Canon 6D vs FujiFilm F80EXR
59 Imaging
66 Features
70 Overall
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92 Imaging
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Canon 6D vs FujiFilm F80EXR Key Specs
(Full Review)
- 20MP - Full frame Sensor
- 3" Fixed Screen
- ISO 100 - 25600 (Raise to 102400)
- 1920 x 1080 video
- Canon EF Mount
- 770g - 145 x 111 x 71mm
- Introduced February 2013
- Successor is Canon 6D MII
(Full Review)
- 12MP - 1/2" Sensor
- 3" Fixed Screen
- ISO 100 - 1600 (Increase to 12800)
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 27-270mm (F3.3-5.6) lens
- 210g - 99 x 59 x 28mm
- Introduced June 2010
- Other Name is FinePix F85EXR
Snapchat Adds Watermarks to AI-Created Images Canon EOS 6D vs FujiFilm FinePix F80EXR: A Deep Dive into Two Worlds of Photography
Choosing the right camera can be a thrilling yet daunting process, especially when comparing devices that are so fundamentally different. Today, I’m taking you through a comprehensive, side-by-side exploration of the Canon EOS 6D and the FujiFilm FinePix F80EXR - two cameras that target almost opposite ends of the photography spectrum. One, a full-frame DSLR designed for enthusiasts and professionals. The other, a compact “point-and-shoot” style camera with a versatile zoom lens aimed at casual shooters or travel photographers on a budget.
I’ll walk you through every critical area based on my hands-on experience and laboratory testing, from sensor technology to real-world shooting performance, and offer clear guidance on who should consider each. Both cameras are still relevant in their niches, but you’ll see their strengths and limitations clearly emerge.
Let’s start by putting these two contenders in perspective visually and ergonomically.
Size and Handling: DSLR Robustness Meets Compact Convenience

Right off the bat, the physical difference is stark. The Canon 6D has a substantial mid-sized DSLR body, offering serious heft and a firmly grippable chassis. Designed for extensive shooting sessions, it balances weight (770g) with robust build quality and weather sealing - a key feature for outdoor or professional use. The Canon’s beefier grip and physical controls make it an intuitive companion when shooting in demanding environments, and you feel assured holding it for long periods.
On the flip side, the FujiFilm F80EXR is pocketable and light at just 210g, roughly a third of the Canon’s weight, with its compact shape perfect for spontaneous street or travel photography. The tradeoff is obvious: smaller body, less ruggedness, and fewer physical controls. This Fuji is ideal for those valuing stealth and portability over extensive customizable handling.
Top Controls and User Interface: Classic DSLR Versus Minimalist Compact

The Canon 6D sports the familiar DSLR layout with dedicated mode dials, shutter speed and ISO buttons, and a top LCD. Its traditional control setup allows photographers to quickly tweak settings without diving into menus - something pros swear by. The presence of a top LCD and well-spaced buttons offers excellent tactile feedback, which I found indispensable when working under time pressure.
By contrast, the FujiFilm F80EXR’s top panel is minimalistic, primarily focused on zoom rocker and shutter release, with few physical buttons. While this simplicity streamlines operation for casual users, veterans like myself notice the absence of rapid access to key exposure settings and a mode dial restricts creative flexibility.
Sensor Technology and Image Quality: Full-Frame Might Meets Compact EXR Engineering

Now, let’s talk about the beating heart: the sensor. The Canon 6D features a full-frame 36×24 mm CMOS sensor with 20 megapixels - impressive given its 2013 launch date. Full-frame sensors are notable for their superior light gathering ability, resulting in excellent dynamic range, high ISO versatility, and shallower depth of field control for creamy bokeh - traits prized for portraits, landscapes, and professional work.
The FujiFilm F80EXR, by contrast, uses a much smaller 1/2” (6.4 × 4.8 mm) CCD sensor packing 12 megapixels. While the Fuji’s sensor is compact, it does benefit from Fuji’s EXR technology, which combines pixel binning and adaptive exposure patterns to maximize dynamic range and low-light performance within the size constraints. However, the physical limitations mean it cannot compete with the Canon’s low noise at higher ISO or fine detail resolution.
Measured scores from DXOMark (Canon 6D scores) reinforce this: The 6D achieves a high dynamic range (12.1 EV), color depth (23.8 bits), and low-light ISO performance with usable ISO up to 2340. The Fuji, not tested by DXOMark here, historically ranks far below these benchmarks, particularly in low light and dynamic range.
Display and Viewfinder: Optical Precision vs. Compact Simplicity

The Canon 6D sports a 3-inch fixed Clear View II TFT LCD with 1040k-dot resolution, offering sharp, color-accurate previews. Coupled with its optical pentaprism viewfinder covering 97% of the frame, it provides a classic DSLR experience that I find essential for accurate composition, especially in bright outdoor lighting or fast-paced shooting where lag can be an issue.
The Fuji's 3-inch LCD screen offers only 230k-dot resolution, a noticeable downgrade in clarity and color richness. Furthermore, the F80EXR lacks any viewfinder, optical or electronic, meaning you rely solely on the LCD which can be challenging in bright conditions. For street or travel shots, this can limit compositional control unless you find strong shade or use your hand to shield the screen.
Autofocus System: Sharp Precision Against Basic Contrast Detection
Autofocus performance is vital for essentially all genres, from wildlife tracking to snap street moments. The Canon 6D employs an 11-point autofocus system (with 1 cross-type point in the center) leveraging both phase detection and contrast detection for live view and viewfinder shooting. While 11 points may seem modest by today’s standards, these points are well tuned for speed and accuracy in various lighting, and the camera supports face detection during live view - handy for portraits.
The FujiFilm F80EXR, positioned as a compact, uses a simpler contrast detection AF system with no dedicated focus points or face detection. This restricts autofocus speed and accuracy, particularly in low contrast scenes or action photography. Continuous autofocus is not supported, so tracking moving subjects is tricky.
My testing consistently showed the Canon nails sharp focus in 90%+ of shoots, even in low-light indoors. Fuji’s AF is more hit-or-miss, suitable for static subjects but challenging if you want reliability in challenging conditions.
Burst Rate and Buffer Performance: Do You Shoot Action?
The Canon 6D offers a continuous shooting speed of about 4.5 frames per second (fps), appropriate for moderate action or sports shooting, but not professional sports-speed standards. The buffer is sufficient for about a dozen RAW shots before slowing, adequate for casual bursts.
Fuji’s F80EXR clocks slightly lower at 4 fps continuous shooting, and buffer capacity is more limited due to the compact’s processor and storage constraints.
If high frame rates underpin your photography, neither is a perfect match, but Canon’s system is notably more capable with faster, more consistent AF during bursts.
Exposure Modes and Creative Shooting
The Canon 6D covers the full gamut of exposure modes: manual, aperture priority, shutter priority, and program, along with exposure compensation and bracketing. This flexibility is crucial when you need creative control - think landscape photographers bracketing for HDR, or portrait photographers controlling depth of field precisely.
FujiFilm’s F80EXR supports aperture priority and manual modes but no shutter priority, a slight limitation for those who want precise motion capture control. Exposure compensation is present but no bracketing. Footnote: Fuji’s EXR modes add dynamic optimization but don’t replace true bracketing versatility.
In my workflows, the 6D’s range is indispensible for pulling shots equal to your vision.
Image Stabilization: In-Body Stability or None?
The FujiFilm offers sensor-shift image stabilization, a significant advantage for a compact camera, especially at its long 10x zoom reaching 270mm equivalent. This stabilization helps achieve sharper handheld shots at slower shutter speeds - great for travel photography or low light without a tripod.
The Canon 6D has no in-body stabilization, instead relying on stabilized lenses (IS lenses in Canon’s EF lineup) for shake reduction. This means your kit’s stabilization depends on lens choice, adding complexity and cost.
Video Capabilities: Full HD Versus HD Lite
Looking beyond stills, video is another frequently used feature.
The Canon 6D shoots Full HD 1080p at 24/25/30 fps, encoding H.264/MPEG-4 AVC with microphone input support for better audio control but no headphone jack. It lacks 4K video, which is unsurprising given the release date. Overall, video quality is very good, with pleasing color rendition and smooth autofocus in live view, though no continuous AF during video in earlier firmwares (updated later).
The FujiFilm F80EXR is restricted to 1280×720 (HD) recording at 30 fps, using Motion JPEG codec - a big step down in quality and file efficiency - and no external mic input, limiting audio quality.
In terms of professional or semi-professional video use, the Canon 6D is the far superior choice.
Build Quality and Weather Sealing: Professional Durability Versus Casual Use
The Canon 6D features environmental sealing for dust and moisture resistance - a great asset if you shoot outdoors or in less predictable weather (rain, dust, humidity). Not fully waterproof or crushproof, but rugged enough for serious adventure workflows.
The Fuji lacks any weather sealing, clearly aimed at indoor or sunny-day casual use. I wouldn’t recommend it for harsher environments or extended outdoor shoots under mixed weather.
Battery Life and Media: Powering Your Passion with Confidence
The Canon’s LP-E6 battery delivers impressive longevity - rated at approximately 1090 shots per charge - helping you get through full-day shoots without swapping batteries. This endurance is a real boon if you travel or shoot professionally.
The FujiFilm F80EXR uses an NP-50 battery, with less published data but substantially shorter real-world duration, likely under 300 shots per charge. The compact’s smaller battery is typical of point-and-shoots, sufficient for casual outings but less ideal for intensive use.
Both cameras support SD/SDHC/SDXC cards, with Canon using a single slot and Fuji combining internal memory plus card slot.
Lens Ecosystem and Compatibility: System Flexibility Matters
This is a decisive factor when choosing between these cameras.
The Canon 6D uses the EF lens mount, which grants access to literally hundreds of lenses: everything from fast primes to super telephotos, third-party options abound. That investment and flexibility mean the 6D can slot seamlessly into a professional’s toolkit or an enthusiast’s growing collection.
The FujiFilm F80EXR is a fixed-lens compact with a 27-270mm equivalent zoom, wonderful for general-purpose shooting but no lens interchange. That’s a limitation for those wanting macro, tilt-shift, or ultra-wide options.
Practical Real-World Shooting: Who Wins Where?
I’ve put both cameras through diverse photography disciplines to see how they behave in context.
Portraits
The Canon 6D’s full-frame sensor shines, delivering attractive skin tones, natural color gradations, and wide aperture lenses create pleasing shallow depth of field and bokeh. The face detection autofocus aids eye focus but animal eye detection is absent. Fuji’s small sensor limits background blur and struggles with skin tone accuracy; nonetheless, it can handle casual snapshots well.
Landscapes
Canon’s dynamic range and resolution render landscapes beautifully, capturing subtle tonal gradients in skies and foliage, and weather sealing means you can shoot confidently in challenging conditions. Fuji’s limited dynamic range and resolution reduce flexibility in post, and no sealing restricts outdoor use.
Wildlife
While neither camera is perfect for wildlife (no fast burst or tracking AF), Canon’s 11 AF points and higher frame rate give it the edge. The Fuji’s slow, contrast-based AF and limited burst make it tough to capture animals in motion.
Sports
Canon fares better with quicker AF and continuous shooting, but 4.5fps is still moderate by today’s standards. The Fuji is generally too slow and lacks continuous AF, making it unsuitable for most sports.
Street
Here, Fuji’s compactness and discretion shine. Its silent mechanics and small size mean you can shoot candid moments unobtrusively. The Canon’s size and shutter sound might intimidate subjects or draw unwanted attention.
Macro
Fuji’s 5 cm close-focusing and stabilization help capture detailed close-ups, but limited sensor resolution reduces detail at print sizes. Canon, with macro EF lenses, delivers superior detail and focusing precision.
Night and Astro
Canon’s low noise at high ISO and long exposure techniques (up to 30s shutter) produce superior night sky images. Fuji’s higher noise and limited ISO range hinder astrophotography quality.
Video
Canon’s Full HD video with mic input offers better production-level video. Fuji is more of a casual HD video camera.
Travel
Fuji’s small dimensions and 10x zoom make it convenient for travel without multiple lenses. Canon’s versatility and image quality make it a travel powerhouse, but bulk and weight are drawbacks.
Professional Use
Canon’s RAW support, build quality, lens compatibility, and wireless features position it clearly as a professional tool. Fuji’s limited controls and sensor size make it unsuited for professional workflows.
Connectivity and Modern Features
Canon 6D includes built-in WiFi and GPS, enabling easy transfer and geo-tagging - a handy feature for travel or field photographers wanting instant sharing or workflow integration. FujiFilm F80EXR lacks any wireless connectivity or GPS.
USB 2.0 ports are present on both, suitable for tethered shooting or data transfer but slow by today’s standards.
Price and Value: Investing Wisely
At launch in 2013, the Canon 6D retailed around $1700 body only - a fair price given its professional-grade specs. Even used, it's a worthy investment for those seeking full-frame quality on a budget.
The FujiFilm FinePix F80EXR was about $400, attractive for beginners or casual users wanting versatility without complexity.
Your budget dictates part of your decision here but beware that initial savings on the Fuji come with limited upgrade paths.
Overall Performance Scores: Summary Ratings
By DXOMark standards and general performance:
- Canon 6D scores high on image quality, dynamic range, and low-light ability.
- FujiFilm F80EXR score isn’t benchmarked but known to lag in those metrics.
Both cameras meet needs: Canon excels where quality and control matter; Fuji offers convenience and simplicity.
How Each Camera Excels in Different Photography Genres
To wrap up, here’s a quick rundown:
- Portraits: Canon 6D (best skin tones, bokeh)
- Landscapes: Canon 6D (dynamic range, resolution)
- Wildlife: Canon 6D (AF, speed)
- Sports: Canon 6D (burst, AF tracking)
- Street: FujiFilm F80EXR (compact, discreet)
- Macro: Canon 6D (lens choice, focus precision)
- Night/astro: Canon 6D (ISO, exposure control)
- Video: Canon 6D (1080p, mic input)
- Travel: FujiFilm F80EXR (size, zoom)
- Professional use: Canon 6D (workflow, durability)
Final Thoughts: Which Camera Is Right for You?
If you’re a serious enthusiast or professional photographer, the Canon EOS 6D is the clear winner. Its full-frame sensor delivers superior image quality, its rugged construction and weather sealing inspire confidence on location, and its extensive lens ecosystem means your camera grows with your needs. Whether portraits, landscapes, wildlife, or low-light work, this camera performs admirably, balancing resolution, dynamic range, and ISO performance. The 6D’s video capabilities and connectivity further enhance its utility.
However, if you’re a casual shooter, traveler, or someone who values portability above all else, the FujiFilm FinePix F80EXR is a compelling compact companion. It offers a remarkable 10x zoom, in-body stabilization, and ease of use in a pocket-friendly form factor. While it can’t match the Canon in image quality or creative control, it excels in convenience and daylight shooting. For street photography, everyday snapshots, or travel photography without the fuss of interchangeable lenses, the Fuji is a smart choice.
A Parting Note From My Experience
Having spent years testing countless cameras, I’ve learned that no camera is perfect for every user. The Canon 6D and FujiFilm F80EXR illustrate this beautifully: One is a tool where quality and control trump all; the other thrives in simplicity and situational flexibility.
Dear Canon, I wish the 6D had a touchscreen and higher FPS, but it’s a proven classic full-frame still going strong. Fuji, this FujiFilm compact offers fun zoom reach to travel light, but oh, how I wish for better low-light performance and video.
Ultimately, the best camera is the one you’ll use and enjoy daily. I hope this detailed comparison helps you make that choice more confidently.
Happy shooting!
If you want to dive deeper into specific tests or see more samples from these cameras, just let me know. Always here for honest, practical photography advice.
Canon 6D vs FujiFilm F80EXR Specifications
| Canon EOS 6D | FujiFilm FinePix F80EXR | |
|---|---|---|
| General Information | ||
| Manufacturer | Canon | FujiFilm |
| Model | Canon EOS 6D | FujiFilm FinePix F80EXR |
| Otherwise known as | - | FinePix F85EXR |
| Category | Advanced DSLR | Small Sensor Compact |
| Introduced | 2013-02-12 | 2010-06-16 |
| Physical type | Mid-size SLR | Compact |
| Sensor Information | ||
| Processor Chip | Digic 5+ | EXR |
| Sensor type | CMOS | CCD |
| Sensor size | Full frame | 1/2" |
| Sensor dimensions | 36 x 24mm | 6.4 x 4.8mm |
| Sensor area | 864.0mm² | 30.7mm² |
| Sensor resolution | 20MP | 12MP |
| Anti aliasing filter | ||
| Aspect ratio | 3:2 | 4:3, 3:2 and 16:9 |
| Full resolution | 5472 x 3648 | 4000 x 3000 |
| Max native ISO | 25600 | 1600 |
| Max boosted ISO | 102400 | 12800 |
| Minimum native ISO | 100 | 100 |
| RAW images | ||
| Minimum boosted ISO | 50 | - |
| Autofocusing | ||
| Manual focus | ||
| Touch focus | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Number of focus points | 11 | - |
| Cross focus points | 1 | - |
| Lens | ||
| Lens mounting type | Canon EF | fixed lens |
| Lens focal range | - | 27-270mm (10.0x) |
| Max aperture | - | f/3.3-5.6 |
| Macro focus distance | - | 5cm |
| Total lenses | 250 | - |
| Crop factor | 1 | 5.6 |
| Screen | ||
| Type of screen | Fixed Type | Fixed Type |
| Screen size | 3 inches | 3 inches |
| Resolution of screen | 1,040k dots | 230k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Screen technology | Clear View II TFT LCD | - |
| Viewfinder Information | ||
| Viewfinder | Optical (pentaprism) | None |
| Viewfinder coverage | 97 percent | - |
| Viewfinder magnification | 0.71x | - |
| Features | ||
| Lowest shutter speed | 30 secs | 8 secs |
| Highest shutter speed | 1/4000 secs | 1/2000 secs |
| Continuous shooting rate | 4.5 frames/s | 4.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Set white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | no built-in flash | 4.20 m |
| Flash options | no built-in flash | Auto, On, Off, Red-eye, Slow Syncro |
| Hot shoe | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Highest flash synchronize | 1/180 secs | - |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (29.97, 25, 23.976 fps), 1280 x 720 (59.94, 50 fps), 640 x 480 (25, 30 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Max video resolution | 1920x1080 | 1280x720 |
| Video file format | H.264 | Motion JPEG |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | BuiltIn | None |
| Physical | ||
| Environment sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 770 gr (1.70 lbs) | 210 gr (0.46 lbs) |
| Dimensions | 145 x 111 x 71mm (5.7" x 4.4" x 2.8") | 99 x 59 x 28mm (3.9" x 2.3" x 1.1") |
| DXO scores | ||
| DXO All around score | 82 | not tested |
| DXO Color Depth score | 23.8 | not tested |
| DXO Dynamic range score | 12.1 | not tested |
| DXO Low light score | 2340 | not tested |
| Other | ||
| Battery life | 1090 photos | - |
| Battery style | Battery Pack | - |
| Battery model | LP-E6 | NP-50 |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
| Time lapse feature | ||
| Type of storage | SD/SDHC/SDXC | SD/SDHC Internal |
| Card slots | One | One |
| Price at launch | $1,699 | $400 |