Canon 1D vs Fujifilm S1 Pro
50 Imaging
42 Features
43 Overall
42


56 Imaging
38 Features
33 Overall
36
Canon 1D vs Fujifilm S1 Pro Key Specs
(Full Review)
- 4MP - APS-H Sensor
- 2" Fixed Display
- ISO 100 - 3200
- 1/16000s Max Shutter
- No Video
- Canon EF Mount
- 1585g - 156 x 158 x 80mm
- Introduced December 2001
- Newer Model is Canon 1D MII
(Full Review)
- 3MP - APS-C Sensor
- 2" Fixed Display
- ISO 320 - 1600
- No Video
- Nikon F Mount
- 820g - 148 x 125 x 80mm
- Announced August 2000
- Newer Model is Fujifilm S2 Pro

Canon EOS-1D vs Fujifilm FinePix S1 Pro: An Exhaustive Early 2000s Pro DSLR Comparison
In the rapidly evolving landscape of professional digital single-lens reflex (DSLR) cameras, the early 2000s presented pioneering options that shaped photographic workflows in ways still relevant today. Among these, the Canon EOS-1D and Fujifilm FinePix S1 Pro represent landmark entries in the pro DSLR category. Both introduced critical sensor technologies, autofocus innovations, and ergonomic designs, targeting professionals demanding durability, versatility, and uncompromised quality in their imaging tools.
This comprehensive analysis draws from extensive hands-on testing methodologies - including side-by-side sensor evaluations under controlled lighting, autofocus precision benchmarks using standardized target charts, and in-field real-world shooting across genres such as portraiture, landscape, wildlife, and sports. Our goal is to provide an authoritative, no-nonsense comparison focused on practical usability for photography professionals and enthusiasts aiming to assess these cameras' relevance for varying shooting scenarios.
Physical Form and Handling: Heft and Ergonomics Under the Hood
Beginning from tactile interaction to handling nuances, one cannot overlook the weight, dimensions, and control placement that dictate long shooting sessions’ comfort and efficiency.
Canon EOS-1D commands presence at 1585 grams and physical dimensions of 156x158x80 mm, embodying a traditional pro DSLR’s robustness with a large SLR body. It features a fixed 2-inch LCD screen and a pentaprism optical viewfinder offering 100% coverage and 0.72x magnification, ensuring an unhindered and accurate image preview for precise composition. Controls are robust but entirely manual without illumination, demanding familiarity for operation under low-light or dynamic conditions.
Fujifilm S1 Pro, more compact at 820 grams and 148x125x80 mm, offers a lighter alternative with a marginally smaller profile, appealing to photographers seeking portability without compromising build integrity. The S1 Pro includes a fixed 2-inch screen with a higher resolution (200k pixels versus Canon's 120k), albeit accompanied by a 90% viewfinder coverage, slightly limiting peripheral composition awareness. Its pentaprism design maintains traditional optical familiarity but with reduced size.
Ergonomically, the Canon’s larger grip facilitates secure handling with extended shooting, critical during sports or wildlife shoots where steadiness and reaction time matter. The Fuji’s lighter weight may benefit street and travel photographers prioritizing mobility but might induce more fatigue during prolonged sessions without added grip accessories.
Sensor Technology and Image Quality: The Heart of Image Creation
Comparing the imaging sensors reveals one of the most critical differences driving overall output fidelity, color rendition, and dynamic range.
The Canon EOS-1D utilizes a 4-megapixel APS-H sized CCD sensor measuring 28.7 x 19.1 mm, yielding a sensor area of approximately 548.17 mm² with a crop factor of 1.3x. This sensor size abstracts a balance between resolution and high ISO sensitivity. Although modest by today’s standards, the sensor delivers exceptionally clean files up to ISO 3200 (native ceiling), supported by an optical low-pass (anti-alias) filter to mitigate moiré artifacts in fine details. The dynamic range is respectable within its generation constraints, preserving highlight detail even in challenging lighting.
Conversely, the Fujifilm S1 Pro sports a smaller APS-C sized CCD sensor at 23 x 15.5 mm with a 1.6x crop factor, yielding 3-megapixel resolution and a sensor area of about 356.5 mm². Its native ISO tops at 1600, reflecting more modest low-light capabilities. Fuji’s sensor technology, however, was distinctive for its proprietary Super CCD layout, emphasizing diagonal light capture for enhanced tonal gradation and color depth despite the lower pixel count. This innovation tends to produce images with notably rich color depth and pleasing gradations, especially advantageous for portrait work where subtle skin tones matter.
From a practical workflow standpoint, Canon’s larger sensor area translates to superior depth of field control and smoother bokeh quality, paramount for portrait and sports photography. Fujifilm’s sensor, while smaller, emphasizes color fidelity over outright resolution or ISO breadth, making it appealing for studio and controlled environment usage.
Autofocus Systems: Speed, Accuracy, and Flexibility in a Critical Performance Subsystem
Autofocus (AF) is vital across most photographic disciplines, impacting the success rate of capturing fast-moving subjects or achieving razor-sharp focus in complex scenes.
The Canon EOS-1D boasts a sophisticated 45-point autofocus system utilizing phase detection with multiarea and continuous autofocus modes. Despite lacking face or eye detection features (not yet developed during its release window), its AF tracking performance and selective focus area options offer noteworthy versatility. The system excels in fast, precision autofocus during action-intensive genres such as sports and wildlife, thanks to rapid sensor-driven motor responses and advanced predictive algorithms.
By contrast, the Fujifilm S1 Pro uses Nikon F-mount's established AF system, inherited from its DSLR base, with an unspecified number of focus points but supporting both continuous and single AF modes. Although reliable for general-purpose photography, its lower frame rate (2 fps compared to Canon’s 8 fps) coupled with a slower maximum shutter speed (1/2000s vs. 1/16000s) limits suitability for high-action scenarios. Its AF performance suffices for portraiture and landscape but may struggle with fast-moving subjects.
For photographers heavily invested in wildlife or sports photography, Canon’s system clearly holds operational superiority. Those focusing more on deliberate compositions or studio work may find Fuji’s autofocus adequate without needing the extra complexity.
Shutter Performance and Continuous Shooting: Catching the Decisive Moment
Shutter performance governs the camera’s ability to freeze motion and capture sequences effectively in high-action environments.
The Canon EOS-1D features a broad shutter speed range from 30 seconds to 1/16000 sec, with no electronic shutter but capable of sustained 8 fps continuous shooting. This allows for exceptional temporal resolution in unpredictable or fast-paced shooting, capturing fleeting expressions or movements with precision.
The Fujifilm S1 Pro offers a slower shutter ceiling of 1/2000 sec and 2 fps continuous shooting - figures limiting burst capacity and suitability for fast sports but adequate for general photography and studio environments.
Additionally, Canon’s higher flash sync speed (1/500 sec vs. Fuji’s 1/125 sec) enables more creative lighting techniques such as fill flash in daylight or freezing subject motion with strobes, underscoring greater studio versatility.
Build Quality and Weather Sealing: Durability in Diverse Shooting Conditions
Professional use demands equipment that endures environmental stress, demanding scrutiny of build materials and sealing.
The Canon EOS-1D features environmental sealing to protect against dust and moisture ingress, a critical advantage for outdoor, sports, and wildlife shoots in adverse weather. Its rugged construction, although heavy, delivers the reliability expected from pro-tier DSLRs.
The Fujifilm S1 Pro lacks weather sealing and robust shock or freeze-proofing, constraining its field utility in harsh environments. Its lighter construction reflects this trade-off, making it more vulnerable to elements, thus better suited for controlled or mild conditions.
Viewfinder and LCD Screen: Composing and Reviewing Captures
Clear, bright, and accurate image preview and review mechanisms facilitate efficient workflow.
Both cameras employ pentaprism optical viewfinders but differ in coverage and brightness. The Canon EOS-1D’s 100% coverage with 0.72x magnification provides exact framing critical for precision layouts, while the Fuji’s 90% coverage offers slightly cropped real-time viewing, occasionally necessitating cautious framing.
For rear LCDs, the Canon’s 2” fixed screen lags behind in pixel count (120k pixels) compared to the Fujifilm’s 2” screen at 200k pixels, facilitating more detailed image review on-set. However, neither camera supports live view or articulating/touch screens, standard today but absent in this generation. Extended shooting therefore depends heavily on optical framing and reviewing catch images retrospectively.
Lens Ecosystems and Compatibility: Extending Creative Possibilities
Lens availability and mount compatibility critically impact camera versatility and futureproofing.
The Canon EOS-1D supports Canon EF lenses, a vast ecosystem encompassing approximately 250 native lenses ranging from ultra-wide angle to super-telephoto optics. Compatibility with professional L-series lenses and third-party options secures access to specialized optics essential for wildlife, sports, and studio portraiture, including exceptional macro and tilt-shift lenses enabling extensive creative control.
The Fujifilm S1 Pro employs the Nikon F mount, benefiting from one of the largest lens libraries historically, with over 300 lenses including countless Nikon and third-party optics. However, compatibility considerations apply based on AF motor presence and optical coupling depending on which Nikon bodies the Fuji system is based around. Users seeking autofocus with non-CPU lenses encounter limitations that may necessitate manual focus workarounds.
In practice, Canon users benefit from more tailored AF-motor compatibility and direct support, while Fuji users access broader lens diversity but with varying AF reliability depending on the lens model.
Battery Life and Storage: Support for Extended Shoots
Extended shooting capability hinges on power longevity and data storage solutions.
Battery specifications are elusive for both models, but experience indicates Canon’s professional battery grip systems (likely proprietary NiMH packs) support longer operational durations in field shoots versus Fuji’s use of 4x AA batteries - offering replacement convenience but reduced lifespan and potential inconsistency with cheaper rechargeables.
Storage-wise, both cameras accept Compact Flash Type I or II cards, with Fujifilm additionally including SmartMedia support, providing flexibility but risk of slower write speeds and early 2000s-era media constraints.
Connectivity and Workflow Integration: Bridging Camera and Post-production
Modern photographers depend on seamless integration of cameras within digital workflows.
Neither camera offers wireless connectivity, Bluetooth, or GPS. Canon lacks a USB interface entirely, hindering direct computer tethering, forcing workflows to depend on CF card readers. The Fujifilm S1 Pro includes USB 1.0 support but offers slow transfer rates by current standards and limited tethering functionality.
Both support RAW capture, essential for professional workflows needing maximum post-processing flexibility, and both lack any form of video recording capability, consistent with their era.
Practical Performance Across Photography Genres
Portrait Photography
- Canon 1D: Large APS-H sensor and 45 AF points with multiarea modes enable precise focusing and excellent background separation (bokeh), coupled with reliable skin tone rendition despite early CCD limitations.
- Fujifilm S1 Pro: Super CCD sensor prioritizes color accuracy and smooth gradations, potentially yielding more pleasing portraits in controlled lighting but limited resolution and sensitivity restrict low-light versatility.
Landscape Photography
- Canon 1D: Larger sensor area and better environmental sealing favor landscape shooters needing durability and dynamic range.
- Fujifilm S1 Pro: Higher resolution despite smaller sensor, combined with Fujifilm color science, benefits studio-like conditions or mild environments.
Wildlife and Sports Photography
- Canon 1D: Superior autofocus system, faster frame rates, and higher shutter speeds clearly render it preferable for capturing motion.
- Fujifilm S1 Pro: Slow burst shooting and lower shutter speeds impair utility in this domain.
Street Photography and Travel
- Canon 1D: Bulk reduces portability; harsh weather sealing benefits outdoor environments.
- Fujifilm S1 Pro: Lightweight and portable, albeit with durability trade-offs.
Macro and Night/Astro Photography
- Both lack built-in stabilization or specialized focusing aids for macro, limiting utility.
- High ISO performance favors Canon for limited astro or night captures due to higher max ISO.
Video and Professional Workflow
- Neither camera supports video recording.
- Canon’s robust build, 1.3x crop factor sensor, and high shutter speeds favor studio and field professional workflows.
- Fujifilm’s wider lens compatibility and color science assist in specialized commercial shoots.
Visual Evidence from Side-by-Side Shooting
This gallery presents carefully matched exposure samples in varying conditions, illustrating Canon’s cleaner high ISO performance and sharper detail, contrasted with Fujifilm’s richer color tonalities and smoother gradations under balanced lighting.
Overall Performance Summary and Scoring
A synthesized performance metric across core evaluative axes places Canon EOS-1D ahead in speed, durability, and technological innovations concerning autofocus and shutter mechanics, while Fujifilm S1 Pro offers commendable color fidelity and ease of use within more controlled photographic applications.
Genre-specific Recommendations Based On Performance Scores
- Sports/Wildlife: Canon EOS-1D is unequivocally superior.
- Portraiture and Studio Work: Fuji S1 Pro offers competitive quality, particularly where color depth is paramount.
- Landscape: Canon’s sensor size and weather sealing tip balance.
- Street/Travel: Fujifilm’s lighter weight and smaller size offer ergonomic advantages.
- Macro and Night: Canon demonstrates modest superiority due to higher ISO handling.
Conclusion: Which Early-2000s Pro DSLR Should You Choose?
Both cameras have merits grounded firmly in their engineering choices reflective of their release timelines.
For professionals requiring speed, durability, and adaptability - particularly in demanding environments such as sports, wildlife, and press photography - the Canon EOS-1D remains the authoritative choice. Its expanded autofocus system, higher frame rates, extensive lens ecosystem, and robust build resonate with the needs of photographers prioritizing operational reliability and responsiveness.
Conversely, photographers prioritizing color fidelity, more compact dimensions for mobility, and controlled lighting scenarios - such as portrait and studio shooters - may find value in the Fujifilm FinePix S1 Pro. Its unique sensor technology, respectable resolution, and compatibility with Nikon mount lenses provide a specialized option for specific workflows centered on color nuance over responsiveness.
Investment Considerations: At launch, the Canon priced near $4900 targeted top-tier professionals, while Fujifilm’s approximately $2000 positioning addressed enthusiasts and semi-pro shooters looking for a cost-effective introduction to pro DSLRs.
This analysis underscores the importance of aligning camera selection with specific photographic demands and workflows, rather than solely sensor specs or brand reputation. Both cameras exhibit thoughtfully engineered compromises reflective of early digital photography's evolution, providing users with valuable tools tailored to distinct professional needs.
Canon 1D vs Fujifilm S1 Pro Specifications
Canon EOS-1D | Fujifilm FinePix S1 Pro | |
---|---|---|
General Information | ||
Brand | Canon | FujiFilm |
Model | Canon EOS-1D | Fujifilm FinePix S1 Pro |
Class | Pro DSLR | Pro DSLR |
Introduced | 2001-12-13 | 2000-08-08 |
Body design | Large SLR | Large SLR |
Sensor Information | ||
Sensor type | CCD | CCD |
Sensor size | APS-H | APS-C |
Sensor dimensions | 28.7 x 19.1mm | 23 x 15.5mm |
Sensor surface area | 548.2mm² | 356.5mm² |
Sensor resolution | 4 megapixels | 3 megapixels |
Anti aliasing filter | ||
Aspect ratio | 3:2 | 3:2 |
Highest resolution | 2464 x 1648 | 3040 x 2016 |
Highest native ISO | 3200 | 1600 |
Min native ISO | 100 | 320 |
RAW pictures | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
AF continuous | ||
AF single | ||
AF tracking | ||
AF selectice | ||
Center weighted AF | ||
Multi area AF | ||
Live view AF | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Number of focus points | 45 | - |
Lens | ||
Lens mount | Canon EF | Nikon F |
Amount of lenses | 250 | 309 |
Focal length multiplier | 1.3 | 1.6 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display size | 2 inches | 2 inches |
Display resolution | 120 thousand dot | 200 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Viewfinder Information | ||
Viewfinder type | Optical (pentaprism) | Optical (pentaprism) |
Viewfinder coverage | 100% | 90% |
Viewfinder magnification | 0.72x | - |
Features | ||
Lowest shutter speed | 30 seconds | 30 seconds |
Highest shutter speed | 1/16000 seconds | 1/2000 seconds |
Continuous shooting speed | 8.0 frames/s | 2.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | no built-in flash | 15.00 m |
Flash options | External | Auto, On, Off, Red-eye reduction, Slow Sync |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Highest flash sync | 1/500 seconds | 1/125 seconds |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Highest video resolution | None | None |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | none | USB 1.0 (1.5 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 1585g (3.49 lbs) | 820g (1.81 lbs) |
Dimensions | 156 x 158 x 80mm (6.1" x 6.2" x 3.1") | 148 x 125 x 80mm (5.8" x 4.9" x 3.1") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery model | - | 4 x AA |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
Time lapse recording | ||
Type of storage | Compact Flash (Type I or II) | SmartMedia, Compact Flash Type I or II |
Storage slots | 1 | 1 |
Retail cost | $4,899 | $2,000 |