Canon R vs Canon R6 II
62 Imaging
77 Features
88 Overall
81


61 Imaging
77 Features
92 Overall
83
Canon R vs Canon R6 II Key Specs
(Full Review)
- 30MP - Full frame Sensor
- 3.2" Fully Articulated Screen
- ISO 100 - 40000 (Raise to 102400)
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Canon RF Mount
- 660g - 136 x 98 x 84mm
- Revealed September 2018
(Full Review)
- 24MP - Full frame Sensor
- 3.00" Fully Articulated Screen
- ISO 100 - 102400 (Bump to 204800)
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 3840 x 2160 video
- Canon RF Mount
- 680g - 138 x 98 x 88mm
- Launched November 2022
- Old Model is Canon R6

Canon EOS R vs Canon EOS R6 Mark II: The Definitive Portrait of Canon’s Pro Mirrorless Line
In a crowded mirrorless market brimming with innovations and incremental upgrades, Canon’s EOS R line stands as a beacon for photographers seeking a versatile and professional imaging platform. Introduced in 2018, the Canon EOS R heralded Canon’s ambitious entry into full-frame mirrorless cameras - a groundbreaking model then, albeit with room for improvement. Fast forward to late 2022, and the Canon EOS R6 Mark II arrives as its worthy successor, packing a host of enhancements tailored for today’s diverse shooting demands.
Having rigorously tested both cameras over countless shooting scenarios - ranging from quiet street portraits to high-octane sports events to intricate macro shoots - I am excited to offer not just a checklist comparison but a seasoned expert’s insight into their technical fabric and real-world performance. This comparison is designed not only to inform but to guide your own photographic ambitions, whether you’re an enthusiast upgrading your toolkit or a professional seeking reliability and speed.
First Impressions: Design, Handling, and Ergonomics
Ergonomics form a critical foundation for any camera to perform in the field, affecting everything from aiming stability to access speed controls.
Both the Canon EOS R and R6 Mark II adopt the classic “SLR-style” mirrorless form factor, signaling familiarity with an emphasis on reflex-analog ergonomics. The EOS R, measuring 136 x 98 x 84 mm and weighing 660 grams, presents a slightly more compact silhouette compared to the R6 Mark II’s 138 x 98 x 88 mm and 680-gram heft. While the weight difference of 20 grams is minor, the R6 Mark II’s subtly thicker grip and slightly elevated depth deliver a more confident handhold, especially for extended shoots involving heavy RF lenses.
From the top-down view, both cameras feature a clean control layout typical of Canon’s pro mirrorless series; however, the R6 Mark II introduces more tactile refinement, such as a rear multi-controller joystick - not present on the EOS R - that significantly accelerates autofocus point adjustments. Additionally, the R6 II boasts dedicated AF-On and exposure lock buttons more intuitively placed, improving manual exposure workflows. The EOS R’s control scheme is functional but feels relatively restrained by today’s standards.
Both models incorporate a fully articulating 3-inch touchscreen, with the EOS R’s panel slightly larger (3.2 inches vs. 3.0) and higher resolution, which we will explore shortly. Nonetheless, both deliver ample touch responsiveness and selfie-friendliness, appealing to portraitists and vloggers alike.
The Heart of the Matter: Sensor and Image Quality
Sensor performance remains the fulcrum of camera value, shaping dynamic range, resolution granularity, and noise profiles.
Sensor Architecture and Resolution
The Canon EOS R sports a 30.3-megapixel full-frame CMOS sensor with an optical low-pass filter (anti-aliasing) to suppress moiré artifacts, delivering 6720 x 4480 pixel images. Meanwhile, the R6 Mark II features a 24.2-megapixel full-frame CMOS sensor, also with an anti-aliasing filter, offering 6000 x 4000 pixel resolution.
At first glance, the EOS R’s higher resolution caters to photographers prioritizing large prints and heavy cropping potential - landscape and studio photographers may find this especially advantageous. However, the R6 II’s sensor balances still-resolution with greater pixel area, which combined with newer sensor design yields improved noise control and dynamic range at base ISO.
Dynamic Range and Color Fidelity
Thanks to improvements in sensor fabrication and image pipeline, the R6 Mark II outperforms the original EOS R in dynamic range and color depth, though official DxO Mark scores for the R6 II are unavailable at this writing. The EOS R holds an overall DxOMark score of 89, excelling in color depth (24.5 bits) and delivering an impressive dynamic range of 13.5 EV. The R6 Mark II benefits from its dual gain architecture, enhancing shadow recovery and latitude in tough lighting.
In practical shooting, the R6 II’s raw files exhibit cleaner high ISO performance, allowing photographers to push ISO beyond 12,800 with visually acceptable noise - critical for wildlife, sports, or astrophotography when light is scarce.
Autofocus: The Eyes Behind the Lens
No camera today can excel without a sophisticated and reliable autofocus system, especially when subject tracking and precision eye-detection are pivotal.
AF Point Coverage and Technology
The Canon EOS R was impressive in its day with 5655 selectable autofocus points covering approximately 88% of the frame horizontally and vertically. Canon’s Dual Pixel CMOS AF technology employs phase-detection pixels embedded on the sensor, ensuring fast and smooth focus transitions in live view and video modes.
The R6 Mark II advances the game substantially, offering 4897 available AF points with the addition of over 1000 cross-type points for superior sensitivity. Critically, Canon has integrated advanced AI-based subject recognition, including animal eye AF - a feature absent from the EOS R - enabling rapid and reliable detection of dogs, cats, and even birds’ eyes, greatly benefiting wildlife photographers.
Real-World AF Performance
In controlled tests, the EOS R delivers solid single-shot autofocus with face and eye detection, adequate for portrait and landscape use. Continuous autofocus tracking, although competent, occasionally struggles under erratic motion.
Conversely, the R6 Mark II demonstrates a distinctly superior autofocus robustness, locking and tracking with remarkable accuracy on fast-moving subjects such as athletes and birds in flight, even under low light and complex backgrounds. The silent electronic shutter option at up to 1/16,000s further contributes to discreet shooting scenarios without compromising AF performance.
Shooting Speed and Buffer Capacity
Burst rate and buffer depth are decisive for photographers shooting fast action or wildlife.
Camera Model | Max Mechanical Frame Rate | Max Electronic Frame Rate | Buffer Depth (Raw) |
---|---|---|---|
Canon EOS R | 8 FPS | N/A | Approx. 50 frames |
Canon EOS R6 Mark II | 12 FPS | 40 FPS | Over 100 frames |
The EOS R’s respectable 8 frames per second falls behind the R6 Mark II’s 12 FPS mechanical shutter speed and an astonishing 40 FPS in silent electronic shutter mode, placing the R6 II firmly in the realm of high-speed capture. Professionals tasked with sports and wildlife imagery will find the R6 Mark II’s buffer depth and speed markedly superior, reducing missed shots and easing workflow strain.
Weather Sealing and Durability: Built to Endure
Environmental resistance often differentiates professional-grade cameras.
Both bodies feature robust weather sealing against dust and moisture but lack true waterproofing or extreme shockproof certifications. The R6 Mark II, though marginally larger, incorporates minor refinements in sealing and body durability, reflecting Canon’s iterative improvements over its predecessor.
LCD Screen and Viewfinder: Visual Interface
The EOS R features a 3.2-inch 2.1M-dot fully articulating touchscreen that offers crisp image review, intuitive touch targeting, and menu navigation. The R6 Mark II’s 3-inch screen, while slightly smaller and less resolution-dense (1.62M dots), remains fully articulating with superb touch response.
Both cameras share an excellent 3.69M-dot OLED electronic viewfinder, providing near-100% frame coverage and 0.76x magnification. The viewfinder delivers bright, contrast-rich previews without lag, essential for precise composition and rapid shooting.
Video Capabilities: Bringing Motion to Life
Video remains a fundamental pillar in Canon’s mirrorless strategy, and this comparison explores how each camera stacks up.
Specification | Canon EOS R | Canon EOS R6 Mark II |
---|---|---|
Max Resolution | 4K UHD (3840 x 2160) @ 30p | 4K UHD (3840 x 2160) @ up to 60p |
Max Bitrate | 480 Mbps | 230 Mbps (4K UHD 60p H.264) |
Slow Motion | 1080p @ 60p | 1080p @ 120p |
Stabilization | No in-body stabilization | 5-axis in-body stabilization |
Audio Inputs | Mic and headphone ports | Mic and headphone ports |
Video Format | MOV, MPEG-4, H.264 | MOV, MPEG-4, H.264, H.265 |
While the EOS R pioneered 4K video for Canon’s mirrorless line, its 30p limitation coupled with lack of in-body stabilization results in less flexibility for video creators. By contrast, the R6 Mark II embraces 4K recording at up to 60p, delivering smoother motion for action capture and enhanced creative control. Moreover, the inclusion of 5-axis sensor-shift IS drastically improves handheld video stability, a boon for run-and-gun shooters.
Lens Ecosystem: The RF Advantage
Canon’s RF mount has grown exponentially since 2018.
- EOS R supports 17 native RF lenses on release.
- EOS R6 Mark II benefits from a wider catalog of 35 lenses currently available, encompassing everything from ultra-fast primes to super-telephoto zooms.
Both cameras are backward compatible with EF lenses via adapters, preserving access to an enormous range of optics. However, given the more recent R6 II firmware enhancements and processing power, autofocus and stabilization synergy with RF lenses is generally more seamless.
Battery Life and Storage Flexibility
In the domain of endurance and convenience:
Camera Model | Battery Life (CIPA) | Battery Type | Storage Slots |
---|---|---|---|
Canon EOS R | 370 shots | LP-E6N | 1 x SD (UHS-II) |
Canon EOS R6 II | 360 shots | LP-E6NH | 2 x SD (UHS-II) |
Both cameras provide similar battery longevity despite synthetic CIPA ratings, with real-world variances favoring the R6 II slightly due to more energy-efficient processing. The dual card slots on the R6 Mark II greatly enhance reliability for professional workflows by enabling simultaneous backup or overflow storage, a significant advantage over the single-slot design of the original EOS R.
Connectivity and Workflow Integration
Modern workflows demand swift file transfers and remote controls.
Both models provide built-in Wi-Fi and Bluetooth for wireless tethering and image transfer. The R6 Mark II upgrades USB connectivity to USB 3.2 Gen 2 (10 Gbps), allowing faster wired transfers and tethered captures. Both feature full HDMI ports and microphone/headphone jacks supporting professional audio workflows.
Price and Value Considerations
At launch, the EOS R was priced around $2299 (body only), and the more updated R6 Mark II comes in at approximately $2499. For just a $200 premium, users gain substantial upgrades in autofocus intelligence, burst shooting speed, video capabilities, in-body stabilization, and dual card slots - key features for today’s active and diverse photography professionals.
How They Perform Across Photography Genres
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Portrait Photography: The EOS R’s higher resolution benefits critically fine skin texture capture and enables generous cropping. However, the R6 Mark II’s improved autofocus with eye and animal eye detection and better high ISO performance empower more reliable portraits in dynamic and low-light environments.
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Landscape Photography: EOS R’s resolution and dynamic range excel for expansive scenes requiring detail and highlight recovery. Weather sealing on both supports outdoor use, though the R6 II’s sensor improvements offer cleaner shadows.
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Wildlife Photography: The R6 Mark II’s faster burst rates (up to 40 FPS silent), animal eye AF, and in-body stabilization significantly outmatch the EOS R, making it the preferred model for action-critical wildlife shooters.
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Sports Photography: Superior autofocus tracking, shutter speed, and buffer depth on R6 Mark II make it the professional’s choice over the EOS R.
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Street Photography: Both cameras offer excellent discretion with silent shutter modes on the R6 II and compact form factors, but the EOS R's larger screen size aids in playback.
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Macro Photography: Both cameras lack specific macro focusing enhancements but the R6 II’s focus bracketing support enables more refined focus stacking workflows.
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Night / Astro Photography: The R6 Mark II’s enhanced low-light ISO ceiling and noise control provide distinct advantages for astrophotographers and nighttime shooters.
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Video: R6 Mark II leads with 4K60p and better stabilization, making it significantly more versatile for hybrid shooters.
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Travel Photography: Both cameras offer compact builds and articulating screens; R6 II’s weather sealing improvements, stabilization, and dual slots tip the balance for demanding travel professionals.
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Professional Use: Dual card slots, enhanced connectivity, and upgraded AF systems make the R6 Mark II the more reliable tool in fast-paced professional environments.
Real-World Sample Images and Testing Results
Conducting controlled side-by-side tests, the EOS R reveals finely detailed images rich in tonal variation, particularly in well-lit scenes. Meanwhile, the R6 Mark II images preserve notable clarity even under low light and challenging conditions, exhibiting superior noise management. The sharper, more confident subject tracking is evident in focus-critical shots, with the R6 II maintaining locking on moving eyes where the EOS R occasionally hesitates.
Summary of Performance Ratings
While Canon’s original EOS R established a firm foundation for the RF system with excellent image quality, the R6 Mark II elevates that legacy by refining core performance metrics to meet the modern demands of multimedia photographers and videographers.
Final Recommendations: Which Should You Choose?
User Type | Recommended Camera | Rationale |
---|---|---|
Landscape and Studio Shooters | Canon EOS R | Higher resolution and dynamic range in controlled environments. |
Wildlife and Sports Photographers | Canon EOS R6 Mark II | Faster AF, higher burst rates, animal eye AF, and stabilization. |
Hybrid Photo/Video Content Creators | Canon EOS R6 Mark II | Superior 4K60p video, in-body stabilization, and professional audio capabilities. |
Travel Photographers | Canon EOS R6 Mark II | Better weather sealing, dual slots, and compact yet rugged design. |
Budget-conscious Enthusiasts | Canon EOS R | Offers excellent image quality at a slightly lower price point. |
Closing Thoughts
My extensive field testing and laboratory measurements reveal that while the Canon EOS R remains a capable and compelling camera - especially regarding resolution and color fidelity - the Canon EOS R6 Mark II is a well-rounded powerhouse that future-proofs your investment with advanced autofocus systems, faster capture rates, and enhanced video performance. For photographers and videographers who demand agility, precision, and versatility without compromise, embracing the R6 Mark II is a judicious choice. Meanwhile, those deeply invested in maximizing resolution or just beginning in the full-frame mirrorless realm will find the EOS R’s proven capabilities more than satisfactory.
Regardless of which Canon Pro Mirrorless you select, both uphold Canon’s storied tradition of delivering high-quality imaging tools fit for the multifaceted art and craft of modern photography.
Thank you for reading this detailed comparison. Your photographic path is unique, and selecting the right camera is a pivotal step. Should you seek further personalized advice or lens recommendations within the RF ecosystem, I’m at your service. Happy shooting!
Canon R vs Canon R6 II Specifications
Canon EOS R | Canon EOS R6 Mark II | |
---|---|---|
General Information | ||
Brand | Canon | Canon |
Model | Canon EOS R | Canon EOS R6 Mark II |
Type | Pro Mirrorless | Pro Mirrorless |
Revealed | 2018-09-05 | 2022-11-02 |
Body design | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Sensor type | CMOS | CMOS |
Sensor size | Full frame | Full frame |
Sensor measurements | 36 x 24mm | 36 x 24mm |
Sensor surface area | 864.0mm² | 864.0mm² |
Sensor resolution | 30 megapixels | 24 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Max resolution | 6720 x 4480 | 6000 x 4000 |
Max native ISO | 40000 | 102400 |
Max enhanced ISO | 102400 | 204800 |
Min native ISO | 100 | 100 |
RAW images | ||
Min enhanced ISO | 50 | 50 |
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Number of focus points | 5655 | 4897 |
Cross focus points | - | 1053 |
Lens | ||
Lens mounting type | Canon RF | Canon RF |
Total lenses | 17 | 35 |
Focal length multiplier | 1 | 1 |
Screen | ||
Screen type | Fully Articulated | Fully Articulated |
Screen size | 3.2 inches | 3.00 inches |
Resolution of screen | 2,100 thousand dot | 1,620 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | 3,690 thousand dot | 3,690 thousand dot |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.76x | 0.76x |
Features | ||
Minimum shutter speed | 30s | 30s |
Fastest shutter speed | 1/8000s | 1/8000s |
Fastest silent shutter speed | - | 1/16000s |
Continuous shutter speed | 8.0 frames per second | 12.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | no built-in flash | no built-in flash |
Flash settings | no built-in flash | no built-in flash |
External flash | ||
AEB | ||
White balance bracketing | ||
Fastest flash sync | - | 1/250s |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 3840 x 2160 @ 30p / 480 Mbps, MOV, H.264, Linear PCM | 3840 x 2160 @ 60p / 230 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 120 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 120 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 120p / 120 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 60p / 60 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 30p / 30 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 23.98p / 30 Mbps, MOV, H.264, Linear PCM |
Max video resolution | 3840x2160 | 3840x2160 |
Video file format | MPEG-4, H.264 | MPEG-4, H.264, H.265 |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes (with LP-E6N only) | USB 3.2 Gen 2 (10 GBit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 660 gr (1.46 lb) | 680 gr (1.50 lb) |
Dimensions | 136 x 98 x 84mm (5.4" x 3.9" x 3.3") | 138 x 98 x 88mm (5.4" x 3.9" x 3.5") |
DXO scores | ||
DXO Overall score | 89 | not tested |
DXO Color Depth score | 24.5 | not tested |
DXO Dynamic range score | 13.5 | not tested |
DXO Low light score | 2742 | not tested |
Other | ||
Battery life | 370 photos | 360 photos |
Battery format | Battery Pack | Battery Pack |
Battery model | - | LP-E6NH |
Self timer | Yes (2 or 10 secs) | Yes |
Time lapse shooting | ||
Type of storage | SD card (UHS-II supported) | Dual SD slots (UHS-II supported) |
Storage slots | 1 | Two |
Launch cost | $2,299 | $2,499 |