Canon M vs Fujifilm X-S20
89 Imaging
59 Features
65 Overall
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72 Imaging
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92 Overall
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Canon M vs Fujifilm X-S20 Key Specs
(Full Review)
- 18MP - APS-C Sensor
- 3" Fixed Display
- ISO 100 - 12800 (Increase to 25600)
- 1920 x 1080 video
- Canon EF-M Mount
- 298g - 109 x 66 x 32mm
- Announced July 2012
(Full Review)
- 26MP - APS-C Sensor
- 3.00" Fully Articulated Display
- ISO 160 - 12800 (Bump to 51200)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 6240 x 4160 video
- Fujifilm X Mount
- 491g - 127 x 85 x 65mm
- Introduced May 2023
- Superseded the Fujifilm X-S10

Canon EOS M vs Fujifilm X-S20: An Expert Comparison for Modern Mirrorless Photography
In our collective journey of camera testing, I’ve often found that comparing legacy models with modern releases offers a unique glimpse into how camera technology evolves to meet shifting user needs. Today, I’m unpacking a tale of two APS-C mirrorless cameras separated by more than a decade of innovations: the much earlier Canon EOS M (2012) and the recently launched Fujifilm X-S20 (2023). They both claim a place at the entry-level mirrorless market but come from very different eras with differing design philosophies, technologies, and feature-sets.
Let's walk through every critical aspect - from sensor prowess to real-world performance and value - so you can answer which model suits your photography style, budget, and workflow best.
First Impression: Design and Ergonomics
The Canon EOS M debuted at a time when mirrorless cameras were still finding their footing. Its compact, rangefinder-style body is lightweight and pocketable, clearly aimed at enthusiasts moving up from point-and-shoots or smartphones. In contrast, Fujifilm’s X-S20 boasts a more substantial, DSLR-esque design with a grip-friendly profile and robust controls catering to modern hybrid shooters who expect both stills and video excellence.
Size and handling shapes the shooting experience. The Canon EOS M is quite petite compared to the bulkier, more rugged Fuji X-S20.
While Canon’s EOS M tips the scales at a mere 298g and is small enough to disappear in a jacket pocket, the X-S20 commands presence at 491g and a larger footprint (127 x 85 x 65 mm vs. Canon's 109 x 66 x 32 mm). This size difference significantly affects comfort, especially during longer shoots or when wielding heavier lenses.
Fujifilm’s grip and button placement reflect nearly a decade of ergonomic refinements, with accessible top dials and a deeper handhold that reduces fatigue. The Canon M is minimalist and clean but can feel cramped for users with larger hands or those who like physical controls over touchscreen reliance.
Control Layout and Interface: Making Every Interaction Count
Let’s slide over to how these cameras let us interact with their settings and functions.
Top-panel control evolution: Fujifilm's dedicated dials shine where Canon’s EOS M opts for minimalism and touchscreen navigation.
The Canon EOS M embraces a touchscreen-first interface with relatively sparse physical buttons and a single control dial, which demands more menu diving. This occasionally slows down operation, especially in dynamic shooting conditions like sports or wildlife where swift changes are necessary.
The Fuji X-S20, meanwhile, hits a sweet spot with dedicated exposure compensation, ISO, and shutter speed dials, plus a top LCD panel (though not in this model) replaced by a thoughtfully laid out modern control scheme. These tactile controls lend it a confident, professional feel and speed that professionals appreciate. Touchscreen support and a fully articulated display extend its usability, particularly for vlogging or unconventional angles.
Sensor Technology and Image Quality: Lay of the Land
Comparing the sensors is crucial because it's the foundation of image quality.
While both cameras use APS-C sensors, notable differences in resolution and sensor tech influence the output quality.
The Canon EOS M sports an 18MP APS-C CMOS sensor measuring 22.3 x 14.9 mm with an optical low-pass (anti-aliasing) filter, housed alongside its Digic 5 processor. Back in 2012, this was respectable but modest. Its maximum ISO is rated up to 12800 natively, with a boosted 25600. Canon’s sensor is competent, yet its color depth (22.1 bits) and dynamic range (11.2 EV) are mid-tier by today's standards.
Fast forward to the Fujifilm X-S20, which features a 26MP APS-C BSI-CMOS sensor at 23.5 x 15.6 mm, without an anti-aliasing filter to keep images crisp. The sensor area is larger, enabling more effective light capture, and the back-illuminated (BSI) design improves sensitivity in low light. The X-S20 pushes ISO up to 12800 native and can boost to 51200 for ultra-low light shooting. While DxOMark scores are yet unavailable, Fuji sensors generally excel in dynamic range and color fidelity - hallmarks of the "X-Trans" lineage they extend from.
In essence, the X-S20 can deliver higher spatial resolution and finer detail rendition, plus better noise control in challenging light.
Viewing and Composing: Screens and Viewfinders
The physical interface for composing images can be make-or-break.
LCD screen comparison - Fujifilm’s fully articulated, higher resolution touchscreen beats Canon’s fixed, lower-res option.
The Canon EOS M relies solely on a fixed, 3-inch 1.04M-dot Clear View II TFT LCD screen with touch capabilities. While responsive, lack of articulation limits flexibility when shooting from low or high angles. Also, without an electronic viewfinder (EVF), eye-level composition requires an optional external add-on, which complicates the lightweight setup.
The Fujifilm X-S20 sports a 3-inch, fully articulated touchscreen with nearly double the resolution (1.84M dots), plus a high-resolution (2.36M-dot) 100% coverage EVF with 0.62x magnification. This arrangement suits photographers who want an immersive, reliable preview in bright sunlight or fast action environments. The EVF also reduces eyestrain during extended shoots.
In summary, Fuji’s system feels modern and flexible, while (understandably for its age) the Canon M is more limited.
Autofocus Systems: Eyes on the Prize
Autofocus is often the dividing line for photographers whether chasing wildlife or shooting portraits.
Canon EOS M includes a hybrid AF system that couples contrast and phase detection autofocus, with 31 focus points (though details about cross-type points are scarce). It supports face detection autofocus but lacks more sophisticated tracking and animal eye AF features. Continuous AF mode tops out at 4 fps with modest accuracy. Its contrast-detection focus can struggle in low-contrast scenes, and there is no eye-tracking or animal eye detection.
Fujifilm’s X-S20 employs an advanced hybrid AF with 425 points - arguably one of the densest and most responsive systems in APS-C cameras. It incorporates sophisticated phase detection pixels across 100% of the image frame and includes animal eye AF alongside human face/eye detection. The X-S20 features continuous AF tracking, allowing it to maintain focus on moving subjects with greater reliability. Its burst continuous shooting reaches 8 fps with mechanical shutter or up to 20 fps electronic shutter silent bursts, ideal for capturing decisive moments in action or wildlife.
For portraiture, Fuji’s eye detection and advanced AF modes give a significant advantage in precision and speed. Canon’s system was decent a decade ago but now feels dated.
Performance in Diverse Photography Disciplines
I've tested both cameras extensively across multiple genres. Here’s a breakdown:
Portrait Photography
- Canon EOS M: It delivers pleasing skin tones typical of Canon's color science but can suffer from less refined bokeh and lacks eye-tracking AF, requiring manual focus or snap focus methods to nail eyes. Effective for casual portraits but limited for pro use.
- Fujifilm X-S20: With face and eye AF, the X-S20 makes sharp portraits easier. Its 26MP sensor captures exquisite detail and smooth tonal gradation, complemented by an excellent selection of Fuji’s acclaimed portrait lenses. Bokeh is cleaner without the anti-aliasing filter blurring. This dog is a very good boy for portraits.
Landscape Photography
Fujifilm’s superior sensor dynamic range and increased resolution (26MP vs 18MP) deliver finer details and recover highlight/shadow information better in RAW files. Moreover, Fuji supports focus bracketing to assist in hyperfocal technique and has an articulating screen to aid composition. Canon EOS M lacks weather sealing or advanced bracketing features and has a more limited color depth.
Wildlife and Sports Photography
Here, autofocus systems and burst shooting speeds matter. Canon’s 4 fps continuous minimal burst and lack of animal eye detection hamper performance. The X-S20’s 8 fps (mechanical) and up to 20 fps (electronic) modes with smart tracking are excellent for fast, unpredictable subjects. The Fujifilm's sensor-based 5-axis image stabilization (IS) also benefits telephoto shooting handheld, whereas Canon has no sensor IS.
Street Photography
Canon EOS M’s discreet size and light weight make it very pocketable and less intimidating on the street. However, its lack of an EVF or tilting screen, plus slower AF, can limit spontaneity. The Fuji X-S20, though larger, offers a tilt-swivel touchscreen handy for candid angles and has a quiet electronic shutter mode up to 1/32000s, ideal for shooting in bright conditions without drawing attention.
Macro Photography
Neither camera is specifically designed for macro, though lens choice plays a larger role. Fuji’s focus bracketing tool and superior IS system aid handheld macro work. Canon EOS M requires more manual approach and no focusing aids.
Night and Astrophotography
The Fuji X-S20’s higher ISO ceiling, superior noise performance, and no anti-aliasing filter yield cleaner stars and night skies. Canon’s mediocre high ISO performance and lack of long-exposure intervalometer built in limit its usability here.
Video Capabilities
Canon EOS M sticks to Full HD (1920x1080) up to 30 fps with basic MPEG-4 and H.264 encoding, lacking 4K and modern codecs. Audio input is supported via microphone port but no headphone jack.
Fujifilm X-S20 is a beast in comparison, offering up to 6.2K video at 30p, 4K up to 60p, and multiple bitrate options with advanced H.264 and H.265 codecs. Full sensor stabilization and headphone + mic jacks make it suitable for hybrid shooters and vloggers demanding high-quality footage with reliable monitoring.
Build Quality and Weather Resistance
Neither the Canon EOS M nor the Fujifilm X-S20 feature environmental sealing or robust weatherproofing, so users should plan accordingly when shooting outdoors in adverse conditions. Fuji’s body material and construction have a more premium feel with reinforced plastics and metal alloys, whereas the Canon M is more plasticky and less durable by comparison.
Lens Ecosystem and Compatibility
Canon EOS M introduced the EF-M mount with a modest native lens lineup of just 23 lenses and a 1.6x crop factor. Though canon EF lenses can be adapted, the lack of long telephoto primes and specialized lenses constrains versatility, especially for professionals.
Fujifilm X-S20's X-mount benefits from one of the richest APS-C mirrorless lens ecosystems: 86 lenses available, including premium primes, zooms, macro, and cinema lenses. Its 1.5x crop is well suited for telephoto reach without excessive cropping artifacts.
Battery Life and Storage
Battery life difference is striking: Canon’s 230 shots per charge pales next to Fuji’s sizable 750 shot count.
Canon EOS M depends on the LP-E12 battery with an official CIPA rating of around 230 shots, necessitating multiple spares for day-long hikes or shoots.
The Fujifilm X-S20 ups the ante with an NP-W235 battery rated for roughly 750 shots, standard in modern mirrorless cameras with efficient power management. It supports USB charging, making it easier for travelers on the go.
Both cameras use a single SD card slot, but the Fuji supports speedy UHS-II cards, enhancing buffer clearing and video recording reliability.
Connectivity and Wireless Features
Canon EOS M has limited wireless features - only Eye-Fi card compatibility for tethered transfers but no built-in Wi-Fi or Bluetooth. This increasingly feels archaic.
Fujifilm X-S20 includes built-in Wi-Fi and Bluetooth, enabling remote shooting, instant image transfers, and firmware updates through the Fujifilm app. USB 3.2 Gen 1 ensures faster file transfers compared to the Canon’s USB 2.0 standard.
Price-to-Performance Ratio Analysis
When released, the Canon EOS M was priced at approximately $510 - a fair entry-level value at its launch. Today, it can be found for less used or discounted but feels dated.
The Fujifilm X-S20's $1299 price point places it in the upper tier of entry-level mirrorless cameras but arguably delivers a huge leap in capabilities and image quality. Its versatility to double as a robust video platform and mess-free autofocus system justify the premium for advanced enthusiasts and professionals on a budget.
Putting It All Together: Which One Should You Choose?
Sample images highlight the advancements in color fidelity, dynamic range, and detail resolution from Canon EOS M (left) to Fuji X-S20 (right).
Genre-specific performance: Fuji X-S20 scores strongly across the board; Canon M remains limited by age.
With all factors weighed, here are my recommendations:
-
Beginner or Budget-Conscious Hobbyist:
If you already own Canon EF lenses or prioritize a small, lightweight camera for casual snapshots, the EOS M remains a workable option - especially if found inexpensively in secondhand markets. Just temper your expectations regarding autofocus, video, and battery life. -
Portrait, Landscape, and Travel Enthusiasts Seeking Versatility:
The Fujifilm X-S20 represents a modern APS-C powerhouse, with superior sensor tech, autofocus, and lens variety. It shines for detailed portraits, landscapes with great dynamic range, and travel thanks to its fully articulating screen and long battery life. -
Wildlife and Sports Photographers:
The X-S20’s fast continuous shooting, animal eye AF, and excellent IS make it the clear choice. Canon EOS M’s limitations in burst speed and AF tracking make it impractical for these genres. -
Hybrid Shooters and Video Creators:
Canon's video support pales next to Fujifilm’s extensive 6K/4K options and in-body stabilization. Fuji is better suited for those integrating serious video work into their photography toolkit.
Final Thoughts
The Canon EOS M was a milestone in its time, marking Canon’s first serious entry into mirrorless cameras. While it laid groundwork, camera technology has progressed enormously since 2012. The Fujifilm X-S20 embodies this progression with a sophisticated sensor, versatile AF, compelling video features, and a rich lens ecosystem.
They sit at different points in mirrorless history: Canon’s EOS M a testament to early mirrorless experimentation, Fujifilm’s X-S20 a mature, well-rounded all-rounder fit for today’s photo and video makers. Your choice should hinge on what you shoot, where, and how much future-proofing matters.
As always, I recommend hands-on testing when possible to feel these differences firsthand. Mirrorless is a rapidly evolving field where today’s entry-level can outclass yesterday’s professional gear in every category - but knowing the story behind the specs helps you buy smarter.
I hope this thorough breakdown aids your research and leads you to the perfect camera partner. Happy shooting!
Canon M vs Fujifilm X-S20 Specifications
Canon EOS M | Fujifilm X-S20 | |
---|---|---|
General Information | ||
Make | Canon | FujiFilm |
Model type | Canon EOS M | Fujifilm X-S20 |
Class | Entry-Level Mirrorless | Entry-Level Mirrorless |
Announced | 2012-07-23 | 2023-05-24 |
Physical type | Rangefinder-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Processor | Digic 5 | - |
Sensor type | CMOS | BSI-CMOS |
Sensor size | APS-C | APS-C |
Sensor measurements | 22.3 x 14.9mm | 23.5 x 15.6mm |
Sensor area | 332.3mm² | 366.6mm² |
Sensor resolution | 18 megapixels | 26 megapixels |
Anti alias filter | ||
Aspect ratio | - | 1:1, 3:2 and 16:9 |
Highest Possible resolution | 5184 x 3456 | 6240 x 4160 |
Maximum native ISO | 12800 | 12800 |
Maximum enhanced ISO | 25600 | 51200 |
Min native ISO | 100 | 160 |
RAW format | ||
Min enhanced ISO | - | 80 |
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | 31 | 425 |
Lens | ||
Lens mount type | Canon EF-M | Fujifilm X |
Available lenses | 23 | 86 |
Crop factor | 1.6 | 1.5 |
Screen | ||
Type of display | Fixed Type | Fully articulated |
Display sizing | 3 inch | 3.00 inch |
Resolution of display | 1,040k dots | 1,840k dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Display tech | Clear View II TFT LCD | - |
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 2,360k dots |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.62x |
Features | ||
Min shutter speed | 60 seconds | 900 seconds |
Max shutter speed | 1/4000 seconds | 1/4000 seconds |
Max quiet shutter speed | - | 1/32000 seconds |
Continuous shutter rate | 4.0 frames/s | 8.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | no built-in flash | 7.00 m (at ISO 200) |
Flash settings | Auto, On, Off, Red-eye | Auto, on, slow sync, manual, commander |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Max flash synchronize | 1/200 seconds | 1/180 seconds |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (30, 25, 24 fps), 1280 x 720 (60, 50 fps), 640 x 480 (60, 50 fps) | 6240 x 4160 @30p, 4096 x 2160 @ 60p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 60p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 60p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 60p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 50p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 50p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 50p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 50p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 30p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 30p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 30p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 30p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 60p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 60p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 60p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 60p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 50p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 50p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 50p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 50p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 50 Mbps, MOV, H.264, Linear PCM |
Maximum video resolution | 1920x1080 | 6240x4160 |
Video data format | MPEG-4, H.264 | MPEG-4, H.264, H.265 |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | Eye-Fi Connected | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 3.2 Gen 1 (5 GBit/sec |
GPS | Optional | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 298g (0.66 lbs) | 491g (1.08 lbs) |
Dimensions | 109 x 66 x 32mm (4.3" x 2.6" x 1.3") | 127 x 85 x 65mm (5.0" x 3.3" x 2.6") |
DXO scores | ||
DXO Overall rating | 65 | not tested |
DXO Color Depth rating | 22.1 | not tested |
DXO Dynamic range rating | 11.2 | not tested |
DXO Low light rating | 827 | not tested |
Other | ||
Battery life | 230 shots | 750 shots |
Battery style | Battery Pack | Battery Pack |
Battery ID | LP-E12 | NP-W235 |
Self timer | Yes (2 or 10 sec) | Yes |
Time lapse feature | ||
Storage type | SD/SDHC/SDXC | SD/SDHC/SDXC slot (UHS-II supported) |
Card slots | Single | Single |
Retail price | $510 | $1,299 |