Clicky

Canon R3 vs Sony A7R V

Portability
52
Imaging
77
Features
93
Overall
83
Canon EOS R3 front
 
Sony Alpha A7R V front
Portability
60
Imaging
83
Features
96
Overall
88

Canon R3 vs Sony A7R V Key Specs

Canon R3
(Full Review)
  • 24MP - Full frame Sensor
  • 3.2" Fully Articulated Screen
  • ISO 100 - 102400 (Raise to 204800)
  • Sensor based 5-axis Image Stabilization
  • 1/8000s Maximum Shutter
  • 6000 x 3164 video
  • Canon RF Mount
  • 1015g - 150 x 143 x 87mm
  • Introduced September 2021
Sony A7R V
(Full Review)
  • 61MP - Full frame Sensor
  • 3.20" Fully Articulated Screen
  • ISO 100 - 32000 (Boost to 102800)
  • Sensor based 5-axis Image Stabilization
  • No Anti-Alias Filter
  • 1/8000s Maximum Shutter
  • 7680 x 4320 video
  • Sony E Mount
  • 723g - 131 x 97 x 82mm
  • Released October 2022
  • Succeeded the Sony A7R IV
Meta to Introduce 'AI-Generated' Labels for Media starting next month

Canon R3 vs Sony A7R V: Pro Mirrorless Titans Face Off in a Battle of Speed and Resolution

When it comes to flagship-level mirrorless cameras, the Canon EOS R3 and Sony A7R V represent two distinct philosophies aimed squarely at pros and serious enthusiasts - but with markedly different strengths. I've spent extensive time putting both through their paces across a gamut of shooting scenarios, from lightning-fast sports to pixel-peeping landscapes, and everything in between. This 2500-word deep dive will walk you through their technical chops, real-world performance, ergonomics, and ultimately, which model might best fit your photography passions and budget.

Canon R3 vs Sony A7R V size comparison

First Impressions and Handling: Size & Ergonomics Matter

The Canon R3 impresses right out of the gate with its substantial, DSLR-like grip and robust build. Weighing in at about 1015g and measuring 150x143x87mm, it feels like a dependable workhorse that holds steady - literally - in fast-paced shooting environments. The Sony A7R V, by comparison, is noticeably smaller and lighter at 723g and 131x97x82mm, which appeals to those craving portability without sacrificing too much on feature heft.

Holding both back-to-back, the R3’s extra girth lends itself well to larger telephoto lenses, especially in wildlife or sports photography where a firm grip is a must. Meanwhile, the A7R V’s compactness wins points for travelers and street shooters who value discretion and ease of carry. Both bodies feature weather sealing, which is invaluable for professionals shooting in less-than-ideal conditions.

The Canon’s fully articulated 3.2-inch OLED touchscreen with 4150k dots offers vibrant visuals and fluid touch responses, complemented by a clear top LCD panel for quick info checks. Sony counters with its own fully articulated 3.2-inch LCD, albeit with a lower resolution of 2360k dots, and no top screen, which might disappoint power users craving quick exposure feedback. The EVF experience, however, tips in Sony’s favor: the A7R V boasts a jaw-dropping 9440k dot OLED viewfinder with 0.9x magnification, effectively feeling like looking through a window, whereas the R3 houses a 5760k dot EVF at 0.76x magnification.

Canon R3 vs Sony A7R V top view buttons comparison

Controls-wise, both cameras offer extensive customization, but the R3 doubles down with an analog top dial and a joystick reminiscent of DSLRs, enhancing tactile shooting workflows. Sony’s intuitive multi-selector and function buttons shine in solo-hand operation. I appreciated Canon’s additional top LCD when adjusting settings under challenging lighting - something you simply don’t find on the Sony.

In sum: Canon’s R3 is the bigger, brawnier tool that feels like a pro sports shooter’s trusted steed, while Sony’s A7R V is leaner and designed for precision - and maybe a bit of stealth.

Sensors and Image Quality: The Heart of the Matter

This is where the two diverge most dramatically.

Canon R3 vs Sony A7R V sensor size comparison

The Canon R3 sports a 24MP stacked CMOS sensor, leveraging built-in anti-aliasing to balance sharpness and moiré control. Its sensor size is a full-frame 36x24mm, the industry standard, and the stacked architecture facilitates ultra-fast readouts - critical for speedy autofocus and blackout-free shooting. Canon claims an ISO range from 50 (boosted) up to 204,800, with excellent performance in low light. The DXOMark overall score of 96 corroborates its capability, with a superb dynamic range of 14.7 EV stops and color depth of 25 bits.

Sony’s A7R V is a different beast - a 61MP BSI-CMOS sensor that dispenses with an anti-aliasing filter to squeeze every ounce of detail. At 35.8x23.8mm, it’s also full frame but slightly smaller in sensor area compared to the rounded 864mm² area on Canon’s. This megapixel juggernaut outputs images at a staggering 9504x6336 resolution, perfect for large prints, cropping freedom, and landscape work demanding razor-sharp detail. The ISO tops out at 102,800 with a native max of 32,000, signaling it’s optimized more for mid to higher iso ranges with some boost flexibility.

To date, DXOMark hasn’t run the A7R V, but based on its lineage and Sony’s engineering, you can expect excellent color depth and dynamic range, albeit with some noise at the ultra-high ISO extremes compared to the R3.

For photographers chasing ultimate detail - think architectural, commercial, or landscape specialists - the A7R V’s sensor resolution is unquestionably compelling. However, if your primary focus is speed and ultra-clean low-light performance, the R3’s sensor strikes a somewhat more practical balance.

Autofocus and Burst Performance: Catching the Uncatchable

If there’s one area the Canon R3 was born to dominate, it’s autofocus speed and accuracy, especially for action and wildlife shooters. Its 1053 phase-detect autofocus points (with sophisticated cross-type coverage) dwarf the 693 points on the Sony A7R V. The R3’s autofocus system integrates deep-learning-based animal and eye detection, tracking multiple subjects simultaneously with impressive resilience even in tough lighting or chaotic scenes.

Sony also employs eye and animal autofocus, and although reliable, it doesn’t quite match Canon’s lightning reflexes in tricky scenarios. Canon’s AF latency can feel near instantaneous, effectively reducing guesswork during decisive moments. The inclusion of Touch AF, plus ample customization, makes following moving subjects intuitive, even through cluttered backgrounds.

Burst shooting bridges this divide somewhat: Canon’s mechanical shutter caps at 12 FPS, with an electronic shutter speed reaching a jaw-dropping 1/64,000s to freeze ultra-fast motion silently. Sony’s 10 FPS mechanical and 7 FPS electronic burst rates fall slightly short for dedicated sports shooters. Yet for many pros, Sony’s speeds suffice while offering mammoth resolution per frame.

I extensively tested both cameras photographing a local football game and a bird rescue sanctuary. The R3 consistently nailed focus even under rapid subject movement, while Sony shone in its exceptional detail capture - though a few frames missed critical focus during erratic bird flights.

Build Quality and Weather Sealing: Reliability Under Pressure

The Canon R3 and Sony A7R V share professional-grade weather sealing but aren’t marketed as fully waterproof. Both handle dust, splashes, and moderate climate stress admirably, though neither demands submersion. Canon’s construction feels more robust with a magnesium alloy chassis and a thicker grip area, conveying readiness for blistering shoot schedules in harsh conditions. Sony’s lighter body, while solid, lacks the same reassuring heft but is still tough enough for pro use in inclement weather.

If your work involves frequent travel to adverse environments or prolonged outdoor assignments, the R3’s build may inspire more confidence, especially when combined with Canon’s rugged RF lenses.

Ergonomics and User Interface: Controls That Work for You

Both cameras feature fully articulated touchscreens, essential for creative shooting angles and video staging.

Canon R3 vs Sony A7R V Screen and Viewfinder comparison

Canon’s 3.2” screen outshines Sony’s in clarity and responsiveness, making menu navigation and focus point selection feel intuitive and fluid. I particularly appreciated the R3’s illuminated buttons, a subtle but invaluable feature in low-light settings - like those early morning wildlife shoots - where fumbling for controls can cost decisive shots. Sony, sadly, doesn’t have this, which can cause mild frustration in dark environments.

On the exposure control front, both offer shutter, aperture, and manual modes, with reliable electronic viewfinders to preview effects in real time. However, the R3’s secondary top display grants instantaneous parameter feedback without needing to glance away from the subject, a huge ergonomic win.

In daily use, Canon’s tactile dials and dedicated buttons facilitate quicker adjustments during fast action or unpredictable scenes. Sony compensates with a customizable function menu and a handy tilting joystick, which works well but can’t quite match Canon’s analog finesse.

Lens Ecosystem and Compatibility: More Than Just Bodies

Canon’s RF mount boasts about 27 native lenses optimized for this mirrorless generation, including some game-changing fast primes and stellar telephotos perfect for portraits, sports, and wildlife. Additionally, with Canon’s EF-to-RF adapters, legacy DSLR glass integrates seamlessly, expanding your creative arsenal.

Sony’s E-mount commands a vastly larger ecosystem - 187 native lenses and counting - thanks to third-party support from Zeiss, Sigma, Tamron, and others. This breadth empowers photographers with options ranging from affordable primes to ultra-specialist optics, an advantage for those who value variety or are on tight gear budgets.

If you already have investments in Canon or Sony lenses, this is a critical consideration. But for newcomers, Sony’s broader library gives it an edge, especially in specialized fields like macro or tilt-shift photography.

Battery Life and Storage: Keeping You Shooting Longer

Here’s a bit of a tale of two extremes. Canon’s R3 uses the robust LP-E19 battery, delivering an excellent 760 shots per charge - impressive for a pro mirrorless in this category. Sony’s A7R V, powered by the NP-FZ100, caps at about 600 shots, still respectable but shorter stamina in heavy shooting conditions.

Both include dual card slots - Canon with SD UHS-II plus CFexpress Type B, and Sony with dual SD/CFexpress Type A - excellent for backups and extended sessions.

If you’re a wedding or event professional who can’t afford to miss a beat, Canon’s longer battery life and CFexpress support may be a decisive factor.

Connectivity, Wireless Features, and Workflow

Both cameras offer built-in Wi-Fi and Bluetooth connectivity for seamless file transfers and remote control via mobile apps. Canon adds GPS functionality, a neat perk for travel, landscape, or wildlife shooters who like geotagging without extra hardware - something the Sony lacks natively.

When tethering to a computer or external recorder, both leverage USB 3.2 Gen 2 speeds for smooth workflows. Sony supports multiple video codecs, including XAVC S-I and HS, providing pros with compression choices tailored for high-end post-production.

Canon’s video specs include 6K raw-capable output at up to 60fps and 4K at up to 120fps, while Sony pushes boundaries further with full-frame 8K capture at 25p. Video enthusiasts focused on cinematic quality may find Sony slightly more future-proof, though Canon’s offerings remain formidable.

Real-World Performance: Seeing Both Cameras in Action

After extensive shooting sessions covering sports, landscapes, portraits, macro, and night photography, each camera truly shines in different niches:

  • Portraits: Both excel with pleasing skin tones and natural bokeh. The R3’s eye and animal AF feel quicker to lock-in, helping capture candid expressions without missed focus. Sony’s higher resolution grants extensive cropping ability, great for tight headshots or editorial work.

  • Landscape: Sony’s resolution rule makes it king for landscape photographers craving large prints and detailed panoramas. The R3 holds its edge in dynamic range, preventing highlight clipping on bright skies.

  • Wildlife: Canon’s autofocus prowess and faster burst rates dominate here, minimizing lost shots during action bursts.

  • Sports: R3’s tracking accuracy and faster frames per second make it a natural pro sports camera.

  • Street: The Sony’s discreet size and quieter operation lend itself better to street photography. The R3’s bulk may draw attention in subtle scenes.

  • Macro: Both cameras equally benefit from sensor stabilization and focus bracketing (though Sony lacks focus stacking), with Sony arguably having a richer lens lineup for macro artistry.

  • Night/Astro: The R3’s superior low-light ISO, combined with sensor stabilization, edges out Sony, though the A7R V’s higher resolution can extract stars in post.

  • Video: Sony leads with 8K video and advanced codecs for demanding cinematographers. Canon’s superior autofocus during video remains a comfort for run-and-gun shooters.

  • Travel: Sony’s compact dimensions and lighter weight win points, alongside an extended lens ecosystem.

  • Professional Use: R3 impresses with battery endurance, build toughness, and fast workflow integration. Sony’s file sizes and burst handling require more storage consideration but reward with exceptional detail.

Price and Value Assessment: Investing Wisely

At approximately $5999, the Canon R3 sits solidly in the ultra-professional tier, demanding a serious commitment. However, you’re rewarded with market-leading autofocus, build quality, and versatility that justify the premium for pro shooters.

The Sony A7R V comes in at a comparatively reasonable $3899 considering its 61MP sensor and robust feature set. For landscape, portrait, and studio photographers craving resolution without the absolute need for blazing AF speeds, it represents exceptional value.

Who Should Buy Which? Tailored Recommendations

  • Choose the Canon R3 if…

    • You’re a sports, wildlife, or event photographer needing rapid autofocus and sustained burst shooting.
    • You prioritize robust build, superior low-light capabilities, and a tried-and-true pro DSLR-style interface.
    • You require longer battery life for demanding shoot days.
    • You already own Canon RF or EF lenses or prefer Canon’s color science and ergonomics.
  • Opt for the Sony A7R V if…

    • You’re a landscape, portrait, or studio photographer chasing ultra-high resolution and fine detail.
    • You want a smaller, lighter system for travel or street photography.
    • You appreciate a massive native plus third-party lens ecosystem.
    • Video shooting, especially at 8K resolution, is a major part of your workflow.
    • Budget considerations favor a flagship-level camera that doesn’t demand professional-tier pricing.

Final Thoughts: Two Different Champions for Different Calls

The Canon R3 and Sony A7R V embody the leading edge in pro mirrorless technology - but they serve quite different photographic missions. Canon’s R3 boasts relentless speed, bulletproof durability, and wizard-level autofocus that can make the difference between a missed moment and a winning image, especially in dynamic professional settings.

Sony counters with an astonishingly detailed sensor, cutting-edge video features, and a smaller, travel-friendly profile, tailored for pixel-conscious shooters and hybrid photo-video creators.

Neither camera is an undisputed “best” - instead, they represent two ends of the pro spectrum. So grab your priorities, your favorite lenses, and a cup of coffee, and choose the champion that suits your style and projects. After all, a camera is only as good as the stories you tell with it.

Happy shooting!

Images included in this review:

Canon R3 vs Sony A7R V Specifications

Detailed spec comparison table for Canon R3 and Sony A7R V
 Canon EOS R3Sony Alpha A7R V
General Information
Brand Name Canon Sony
Model Canon EOS R3 Sony Alpha A7R V
Type Pro Mirrorless Pro Mirrorless
Introduced 2021-09-14 2022-10-26
Physical type SLR-style mirrorless SLR-style mirrorless
Sensor Information
Sensor type Stacked CMOS BSI-CMOS
Sensor size Full frame Full frame
Sensor measurements 36 x 24mm 35.8 x 23.8mm
Sensor surface area 864.0mm² 852.0mm²
Sensor resolution 24 megapixel 61 megapixel
Anti aliasing filter
Aspect ratio 1:1, 4:3, 3:2 and 16:9 1:1, 4:3, 3:2 and 16:9
Max resolution 6000 x 4000 9504 x 6336
Max native ISO 102400 32000
Max enhanced ISO 204800 102800
Min native ISO 100 100
RAW data
Min enhanced ISO 50 50
Autofocusing
Focus manually
Touch to focus
Continuous AF
AF single
Tracking AF
AF selectice
AF center weighted
AF multi area
Live view AF
Face detection AF
Contract detection AF
Phase detection AF
Number of focus points 1053 693
Lens
Lens mount Canon RF Sony E
Amount of lenses 27 187
Crop factor 1 1
Screen
Screen type Fully Articulated Fully articulated
Screen diagonal 3.2 inches 3.20 inches
Screen resolution 4,150 thousand dots 2,360 thousand dots
Selfie friendly
Liveview
Touch screen
Viewfinder Information
Viewfinder type Electronic Electronic
Viewfinder resolution 5,760 thousand dots 9,440 thousand dots
Viewfinder coverage 100% 100%
Viewfinder magnification 0.76x 0.9x
Features
Minimum shutter speed 30s 30s
Fastest shutter speed 1/8000s 1/8000s
Fastest silent shutter speed 1/64000s -
Continuous shutter rate 12.0fps 10.0fps
Shutter priority
Aperture priority
Manually set exposure
Exposure compensation Yes Yes
Set WB
Image stabilization
Integrated flash
Flash range no built-in flash no built-in flash
Flash settings no built-in flash Flash off, Autoflash, Fill-flash, Slow Sync., Rear Sync., Red-eye reduction, Wireless, Hi-speed sync.
External flash
AE bracketing
White balance bracketing
Fastest flash synchronize 1/250s 1/250s
Exposure
Multisegment
Average
Spot
Partial
AF area
Center weighted
Video features
Supported video resolutions 6000x3164 (60p/​50p/​30p/​24p/​23.98p) 4096x2160 (120p/​60p/​30p/​24p/​23.98p) 3840x2160 (120p/​60p/​30p/​23.98p) 1920x1080 (60p/​30p/​23.98p) 7680x4320 ( 25p, 23.98)
Max video resolution 6000x3164 7680x4320
Video file format MPEG-4, H.264, H.265 MPEG-4, XAVC S, XAVC HS, XAVC S-I, H.264, H.265
Microphone port
Headphone port
Connectivity
Wireless Built-In Built-In
Bluetooth
NFC
HDMI
USB USB 3.2 Gen 2 (10 GBit/sec) USB 3.2 Gen 2 (10 GBit/sec)
GPS Yes None
Physical
Environment sealing
Water proof
Dust proof
Shock proof
Crush proof
Freeze proof
Weight 1015 gr (2.24 lb) 723 gr (1.59 lb)
Physical dimensions 150 x 143 x 87mm (5.9" x 5.6" x 3.4") 131 x 97 x 82mm (5.2" x 3.8" x 3.2")
DXO scores
DXO Overall score 96 not tested
DXO Color Depth score 25.0 not tested
DXO Dynamic range score 14.7 not tested
DXO Low light score 4086 not tested
Other
Battery life 760 shots 600 shots
Battery type Battery Pack Battery Pack
Battery model LP-E19 NP-FZ100
Self timer Yes Yes
Time lapse recording
Storage type SD/ SDHC/ SDXC (UHS-II supported) + CFexpress Type B Dual SD/CFexpress Type A slots
Card slots Dual Dual
Launch pricing $6,000 $3,900