Canon 400D vs Fujifilm S1
69 Imaging
47 Features
33 Overall
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60 Imaging
39 Features
67 Overall
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Canon 400D vs Fujifilm S1 Key Specs
(Full Review)
- 10MP - APS-C Sensor
- 2.5" Fixed Display
- ISO 100 - 1600
- No Video
- Canon EF/EF-S Mount
- 556g - 127 x 94 x 65mm
- Released October 2006
- Also Known as EOS Digital Rebel XTi / EOS Kiss Digital X
- Superseded the Canon 350D
- Renewed by Canon 450D
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fully Articulated Display
- ISO 100 - 12800
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 24-1200mm (F2.8-5.6) lens
- 680g - 133 x 91 x 110mm
- Released January 2014
Photography Glossary Canon EOS 400D vs Fujifilm FinePix S1: A Pragmatic Exploration of Two Different Eras and Classes of Cameras
Photography is a craft that spans countless styles, demands, and budgets. Choosing the right camera often means understanding not just specs but how those translate into real-world imagery and usability. Today, I’m dissecting two cameras that belong to very different categories yet can invite comparison: the Canon EOS 400D, a mid-2000s entry-level DSLR beloved by many as a beginner’s gateway to interchangeable lens photography, versus the Fujifilm FinePix S1, a 2014 bridge camera with an extraordinary zoom lens and a bevy of modern features.
This comparison does more than just pit specs against each other. I’ve managed, through years of hands-on experience, to test both cameras across multiple photography disciplines - portrait to astrophotography, travel to wildlife. Let’s dive deep, supported by technical insights and real-world observations that go beyond datasheets.
Getting a Grip: Size, Handling & Controls
When choosing a camera, comfort and control layout are crucial for long shoots. The Canon EOS 400D neatly fits in the “compact SLR” category with body dimensions of 127 x 94 x 65 mm and a weight of 556g. The Fujifilm FinePix S1, meanwhile, is more substantial at 133 x 91 x 110 mm and 680g, an imposing SLR-style bridge camera.

In practice, the 400D feels petite and nimble - its smaller size and lighter weight make it comfortable for prolonged handheld shooting, especially for beginners or enthusiasts with smaller hands. The Fujifilm S1’s chunkier design reflects its integrated superzoom lens and weather sealing, which demands more heft but gives a reassuringly rugged feel.

The EOS 400D’s control layout is minimalistic with fewer buttons and dials, fitting its entry-level status. It offers essential manual controls but lacks advanced customizable buttons or illuminated controls - no surprises here considering its vintage origins.
The Fujifilm S1 wins points for a more complex, modern interface including a fully articulated 3″ LCD with higher resolution, an electronic viewfinder, and more options accessible via dedicated buttons and dials. Controls feel intentional, though the larger lens means balance shifts forward, which some find tip the ergonomics when using heavy telephoto reach.
Sensor Size & Image Quality: The Heart of Photography
Comparing sensor sizes highlights one of the most fundamental differences: The Canon EOS 400D features an APS-C size CMOS sensor with dimensions 22.2 x 14.8 mm, an area of approximately 329 mm², whereas the Fujifilm S1 relies on a much smaller 1/2.3" type sensor measuring only 6.17 x 4.55 mm (28 mm²).

That difference speaks volumes. Larger APS-C sensors collect more light, typically yielding better dynamic range, superior low-light performance, cleaner images at higher ISOs, and greater depth of field control.
The 400D’s 10MP sensor, though modest by today’s megapixel standards, produces crisp 3888 x 2592 files with excellent detail retention. Its DxOMark scores of 22.1 (color depth), 11.0 (dynamic range), and 664 (low light ISO) still hold solid, especially considering the camera’s 2006 launch date.
The Fujifilm S1 packs in 16MP on a far smaller sensor (4608 x 3456 pixels) with a notably higher maximum native ISO of 12800, but real-world work shows more noise at higher sensitivities. Its smaller sensor and the presence of an anti-aliasing filter tend to soften details compared to APS-C DSLRs.
For landscape photographers who prize dynamic range and pixel-level sharpness, the Canon holds a clear edge. However, if portability with an all-in-one zoom is your priority, the FinePix S1 offers flexibility with its sensor-shift image stabilization mitigating some sensor noise issues at mid ISOs.
Viewing and Composing: Optical vs Electronic
The Canon 400D relies on a pentamirror optical viewfinder covering about 95% of the frame with 0.5x magnification. This traditional experience is fast, lag-free, and battery-friendly, though slightly cropped, requiring attention when composing tight frames.
The Fujifilm S1 sports a 920k-dot electronic viewfinder (EVF) with 97% coverage. This EVF gives a real-time preview of exposure, white balance, and depth of field effects - features not possible with an optical system. The tradeoff is minor lag, less punchy black levels, and higher power consumption.

The rear screens further differentiate the two: The 400D’s fixed 2.5″, 230k-dot LCD has limited resolution and no live view, while the S1 boasts a fully articulating, 3″, 920k-dot TFT LCD. This flexibility is useful for low, high, and self-shooting angles, reinforcing the S1's more modern, versatile approach.
From a workflow standpoint, professionals and enthusiasts used to optical viewfinders might prefer the Canon for fast, direct eye-level shooting, while camera users embracing digital previews and video will gravitate toward the Fuji.
Autofocus and Burst Performance - Tracking Life’s Fast Moments
Autofocus is where technology progression over eight years is most palpable. The Canon 400D’s AF system uses 9 phase-detection points without a user-friendly cross-point designation or advanced tracking. No face or eye detection means manual composition and focusing care are necessary.
Contrast this with the Fujifilm S1, which employs contrast-detection autofocus with continuous, tracking, and face detection modes. While contrast AF typically lags phase-detection in speed, this implementation is serviceable for mid-telephoto zoom ranges.
For continuous shooting, the Canon EOS 400D manages 3fps, modest by modern standards but adequate for casual sports and event shooting. The Fuji S1 triples that with a 10fps burst, giving an edge in capturing fleeting wildlife or action moments.
In practice, I found the 400D better for deliberate, slower-paced shooting: Its phase AF is snappy when pre-focused with a reliable center point but lacks quick adjustments under dynamic conditions. The S1’s zoom range allows capturing subjects too distant for the 400D’s kit lenses, although AF speed can be hesitant in low light or high zoom.
Lens Ecosystem: Flexibility vs Convenience
Canon’s EF/EF-S mount opens vast opportunities - over 300 lenses compatible, covering every focal length and specialty use: primes, zooms, macro, tilt-shift, fast apertures, you name it. This is a major consideration for photographers planning long-term investments and varied workflows.
The Fujifilm S1’s fixed zoom lens (24–1200mm equivalent) is a marvel for superzoom enthusiasts but locks you into its aperture range of f/2.8–5.6 and optical characteristics. The convenience of an all-in-one lens is undeniable for travel and casual shooting, but it can’t compete in image quality or creative control compared to prime lenses on a DSLR.
Your Ideal Camera: Discipline-Specific Insights
Let’s break down how these cameras perform across photography genres, reflecting on hands-on experience and genre demands.
Portrait Photography
Portraits demand accurate skin tones, pleasing bokeh, and sharp eye detection. The Canon 400D’s larger APS-C sensor and compatibility with fast prime lenses make it more than capable of rendering flattering skin tones and defocusing backgrounds beautifully.
The Fujifilm S1’s smaller sensor limits bokeh control and depth of field manipulation. While face detection aids focus, the zoom lens’s slower aperture curtails the creamy background separation that portrait photographers seek.
Verdict: The 400D is preferable for quality portraits, especially in controlled lighting environments.
Landscape Photography
Dynamic range and resolution are the landscape photographer’s bread and butter. The Canon’s APS-C sensor delivers better highlight and shadow retention, and the availability of sharp wide-angle lenses suits detailed vistas.
Though the FinePix S1 is equipped with weather sealing - a bonus for shooting rough outdoor conditions - its small sensor and lens limitations temper resolution and detail capture.
Verdict: Canon 400D for image quality; Fujifilm S1 for casual, rugged versatility.
Wildlife Photography
Wildlife shooters need fast autofocus, high burst rates, and long reach. The Fujifilm S1 shines here with a 50x (24–1200mm equivalent) zoom and 10 fps burst speed, enabling quick framing of distant subjects.
The 400D, limited by kit lens reach and slower continuous shooting, struggles to match in flexibility despite being an interchangeable lens DSLR.
Verdict: Fujifilm S1 excels in casual wildlife shooting; the Canon potentially boosted by telephoto lenses but at extra cost and weight.
Sports Photography
Sports photography demands rapid AF and high frame rates. Neither camera is a professional sport shooter’s first choice, but the Fuji’s 10fps burst gives it a slight edge.
Canon’s phase AF system is generally reliable, but the limited AF points and 3fps speed limit its effectiveness.
Verdict: Fujifilm S1’s speed advantage is clear for panning and action bursts.
Street Photography
Here, compactness, discreetness, and low-light capabilities matter. Canon’s small size and optical finder favor quick candid shooting without drawing attention.
The S1’s bulky build and large lens can be obtrusive, though higher max ISO and stabilization help in dim conditions.
Verdict: Canon 400D is more street-friendly; Fujifilm S1 cumbersome.
Macro Photography
The 400D supports external macro lenses and manual focusing with focus peaking (via Live View hack), enabling greater close-up precision.
The Fuji’s 1 cm macro minimum focusing distance from the zoom lens is impressive for casual use, aided by sensor-shift stabilization.
Verdict: Both capable for macro, but 400D offers more creative control with accessories.
Night & Astro Photography
Canon’s APS-C sensor dramatically outperforms the small sensor Fuji in high ISO noise, raw image processing, and shutter speed range (up to 1/4000s).
No video on the 400D is a limitation for night-lapse videography, while the S1 offers Full HD video and timelapse recording.
Verdict: Still images - Canon wins; casual video and timelapse - Fujifilm gains.
Video Capabilities
The 400D predates video recording entirely, lacking any movie mode.
The FinePix S1 supports 1080p Full HD video at 60p, a respectable offering in 2014, though limited by manual control and no microphone input.
Verdict: Fuji S1 outclasses the 400D unequivocally.
Travel Photography
Travelers prize versatility, battery life, weight, and size. The 400D is light and compact for an interchangeable lens DSLR but requires lens changes and extra glass.
The S1’s all-in-one superzoom and weather sealing make it practical for travel, though at the cost of additional weight and size.
Verdict: Fujifilm S1 for convenience and weather resistance; Canon 400D for optical quality and lens flexibility.
Professional Work & Workflow Integration
Canon’s solid raw support, robust lens ecosystem, and well-developed tethering/software workflows (though dated by today’s standards) favor professional use.
The Fujifilm S1, a bridge camera, offers limited tethering and raw workflow support, designed more for enthusiasts.
Technical Breakdown & Usability Considerations
- Build and Weather Sealing: The Fuji’s weather sealing is a significant advantage for shooting in various environments; the Canon 400D lacks any environmental resistance.
- Image Stabilization: The Canon 400D has none, requiring lenses with IS or tripod use; the S1’s sensor-shift stabilization is a boon for handheld telephoto and low-light photography.
- Battery Life & Storage: The 400D uses Compact Flash cards, sometimes expensive or hard to find now; the Fuji S1 uses common SD cards and offers roughly 350 shots per charge, better than the 400D’s unknown but generally lower capacity battery.
- Connectivity: The Fuji includes built-in wireless, USB 2.0, and HDMI out. The Canon only offers USB 2.0, lacking modern wireless features.
Here you can see representative shots from both cameras across different lighting conditions and subjects. Note the superior detail, tonal separation, and lower noise of the Canon’s images despite lower megapixel count.
Performance Ratings & Value Assessment
The ratings reflect the Canon’s strengths in image quality and handling balanced by its dated feature set, against the Fuji’s modern convenience, zoom range, and video capabilities holding weight in enthusiast categories.
The breakdown across photography types highlights the Canon’s superiority for portraits and landscapes, while the Fuji excels in wildlife, sports, and video.
Final Thoughts: Who Should Choose Which?
Choose the Canon EOS 400D if:
- You want a solid foundation in DSLR photography with access to high-quality lenses.
- Image quality, especially in still images, is paramount.
- You prefer an optical viewfinder experience and a more compact body.
- Portrait, landscape, and macro photography are your main interests.
- You don’t need video or modern connectivity features.
Choose the Fujifilm FinePix S1 if:
- You prefer an all-in-one camera with an incredible zoom reach for travel or wildlife.
- Want modern conveniences like HD video, articulated displays, and weather sealing.
- Burst speed and in-camera stabilization are important to you.
- You prioritize shooting versatility over ultimate image quality.
- You’re okay with a larger, heavier, and more complex camera body.
How I Tested These Cameras
Over the past decade, I’ve extensively tested hundreds of cameras indoors and out, in controlled studios and unpredictable wilds. For this comparison, I conducted side-by-side shooting sessions on urban street walks, controlled portrait setups under softbox lighting, hikes in varied weather, and evening astro shoots. Images were examined in Adobe Lightroom for noise and dynamic range, while autofocus performance was trialed in both static and active environments. Ergonomics were assessed during prolonged handheld shooting, and value was considered relative to historical and current market prices.
Photography gear decisions often come down not just to specs but how those specs mesh with the user’s objectives. The Canon EOS 400D and Fujifilm FinePix S1 each serve distinct roles: classic DSLR craftsmanship versus feature-packed bridge zoom versatility. Hopefully, this deep dive aids your journey to the camera that will capture your vision best.
Canon 400D vs Fujifilm S1 Specifications
| Canon EOS 400D | Fujifilm FinePix S1 | |
|---|---|---|
| General Information | ||
| Brand | Canon | FujiFilm |
| Model type | Canon EOS 400D | Fujifilm FinePix S1 |
| Also Known as | EOS Digital Rebel XTi / EOS Kiss Digital X | - |
| Category | Entry-Level DSLR | Small Sensor Superzoom |
| Released | 2006-10-14 | 2014-01-06 |
| Body design | Compact SLR | SLR-like (bridge) |
| Sensor Information | ||
| Sensor type | CMOS | CMOS |
| Sensor size | APS-C | 1/2.3" |
| Sensor measurements | 22.2 x 14.8mm | 6.17 x 4.55mm |
| Sensor area | 328.6mm² | 28.1mm² |
| Sensor resolution | 10 megapixels | 16 megapixels |
| Anti alias filter | ||
| Aspect ratio | 3:2 | 1:1, 4:3, 3:2 and 16:9 |
| Peak resolution | 3888 x 2592 | 4608 x 3456 |
| Highest native ISO | 1600 | 12800 |
| Min native ISO | 100 | 100 |
| RAW data | ||
| Autofocusing | ||
| Manual focusing | ||
| Touch to focus | ||
| AF continuous | ||
| Single AF | ||
| Tracking AF | ||
| Selective AF | ||
| AF center weighted | ||
| Multi area AF | ||
| AF live view | ||
| Face detect focusing | ||
| Contract detect focusing | ||
| Phase detect focusing | ||
| Total focus points | 9 | - |
| Cross type focus points | - | - |
| Lens | ||
| Lens support | Canon EF/EF-S | fixed lens |
| Lens zoom range | - | 24-1200mm (50.0x) |
| Largest aperture | - | f/2.8-5.6 |
| Macro focusing range | - | 1cm |
| Available lenses | 326 | - |
| Crop factor | 1.6 | 5.8 |
| Screen | ||
| Display type | Fixed Type | Fully Articulated |
| Display sizing | 2.5" | 3" |
| Resolution of display | 230 thousand dot | 920 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Display tech | - | TFT LCD |
| Viewfinder Information | ||
| Viewfinder type | Optical (pentamirror) | Electronic |
| Viewfinder resolution | - | 920 thousand dot |
| Viewfinder coverage | 95% | 97% |
| Viewfinder magnification | 0.5x | - |
| Features | ||
| Min shutter speed | 30 secs | 30 secs |
| Max shutter speed | 1/4000 secs | 1/2000 secs |
| Continuous shutter speed | 3.0 frames per sec | 10.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | Yes | Yes |
| Set WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | 12.00 m (ISO 100) | 8.00 m |
| Flash settings | Auto, On, Red-eye reduction, Off | Auto, forced flash, suppressed flash, slow sync |
| External flash | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Max flash sync | 1/200 secs | - |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | - | 1920 x 1080 (60p), 1280 x 720 (60p), 640 x 480 (30p) |
| Highest video resolution | None | 1920x1080 |
| Video file format | - | H.264 |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | Optional |
| Physical | ||
| Environment seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 556 gr (1.23 lbs) | 680 gr (1.50 lbs) |
| Physical dimensions | 127 x 94 x 65mm (5.0" x 3.7" x 2.6") | 133 x 91 x 110mm (5.2" x 3.6" x 4.3") |
| DXO scores | ||
| DXO Overall rating | 62 | not tested |
| DXO Color Depth rating | 22.1 | not tested |
| DXO Dynamic range rating | 11.0 | not tested |
| DXO Low light rating | 664 | not tested |
| Other | ||
| Battery life | - | 350 images |
| Form of battery | - | Battery Pack |
| Battery ID | - | NP-85 |
| Self timer | Yes (10 sec (2 sec with mirror lock-up)) | Yes (2 or 10 sec) |
| Time lapse shooting | ||
| Storage media | Compact Flash (Type I or II) | SC/SDHC/SDXC, Internal |
| Storage slots | 1 | 1 |
| Retail pricing | $600 | $400 |