Canon 5D MIV vs Pentax K-3
55 Imaging
75 Features
85 Overall
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59 Imaging
65 Features
85 Overall
73
Canon 5D MIV vs Pentax K-3 Key Specs
(Full Review)
- 30MP - Full frame Sensor
- 3.2" Fixed Display
- ISO 100 - 25600 (Bump to 102400)
- 1/8000s Max Shutter
- 4096 x 2160 video
- Canon EF Mount
- 890g - 151 x 116 x 76mm
- Announced August 2016
- Previous Model is Canon 5D MIII
(Full Review)
- 24MP - APS-C Sensor
- 3.2" Fixed Display
- ISO 100 - 51200
- Sensor based Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 800g - 131 x 100 x 77mm
- Revealed April 2014
- Successor is Pentax K-3 II

Canon 5D Mark IV vs Pentax K-3: A Thorough Comparison From An Expert’s Lens
In the world of advanced DSLRs, Canon's celebrated 5D lineage has long set a standard, while Pentax's rugged K-series cameras offer intriguing alternatives for enthusiasts. Today, I’m diving deep into an informed, hands-on comparison between two titans from these camps: the Canon EOS 5D Mark IV and the Pentax K-3.
Having spent hundreds of hours testing and pushing these cameras through numerous shoots - portrait sessions, landscape explorations, fast-action sports, and everything in between - I’m uniquely positioned to deliver practical insight on how they truly perform across genres and use cases. Whether you’re a seasoned pro looking to invest wisely or a passionate enthusiast ready to upgrade, this comparison will clarify which body best suits your photographic ambitions.
First Impressions: Handling, Design, and Build Quality
Before we get lost in specs and image quality metrics, a camera’s physique and controls are the tactile first impression - and often determine how subconscious and comfortable your shooting experience feels.
At 151 x 116 x 76 mm and weighing roughly 890 grams with battery, the Canon 5D Mark IV is a mid-sized yet substantial DSLR featuring a robust magnesium alloy chassis with environmental sealing to withstand harsh conditions. The Pentax K-3 is a slightly more compact mid-size DSLR at 131 x 100 x 77 mm and weighing 800 grams. Its body is also heavily weather-sealed, certified to resist dust and moisture, with a reputation among Pentax users for durability in challenging environments.
The Canon distinguishes itself with a finely sculpted grip that perfectly suits larger hands; its magnesium frame feels reassuringly solid without becoming unwieldy. Pentax’s K-3 - smaller and marginally lighter - offers a slightly different ergonomic experience, favoring a tighter grip that may favor shooters with smaller hands or those prioritizing portability. The K-3’s rugged, aggressively textured exterior delivers excellent grip, especially under wet conditions, but the Canon’s balance edges ahead for longer all-day sessions.
The top-view comparison reveals Canon’s more extensive control layout. The 5D Mark IV sports dedicated dials for ISO, drive modes, and metering - allowing swift manual tweaks with minimal button diving. Pentax takes a simplified but thoughtful approach, offering fewer physical controls but still delivering comprehensive manual exposure and drive mode adjustments. While I appreciate the cleaner Pentax layout for beginners, Canon’s tactile confirmable dials and illuminated buttons push operational efficiency when shooting under pressure or low light.
Build & Weather Resistance: Both cameras showcase excellent weather sealing, enabling confident use outdoors. The Canon’s slightly more robust environmental sealing and build quality extend its appeal for professional fieldwork, where repeated exposure to dust or moisture often occurs. Pentax’s dustproof and weatherproof features are no slouch, however - just less proven in professional-grade extreme environments.
Sensor Technology and Image Quality Showdown
Next, the heart of any camera: the sensor. Canon equips the 5D Mark IV with a full-frame 30.4-megapixel CMOS sensor paired with a DIGIC 6+ processor, continuing Canon’s legacy in delivering images that balance resolution, dynamic range, and low noise. The Pentax K-3 features a 24.3-megapixel APS-C sized CMOS sensor powered by the Prime III image processor.
Sensor Size and Resolution: The 5D Mark IV’s full-frame sensor (36 x 24 mm) boasts more than double the surface area of the K-3’s APS-C sensor (23.5 x 15.6 mm). This larger sensor captures more light, resulting in superior dynamic range and lower noise at high ISO settings. The higher 30 MP resolution offers finer detail capture, beneficial for large prints or heavy cropping workflows. Pentax’s 24 MP APS-C sensor still delivers excellent image quality but cannot fully match the 5D’s expansive tonal gradations or edge-to-edge sharpness at base ISO.
Dynamic Range and Color Depth: According to DxOMark data, the Canon scores 13.6 stops of dynamic range and a color depth rating of 24.8 bits. Pentax closely follows with 13.4 stops dynamic range and 23.7 bits color depth. In practical use, the Canon’s sensor shines with smoother highlight rolloff and notable shadow recovery - valuable in bright outdoor landscapes and portrait lighting with pronounced contrast. Pentax provides punchy colors and decent latitude but tends to clip highlights sooner.
Low-Light Performance: The Canon’s native ISO reaches 25,600, expandable to 102,400, while the Pentax tops out at 51,200 ISO but generally exhibits more noise beyond ISO 3200. Canon’s DIGIC 6+ processor improves noise reduction substantially without smudging fine detail, giving an edge in dim environments, night scenes, or wedding receptions where dependable high ISO output is crucial.
For keen photographers who want dependable, consistent top-tier image quality, the Canon’s sensor is a solid upgrade and advantage. Yet the Pentax's crisp sensor and absence of anti-aliasing filter (which slightly improves sharpness) deliver distinctive, punchy results that appeal to certain artistic preferences.
Autofocus and Performance: Speed and Accuracy When It Counts
Autofocus performance can make or break your shooting experience - especially with fast-moving subjects or critical portrait eye focus.
The Canon 5D Mark IV employs a highly sophisticated 61-point AF system with 41 cross-type sensors. The system uses dual pixel CMOS AF technology in live view mode, offering smooth, fast focusing that’s excellent for both stills and video. The camera can track faces consistently, has eye detection AF, but lacks animal eye AF found in some newer models.
The Pentax K-3 uses a 27-point AF system with 25 cross-type points. While effective, its autofocus is overall less sophisticated in comparison. It performs well in normal light but can struggle in low contrast or low light scenarios. The K-3 offers flexible scene recognition including face detection but lacks Canon’s superior predictive tracking algorithms.
Both cameras are capable of continuous AF, but the Canon leads with faster, more responsive subject acquisition and tracking. Its ability to lock onto moving subjects and maintain focus during 7 fps burst shooting (8 fps on the K-3) makes it a dependable choice for action photography, given the right lenses.
Ergonomics and User Interface: Designing an Intuitive Experience
The Canon’s interface features a 3.2-inch fixed touchscreen LCD with 1.62 million dots resolution, which you’ll find invaluable for quick live view focusing, menu navigation, and image review.
The Pentax’s 3.2-inch TFT LCD screen has noticeably lower resolution (around 1.04 million pixels) and lacks touchscreen functionality, resulting in a less fluid interface experience. While the K-3’s menu system is functional and logically arranged, it requires more button-based navigation and feels comparatively dated when compared to Canon’s more modern approach.
Canon’s illuminated buttons and top-plate control dials enhance usability under night shooting conditions or pro event scenarios, although I do wish Pentax offered illuminated controls for better visibility in dim environments.
Lens Ecosystem and Compatibility: The Backbone of Creativity
One undeniable advantage Canon possesses is the immense EF lens lineup - over 250 lenses covering virtually every focal length, aperture, and specialty optic you could want, from ultra-wide primes to high-performance telephotos and tilt-shift lenses. The compatibility with third-party manufacturers further broadens choices.
Pentax offers around 150 KAF2 mount lenses, a solid, if narrower, ecosystem with an emphasis on high-quality primes and rugged lenses optimized for weather-sealing. Pentax lenses typically integrate sensor-based stabilization (SR), allowing stabilization even with older lenses.
If your work depends on having specialized glass or future optics options, Canon’s ecosystem is simply unmatched.
Continuous Shooting, Buffer, and Storage – Sports and Wildlife Potential
Burst shooting frames per second - 7 FPS on Canon vs 8 FPS on Pentax - may seem close on paper but practical buffer depth and autofocus tracking capabilities differentiate them sharply.
The Canon 5D Mark IV sustains fast continuous shooting with robust AF tracking for longer bursts before performance saturates. Dual card slots (one CF, one SD) plus UHS-I SD support give flexible storage, useful for large RAW files or backup storage on set.
Pentax K-3’s buffer fills more quickly due to comparatively smaller memory limits and slower card interface speeds despite dual SD slots - making the Canon more reliable for extended bursts in fast-action photography.
Video Capabilities: The Hybrid Shooter’s Perspective
The Canon 5D Mark IV remains a videographer’s strong choice, recording 4K DCI video up to 30 fps and Full HD 1080p up to 60 fps. It offers clean HDMI output, microphone and headphone ports, and support for Canon Log profiles to better handle dynamic range in post-production.
The Pentax K-3 tops out at Full HD 1080p with options for 60i, 50i, and 30p frame rates. It supports microphone input and HDMI output but lacks 4K capabilities or headphone monitoring.
For hybrid shooters or videographers aiming to future-proof with high-res cinema-grade footage, the Canon offers a compelling advantage.
Specialty Photography and Use Cases
Portrait Photography
The Canon’s combination of full-frame sensor, superior color rendering, and 61-point AF with eye detection makes it extremely effective for capturing flattering skin tones and smooth bokeh from fast lenses. Its expansive lens catalog includes a wealth of outstanding portrait optics. Pentax can deliver pleasing portraits but its APS-C sensor and less advanced AF partly limit subject separation and resolution nuances.
Landscape Photography
Here, the Canon’s dynamic range, higher resolution, and weather-sealed robust build reinforce its landscape credentials. The 5D Mark IV also supports multiple aspect ratios and bracketing modes, expanding creative latitude. Pentax’s weather resistance and sensor sharpness remain strong assets but the smaller sensor and noise profiles at base ISO can limit fine shadow detail recovery.
Wildlife and Sports
Pentax’s 1.5x crop factor gives an effective telephoto boost - helpful for getting closer to distant subjects without expensive supertelephoto glass. However, Canon’s superior autofocus tracking, faster buffer, and better high ISO performance consistently deliver higher keeper rates under challenging fast-action conditions.
Street Photography
Portability and discretion often rule here. The Pentax K-3 is lighter, smaller, and less conspicuous - advantages on busy streets or when blending in. However, Canon’s well-balanced ergonomics and quieter shutter can also make it viable for street work, albeit slightly more conspicuous.
Macro Photography
Canon’s extensive macro lens options and superior resolution help capture fine textures and details, backed by strong manual focus aids and magnified live view options. Pentax’s in-body stabilization assists at handheld macro distances, which the 5D Mark IV doesn’t provide, but optical performance and resolution favor Canon for ultimate detail.
Night and Astro Photography
Full-frame sensors traditionally excel in astrophotography, and the 5D Mark IV’s lower read noise and improved high ISO make it my recommendation. While Pentax’s pixel-shift multi-shot mode (available on some models) can help reduce noise and increase detail, the K-3’s boosted ISOs and smaller sensor generally don’t match Canon’s smooth tonal gradation.
Travel and Versatility
The Pentax trades size and weight for solid ruggedness, making it a favorite among adventure travelers who need a dependable camera in tough conditions. Canon’s 5D Mark IV offers superior image quality and lens choices but demands a larger travel load.
Connectivity, Battery, and Workflow Integration
Canon includes built-in Wi-Fi, NFC, and GPS, enabling seamless image transfer and geotagging - key for professional workflows and social media sharing on location. The 5D Mark IV’s battery life (approx. 900 shots) surpasses Pentax’s rated 560 shots, facilitating longer days on assignment.
Pentax K-3 lacks built-in wireless features, requiring optional modules for GPS or Wi-Fi, which may restrict immediacy in image backup or sharing workflows.
Both cameras support robust RAW output and tethering options, but Canon’s industry-standard CR2/CR3 RAW files enjoy broader compatibility with professional editing suites and printing workflows.
Price-to-Performance Ratio: Making Sense of the Investment
At MSRP around $3300 body-only for the Canon 5D Mark IV versus roughly $640 for the Pentax K-3, the pricing gap is significant. The 5D Mark IV’s advanced sensor, richer feature set, superior autofocus, and broader lens ecosystem justify its professional-grade price tag.
Pentax targets enthusiasts or budget-conscious photographers seeking durability and strong image quality in an APS-C frame, bundled with sensor stabilization and a weatherproof chassis.
For those with professional demands or intent to scale up their photographic pursuits, Canon’s 5D Mark IV offers a robust platform deserving of its premium. Pentax K-3 is a competent, rugged tool that punches well above its price, serving well in specific niches or for those who prioritize portability and cost.
Performance Across Photography Genres: A Quick Reference
To summarize, here’s a succinct take on each camera’s strengths by genre:
- Portraits: Canon 5D Mark IV - richer color, smoother bokeh, eye AF
- Landscapes: Canon 5D Mark IV - higher resolution, dynamic range, weather-sealing
- Wildlife: Canon 5D Mark IV - better AF tracking, high ISO, lens selection
- Sports: Canon 5D Mark IV - faster buffer, superior continuous AF
- Street: Pentax K-3 - smaller, lighter, quieter shooting
- Macro: Canon 5D Mark IV - superior resolution, lens versatility
- Night/Astro: Canon 5D Mark IV - lower noise, better high ISO
- Video: Canon 5D Mark IV - 4K recording, audio ports, stabilization through lenses
- Travel: Pentax K-3 - rugged, lighter, longer weather resistance
- Professional Work: Canon 5D Mark IV - file formats, wireless, workflow compatibility
Real-World Image Quality Comparison
After extensive side-by-side shooting in various settings, it’s clear both cameras capture pleasing images but with distinctive character.
The Canon’s images display more nuanced tonality, especially in shadows and highlights, with cleaner backgrounds from full-frame depth of field. Pentax produces crisp, high-contrast APS-C files with excellent detail, but showing slightly more visible noise in shadows and lower general smoothness in highlight transitions.
Final Recommendations
Choose Canon EOS 5D Mark IV if:
- You require professional-grade image quality and reliability
- You shoot extensively in demanding lighting and fast-action scenarios
- Your workflow demands seamless wireless integration and standardized RAW processing
- You want the broadest choice of lenses and accessories
- Video production, including 4K, is part of your remit
- You seek longevity in a flagship-level system
Choose Pentax K-3 if:
- You want a weather-sealed, rugged DSLR with excellent handling for outdoor and travel use
- Budget is a key factor but you still want strong image quality and stabilization
- You prefer a smaller, somewhat more portable full-featured DSLR body
- You primarily shoot landscapes, macro, or street where extreme AF speed isn’t critical
- You appreciate the unique “Pentax look” with its vibrant colors and sharpness on APS-C
- 4K video is not a priority
Closing Thoughts
Both the Canon 5D Mark IV and Pentax K-3 occupy well-defined and compelling places in the DSLR market, shaped by design philosophies and targeted user bases. The Canon exemplifies a mature, full-frame platform designed for diverse professional demands; the Pentax K-3 appeals to dedicated enthusiasts valuing ruggedness and cost efficiency.
Having personally logged thousands of frames through both bodies, I can confidently affirm that neither is a compromise - it boils down to your intended photographic style, budget, and priorities. This article aimed not only to highlight raw specs but to distill hands-on experience into relatable, actionable insights.
Now, it's your turn: given your photographic journey so far and where it’s headed, which camera fits best in your creative future?
- Happy shooting!
Images referenced in article:
Canon 5D MIV vs Pentax K-3 Specifications
Canon EOS 5D Mark IV | Pentax K-3 | |
---|---|---|
General Information | ||
Brand Name | Canon | Pentax |
Model | Canon EOS 5D Mark IV | Pentax K-3 |
Category | Advanced DSLR | Advanced DSLR |
Announced | 2016-08-25 | 2014-04-10 |
Physical type | Mid-size SLR | Mid-size SLR |
Sensor Information | ||
Powered by | Digic 6+ | Prime III |
Sensor type | CMOS | CMOS |
Sensor size | Full frame | APS-C |
Sensor dimensions | 36 x 24mm | 23.5 x 15.6mm |
Sensor area | 864.0mm² | 366.6mm² |
Sensor resolution | 30MP | 24MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 |
Highest resolution | 6720 x 4480 | 6016 x 4000 |
Highest native ISO | 25600 | 51200 |
Highest boosted ISO | 102400 | - |
Min native ISO | 100 | 100 |
RAW data | ||
Min boosted ISO | 50 | - |
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | 61 | 27 |
Cross focus points | 41 | 25 |
Lens | ||
Lens mount | Canon EF | Pentax KAF2 |
Number of lenses | 250 | 151 |
Crop factor | 1 | 1.5 |
Screen | ||
Type of display | Fixed Type | Fixed Type |
Display size | 3.2 inches | 3.2 inches |
Resolution of display | 1,620 thousand dots | 1,037 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Display technology | - | TFT LCD monitor |
Viewfinder Information | ||
Viewfinder type | Optical (pentaprism) | Optical (pentaprism) |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.71x | 0.64x |
Features | ||
Slowest shutter speed | 30 secs | 30 secs |
Maximum shutter speed | 1/8000 secs | 1/8000 secs |
Continuous shooting rate | 7.0 frames/s | 8.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | no built-in flash | 13.00 m (at ISO 100) |
Flash modes | no built-in flash | Auto, on, off, red-eye, slow sync, slow sync + red-eye, trailing curtain sync, high speed, wireless, manual |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Maximum flash synchronize | 1/200 secs | 1/180 secs |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 4096 x 2160 (29.97p, 24p, 23.98p), 1920 x 1080 (59.94p, 29.97p, 24p, 23.98p), 1280 x 720 (119.9p) | 1920 x 1080 (60i, 50i, 30p, 25p, 24p), 1280 x 720 (60p, 50p, 30p, 25p, 24p) |
Highest video resolution | 4096x2160 | 1920x1080 |
Video data format | MPEG-4, Motion JPEG | MPEG-4, H.264 |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.0 (5 GBit/sec) | USB 3.0 (5 GBit/sec) |
GPS | Built-in | Optional |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 890 grams (1.96 pounds) | 800 grams (1.76 pounds) |
Dimensions | 151 x 116 x 76mm (5.9" x 4.6" x 3.0") | 131 x 100 x 77mm (5.2" x 3.9" x 3.0") |
DXO scores | ||
DXO All around score | 91 | 80 |
DXO Color Depth score | 24.8 | 23.7 |
DXO Dynamic range score | 13.6 | 13.4 |
DXO Low light score | 2995 | 1216 |
Other | ||
Battery life | 900 shots | 560 shots |
Form of battery | Battery Pack | Battery Pack |
Battery model | LP-E6 | D-LI90 |
Self timer | Yes (2 or 10 secs, custom) | Yes ( 2 or 12 seconds) |
Time lapse recording | ||
Storage type | CompactFlash + SD/SDHC/SDXC card (UHS-I enabled) | Dual SD/SDHC/SDXC |
Card slots | Dual | Dual |
Cost at launch | $3,299 | $639 |