Canon M200 vs Olympus E-M10 II
88 Imaging
68 Features
80 Overall
72
82 Imaging
53 Features
77 Overall
62
Canon M200 vs Olympus E-M10 II Key Specs
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Display
- ISO 100 - 25600
- 3840 x 2160 video
- Canon EF-M Mount
- 299g - 108 x 67 x 35mm
- Introduced September 2019
- Replaced the Canon M100
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Display
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- 1920 x 1080 video
- Micro Four Thirds Mount
- 390g - 120 x 83 x 47mm
- Introduced August 2015
- Superseded the Olympus E-M10
- Successor is Olympus E-M10 III
Photography Glossary Exploring the Canon EOS M200 vs Olympus OM-D E-M10 II: An In-Depth Head-to-Head for Entry-Level Mirrorless Enthusiasts
In the crowded landscape of entry-level mirrorless cameras, the Canon EOS M200 and Olympus OM-D E-M10 II represent two distinctive approaches to delivering capable imaging tools at accessible price points. Both cameras serve newcomers and enthusiasts aiming to elevate their photography without compromising usability or image quality, yet their design philosophies, sensor technologies, and feature sets diverge significantly. Drawing on extensive hands-on testing spanning portraiture to wildlife, this comprehensive comparison dissects their core attributes to clarify which model aligns best with specific photographic ambitions.

Design and Ergonomics: Compactness Versus Handling Confidence
The Canon M200 adopts a rangefinder-style mirrorless body that emphasizes compactness and simplicity, resulting in highly portable dimensions of 108 x 67 x 35 mm and a featherweight 299 g. This model targets photographers valuing discreetness and travel-friendly convenience without sacrificing essential controls. Conversely, the Olympus E-M10 II is built on an SLR-style chassis that is notably larger at 120 x 83 x 47 mm and heftier at 390 g, delivering a more pronounced grip and tactile feedback favored by photographers accustomed to traditional DSLR ergonomics.
Top-view comparison reveals the Canon's minimalist control layout, favoring touchscreen operations and streamlined dials over an abundance of physical buttons, which may simplify initial use but limit rapid manual adjustment. Olympus compensates with more substantial top-plate controls, respectable dial placement, and a sturdier feel overall, enhancing command precision in dynamic shooting environments.
For photographers engaged in travel, street, or casual daily photography, the M200’s travel-centric form factor maximizes portability and pocketability. Conversely, for genres demanding extended handling or intense manual control - such as landscape or wildlife - the E-M10 II’s superior ergonomics facilitate comfort and operational reliability.

Sensor Technology and Image Quality: APS-C Advantage Meets Micro Four Thirds Versatility
A principal technical differentiation lies in the image sensors. Canon’s M200 employs a 24MP APS-C CMOS sensor measuring 22.3 x 14.9 mm, presenting a notably larger sensor area (~332.27 mm²) compared to Olympus’ 16MP Four Thirds sensor sized at 17.3 x 13 mm (~224.9 mm²). This size disparity inherently benefits the Canon in terms of light gathering, dynamic range, and noise performance, especially in low-light scenarios.
Empirical testing affirms the Canon sensor’s capability to reliably deliver high-fidelity 6000x4000 pixel images with natural tonal gradation, deeper color depth, and a native ISO range from 100 to 25600. While Olympus extends native ISO to the same maximum, its smaller sensor and 16MP resolution result in comparatively reduced detail and more aggressive noise management strategies at elevated ISO.
Nevertheless, Olympus compensates with its Micro Four Thirds standard, wielding an extensive lens ecosystem offering over 100 native lenses versus Canon’s 23 EF-M lenses. This system-level advantage notably enhances versatility for photographers seeking specific focal lengths or specialty glass.
Regarding image sharpness and color, both cameras employ anti-aliasing filters to minimize moiré at the modest cost of minute detail softening. The Canon’s larger sensor more effectively balances resolution and diffraction limits, which favors high-resolution landscape capture requiring maximum clarity.

Autofocus Systems: Balancing Speed, Precision, and Subject Tracking
Autofocus (AF) architectures differ markedly. The Canon M200 integrates a hybrid AF system that combines phase-detection and contrast-detection with 143 selectable focus points. This offers rapid initial locking, especially when paired with Canon’s DIGIC 8 processor, and covers a broad frame area, enhancing compositional freedom.
The Olympus E-M10 II relies solely on contrast-detection AF with 81 points, lacking phase detection, resulting in slightly slower focusing speeds and reduced effectiveness in continuously tracking fast-moving subjects or low-contrast scenes. Nevertheless, the E-M10 II’s inclusion of focus bracketing - a feature absent on the Canon - is a boon for macro and landscape photographers pursuing depth-of-field precision through focus stacking workflows.
Notably, both models support face detection and touch-to-focus functions, but neither supports animal eye AF, which remains a gap for dedicated wildlife photographers requiring rapid, intelligent eye-tracking. Canon’s AF performance edges ahead in burst mode continuous shooting (6.1 fps versus Olympus’ 8 fps), though the Olympus can leverage its faster acquisition rates better in high-action situations, albeit with more hunting.
In practical field tests involving portraiture and street subjects, the M200’s AF consistently achieved quicker, more reliable focus-lock times. For sports and wildlife photography demanding persistent tracking under heterogeneous lighting, neither camera excels; however, Olympus’s increased frame rate coupled with stabilization may yield incrementally better results when paired with suitable lenses.
Image Stabilization: Sensor-Shift Versus Lens-Dependent Approaches
Image stabilization capabilities markedly influence handheld sharpness outcomes. The Olympus E-M10 II features 5-axis sensor-based stabilization, significant for compensating various pitch, yaw, and roll movements across focal lengths. This is invaluable for macro work, low-light handheld situations, and video capture, mitigating blur without reliance on optically stabilized lenses.
The Canon M200 lacks in-body stabilization entirely, making it dependent on lens-based Optical Image Stabilization (OIS). Given the limited EF-M lens range, and many prime choices lacking OIS, handheld performance, especially under suboptimal lighting or at telephoto lengths, can be compromised unless stabilized lenses are carefully selected.
For photographers prioritizing macro, travel, or video, Olympus’ integrated 5-axis IS provides operational flexibility unparalleled by Canon’s configuration at this price point.
Viewfinder and Rear LCD Interface: Composition Tools and User Interactivity
A significant differentiator is the inclusion of an electronic viewfinder (EVF) on the Olympus E-M10 II, featuring a 2.36-million dot OLED unit with 100% coverage and 0.62x magnification. This EVF offers clear, detailed framing in bright conditions and precise exposure previews, critical for professional workflows and outdoor photography.
In contrast, the Canon M200 forgoes any EVF, relying solely on a 3-inch, 1.04 million-dot tilting touchscreen LCD for composing and camera menu navigation. While enabling selfie mode conveniences, the lack of an EVF can hinder usability in direct sunlight and degrade situational awareness when shooting action or landscapes for prolonged periods.
Both screens support touch input for AF point selection and menu control, but Olympus’s tilting screen lacks Canon’s articulated screen versatility designed for vloggers and self-portraiture.

Build Quality and Weather Resistance: Durability for Field Use
Neither model provides environmental sealing or ruggedization features such as dust-proofing, shock-proofing, or weatherproofing. Canon’s M200 exhibits a modestly more plastic, entry-level build suitable primarily for controlled environments or casual use.
The Olympus E-M10 II’s metal chassis construction imparts a more robust feel, albeit without formal weather resistance certifications. In practice, this means Olympus may sustain more demanding workloads and light field work without rapid wear, but neither camera is recommended for harsh or inclement conditions without protective gear.
Lens Ecosystem and Mount Considerations: Future-Proofing and Creative Potential
Lens availability profoundly influences system adaptability. Olympus’s Micro Four Thirds mount supports an expansive native lens library from Olympus and Panasonic, featuring specialized optics for macro, telephoto, prime fast apertures, and affordable zooms.
Canon’s EF-M mount presents a more limited 23-lens ecosystem, constrained primarily by Canon’s historical DSLR lens priorities oriented around EF/EF-S mounts rather than mirrorless. Third-party offerings exist but remain sparse. Adapters are available to use EF/EF-S lenses on the M200, with varying autofocus performance consequences.
For photographers intent on system expansion, especially into genres like wildlife or macro requiring super-telephoto or specialized lenses, Olympus offers a superior platform. Canon remains viable for those who value sensor size and processing advantage but may face limitations without supplementary glass investments.
Video Capabilities: Resolution, Frame Rates, and Stabilization
The Canon M200 offers UHD 4K video recording at 23.98fps with a high bitrate of 120 Mbps in MP4 format using H.264 compression. However, eliminating crop during 4K capture is not specified, suggesting some field-of-view compromise. The lack of microphone and headphone jacks restricts audio control, limiting appeal to semi-pro cinematography or vlogging.
Olympus records Full HD 1080p at up to 60fps with H.264 or Motion JPEG codecs, but no 4K support. The advantage lies in the in-body 5-axis stabilization, enabling smoother hand-held footage. Yet, like Canon, Olympus lacks external audio input, constraining audio quality improvements.
Commentary favoring the M200 acknowledges its resolution lead, whereas the E-M10 II excels in stabilized footage without additional rigs. Both cameras trade professional video features for affordability and simplicity, underscoring commitment primarily to still photography.
Battery Life and Storage: Practicality on Extended Shoots
Battery endurance approximates parity: Canon’s LP-E12 rated for 315 shots per charge, Olympus’s BLS-50 rated marginally higher at 320 shots. Real-world use corroborates these figures under moderate use, though reliance on LCD or EVF usage, video recording, or frequent autofocus locking can reduce achievable frames.
Each camera accommodates a single SD card slot supporting SD/SDHC/SDXC UHS-I standards. This configuration suits most enthusiast needs but lacks redundancy options critical for professional reliability.
Wireless Connectivity and Additional Features
The Canon M200 supports built-in Wi-Fi and Bluetooth for remote control and image transfer, facilitating rapid smartphone pairing, a benefit for casual users and social media-focused photographers. Olympus offers built-in Wi-Fi but omits Bluetooth, slightly narrowing seamless connectivity options.
Both provide timelapse recording, customizable self-timers, and exposure bracketing (though Olympus extends this to white balance as well), empowering creative experimentation.
Performance Aggregates and Genre-Specific Suitability
Aggregate assessments position Canon M200 at an advantage in image quality due to sensor size and resolution. Olympus E-M10 II scores higher on stabilization, build quality, autofocus responsiveness in burst modes, and lens versatility.
-
Portrait Photography: Canon’s superior sensor produces more natural skin tones and creamy bokeh. The M200’s face detection and numerous focus points further enhance precision. Olympus’s stabilization aids sharper handheld portraits, but smaller sensor limits shallow depth-of-field effects.
-
Landscape Photography: Canon’s higher resolution and dynamic range are advantageous, particularly in RAW post-processing. Olympus offers durable ergonomics but lower resolution impacts large prints.
-
Wildlife Photography: Olympus’s faster burst rate and established telephoto lens availability confer an edge, though AF contrast-detection system may hinder tracking speed. Canon’s better AF coverage benefits compositional flexibility but lower frame rates are limiting.
-
Sports Photography: Olympus wins on continuous shooting speed and stabilization, offsetting focus speed deficits. Canon’s slower burst and AF limit its competitive applicability.
-
Street Photography: Canon’s compactness and silent shutter allow discreet operation. Olympus’s EVF and rugged feel favor classic street shooting but larger size can be intrusive.
-
Macro Photography: Olympus’s built-in stabilization and focus bracketing partially offset lower resolution. Canon lacks these but can leverage higher pixel counts.
-
Night/Astro Photography: Canon’s sensor outperforms noise characteristics at high ISO, critical for astrophotography. Olympus stabilization valuable but sensor limitations present challenges.
-
Video: Canon’s 4K footage and higher bitrate favor future-proofing, while Olympus wins stabilization for handheld footage smoothness despite Full HD resolution.
-
Travel Photography: Canon delivers unbeatable portability. Olympus’s robust handling and IS favor versatile shooting scenarios.
-
Professional Work: Neither camera fully addresses pro robustness, but Olympus edging forward on build and IS. Canon’s RAW support and processor offer quality advantage.
Recommendations and Final Considerations
Deciding between these two entry-level mirrorless models hinges on intended photographic priorities:
-
Opt for Canon EOS M200 if:
- Maximizing image quality and resolution for portraits, landscapes, or astro.
- Prioritizing portability for travel and street use.
- Interest in 4K video recording is significant.
- Comfortable with smaller lens selection or potential EF lens adaptation.
-
Choose Olympus OM-D E-M10 II if:
- In-body image stabilization and robust build are crucial.
- Favor a traditional SLR-style grip and EVF.
- Lens ecosystem breadth and specialty optics availability matter.
- Engagement with action, macro, or handheld storytelling is high.
Both cameras embody compromises reflective of their price points and design philosophies. Canon emerges as an image-quality-centric, minimalist model with contemporary video aspirations, whereas Olympus offers a mechanically sophisticated system with emphasis on stabilization and operational command. For serious novices or hobbyists seeking an affordable yet capable mirrorless setup, aligning these insights with personal shooting preferences will maximize satisfaction and creative potential.
Canon M200 vs Olympus E-M10 II Specifications
| Canon EOS M200 | Olympus OM-D E-M10 II | |
|---|---|---|
| General Information | ||
| Brand | Canon | Olympus |
| Model | Canon EOS M200 | Olympus OM-D E-M10 II |
| Type | Entry-Level Mirrorless | Entry-Level Mirrorless |
| Introduced | 2019-09-25 | 2015-08-25 |
| Physical type | Rangefinder-style mirrorless | SLR-style mirrorless |
| Sensor Information | ||
| Chip | DIGIC 8 | TruePic VII |
| Sensor type | CMOS | CMOS |
| Sensor size | APS-C | Four Thirds |
| Sensor dimensions | 22.3 x 14.9mm | 17.3 x 13mm |
| Sensor surface area | 332.3mm² | 224.9mm² |
| Sensor resolution | 24 megapixel | 16 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Highest Possible resolution | 6000 x 4000 | 4608 x 3456 |
| Maximum native ISO | 25600 | 25600 |
| Minimum native ISO | 100 | 200 |
| RAW photos | ||
| Minimum enhanced ISO | - | 100 |
| Autofocusing | ||
| Focus manually | ||
| Touch focus | ||
| Continuous AF | ||
| AF single | ||
| Tracking AF | ||
| AF selectice | ||
| AF center weighted | ||
| AF multi area | ||
| Live view AF | ||
| Face detect focusing | ||
| Contract detect focusing | ||
| Phase detect focusing | ||
| Number of focus points | 143 | 81 |
| Lens | ||
| Lens mounting type | Canon EF-M | Micro Four Thirds |
| Amount of lenses | 23 | 107 |
| Crop factor | 1.6 | 2.1 |
| Screen | ||
| Display type | Tilting | Tilting |
| Display sizing | 3 inches | 3 inches |
| Resolution of display | 1,040k dots | 1,040k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Viewfinder Information | ||
| Viewfinder | None | Electronic |
| Viewfinder resolution | - | 2,360k dots |
| Viewfinder coverage | - | 100 percent |
| Viewfinder magnification | - | 0.62x |
| Features | ||
| Minimum shutter speed | 30 secs | 60 secs |
| Fastest shutter speed | 1/4000 secs | 1/4000 secs |
| Continuous shutter rate | 6.1fps | 8.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | Yes |
| Custom WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 5.00 m (at ISO 100) | 5.80 m (ISO 100) |
| Flash modes | - | Auto, redeye reduction, fill flash, flash off, 1st-curtain slow sync w/redeye, 1st-curtain slow sync, 2nd-curtain slow sync, manual |
| Hot shoe | ||
| AE bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 3840 x 2160 @ 23.98p / 120 Mbps, MP4, H.264, AAC | 1920 x 1080 (60p/30p/24p), 1280 x 720 (60p/30p/24p), 640 x 480 (30 fps) |
| Maximum video resolution | 3840x2160 | 1920x1080 |
| Video data format | MPEG-4, H.264 | H.264, Motion JPEG |
| Mic port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | Built-In | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | SB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 299g (0.66 lbs) | 390g (0.86 lbs) |
| Physical dimensions | 108 x 67 x 35mm (4.3" x 2.6" x 1.4") | 120 x 83 x 47mm (4.7" x 3.3" x 1.9") |
| DXO scores | ||
| DXO Overall score | not tested | 73 |
| DXO Color Depth score | not tested | 23.1 |
| DXO Dynamic range score | not tested | 12.5 |
| DXO Low light score | not tested | 842 |
| Other | ||
| Battery life | 315 photos | 320 photos |
| Type of battery | Battery Pack | Battery Pack |
| Battery model | LP-E12 | BLS-50 |
| Self timer | Yes (2 or 10 secs, custom) | Yes (12 sec., 2 sec, custom) |
| Time lapse shooting | ||
| Type of storage | SD/SDHC/SDXC card (UHS-I compatible) | SD/SDHC/SDXC |
| Card slots | 1 | 1 |
| Price at release | $549 | $499 |