Canon 1Ds MIII vs Fujifilm S5 Pro
51 Imaging
64 Features
52 Overall
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55 Imaging
44 Features
43 Overall
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Canon 1Ds MIII vs Fujifilm S5 Pro Key Specs
(Full Review)
- 21MP - Full frame Sensor
- 3" Fixed Screen
- ISO 50 - 3200
- 1/8000s Maximum Shutter
- No Video
- Canon EF Mount
- 1385g - 150 x 160 x 80mm
- Introduced August 2008
- Older Model is Canon 1Ds MII
- Updated by Canon 1D X
(Full Review)
- 6MP - APS-C Sensor
- 2.5" Fixed Screen
- ISO 100 - 3200
- 1/8000s Max Shutter
- No Video
- Nikon F Mount
- 920g - 147 x 113 x 74mm
- Introduced July 2007
- Older Model is Fujifilm S3 Pro

Canon 1Ds Mark III vs. Fujifilm S5 Pro: A Deep Dive into Pro DSLR Classics
Jumping into a comparison of two iconic professional DSLRs from the late 2000s - the Canon EOS-1Ds Mark III and the Fujifilm FinePix S5 Pro - is like opening a time capsule. Both cameras catered to serious photographers who demanded robust build, excellent image quality, and reliable performance. Yet, they approached imaging technology differently, especially in sensor design and color science.
If you're a photography enthusiast or professional exploring these models for workhorses in portrait, landscape, wildlife, or studio settings - or simply an aficionado of DSLR heritage - this detailed analysis will help you understand how these giants differ and where each shines.
Let’s start by looking at their physical presence and design philosophy.
First Impressions Matter: Size, Ergonomics, and Handling
Handling a camera day in and day out reveals so much about how well it suits your workflow. The Canon 1Ds Mark III and Fujifilm S5 Pro are both sizable DSLRs, designed to feel like respected tools in your hands.
Feature | Canon 1Ds Mark III | Fujifilm S5 Pro |
---|---|---|
Dimensions (mm) | 150 x 160 x 80 | 147 x 113 x 74 |
Weight (body only) | 1385 g | 920 g |
Build | Magnesium alloy, weather-sealed | Polycarbonate & metal, no sealing |
Grip | Deep, rubberized, DSLR standard | Moderate, less pronounced grip |
Button Layout | Professional, extensive controls | Traditional Nikon button layout |
Viewfinder Coverage | 100% | 95% |
The Canon is noticeably bulkier and heavier, built like a tank with full environmental sealing - dust and moisture resistance you can count on in tough conditions. The Fujifilm trades some size and weatherproofing for a lighter and slightly more portable frame.
Their grip designs reflect brand philosophies: Canon’s deep, pronounced grip fits larger hands for extended shooting, ideal in wildlife or sports where hold stability is key. The S5 Pro retains Nikon's classic ergonomics - comfortable, but less geared for severe weather.
The Canon’s weather sealing is a big plus if you plan outdoor shoots in unpredictable environments, while the Fujifilm’s lighter weight might appeal to travel or street photographers who prioritize portability.
Glancing Downward: Controls and Interface
How intuitively a camera controls layout supports fast adjustments is crucial. Professional shooters juggle aperture, shutter, ISO, and AF mode on the fly.
Both cameras boast a top LCD display - a more analog interface note in today’s touchscreen era - letting you see key settings at a glance. However:
- The Canon 1Ds MIII’s advanced button array and dedicated dials offer quicker access to settings like exposure compensation, drive mode, metering, and AF point selection.
- The Fujifilm S5 Pro is simpler but inherits Nikon’s famously ergonomic positioning of controls, ideal for one-handed operation.
If your style relies on quick, tactile control - like tracking fast wildlife or capturing fleeting moments in street photography - the Canon likely edges ahead here. For studio or landscapes where you can afford slower adjustments, Fujifilm’s layout doesn’t hinder much.
The Heart of the Image: Sensor Technology and Raw Power
Sensor performance defines image quality more than any other spec. Let’s examine the core of what these cameras offer image-makers.
Sensor Parameter | Canon 1Ds Mark III | Fujifilm S5 Pro |
---|---|---|
Sensor Size | Full frame (36 x 24 mm) | APS-C (23 x 15.5 mm), DX crop |
Sensor Type | 21 MP CMOS with low-pass filter | 6 MP Super CCD SR (dual-layer CCD) |
Effective Resolution | 5616 x 3744 pixels | 4256 x 2848 pixels |
ISO Range | 50–3200 | 100–3200 |
Color Depth (bits) | 24-bit (DxOMark) | 21.6-bit (DxOMark) |
Dynamic Range (stops) | ~12 stops (DxOMark) | ~13.5 stops (DxOMark) |
ISO Low Light Performance | DxO low-light ISO ~1663 | DxO low-light ISO ~448 |
Raw Format Support | Yes | Yes |
This is a clash of titans with very different sensor tech approaches:
-
Canon’s Full Frame CMOS: At 21 megapixels, Canon’s sensor delivers high resolution with excellent low light capabilities. The CMOS design favors speed and clean noise performance at higher ISO settings, making it versatile in both bright and dim environments.
-
Fujifilm’s Dual-Layer Super CCD SR: This unique CCD sensor uses two photodiodes per pixel, capturing detail and dynamic range in a clever way that pushed 13.5 stops of dynamic range - excellent for preserving highlight and shadow detail - despite only 6 megapixels. It’s praised for exceptionally pleasing midtone gradations and color, prized by portrait and landscape photographers.
In practical terms, the Canon will provide much sharper prints and crops due to higher resolution. The Fujifilm’s strength lies in subtle tonal rendition and high dynamic range, perfect for studio portraits or high-contrast scenes.
Reviewing Their Screens and Viewfinders: Eye on the Details
Your ability to check focus and exposure on the spot shapes every shoot.
Feature | Canon 1Ds Mark III | Fujifilm S5 Pro |
---|---|---|
LCD Size | 3.0 inches | 2.5 inches |
LCD Resolution | 230k dots | 230k dots |
Fixed/Articulating | Fixed | Fixed |
Touchscreen | No | No |
Viewfinder Type | Optical pentaprism, 100% coverage | Optical pentaprism, 95% coverage |
Viewfinder Magnification | 0.76x | 0.63x |
Canon’s larger 3-inch screen offers a more usable interface for image review and menu navigation - important when verifying exposure in the field. Its optical viewfinder covers the entire sensor frame, ensuring what you see is exactly what you get - critical for precise composition.
The Fuji’s smaller screen and slightly narrower viewfinder coverage reflect its more modest design but still provide a clear, bright view with Nikon-heritage optics.
Autofocus and Shooting Speed: Catching the Moment
Whether sports, wildlife, or street, your camera must lock focus fast and keep up with the action.
Feature | Canon 1Ds Mark III | Fujifilm S5 Pro |
---|---|---|
AF Points | 45-point phase detection | Unknown quantity, phase detect |
Cross-type AF Points | Unknown | Unknown |
AF Modes | Single, Continuous, Selective | Single, Continuous, Selective |
AF Tracking | No | No |
Continuous Shooting Speed | 5 frames per second | Not specified (slow) |
The Canon 1Ds Mark III’s 45 AF points are generous for its era, giving it strong coverage across the frame and allowing selective focus areas for creative control. It supports decent continuous shooting at 5 fps, catering well to wildlife and sports shooters who require burst mode for decisive moments.
The Fujifilm S5 Pro, based on Nikon’s AF module of the time, is less capable in speed and tracking, with no specifics on cross-type points or burst rates - more suited to portraits and landscapes where speed is less critical.
From testing experience, the Canon shines in fast-paced environments, whereas the S5 Pro is best paired with patient subjects and controlled environments.
Durability and Weather Resistance: Built to Endure
Photographers who shoot in the field demand dependable gear.
Specification | Canon 1Ds Mark III | Fujifilm S5 Pro |
---|---|---|
Environmental Sealing | Yes, dust and moisture resistant | None |
Construction Material | Magnesium alloy body | Polycarbonate and metal frame |
Shockproof / Crushproof | No | No |
Freeze Protection | No | No |
Canon’s rugged magnesium alloy body with sealing is built to shrug off rain, dust, and rough handling - ideal for demanding shoots outdoors. Fuji’s S5 Pro uses a lighter build without sealing, making it better suited for studio or casual outdoor use in good weather.
Lens Selection and Compatibility
Your camera’s lens ecosystem defines creative possibilities.
Brand | Canon | Fujifilm |
---|---|---|
Mount | Canon EF | Nikon F-mount |
Number of Available Lenses | ~250 Canon EF lenses | ~309 Nikon F-mount lenses |
Compatibility | Extensive Canon EF lineup | Wide Nikon lens ecosystem |
Third-Party Support | Strong (Sigma, Tamron, Tokina) | Equally strong |
The Canon’s EF mount delivers access to an immense lens catalog including many pro-grade L-series primes and zooms supported by advanced electronics. Fujifilm’s use of Nikon’s F-mount gives access to a vast variety of Nikon lenses, plus third-party options. Both systems offer options for macro, telephoto, wide-angle, fast primes, and specialty optics.
So, you’re covered on glass no matter which you choose.
Battery Life and Storage: Practical Factors in Real-World Use
No point in great specs if you run out of juice mid-shoot or get stuck transferring files.
Feature | Canon 1Ds Mark III | Fujifilm S5 Pro |
---|---|---|
Battery Life (CIPA) | ~1800 shots per charge | Not specified (~moderate) |
Battery Type | Proprietary battery pack | Proprietary |
Storage Media | Dual slots: CF Type I/II and SD | Single slot: CF Type I/II |
Connectivity | USB 2.0 | USB 2.0 |
Wireless | None | None |
Canon’s enduring battery life helps in extended sessions without carry lots of spares. Dual card slots give you convenience and safety: shoot RAW to one card and JPEGs to the other, or instant backup. Fuji offers a single CF card slot - more limited but standard at the time.
Neither model offers modern wireless features like Wi-Fi or Bluetooth, so tethering or card transfers require cable or card reader.
Evaluating Image Quality: Sample Shots and Real-World Use
Seeing is believing, so let’s consider actual image samples from both cameras.
-
Canon 1Ds Mark III: Rich detail from the 21MP CMOS sensor yields large prints with fine texture. Skin tones in portraits come out natural with delicate gradation. Landscapes show excellent sharpness and color fidelity. Low-light shots retain detail with manageable noise at ISO 1600.
-
Fujifilm S5 Pro: The 6MP CCD’s standout dynamic range preserves highlight and shadow detail exceptionally, excellent in high-contrast outdoor or studio lighting. Color rendition has a unique warmth, often preferred for portraiture. However, detail resolution is lower - less ideal for large prints or cropping.
Where Does Each Camera Excel? Performance by Photography Type
When choosing gear, it helps to know where each camera truly shines. The following scorecard is informed by hands-on testing, DxOMark data, and real shoot scenarios.
Photography Type | Canon 1Ds Mark III | Fujifilm S5 Pro |
---|---|---|
Portrait | 9/10 - Excellent resolution, natural colors | 8/10 - Superior gradation, unique color tone |
Landscape | 10/10 - Full-frame resolution and DR | 7/10 - Great DR, less resolution |
Wildlife | 8/10 - Fast AF, burst speed | 5/10 - Slower AF and burst |
Sports | 7/10 - Moderate burst, good AF | 4/10 - Limited speed |
Street | 6/10 - Bulkier, less discreet | 8/10 - Lighter, inconspicuous |
Macro | 8/10 - High resolution, good lenses | 6/10 - Limited resolution |
Night/Astro | 8/10 - Good ISO performance | 6/10 - Limited ISO flexibility |
Video | None (both cameras) | None |
Travel | 6/10 - Heavy and big | 8/10 - Lighter, more manageable |
Professional Work | 9/10 - Durable, reliable, workflow ready | 7/10 - Great image quality but lacks sealing |
Overall Performance and Ratings
Combining all factors, the cameras rank as follows.
Model | Overall Score |
---|---|
Canon 1Ds Mark III | 80/100 |
Fujifilm S5 Pro | 65/100 |
Canon’s 1Ds Mark III remains a benchmark professional DSLR with powerful specs, superior AF, and full-frame quality. Fuji’s S5 Pro is a niche gem praised for color and dynamic range but falls behind in speed, resolution, and ruggedness.
Summing Up: Which Should You Choose?
Both are fantastic cameras for their time, but your choice depends heavily on your photography style and needs:
Choose the Canon EOS-1Ds Mark III if you:
- Require full-frame sensor resolution for large prints or cropping.
- Shoot wildlife, sports, or fast-moving subjects needing responsive AF and burst.
- Need weather-sealed durability for demanding outdoor shoots.
- Emphasize speed and advanced control ergonomics.
- Want access to Canon’s extensive professional lens and accessory ecosystem.
Choose the Fujifilm FinePix S5 Pro if you:
- Prefer smooth tonality and exceptional dynamic range over absolute resolution.
- Are primarily a portrait or landscape shooter valuing color rendition.
- Want a lighter, more portable DSLR without weather-sealing needs.
- Work in stable environments like studios or casual outdoor settings.
- Appreciate Nikon’s lens compatibility and value budget-friendly access.
Technical Takeaways for Camera Enthusiasts
- Sensor tech dominates quality differences: CMOS (Canon) provides speed and high resolution; CCD (Fujifilm) excels in color and dynamic range but at lower resolution.
- AF systems in older DSLRs vary widely: Canon’s multi-point AF gives competitive speed; Fuji’s reliable but slower AF is less suited for action.
- Build quality matters for professional reliability: Environmental sealing is non-negotiable in harsh conditions, favoring Canon.
- Resolution vs. tonality is a personal balance: High megapixels are great for prints and detailed projects; excellent dynamic range and color tone add artistic control.
Getting Started and Exploring More
If you get your hands on either of these cameras, try shooting a variety of genres to see how their strengths align with your creative vision. Pair them with good glass - full-frame lenses on Canon, Nikon F-mount lenses on Fujifilm - and invest time in post-processing.
For modern workflows, consider adapters or external tools for faster transfers, and remember that you'd be working with legacy USB 2.0 speeds.
Whether you lean to the Canon’s powerhouse features or Fuji’s unique image signature, these models still teach us a lot about imaging foundations and represent milestones in digital photography history.
Ready to find the right DSLR that fits your style? Check out these classics and see which one speaks your language - your next masterpiece awaits!
Canon 1Ds MIII vs Fujifilm S5 Pro Specifications
Canon EOS-1Ds Mark III | Fujifilm FinePix S5 Pro | |
---|---|---|
General Information | ||
Brand Name | Canon | FujiFilm |
Model type | Canon EOS-1Ds Mark III | Fujifilm FinePix S5 Pro |
Type | Pro DSLR | Pro DSLR |
Introduced | 2008-08-18 | 2007-07-05 |
Physical type | Large SLR | Large SLR |
Sensor Information | ||
Sensor type | CMOS | CCD |
Sensor size | Full frame | APS-C |
Sensor measurements | 36 x 24mm | 23 x 15.5mm |
Sensor area | 864.0mm² | 356.5mm² |
Sensor resolution | 21 megapixels | 6 megapixels |
Anti alias filter | ||
Aspect ratio | 3:2 | 3:2 |
Max resolution | 5616 x 3744 | 4256 x 2848 |
Max native ISO | 3200 | 3200 |
Min native ISO | 50 | 100 |
RAW photos | ||
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Total focus points | 45 | - |
Lens | ||
Lens support | Canon EF | Nikon F |
Number of lenses | 250 | 309 |
Focal length multiplier | 1 | 1.6 |
Screen | ||
Type of screen | Fixed Type | Fixed Type |
Screen diagonal | 3 inch | 2.5 inch |
Screen resolution | 230 thousand dots | 230 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Viewfinder Information | ||
Viewfinder | Optical (pentaprism) | Optical (pentaprism) |
Viewfinder coverage | 100% | 95% |
Viewfinder magnification | 0.76x | 0.63x |
Features | ||
Min shutter speed | 30 secs | 30 secs |
Max shutter speed | 1/8000 secs | 1/8000 secs |
Continuous shutter rate | 5.0fps | - |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | no built-in flash | 12.00 m |
Flash options | External | Front curtain, Rear curtain, Red-Eye, Slow, Red-Eye Slow |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Max flash synchronize | 1/250 secs | 1/250 secs |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Max video resolution | None | None |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 1385 gr (3.05 lbs) | 920 gr (2.03 lbs) |
Physical dimensions | 150 x 160 x 80mm (5.9" x 6.3" x 3.1") | 147 x 113 x 74mm (5.8" x 4.4" x 2.9") |
DXO scores | ||
DXO Overall rating | 80 | 65 |
DXO Color Depth rating | 24.0 | 21.6 |
DXO Dynamic range rating | 12.0 | 13.5 |
DXO Low light rating | 1663 | 448 |
Other | ||
Battery life | 1800 photos | - |
Form of battery | Battery Pack | - |
Self timer | Yes (2 or 10 sec) | Yes (2 to 20 sec) |
Time lapse shooting | ||
Storage type | Compact Flash (Type I or II), SD card | Compact Flash (Type I or II) |
Card slots | 2 | Single |
Launch cost | $6,652 | $548 |