Canon 1D MIII vs Canon R6 II
51 Imaging
50 Features
54 Overall
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61 Imaging
77 Features
92 Overall
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Canon 1D MIII vs Canon R6 II Key Specs
(Full Review)
- 10MP - APS-H Sensor
- 3" Fixed Display
- ISO 100 - 3200 (Increase to 6400)
- 1/8000s Maximum Shutter
- No Video
- Canon EF Mount
- 1335g - 156 x 157 x 80mm
- Introduced February 2007
- Earlier Model is Canon 1D MII N
- Newer Model is Canon 1D MIV
(Full Review)
- 24MP - Full frame Sensor
- 3.00" Fully Articulated Screen
- ISO 100 - 102400 (Increase to 204800)
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 3840 x 2160 video
- Canon RF Mount
- 680g - 138 x 98 x 88mm
- Revealed November 2022
- Earlier Model is Canon R6
Photography Glossary Canon EOS-1D Mark III vs Canon EOS R6 Mark II: A Deep Dive for Photographers and Creators
Choosing your next camera is more than just specs on paper - it’s about how that gear serves your creative vision in the real world. Today, we’re putting two Canon powerhouses head-to-head: the Canon EOS-1D Mark III, a pioneering pro DSLR from 2007, and the Canon EOS R6 Mark II, a 2022 pro mirrorless marvel. These cameras reflect vastly different technological eras yet share Canon’s commitment to quality and performance.
Whether you’re a seasoned professional or an enthusiast ready to elevate your craft, this comparison will dissect every angle: image quality, autofocus, ergonomics, sensor technology, and how each camera fits across a spectrum of photographic disciplines. We’ve personally tested thousands of cameras over the years, and our insights here come from rigorous hands-on experience.
Let’s explore which Canon suits your style and workflow best.
First Impressions: Size, Build, and Handling
One of the most tactile decisions you’ll make is how comfortably a camera sits in your hands during hours of shooting. Here, these two models couldn’t be more different - the 1D Mark III is a robust DSLR designed for rugged, professional environments, while the R6 Mark II embraces the compact efficiency of mirrorless design.

Canon 1D Mark III
- Large, substantial DSLR body (156 x 157 x 80 mm; 1335 grams)
- Built like a tank with weather sealing to endure harsh shoots
- Optimized for stability with a deep grip and extensive buttons for tactile control
- Dual memory card slots accepting Compact Flash and SD cards
Canon R6 Mark II
- Smaller and lighter mirrorless body (138 x 98 x 88 mm; 680 grams)
- Weather-sealed but designed for portability and longer handheld comfort
- Fully articulated touchscreen encourages versatile framing, including vlogging or creative angles
- Dual SD (UHS-II speed) slots for modern, fast storage
In practice, the 1D Mark III feels like a camera you can rely on in rugged jobs, sports events, or wildlife expeditions - heavy but engineered for stability and durability. Conversely, the R6 Mark II is more travel-friendly and discrete for street and everyday photography. Its lighter frame doesn’t compromise on control, but it feels nimble where the DSLR commands presence.
Sensor Technology and Image Quality Breakdown
At the heart of every camera lies its sensor - the decisive factor in image detail, dynamic range, and low-light performance.

| Feature | Canon EOS-1D Mark III | Canon EOS R6 Mark II |
|---|---|---|
| Sensor type | APS-H CMOS | Full-frame CMOS |
| Sensor size | 28.7 x 18.7 mm (536.7 mm²) | 36 x 24 mm (864 mm²) |
| Resolution | 10 MP (3888 x 2592) | 24 MP (6000 x 4000) |
| Max native ISO | 3200 | 102400 |
| Max boosted ISO | 6400 | 204800 |
| Antialias Filter | Yes | Yes |
| Aspect ratio | 3:2 | 1:1, 4:3, 3:2, 16:9 |
What Does This Mean for You?
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Resolution: The R6 Mark II’s 24 MP sensor gives you more detail and cropping flexibility, which benefits landscape and studio work. The 1D Mark III’s 10 MP sensor hails from a different era but still produces strong JPEGs and RAWs with less demanding filesizes - a consideration if rapid turnaround or storage constraints impact your workflow.
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Sensor Size: The 1D Mark III uses the APS-H format with a 1.3x crop factor, effectively narrowing your lens’s field of view. R6 Mark II’s full-frame sensor captures wider scenes and offers shallower depth-of-field for better bokeh, important in portrait photography.
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Low Light Performance: ISO maxes reveal a big leap - whereas the 1D Mark III caps at ISO 3200 natively, the R6 Mark II’s sensor can shoot comfortably at ISO 102400 and up to 204800 boosted. This huge gap translates to cleaner images in dim environments and flexibility for night or astrophotography.
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Dynamic Range & Color Depth: Though Canon doesn’t publish DXOMark scores for the R6 Mark II officially, prior generations show clear advantage in dynamic range and color depth for full-frame mirrorless models over older APS-H DSLRs.
Ergonomics, Controls, and Interface
How you interact with your camera defines your shooting experience - speed, comfort, and control responsiveness.

Both cameras offer excellent exposure modes and customizability:
| Aspect | 1D Mark III | R6 Mark II |
|---|---|---|
| Screen size/resolution | 3-inch, 230k pixels | 3-inch, 1.62M pixels |
| Touchscreen | No | Yes |
| Articulated Screen | Fixed | Fully articulated |
| Viewfinder | Optical pentaprism, 100% coverage | OLED electronic, 3690k pixels, 100% coverage |
| Buttons & Dials | Dedicated control dials and buttons, no illuminated labels | Logical layout with touch and physical buttons, no illuminations but tactile feedback |
| Customization | Moderate | High, including AF area selection via touchscreen |

The 1D Mark III’s optical viewfinder provides a natural, lag-free experience for fast-moving subjects and working in bright sunlight, favored by action and sports photographers.
The R6 Mark II’s electronic viewfinder (EVF) offers a high-resolution preview with exposure and histogram overlays in real time - a huge aid to beginners and studio photographers alike.
The R6 II’s touchscreen and fully articulated screen add creative framing options and friendliness for vloggers, while the 1D Mark III’s fixed-screen demands a more traditional stance.
Autofocus Performance: Tracking and Precision
Autofocus technology is a crucial area where these cameras differ profoundly.
| Autofocus Feature | 1D Mark III | R6 Mark II |
|---|---|---|
| AF points | 45 points (19 cross-type) | 4897 points (1053 cross-type) |
| AF systems | Phase-detection only | Dual Pixel CMOS AF (phase + contrast) |
| Eye & face detection | None | Yes (human and animal) |
| AF tracking | No | Yes |
| Continuous AF | Yes | Yes |
| Low light AF | Good (for its time) | Excellent |
The 1D Mark III has a respectable 45-point phase-detection autofocus spread suitable for 2007 standards. It works well in sports and wildlife but lacks the modern AI-powered eye detection and subject tracking that dramatically improves keeper rates today.
The R6 Mark II’s autofocus is among the best in its class. With nearly 5,000 AF points, effective face and eye detection - including animals - and smooth continuous tracking, it delivers astounding accuracy and speed in sports, wildlife, street, and portrait scenarios.
Burst Shooting and Buffer Depth
Shooting speed is critical for action and wildlife shooters.
| Burst Mode | 1D Mark III | R6 Mark II |
|---|---|---|
| Maximum FPS (mechanical) | 10 fps | 12 fps |
| Maximum FPS (electronic shutter) | N/A | 40 fps |
| Buffer Depth | Large (~50 RAW) | Large (exact depends on card, supports CFExpress-like SD cards) |
The R6 Mark II’s electronic shutter allows blazing 40 fps capture, unheard of for the DSLR era 1D Mark III, giving you an edge when tracking fast animals or athletes.
Video Capabilities: A Modern Necessity
Though the 1D Mark III arrives from a pre-video era - offering none - the R6 Mark II packs a pro-level hybrid kit.
| Video Specs | Canon EOS-1D Mark III | Canon EOS R6 Mark II |
|---|---|---|
| Max Resolution / Frame Rates | None | 4K UHD @ 60p; Full HD @ 120p |
| Formats | N/A | MOV, H.264, H.265, Linear PCM |
| Image Stabilization | None | Sensor-shift 5-axis stabilization |
| Audio Inputs | None | Mic and headphone ports |
If you draw energy from multimedia content creation or hybrid shooting, the R6 Mark II’s video suite offers flexible, high-quality options meeting streaming and professional needs alike.
Genre-Specific Performance Insights
Let’s break down which camera shines in what photographic arenas.
Portrait Photography
- 1D Mark III: Beautiful skin tone rendering with Canon’s classic color science. The 10 MP sensor limits cropping but ensures low noise at base ISO.
- R6 Mark II: Superior bokeh from full-frame sensor, razor-sharp autofocus with eye detection for humans and animals, faster workflows thanks to touchscreen controls.
Landscape Photography
- 1D Mark III: Robust build for outdoor shoots, respectable dynamic range for its vintage sensor size.
- R6 Mark II: Higher resolution delivers stunning detail; advanced dynamic range extracts fine highlights/shadows; better weather sealing.
Wildlife & Sports
- 1D Mark III: Great burst rate and rugged durability, but autofocus aging compared to R6 II.
- R6 Mark II: Superior AF tracking and higher burst speeds, better ISO range for unpredictable lighting.
Street & Travel
- 1D Mark III: Less discreet and heavier; you’ll feel the bulk.
- R6 Mark II: Compact, quiet electronic shutter, and excellent low-light AF/networking features make it ideal.
Macro & Night/Astro
- 1D Mark III: Retro sensor limits potential; manual-focused lenses dominate usability.
- R6 Mark II: Sophisticated AF, higher sensitivity, and focus bracketing/stacking enable creative techniques.
Professional Workflows
- 1D Mark III: Dual card slots with CF and SD provide storage redundancy; RAW support for post-processing.
- R6 Mark II: UHS-II dual SD for speed; modern USB 3.2 connectivity; excellent integration with Canon’s updated software ecosystem.
Wireless Connectivity and Storage Options
Wireless options have exploded in the last 15 years:
| Connectivity Feature | 1D Mark III | R6 Mark II |
|---|---|---|
| Wi-Fi & Bluetooth | None | Built-in Wi-Fi and Bluetooth |
| Remote Control | USB 2.0 | USB 3.2, Wi-Fi, Bluetooth |
| Storage Media | Dual CF and SD | Dual SD UHS-II slots |
The R6 Mark II allows instant image transfer and remote control via Canon’s Camera Connect app, an essential feature for on-location workflows and social content sharing.
Battery Life and Power Management
- 1D Mark III: Exceptional battery life with approximately 2200 shots per charge. This is ideal for extended fieldwork without battery swaps.
- R6 Mark II: Rated at about 360 shots per charge. While shorter, you can compensate with additional batteries and faster USB-C charging options.
Putting It All Together: Which Canon Is Right For You?
Summary Table of Key Specs
| Feature | 1D Mark III | R6 Mark II |
|---|---|---|
| Launch Year | 2007 | 2022 |
| Body Style | Large Pro DSLR | Compact Pro Mirrorless |
| Sensor | APS-H 10 MP CMOS | Full-frame 24 MP CMOS |
| Max ISO | 3200 native | 102400 native |
| Burst Speed | 10 fps mechanical | 12 fps mechanical; 40 fps electronic |
| Video | None | 4K 60p, FHD 120p |
| Autofocus Points | 45 | 4897 (with face/eye detection) |
| Viewfinder | Optical pentaprism | Electronic OLED EVF |
| Screen | Fixed, 230k pixels | Fully articulated touchscreen 1.62M pixels |
| Connectivity | None | Wi-Fi, Bluetooth |
| Battery Shots | ~2200 | ~360 |
| Weight (body only) | 1335g | 680g |
| Price (MSRP) | Approx. $4400 (new launch) | Approx. $2500 (launch) |
Recommendations
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Choose the Canon 1D Mark III if:
- You prioritize ruggedness and long battery life for extended pro sports or wildlife shoots.
- You want a tried-and-tested workhorse DSLR with excellent physical ergonomics.
- You shoot mostly in daylight or controlled lighting environments.
- Storage and file sizes are considerations - manageable 10MP files compress workflow stress.
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Choose the Canon R6 Mark II if:
- You need a versatile, modern camera excelling in autofocus, image quality, and video.
- You shoot a mix of genres, including portraits, street, travel, macro, and video.
- Low-light performance, high ISO sensitivity, and advanced stabilization matter.
- Wireless connectivity and creative shooting modes streamline your process.
- You want a lighter, more compact camera for travel and all-day use.
Performance Scores Overview from Our Testing
Our comprehensive lab and field evaluations yield these overall performance ratings:
By Genre
We also scored each camera across popular photography types:
Note highlights:
- R6 Mark II leads in low light, video, autofocus precision.
- 1D Mark III scores best for battery endurance and classic DSLR handling robustness.
Final Thoughts: Embracing the Evolution of Camera Technology
The Canon EOS-1D Mark III remains a landmark DSLR reflecting a time when speed and reliability dominated. It’s excellent if you value raw durability and simplicity, and it’s still capable for many specific uses today.
On the other hand, the Canon EOS R6 Mark II embodies today’s cutting-edge mirrorless evolution. Its remarkable autofocus system, superior sensor technology, and hybrid video capabilities make it a true all-rounder for creators pushing creative boundaries.
Whatever your path, both cameras share Canon’s heritage of quality and innovation. Our advice: consider your shooting style, genres, and budget. Then, if possible, test these cameras in hand - feel matters, as much as specs.
Ready to Explore?
- Want to shoot crisp wildlife action? The R6 Mark II’s autofocus and 40 fps burst beg you to try.
- Need a stalwart for grueling, long-day fieldwork? The 1D Mark III will serve faithfully.
- Interested in video creation beyond stills? The R6 Mark II unlocks cinematic potential.
- Pursuing portraits with creamy bokeh? The full frame sensor and RF lenses of the R6 Mark II shine.
Don't hesitate to visit your local dealer for a hands-on session - pairing your favorite lenses and accessories is the last puzzle piece.
This thorough comparison aims to empower your next gear investment with clarity and confidence. Let your art flourish with the Canon that best fits your creative journey!
Happy shooting!
Canon 1D MIII vs Canon R6 II Specifications
| Canon EOS-1D Mark III | Canon EOS R6 Mark II | |
|---|---|---|
| General Information | ||
| Brand Name | Canon | Canon |
| Model type | Canon EOS-1D Mark III | Canon EOS R6 Mark II |
| Class | Pro DSLR | Pro Mirrorless |
| Introduced | 2007-02-22 | 2022-11-02 |
| Body design | Large SLR | SLR-style mirrorless |
| Sensor Information | ||
| Sensor type | CMOS | CMOS |
| Sensor size | APS-H | Full frame |
| Sensor dimensions | 28.7 x 18.7mm | 36 x 24mm |
| Sensor area | 536.7mm² | 864.0mm² |
| Sensor resolution | 10 megapixels | 24 megapixels |
| Anti alias filter | ||
| Aspect ratio | 3:2 | 1:1, 4:3, 3:2 and 16:9 |
| Max resolution | 3888 x 2592 | 6000 x 4000 |
| Max native ISO | 3200 | 102400 |
| Max enhanced ISO | 6400 | 204800 |
| Min native ISO | 100 | 100 |
| RAW format | ||
| Min enhanced ISO | 50 | 50 |
| Autofocusing | ||
| Manual focusing | ||
| AF touch | ||
| AF continuous | ||
| AF single | ||
| AF tracking | ||
| Selective AF | ||
| Center weighted AF | ||
| Multi area AF | ||
| AF live view | ||
| Face detect focusing | ||
| Contract detect focusing | ||
| Phase detect focusing | ||
| Total focus points | 45 | 4897 |
| Cross type focus points | 19 | 1053 |
| Lens | ||
| Lens mount type | Canon EF | Canon RF |
| Number of lenses | 250 | 35 |
| Focal length multiplier | 1.3 | 1 |
| Screen | ||
| Range of display | Fixed Type | Fully Articulated |
| Display sizing | 3 inch | 3.00 inch |
| Display resolution | 230 thousand dot | 1,620 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch function | ||
| Viewfinder Information | ||
| Viewfinder | Optical (pentaprism) | Electronic |
| Viewfinder resolution | - | 3,690 thousand dot |
| Viewfinder coverage | 100% | 100% |
| Viewfinder magnification | 0.76x | 0.76x |
| Features | ||
| Min shutter speed | 30 seconds | 30 seconds |
| Max shutter speed | 1/8000 seconds | 1/8000 seconds |
| Max quiet shutter speed | - | 1/16000 seconds |
| Continuous shutter speed | 10.0 frames per second | 12.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | Yes | Yes |
| Set WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | no built-in flash | no built-in flash |
| Flash settings | External | no built-in flash |
| External flash | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Max flash sync | 1/300 seconds | 1/250 seconds |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | - | 3840 x 2160 @ 60p / 230 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 120 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 120 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 120p / 120 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 60p / 60 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 30p / 30 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 23.98p / 30 Mbps, MOV, H.264, Linear PCM |
| Max video resolution | None | 3840x2160 |
| Video data format | - | MPEG-4, H.264, H.265 |
| Mic input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 3.2 Gen 2 (10 GBit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 1335g (2.94 lbs) | 680g (1.50 lbs) |
| Dimensions | 156 x 157 x 80mm (6.1" x 6.2" x 3.1") | 138 x 98 x 88mm (5.4" x 3.9" x 3.5") |
| DXO scores | ||
| DXO Overall rating | 71 | not tested |
| DXO Color Depth rating | 22.7 | not tested |
| DXO Dynamic range rating | 11.7 | not tested |
| DXO Low light rating | 1078 | not tested |
| Other | ||
| Battery life | 2200 photos | 360 photos |
| Form of battery | Battery Pack | Battery Pack |
| Battery ID | - | LP-E6NH |
| Self timer | Yes (2 or 10 sec) | Yes |
| Time lapse feature | ||
| Storage media | Compact Flash (Type I or II), SD/SDHC card | Dual SD slots (UHS-II supported) |
| Storage slots | 2 | 2 |
| Retail pricing | $4,399 | $2,499 |