Canon 500D vs Canon 80D
70 Imaging
53 Features
59 Overall
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59 Imaging
65 Features
92 Overall
75
Canon 500D vs Canon 80D Key Specs
(Full Review)
- 15MP - APS-C Sensor
- 3" Fixed Display
- ISO 100 - 3200 (Raise to 12800)
- 1920 x 1080 video
- Canon EF/EF-S Mount
- 520g - 129 x 98 x 62mm
- Launched June 2009
- Also referred to as EOS Rebel T1i / EOS Kiss X3
- Superseded the Canon 450D
- Replacement is Canon 550D
(Full Review)
Japan-exclusive Leica Leitz Phone 3 features big sensor and new modes Canon 500D vs Canon 80D: A Hands-On Comparative Analysis for Photographers Across Genres
Selecting the right DSLR between venerable models like the Canon EOS 500D and the more recent Canon EOS 80D presents an intriguing challenge. At first glance, these cameras bracket a seven-year technological and technological evolution from entry-level to advanced enthusiast segments. Over hundreds of hours testing both models in controlled lab settings and real-world scenarios, I’ve gathered insights that go far beyond specs on paper. This hands-on comparison will illuminate their strengths, weaknesses, and suitability across genres, ensuring you make a truly informed choice aligned with your photographic ambitions.
First Impressions: Design, Size, and Ergonomics
Before we dive into imaging prowess and system capabilities, let’s look at how these cameras feel in the hand - the tactile connection that defines user experience during shoots.

Physical size and ergonomics comparison
The Canon 500D, introduced in 2009, is much smaller and lighter at 520g compared to the 730g heft of the 80D. Its compact SLR body offers basic ergonomics ideal for casual shooters or those upgrading from point-and-shoots. The grip is modest but serviceable, however, if you have larger hands, prolonged use can feel a bit cramped.
The 80D, by contrast, embodies mid-size DSLR design with a deeper grip and more robust button layout, crafted to endure extended shoots and demanding conditions - its weather sealing a confirmation of Canon’s intent here. I carried both cameras during an extensive outdoor shoot to gauge fatigue and handling; the 80D’s grip and balanced weight significantly improved my stability and comfort during handheld telephoto work.
Control Layouts and Interface: Streamlining Your Workflow
How a camera interfaces with the user fundamentally impacts the shooting pace and learning curve. Let’s examine the controls and feedback loops these two provide.

Top view design and control layout comparison
The 500D’s top layout is straightforward but understandably minimalistic. The mode dial and a few basic controls prioritize simplicity: shutter speed, aperture settings, and exposure compensation are present, but the absence of customizable buttons limits real-time adjustments. There is no illuminated button feedback, so working in dim conditions tends to become a guessing game.
Move over to the 80D and the difference is palpable. It hosts a dedicated top LCD panel, illuminated buttons, and an intelligent, ergonomically arranged mode dial with quick-access dials for ISO and White Balance. A full suite of customizable buttons and even a customizable Quick Control screen empower more efficient navigation between settings. This interface makes the 80D particularly well-suited for fast-paced shooting scenarios where every millisecond counts.
Sensor Technology and Image Quality: The Heart of the Matter
Image-making prowess lies first in sensor design and processing muscle. These core specs translate into real-world quality, dynamic range, and noise handling.

Sensor specifications and image quality discussion
Starting with their sensors, both cameras feature APS-C sized CMOS sensors, very similar in physical dimensions (500D: 22.3x14.9mm vs. 80D: 22.5x15mm), but that’s where similarities end.
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The 500D’s 15MP sensor, paired with the Digic 4 processor, was commendable in 2009 with good color depth (21.7 bits) and dynamic range (~11.5 EV). However, ISO performance peaks at 3200 native with usable images up to 6400-12800 boosted, though noise is significantly noticeable beyond ISO 1600.
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The 80D’s 24MP sensor and DIGIC 6 processor leapfrog its predecessor with 23.6 bits of color depth and a wider dynamic range topping 13.2 EV - benefits immediately obvious in high contrast landscapes and shadow detail preservation. Native ISO extends to 16000 with expanded ISO up to 25600, maintaining impressive noise control for an APS-C sensor of its time.
From extensive side-by-side RAW image analysis under studio lighting and in varied natural light conditions, the 80D delivers markedly cleaner high ISO images, enhanced shadow retention, and superior tone gradation. While the 500D’s output satisfies entry-level needs and print sizes up to A3, professionals or enthusiasts craving latitude in post-production will find the 80D’s files much more forgiving and nuanced.
Viewing and Live Feedback: Composing Your Scenes
The finder and rear screen interface shape how photographers build shots on the spot.

LCD screen and interface comparison
The 500D uses a fixed 3.0-inch TFT LCD with 920k dots resolution. Decent for basic framing and menu navigation, but it lacks touch sensitivity or articulation, limiting creativity in awkward shooting positions.
Canon wisely upgraded with the 80D, equipping it with a fully articulated, touch-enabled 3.0-inch LCD at 1040k dots. I frequently use this articulation for low-angle macro work or video vlogging, where a variable angle is invaluable. Touch focusing and menu navigation accelerate operation significantly.
Turning to the viewfinders, the 500D’s pentamirror finders offer roughly 95% frame coverage at 0.55x magnification - a functional but modest performer that makes composition less precise, especially for keen framers or cropping heavy shots.
The 80D employs a pentaprism-based optical viewfinder with 100% coverage and 0.6x magnification. This improved viewfinder clarity is a game changer for critical composition, offering a true-to-scene framing experience that suits demanding still and action photographers alike.
Autofocus Systems: The Deciding Factor in Fast-Paced Genres
AF performance can define success or failure in wildlife, sports, and event shooting.
The 500D incorporates a 9-point autofocus system, all phase-detection points, with face detection only in live view. This system performs adequately for portraits or static subjects but struggles tracking erratically moving targets or in low light.
Contrast this with the 80D’s revamped 45-point all cross-type AF system, which extends precise focus recognition across the frame. The 80D offers face detection as well as continuous tracking (AF-C) with eye detection for stills and live view, boosting keeper rates significantly in dynamic scenarios.
In extensive wildlife tests, the 500D’s limited focus points created frustrating hunt-and-peck experiences, especially using telephoto zooms. The 80D’s enhanced predictive AF and more sensitive sensors nailed sharpness under challenging light and complex backgrounds - an advantage that is instantly apparent and invaluable for action photographers.
Burst Rates and Buffer Capacity: Catching the Decisive Moment
High frame rates and buffer depths support sports and wildlife shooters needing multiple frames to catch peak action.
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The 500D shoots at 3 fps continuously - adequate for casual action shots but limiting for fast sequences.
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The 80D doubles that to 7 fps, aligning more with advanced enthusiast standards, aiding burst shooting of moving subjects and increasing odds of chase and capture.
While both cameras use SD/SDHC cards, the 80D supports SDXC UHS-I cards for faster write speeds, ensuring less buffer delay in extended bursts.
Video Capabilities: Meeting Expanding Multimedia Demands
As hybrid shooters, video performance can’t be an afterthought.
The 500D introduced video to Canon’s DSLRs with support for 1080p at a modest 20fps and 720p at 30fps - functional but fairly basic by today’s standards, lacking external microphone input and with no headphone jack for monitoring.
The 80D markedly improves with full HD 1080p at up to 60fps, providing smoother motion, richer detail, and more versatile frame rates for creative control. Critically for videographers, it incorporates both mic and headphone jacks - allowing real-time audio monitoring, a must for professional work.
Canon’s DIGIC 6 processor also introduces better video compression and image quality, while the articulating touchscreen aids in composing complex shots. In my filmmaking tests, the 80D consistently outperforms its predecessor, meeting the expectations of semi-pro videographers and hybrid shooters.
Build Quality and Weather Sealing: Durability for Reliable Use
While neither camera is rugged like Canon’s pro-series, build differences are notable.
The 500D has a plastic polycarbonate shell with no weather sealing. Light and portable, it suits casual users who shoot mainly indoors or in fair weather.
The 80D’s chassis uses magnesium alloys in critical areas with weather sealing to resist dust and moisture, extending reliability outdoors and in challenging conditions. This proved invaluable during my nature hikes in light rain, reassuring me that the camera would not falter.
Lens Compatibility and Ecosystem Integration
Both cameras use the Canon EF/EF-S mount, granting access to the extensive Canon ecosystem of over 300 lenses from ultra-wide to super-telephoto primes and zooms. This unlocks vast creative potential irrespective of model.
However, for video and live view AF, the 80D supports Canon’s STM lenses enabling near-silent continuous autofocus - an advantage for filmmakers using autofocus during recording. The 500D’s AF in video mode is contrast-based and slower, creating hunting and noise issues.
Battery Life and Storage Options: Critical for On-the-Go Shooters
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The 500D uses the LP-E5 battery, delivering about 440 shots per charge according to Canon specs. In practice, expect less with live view or video use.
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The 80D uses the more advanced LP-E6N battery, rated for around 960 shots, which I confirmed after extended field shooting sessions. The difference is especially useful for travel or event photographers who can't recharge frequently.
Both cameras have single SD/SDHC card slots, with the 80D natively supporting faster SDXC UHS-I cards - important for buffering large bursts or video recording.
Connectivity and Wireless Features: Modern Convenience
The 500D’s Eye-Fi card compatibility offered early wireless file transfer but is limited and dependent on card support.
The 80D integrates built-in Wi-Fi and NFC for seamless sharing, remote control, and connection to smartphone apps - features that are now standard expectations among enthusiasts and pros shooting social media content or needing quick proofs.
Performance Summary and Scorecards
Overall performance ratings
To quantify overall merit, I draw from rigorous DXO-style lab results combined with real-world shooting scores:
| Metric | Canon 500D | Canon 80D |
|---|---|---|
| Image Quality Score | 63 | 79 |
| Autofocus Speed | Moderate | Fast |
| Burst Rate (fps) | 3.0 | 7.0 |
| Build Quality | Average | Weather-sealed, Robust |
| Battery Life (Shots) | 440 | 960 |
| Video Capability | 1080p@20fps | 1080p@60fps, Mic & Headphone ports |
| Connectivity | Limited | Wi-Fi, NFC |
| Price at Release | $650 | $1,200 |
How They Stack Up Across Photography Genres
Genre-specific performance analysis
Portrait Photography
Canon 80D shines with 45 AF points, face and eye detection for tack-sharp portraits and beautiful bokeh with quality lenses. Its broader dynamic range helps preserve subtle skin tone nuances in post.
The 500D’s 9-point AF and lower resolution sensor still create pleasing portraits but with less detail and slower focus performance.
Landscape Photography
The 80D’s higher resolution, superior dynamic range, and weather sealing make it a standout for demanding landscape shooters.
The 500D can still deliver capable landscape photos but may struggle with highlight retention and shadow recovery compared to the 80D.
Wildlife & Sports
Speed matters enormously here - the 80D’s superior AF system, burst rate, and tracking accuracy give it a decisive edge.
The 500D’s 3 fps and limited AF make it less suited beyond casual wildlife snaps or slower subjects.
Street Photography
The 500D’s compact and lighter frame appeals for discreet shooting, but only if you can manage its slower AF.
The 80D is heavier but much faster and versatile, offering touch-first controls and articulation for street videographers.
Macro Photography
The articulating screen and precise AF of the 80D facilitate creative macro work. The 500D’s fixed screen is a limitation, but with manual focusing and good macro lenses, it remains achievable.
Night & Astro Photography
The 80D’s higher ISO performance and longer exposure capacity shine here. I’ve captured cleaner skies and better star details compared to the noisier 500D outputs.
Video & Hybrid Use
If video is in your pipeline, the 80D’s advanced video specs with mic and headphone jacks make it the clear pick.
The 500D functions primarily as a still camera with basic video capability, suitable for casual clips only.
Travel & General Use
The 500D’s smaller size and lighter weight appeal for travelers prioritizing portability.
However, the 80D offers more battery life, connectivity, and image quality - with a weight penalty that’s justifiable for many.
Professional Workflows
The 80D’s RAW capacity, color fidelity, and build quality align with mid-level professional workflows. The 500D is more of a stepping stone camera, better suited for learners or hobbyists.
Real-World Images: What You Can Expect
Sample images from both cameras - notice the 80D’s richer tones, sharper detail, and cleaner shadows.
These samples illustrate the practical differences in detaily, dynamic range, and color gradation visible in typical shooting scenarios.
Final Thoughts and Recommendations
What’s the right choice for you?
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If you’re starting out or upgrading from a point-and-shoot on a budget, the Canon 500D remains a worthy classic, offering solid image quality and enough features to learn DSLR fundamentals without overwhelming complexity.
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If you’re an enthusiast or semi-pro looking for a camera to grow into with reliable AF, superior image quality, and robust video capabilities, the Canon 80D is a far more capable, future-proof option, albeit at nearly double the cost and weight.
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For specific genres like wildlife, sports, and video production, I wouldn’t hesitate to recommend the 80D over the 500D given its crucial technological advancements in autofocus, burst rate, and media interface.
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However, for travelers valuing compactness and simple operation, the 500D may still hold charm if you’re willing to make some concessions in features and image latitude.
In conclusion, these two Canon DSLRs represent distinct eras and market segments. The EOS 500D is a historically significant entry-level warrior, while the 80D is the refined mid-tier powerhouse built to meet the rigorous demands of advanced shooters. Armed with this comparative data and insights from extensive hands-on testing, I’m confident you can choose the right match for your photographic journey.
Happy shooting!
Canon 500D vs Canon 80D Specifications
| Canon EOS 500D | Canon EOS 80D | |
|---|---|---|
| General Information | ||
| Brand Name | Canon | Canon |
| Model | Canon EOS 500D | Canon EOS 80D |
| Also referred to as | EOS Rebel T1i / EOS Kiss X3 | - |
| Class | Entry-Level DSLR | Advanced DSLR |
| Launched | 2009-06-08 | 2016-02-18 |
| Body design | Compact SLR | Mid-size SLR |
| Sensor Information | ||
| Powered by | Digic 4 | DIGIC 6 |
| Sensor type | CMOS | CMOS |
| Sensor size | APS-C | APS-C |
| Sensor measurements | 22.3 x 14.9mm | 22.5 x 15mm |
| Sensor surface area | 332.3mm² | 337.5mm² |
| Sensor resolution | 15 megapixels | 24 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 3:2 | 1:1, 4:3, 3:2 and 16:9 |
| Highest Possible resolution | 4752 x 3168 | 6000 x 4000 |
| Maximum native ISO | 3200 | 16000 |
| Maximum enhanced ISO | 12800 | 25600 |
| Min native ISO | 100 | 100 |
| RAW format | ||
| Autofocusing | ||
| Focus manually | ||
| AF touch | ||
| AF continuous | ||
| AF single | ||
| AF tracking | ||
| AF selectice | ||
| Center weighted AF | ||
| Multi area AF | ||
| Live view AF | ||
| Face detect focusing | ||
| Contract detect focusing | ||
| Phase detect focusing | ||
| Number of focus points | 9 | 45 |
| Cross focus points | - | 45 |
| Lens | ||
| Lens mount | Canon EF/EF-S | Canon EF/EF-S |
| Number of lenses | 326 | 326 |
| Focal length multiplier | 1.6 | 1.6 |
| Screen | ||
| Display type | Fixed Type | Fully Articulated |
| Display diagonal | 3" | 3" |
| Display resolution | 920k dot | 1,040k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch function | ||
| Display tech | TFT color LCD | - |
| Viewfinder Information | ||
| Viewfinder | Optical (pentamirror) | Optical (pentaprism) |
| Viewfinder coverage | 95 percent | 100 percent |
| Viewfinder magnification | 0.55x | 0.6x |
| Features | ||
| Min shutter speed | 30 seconds | 30 seconds |
| Max shutter speed | 1/4000 seconds | 1/8000 seconds |
| Continuous shutter speed | 3.0fps | 7.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | Yes |
| Custom WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | 13.00 m | 12.00 m (at ISO 100) |
| Flash options | Auto, On, Off, Red-eye | - |
| External flash | ||
| AE bracketing | ||
| WB bracketing | ||
| Max flash sync | 1/200 seconds | 1/250 seconds |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (20 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1920 x 1080 (60p, 30p, 24p), 1280 x 720 (60p, 30p) |
| Maximum video resolution | 1920x1080 | 1920x1080 |
| Video format | H.264 | MPEG-4, H.264 |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | Eye-Fi Connected | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 520 grams (1.15 pounds) | 730 grams (1.61 pounds) |
| Physical dimensions | 129 x 98 x 62mm (5.1" x 3.9" x 2.4") | 139 x 105 x 79mm (5.5" x 4.1" x 3.1") |
| DXO scores | ||
| DXO Overall score | 63 | 79 |
| DXO Color Depth score | 21.7 | 23.6 |
| DXO Dynamic range score | 11.5 | 13.2 |
| DXO Low light score | 663 | 1135 |
| Other | ||
| Battery life | 440 shots | 960 shots |
| Style of battery | Battery Pack | Battery Pack |
| Battery model | LP-E5 | LP-E6N |
| Self timer | Yes (2 sec or 10 sec) | Yes (2 or 10 sec) |
| Time lapse recording | ||
| Type of storage | SD/SDHC | SD/SDHC/SDXC (UHS-I support) |
| Storage slots | One | One |
| Retail cost | $650 | $1,199 |