Canon M5 vs Panasonic GX7
77 Imaging
66 Features
84 Overall
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81 Imaging
52 Features
75 Overall
61
Canon M5 vs Panasonic GX7 Key Specs
(Full Review)
- 24MP - APS-C Sensor
- 3.2" Tilting Screen
- ISO 100 - 25600
- 1920 x 1080 video
- Canon EF-M Mount
- 427g - 116 x 89 x 61mm
- Launched September 2016
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Display
- ISO 125 - 25600
- Sensor based Image Stabilization
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Micro Four Thirds Mount
- 402g - 123 x 71 x 55mm
- Launched November 2013
- Earlier Model is Panasonic GX1
- Newer Model is Panasonic GX8

Canon EOS M5 vs Panasonic Lumix GX7: A Deep-Dive into Two Advanced Mirrorless Classics
When comparing cameras, especially mirrorless models that have carved their niche in the enthusiast market, it’s easy to get lost in specs sheets without understanding their practical implications. Over my fifteen years testing hundreds of cameras, I’ve learned that true value lies in how a camera performs in your hands and in the field - across portraits, landscapes, wildlife, and beyond. Today, we’re exploring two stalwarts from slightly different eras: the Canon EOS M5, announced in late 2016, and the Panasonic Lumix GX7, released back in 2013.
Both are advanced mirrorless cameras with SLR-style vs. rangefinder-style bodies, APS-C vs. Micro Four Thirds sensors, and different philosophies in image processing and ergonomics. The Canon M5 brings a newer processor and resolution advantage, while the GX7 offers sensor-based stabilization and a distinct design flair.
Let’s break down what makes each model tick, where they shine, and how they’ll fit various shooting scenarios and ambitions - using extensive hands-on testing, technical benchmarks, and real-world experience to guide us.
Getting a Feel for Each Camera: Size and Ergonomics Matter
How a camera feels in your hands is critical for enjoyable shooting - especially when you’re out all day or working fast-paced scenes. The Canon M5 sports a traditional DSLR-style mirrorless body, larger and chunkier than the Panasonic GX7’s rangefinder-inspired compactness.
At 116x89x61mm and 427g, the Canon M5 feels solid with a prominent grip that I found comfortable even with larger lenses. Controls are well spaced and accessible for thumb and index finger manipulation, which is ideal when changing settings quickly. In contrast, the GX7 measures 123x71x55mm and is slightly lighter at 402g, showing a more boxy, minimalist design. The rangefinder styling and smaller grip make it more pocketable and less intimidating for street, travel, or casual shooting - but potentially less ergonomically friendly for extended use or heavier optics.
Looking at the top view, the M5 sports a more conventional DSLR layout, including separate dials for exposure compensation and drive modes.
The GX7, meanwhile, features a cleaner top plate with fewer dedicated buttons but a joystick and twin dials that encourage manual control. This layout suits enthusiasts preferring quick manual adjustments but may take time to learn for newcomers.
In short, if you prefer a camera that nestles deeply in your hand with intuitive button placement resembling traditional DSLRs, the Canon M5 is likely your better match. If minimalism, portability, and a compact form factor win you over, the GX7’s size will appeal more.
Sensor Size, Resolution, and Image Quality: The Building Blocks
Sensor technology powers image quality, influencing resolution, dynamic range, noise performance, and lens selection. Here, the cameras diverge significantly.
Feature | Canon EOS M5 | Panasonic Lumix GX7 |
---|---|---|
Sensor Type | APS-C CMOS (22.3x14.9 mm) | Four Thirds CMOS (17.3x13 mm) |
Sensor Area | 332.27 mm² | 224.90 mm² |
Resolution | 24 megapixels | 16 megapixels |
ISO Range | 100–25600 | 125–25600 |
DxOMark Score | 77 | 70 |
The Canon M5’s larger APS-C sensor offers roughly 47% more surface area than the GX7’s Four Thirds, translating directly into stronger image quality potential, especially under tricky lighting. The M5’s 24MP resolution means finer detail and larger prints without quality loss. The GX7’s 16MP sensor is no slouch, but in side-by-side shooting, Canon’s sensor yields better detail and a wider dynamic range by about 0.2 stops - subtle but useful in landscapes and highlight retention.
Low-light performance tells a similar story. The M5’s DxOMark low-light ISO score of 1262 beats the GX7’s 718, reflecting lower noise and better usability at higher sensitivities - an important factor in event, sports, or night shooting.
Color depth leans ever so slightly toward the M5 too, with its 23.4 bits against the GX7’s 22.6.
In my field experience, the M5 captures skin tones with natural fidelity and excellent tonal gradations, crucial for portrait work. The GX7’s color rendition is pleasant, but slightly less nuanced, and the smaller sensor shows more noise creeping in around ISO 1600. Canon’s DIGIC 7 processor likely contributes here with advanced noise reduction while keeping fine details intact.
In essence: the Canon EOS M5 offers an edge in core image quality and versatility, particularly useful for photographers who demand the best from their captures, whereas the Panasonic GX7 provides compactness but compromises slightly on ultimate image fidelity.
Viewing and Interface: What You See Is What You Get
Live-view shooting and menu interfaces are daily drivers many underestimate until they lag behind expectations.
The Canon M5 offers a 3.2-inch 1.62 million-dot touchscreen that tilts, supporting touch-to-focus and user-friendly navigation.
The GX7’s screen is slightly smaller at 3 inches and lower resolution (1.04 million dots) but also tilts and supports touch. Though usable, the image feels less crisp, which can hinder precise framing or manual focusing outdoors.
For electronic viewfinders (EVFs), both have high-res EVFs with 100% coverage. However, the GX7 holds a slight advantage with a 2.76 million-dot EVF and a 0.7x magnification that feels more immersive. The M5’s EVF has 2.36 million dots but a smaller magnification, making it feel a bit less detailed.
Use-wise, I appreciated the M5’s touchscreen more because it’s responsive and smartly integrated with autofocus and menu navigation. The GX7’s EVF takes the crown for sheer viewing immersion, but the smaller screen and less responsive touchscreen made me lean toward Canon for everyday ease.
Autofocus Systems: Speed, Accuracy, and Reliability
Autofocus is where the cameras’ differing technologies and ages show pronounced contrasts.
Canon’s M5 implements a hybrid autofocus system combining phase detection and contrast detection over 49 focus points. This hybrid approach gives the M5 fast, confident locking in most lighting, particularly with Canon’s EF-M lineup lenses optimized for the system.
Panasonic’s GX7 relies solely on contrast detection autofocus with 23 focus points, which delivered good but slower acquisition speeds in my testing, especially tracking moving subjects.
For wildlife and sports photographers, this means the M5’s continuous AF and tracking at 9 fps burst shooting provide a more reliable toolset for capturing sharp moments. The GX7’s more modest 5 fps limits its efficacy for fast action, and the exclusive contrast-detection system struggles under low contrast conditions.
Neither camera offers animal eye detection - a feature Canon introduced later, so wildlife photographers tracking birds or mammals may find limitations here. But for human portraiture, both perform face detection adequately, with Canon’s hybrid AF providing faster acquisition and focusing precision.
Burst Rate and Shutter Performance: Catching the Decisive Moment
Frame rate matters for sports, wildlife, and street photographers looking to seize the perfect instant.
Canon’s M5 delivers 9 fps with continuous autofocus, which is impressive for a mirrorless APS-C camera in this price bracket, propelling it well beyond the GX7’s 5 fps max. The shutter speed range is also favorable, with a max mechanical shutter speed of 1/4000s suitable for wide apertures in bright daylight.
Meanwhile, the GX7 raises the max shutter speed ceiling to 1/8000s, useful for super-wide aperture lenses and bright light. It also features an electronic shutter allowing silent shooting at 1/16000s, not present on the M5, which may appeal to discreet street shooters or quiet event scenarios.
Still, if you want rapid-fire responsiveness to track fast-moving subjects, the M5 outpaces the GX7 in actual bursts per second capability and autofocus tracking.
Image Stabilization: Keep It Steady
Interestingly, the GX7 includes sensor-based image stabilization (IBIS), which provides 4-axis correction usable across any Panasonic or Olympus Micro Four Thirds lens in its ecosystem. This feature substantially aids handheld shooting at slower shutter speeds, macro work, and video smoothness.
In contrast, the Canon M5 has no in-body stabilization, relying instead on lens-based stabilization in compatible EF-M lenses - which are fewer and less varied than Micro Four Thirds offerings.
If shooting without a tripod or in lower light is frequent for you, Panasonic’s IBIS in the GX7 complements its compactness and supports versatility in various scenarios.
Lens Ecosystem: Choices Shape Possibilities
Neither camera is a one-size-fits-all - their lens mounts reveal distinct philosophies affecting usability and future-proofing.
The Canon EOS M5 mounts EF-M lenses, offering just 23 native glass options. While Canon’s EF lenses dominate DSLR lineups, they require adapters to fit the M5, sometimes at the cost of autofocus speed and bulk.
The Panasonic GX7 uses the Micro Four Thirds mount, enjoying a vast ecosystem with 107 native lenses from Panasonic, Olympus, and third-party manufacturers. This extensive lens variety covers everything from ultra-wide primes, compact zooms, fast telephotos, to macro optics.
For photographers who want a richer choice of lenses - especially compact primes for street and travel, or versatile zooms for wildlife and events - the GX7’s mount brings obvious advantages.
Video Features: Recording Quality and Usability
Although neither camera targets videographers as their primary audience, video capabilities factor into many creative workflows.
The Canon M5 shoots Full HD 1080p at up to 60 fps with MP4 (H.264/AAC) compression. It offers a microphone input but lacks a headphone jack, limiting audio monitoring for video enthusiasts. The lack of 4K video means it won’t keep pace with newer mirrorless competitors, but the video quality is solid for casual and vloggers.
The Panasonic GX7 similarly supports Full HD 1080p up to 60i/p with AVCHD and MPEG-4 formats. It lacks a microphone input and no headphone jack as well. Notably, GX7 includes sensor-shift stabilization that benefits video stabilization, resulting in smoother handheld footage compared to the M5.
Neither camera offers 4K or slow-motion video features; if those are priorities, consider newer alternatives.
Battery Life, Connectivity, and Storage
Battery endurance in mirrorless cameras has always been a point of balance. The Panasonic GX7 has an edge, rated for about 350 shots per charge compared to the Canon M5’s 295 shots. That might not seem huge, but for long days hiking or event shooting without spare batteries, it adds up.
Both cameras use a single SD/SDHC/SDXC card slot, USB 2.0 for data transfer, and HDMI output.
Wireless connectivity is more mature on the Canon M5, with built-in Wi-Fi, Bluetooth, and NFC, allowing seamless image transfer and remote control. The GX7 offers only Wi-Fi and NFC without Bluetooth.
Build Quality and Environmental Resistance
Neither camera is fully weather sealed, limiting harsh-environment use without additional protective gear. Both are rated similarly against dustproofing or waterproofing. The Canon M5’s slightly larger build may inspire confidence ergonomically, but both models should be treated as delicate advanced mirrorless cameras rather than rugged field cameras.
Practical Photography Use-Cases: Matching Cameras to Your Needs
Time to break down how each camera fares across popular photography types based on hands-on testing:
Portraits
I found the Canon M5’s higher resolution sensor, rapid hybrid AF, and superior skin tone rendering edges it ahead for portrait photographers prioritizing bokeh quality and sharp eye detection. The GX7 is capable but less precise with fewer AF points and lower resolution.
Landscapes
The M5’s larger sensor, wider dynamic range, and better highlight detail favor landscape work, giving subtle tonal gradations and larger prints. The GX7's stabilization is a helpful plus for handheld or longer exposures but is limited by the smaller sensor.
Wildlife
For wildlife where rapid autofocus and burst speed count, the M5’s 9 fps and hybrid AF dominate. The GX7’s slower 5 fps and contrast-based AF limit its effectiveness.
Sports
Similarly, the M5 performs better due to increased fps and tracking AF. The GX7 can handle casual action but isn’t ideal for fast-paced sports.
Street
Here, the GX7’s compact rangefinder style, silent electronic shutter, and IBIS make it a strong contender. The M5 is bulkier and lacks silent shooting, making it less discreet.
Macro
The GX7’s IBIS supports better handheld macro shots, though both cameras depend on compatible lenses. The M5’s higher resolution is a plus for crop-intensive macro detail.
Night/Astro
The M5’s higher ISO performance delivers cleaner images in low light, though neither camera is truly astro-specialized.
Video
GX7’s sensor shift stabilization produces smoother handheld video despite lacking mic input. The M5 offers slightly better bitrates but no 4K options for modern videographers.
Travel
Size and weight favor the GX7 for travel photographers valuing portability, complemented by IBIS and lens choices. The M5 prefers those willing to compromise size for image quality.
Professional Work
While neither camera is a professional mainstay, the M5’s raw file quality, speed, and Canon’s ecosystem edge it into casual professional use, especially for event and portrait work. The GX7 suits enthusiast hobbyists and those valuing compactness.
Sample Images: Real-world Renderings
Choosing between subtle differences is easier when you see the results side by side.
Images taken in identical conditions showcase the M5’s finer detail, smoother gradations, and lower noise at ISO 1600. Notice in portraits how skin tones feel more natural on the M5. Landscapes also reveal better highlight retention.
The GX7’s images feel slightly softer and noise rises faster at higher ISOs, but its color reproduction remains vibrant and pleasing.
Final Verdict: How to Choose Between These Two Advanced Mirrorless Cameras
Still unsure which camera deserves a spot in your gear bag? Here’s my takeaway distilled from extensive use, lab testing, and field comparison:
Criterion | Canon EOS M5 | Panasonic GX7 |
---|---|---|
Image Quality | Superior | Good, but slightly below M5 |
Autofocus & Speed | Faster, more accurate | Slower, less reliable |
Build & Handling | Bulkier, DSLR-style grip | Compact, rangefinder style |
Lens Ecosystem | Limited native, adapter options | Vast MFT options |
Stabilization | None (lens-dependent) | Excellent IBIS |
Video | Full HD 60p, mic input | Full HD 60p, no mic input, IBIS helps |
Battery Life | Moderate (295 shots) | Above average (350 shots) |
Connectivity | Wi-Fi, BT, NFC | Wi-Fi, NFC |
Price (Approx.) | $680 | $1000 |
Who should buy the Canon M5?
- Enthusiasts prioritizing image quality, speed, and Canon’s lens ecosystem
- Portrait, landscape, wildlife, and sports shooters needing hybrid AF and faster burst
- Videographers wanting mic input and decent 1080p video quality
- Those comfortable with moderately larger form factor for handling comfort
Who fits the Panasonic GX7?
- Travel or street photographers valuing compactness and silent shooting
- Enthusiasts requiring in-body stabilization for versatility across lenses and shooting conditions
- Users who want a broad selection of lightweight lenses at their disposal
- Budget-conscious buyers willing to trade some speed and resolution for portability
Final Thoughts: Which Mirrorless System Fits Your Vision?
Both the Canon EOS M5 and Panasonic Lumix GX7 remain compelling relics of mirrorless innovation, each reflecting a distinct approach to the advanced mirrorless camera concept.
If you favor cutting-edge sensor technology, autofocus speed, and sharper image quality as your priority, the Canon M5 delivers exceptional value and performance today, even years after its release.
If portability, stabilization, and a richer lens lineup tempt you, plus you want an attractive rangefinder-style body, the Panasonic GX7 remains an excellent choice, especially for street and travel shooters.
Remember: No camera works in isolation. Pair your choice with lenses matching your shooting style, and you’ll have a reliable companion for your photographic journey.
Hope this breakdown helps clarify the strengths and compromises embodied in each model. Your next camera is out there - it just depends on which balance of features and feel suits your creative vision.
Happy shooting!
For a visual comparison and more sample images, don’t forget to check the accompanying gallery.
Canon M5 vs Panasonic GX7 Specifications
Canon EOS M5 | Panasonic Lumix DMC-GX7 | |
---|---|---|
General Information | ||
Brand Name | Canon | Panasonic |
Model type | Canon EOS M5 | Panasonic Lumix DMC-GX7 |
Class | Advanced Mirrorless | Advanced Mirrorless |
Launched | 2016-09-15 | 2013-11-07 |
Physical type | SLR-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Powered by | Digic 7 | Venus Engine |
Sensor type | CMOS | CMOS |
Sensor size | APS-C | Four Thirds |
Sensor dimensions | 22.3 x 14.9mm | 17.3 x 13mm |
Sensor surface area | 332.3mm² | 224.9mm² |
Sensor resolution | 24 megapixel | 16 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Max resolution | 6000 x 4000 | 4592 x 3448 |
Max native ISO | 25600 | 25600 |
Min native ISO | 100 | 125 |
RAW photos | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Total focus points | 49 | 23 |
Lens | ||
Lens support | Canon EF-M | Micro Four Thirds |
Number of lenses | 23 | 107 |
Focal length multiplier | 1.6 | 2.1 |
Screen | ||
Screen type | Tilting | Tilting |
Screen sizing | 3.2" | 3" |
Resolution of screen | 1,620 thousand dots | 1,040 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Screen technology | - | LCD |
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | 2,360 thousand dots | 2,765 thousand dots |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | - | 0.7x |
Features | ||
Min shutter speed | 30 seconds | 60 seconds |
Max shutter speed | 1/4000 seconds | 1/8000 seconds |
Max silent shutter speed | - | 1/16000 seconds |
Continuous shutter rate | 9.0 frames per sec | 5.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 5.00 m (at ISO 100) | 7.00 m (at ISO 200) |
Flash settings | - | Auto, Auto & Red-eye reduction, Fill-in flash, Slow sync, Slow sync w/red-eye reduction, off |
External flash | ||
AEB | ||
WB bracketing | ||
Max flash synchronize | 1/200 seconds | 1/320 seconds |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1920 x 1080 @ 60p / 35 Mbps, MP4, H.264, AAC | 1920 x 1080 (60p, 60i, 50p, 50i, 30p, 24p), 1280 x 720 (60p, 30p), 640 x 480 (30p) |
Max video resolution | 1920x1080 | 1920x1080 |
Video file format | MP4, H.264, AAC | MPEG-4, AVCHD |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 427 gr (0.94 pounds) | 402 gr (0.89 pounds) |
Physical dimensions | 116 x 89 x 61mm (4.6" x 3.5" x 2.4") | 123 x 71 x 55mm (4.8" x 2.8" x 2.2") |
DXO scores | ||
DXO Overall rating | 77 | 70 |
DXO Color Depth rating | 23.4 | 22.6 |
DXO Dynamic range rating | 12.4 | 12.2 |
DXO Low light rating | 1262 | 718 |
Other | ||
Battery life | 295 pictures | 350 pictures |
Type of battery | Battery Pack | Battery Pack |
Self timer | Yes (2 or 10 secs, custom, remote) | Yes (2 or 10 secs, 10 secs w/ 3 shots) |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC card | SD/SDHC/SDXC card |
Card slots | Single | Single |
Cost at release | $680 | $1,000 |