max video resolution | 1920x1080 | None |
Video data format | H.264 | - |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 480 grams (1.06 pounds) | 552 grams (1.22 pounds) |
Physical dimensions | 130 x 100 x 78mm (5.1" x 3.9" x 3.1") | 136 x 92 x 68mm (5.4" x 3.6" x 2.7") |
DXO scores | ||
DXO All around score | 63 | 55 |
DXO Color Depth score | 21.9 | 21.4 |
DXO Dynamic range score | 11.3 | 10.4 |
DXO Low light score | 724 | 548 |
Other | ||
Battery life | 500 shots | 650 shots |
Type of battery | Battery Pack | Battery Pack |
Battery model | LP-E10 | - |
Self timer | Yes (10 sec (2 sec with mirror lock-up)) | Yes (2 or 12 sec) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC card | Compact Flash (Type I or II), xD Picture Card |
Card slots | 1 | 1 |
Pricing at launch | $549 | $400 |