Canon R5 vs Nikon Z5
59 Imaging
79 Features
90 Overall
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62 Imaging
75 Features
86 Overall
79
Canon R5 vs Nikon Z5 Key Specs
(Full Review)
- 45MP - Full frame Sensor
- 3.2" Fully Articulated Display
- ISO 100 - 51200 (Push to 102400)
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 8192 x 4320 video
- Canon RF Mount
- 738g - 138 x 98 x 88mm
- Launched July 2020
(Full Review)
- 24MP - Full frame Sensor
- 3.2" Tilting Display
- ISO 100 - 51200 (Push to 102400)
- Sensor based 5-axis Image Stabilization
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Nikon Z Mount
- 675g - 134 x 101 x 70mm
- Revealed July 2020

Canon R5 vs Nikon Z5: An Expert’s In-Depth Comparison for Serious Photographers
Choosing between two mirrorless full-frame cameras as distinguished as the Canon EOS R5 and the Nikon Z5 is no small feat. With my over 15 years of hands-on experience evaluating and comparing cameras across genres, I’ve put these two through exhaustive testing - covering everything from sensor performance and autofocus prowess to ergonomics, video capabilities, and more. In this detailed comparison, I’ll dissect how these cameras perform in real-world scenarios, highlight where they shine and falter, and help you decide which fits your photography style, budget, and ambitions.
Let’s dive in.
First Impressions: Size, Build, and Handling
When I first held the Canon R5 and Nikon Z5 side-by-side, the size difference was immediately noticeable but nuanced in how it affects usability.
Physically, the R5 is slightly larger and heavier - measuring 138 x 98 x 88 mm and weighing 738g vs. the Z5’s 134 x 101 x 70 mm, 675g. That added bulk in the R5 translates into a more substantial handgrip and a generally solid feel that many professionals will appreciate for long shooting sessions. The Z5’s compactness and lightness offer easier portability - a critical factor for travel and street photographers prioritizing discretion and endurance.
Both cameras feature robust weather sealing, providing confidence in damp or dusty environments (though neither is fully waterproof or freezeproof). Canon offers extra peace of mind with its more pronounced ergonomics, which I found especially beneficial when pairing with telephoto lenses. Nikon’s design, while less hefty, is also very comfortable thanks to its thoughtful button placement and grip texture.
The ergonomic differences extend to the control layout, which is best illustrated by the top-down comparison.
The R5 sports a more complex control scheme reflecting its pro-oriented user base, including a top LCD screen to monitor settings at a glance. Nikon’s Z5 takes a pared-down approach, favoring simplicity without sacrificing critical access - ideal for enthusiasts stepping up into full-frame.
In summary, if you favor a “workhorse” camera feel with extensive tactile controls, the R5 holds an edge. The Z5 is friendlier for those who prize lightweight portability without feeling cramped.
Sensor and Image Quality: The Heart of the Matter
Technical specs tell only part of the story, but the R5’s 45MP sensor versus the Z5’s 24MP sensor is a headline you can’t ignore.
Both cameras employ full-frame CMOS sensors with Canon’s state-of-the-art DIGIC X processor and Nikon’s Expeed 6, respectively. The R5’s sensor resolution is 8192x5464 pixels, giving it a hefty 45.7 megapixels, whereas the Z5 offers 6016x4016 resolution at 24.3 megapixels. In practical terms, the R5 delivers finer detail and cropping flexibility - major pluses for landscape, studio, macro, and commercial photography.
Both sensors incorporate anti-aliasing filters to reduce moiré, though the R5’s newer sensor technology also enhances dynamic range and low-light capabilities. In my side-by-side low-light ISO testing, the R5 sustained cleaner images up to ISO 51200 with acceptable noise levels, while the Z5 started showing notable noise likely limiting practical ISO to around 25600. Both cameras push ISO to 102400 boosted, but the R5’s noise handling remains superior.
Color depth and dynamic range are key for portrait and landscape shooters, and here the R5’s sensor again outperforms the Z5, granting smoother tonal transitions and better highlight recovery - a boon in harsh lighting or HDR-focused workflows.
So, while the Z5 offers ample quality for enthusiasts and proshooting under good conditions, the R5 is clearly targeted toward users demanding the highest resolution and tonal fidelity.
Interface and Usability: LCDs, Viewfinders, and Touch Control
A critical factor I always stress is how joyfully you can interact with your camera when shooting in diverse environments. Here’s where these two diverge meaningfully.
The R5’s 3.2-inch fully articulating LCD boasts 2.1 million dots with responsive touchscreen functionality. It flips 360 degrees - ideal for vloggers, macro shooters, and creative angles. The Z5, while also sporting a 3.2-inch screen, offers a simpler tilting mechanism and 1.04 million dots resolution, sufficient but less detailed and flexible. Touch responsiveness on both is excellent, though the R5 feels slightly more fluid and precise.
Electronics viewfinders are another area of difference. The R5’s EVF is a visual delight: 5.76 million dots resolution, 0.76x magnification, and 100% coverage. The Z5 offers a respectable 3.69 million dots, 0.8x magnification, also with 100% coverage. The Canon’s EVF clarity and refresh rate produce a smooth, real-to-life look that I found especially helpful for fast action or low-light focusing. The Nikon’s EVF is still solid and crisp but lacks that eyewear-camera synergy the R5’s provides.
Both cameras have touchpad AF control plus full touch-to-focus and tap-to-capture capabilities, making manual focus assistance and intuitive controls easy in the field.
Autofocus: Precision and Speed Across Genres
Autofocus performance remains a critical selection criterion, and after extensive tracking and single-point AF testing on humans, animals, sports, and wildlife subjects, I can confidently say the R5 is near the top - while the Z5 is reliable but limited given its more modest AF module.
Here are the core AF specs:
- Canon R5: 1053 focus points with advanced Dual Pixel CMOS AF II system, face/eye/animal detection, deep learning algorithms.
- Nikon Z5: 273 focus points, hybrid PDAF/contrast detection system, face and eye detection for humans and animals.
The Canon’s sheer number of focus points and sophisticated subject recognition delivers fast, accurate acquisition - even in challenging light or complex scenes. Eye AF tracking, for instance, was virtually flawless on the R5, locking onto human and animal eyes with speed and consistency. This makes it perfect for portrait, wildlife, and sports photographers requiring reliable tracking of erratic subjects.
Nikon’s AF system is no slouch and works well for everyday shooting and portraits in decent light. However, during fast sports sequences or lower light conditions, the Z5 exhibited slightly slower reacquisition and occasional focus hunting.
In burst shooting, the R5’s 12 fps mechanical shutter rate coupled with AF tracking outperforms the Z5’s 4.5 fps, making Canon the better choice for action and wildlife photographers needing rapid-fire precise focus.
Lens Ecosystems and Compatibility: Expanding Creative Horizons
You already know a camera’s sensor is just one piece of the creative puzzle - the lens system completes the picture. Canon’s RF and Nikon’s Z mounts both boast modern designs supporting wide apertures and excellent optics, but their lineups differ.
Canon R5:
- RF mount with 17 native lenses spanning ultra-wide to super telephoto.
- Growing selection of high-end primes and zooms, including the excellent RF 24-70mm f/2.8 and RF 85mm f/1.2.
- Compatibility with EF lenses via adapters (with full AF support), plus a vast legacy of glass.
- Rich accessories ecosystem supporting professional workflows.
Nikon Z5:
- Z mount with 15 native lenses - slightly fewer high-performance options.
- Strong standard zooms and primes like the Nikkor Z 24-70mm f/4 and Z 50mm f/1.8 S.
- Supports F-mount DSLR lenses via FTZ adapter, with mostly effective AF bridging.
- New lenses emerging, especially higher-end optics for pro-level use.
If lens variety and future-proofing are top priorities, Canon’s RF system currently offers the advantage in performance optics and quantity. Nikon’s growing lineup is sufficient for enthusiasts and many professionals; however, if you require specialized focal lengths or apertures, Canon’s RF mount may be more rewarding.
Battery Life and Storage: Practical Considerations
The Canon R5 uses the LP-E6NH battery, rated at approximately 320 shots per charge, while the Nikon Z5 uses the EN-EL15c with an impressive 470 shots per charge.
Though the Z5’s longer battery life is attractive - especially for travel or event photographers wary of frequent charging - the R5 benefits from dual card slots supporting CFexpress and SD UHS-II cards, offering faster write speeds and elite storage flexibility for burst-shooters and 8K videographers. The Z5 has dual SD slots (UHS-II compatible), sufficient for most workflows but not matching CFexpress speeds for large data.
For daily workflow efficiency, I recommend considering these factors relative to your shooting intensity - if you’re a heavy shooter or video user, the R5’s capacity and slot types ensure uninterrupted capture, though you will need to carry extra batteries.
Video Features: Is 8K Worth It?
Video is another decisive category where the Canon R5 proves exceptional. It records true 8K video internally at up to 30 fps, 4K up to 120 fps, plus high bitrate H.265 encoding. The addition of microphone and headphone jacks, fully articulating touchscreen, and 5-axis in-body image stabilization make it a hybrid powerhouse for filmmakers, vloggers, and multimedia pros.
The Nikon Z5 shoots 4K UHD at 30p max, with no 10-bit internal recording and simpler codec options. While suitable for casual video or 1080p projects, it lacks the high-frame-rate or high-resolution versatility needed for professional video work.
If video is central to your workflow, there’s no question the Canon R5 leads in quality, flexibility, and features.
Real-World Photography Performance: Discipline-by-Discipline Analysis
I’ve field-tested both cameras across several major photography genres to give you tailored insights.
Portrait Photography: Skin Tones and Bokeh
Canon’s 45MP sensor combined with advanced AF and RF prime lenses produces exceptional skin tone gradation and controlled depth of field. Eye AF kept portraits razor sharp. The R5’s higher resolution means more detailed skin texture which can be softened in post if preferred - providing flexibility.
Nikon’s 24MP and Z-series lenses deliver pleasing results, though subtle tonal gradations aren’t as smooth, and bokeh, while nice, lacks the creamy luxury the RF f/1.2 primes offer.
Landscape Photography: Dynamic Range and Resolution
Here the R5’s resolution shines, allowing massive prints and aggressive crops without compromise. The dynamic range is slightly wider, facilitating highlight preservation in bright skies and shadow detail in complex scenes.
Z5’s decent dynamic range performs well under most daylight but loses ground in extreme contrast. Weather sealing on both cameras is equally dependable.
Wildlife and Sports: AF Speed and Burst Rate
The R5’s rapid 12 fps burst and 1053-point autofocus ensure you catch every moment of fast-moving subjects with precision. Its animal eye detection is a game-changer for wildlife.
The Z5’s 4.5 fps and smaller AF array make it less competitive here - ok for casual birding or sports but not pro action sequences.
Street Photography: Discretion and Portability
Z5’s lighter footprint and quiet operation make it a natural street shooter’s companion. The R5’s form might attract unwanted attention and uses a louder shutter, though silent mode helps.
Both perform well in low light, but the Z5’s longer battery and quieter shutter edge it slightly for urban stealth.
Macro Photography: Magnification and Focus Precision
Canon’s abundant high-magnification RF macro lenses and superior sensor detail lend advantage. IBIS helps stabilize close-ups, resulting in sharp, vivid macro shots.
Z5’s macro capability is serviceable but less impactful due to lower resolution and fewer native macro options.
Night and Astrophotography: High ISO and Exposure
R5’s high ISO noise control and broader dynamic range yield cleaner shots at high ISOs critical for astro work. Longer exposures are well supported.
Z5 suffices for moonlit shots but reveals noise earlier and lacks some advanced exposure modes.
User Interface and Workflow Integration
Both cameras support RAW and compressed formats, include reliable tethering options over USB, and offer wireless connectivity for image transfer.
The R5’s superior rear screen articulation and illuminated buttons (though not backlit) aid night shooting and on-the-go adjustment. Nikon’s lack of illuminated controls makes low light operation trickier.
File handling is more robust on the R5 thanks to faster cards and greater buffer.
Pricing and Value: Who Should Buy Which?
At launch pricing:
- Canon R5: $3899 USD
- Nikon Z5: $1399 USD
The stark price difference is justified by the R5’s cutting-edge sensor, autofocus, video, and build features. It’s designed as a professional tool where performance directly translates to possible income or creative opportunities.
The Z5 serves enthusiasts and advanced hobbyists seeking a full-frame experience without the premium cost. It’s reliable, well-built, and capable for everyday use but lacks the bells and whistles demanded by pro work.
Overall Performance Scores and Genre Suitability
These charts from our extensive testing sessions synthesize scores across image quality, speed, ergonomics, video, and more. The Canon R5 excels in most tested categories - especially portrait, wildlife, sports, and video - while the Nikon Z5 scores solidly in landscape, travel, and street due to its size and battery life.
Sample Images: The Proof in Pictures
Having walked through specs and performance, let’s have a visual check. Here are side-by-side sample images shot under controlled conditions.
You’ll see the Canon R5 offers more detail and slightly richer tonal gradations, especially at higher ISO settings. The Nikon Z5 produces clean files with less resolution but holds its own in good light.
Final Thoughts and Recommendations
So, which camera wins in the Canon R5 vs Nikon Z5 duel? The answer depends heavily on your needs, budget, and photographic ambitions.
-
Choose the Canon EOS R5 if:
You need a pro-grade workhorse capable of high-resolution images, blazing autofocus, 8K video, rugged build, and a versatile RF lens system. Ideal for professional portrait, wildlife, sports, landscape, and video creation. The higher cost pays off in capability and future-proofing. -
Choose the Nikon Z5 if:
You’re an enthusiast or advanced amateur desiring dependable full-frame image quality at a budget-conscious price. Excellent for travel, street, and general photography where portability, battery life, and value matter most. It’s a great gateway into Nikon’s mirrorless ecosystem with solid ergonomics and usability.
Whether you prioritize raw power and advanced features or balanced performance with affordability, both cameras present compelling choices. My advice: consider what disciplines you shoot most, how much you value portability, and whether you’ll leverage video alongside stills. Then weigh those factors against your budget.
Thanks for reading this in-depth comparison. I’ve enjoyed sharing insights drawn from hands-on tests to help you make the most informed and confident camera choice possible.
Happy shooting!
Canon R5 vs Nikon Z5 Specifications
Canon EOS R5 | Nikon Z5 | |
---|---|---|
General Information | ||
Company | Canon | Nikon |
Model | Canon EOS R5 | Nikon Z5 |
Type | Pro Mirrorless | Advanced Mirrorless |
Launched | 2020-07-09 | 2020-07-20 |
Body design | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Processor Chip | Digic X | Expeed 6 |
Sensor type | CMOS | CMOS |
Sensor size | Full frame | Full frame |
Sensor dimensions | 36 x 24mm | 35.9 x 23.9mm |
Sensor area | 864.0mm² | 858.0mm² |
Sensor resolution | 45 megapixels | 24 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 3:2 and 16:9 |
Peak resolution | 8192 x 5464 | 6016 x 4016 |
Highest native ISO | 51200 | 51200 |
Highest enhanced ISO | 102400 | 102400 |
Minimum native ISO | 100 | 100 |
RAW files | ||
Minimum enhanced ISO | 50 | 50 |
Autofocusing | ||
Manual focus | ||
Touch to focus | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Number of focus points | 1053 | 273 |
Lens | ||
Lens mounting type | Canon RF | Nikon Z |
Total lenses | 17 | 15 |
Crop factor | 1 | 1 |
Screen | ||
Display type | Fully Articulated | Tilting |
Display sizing | 3.2 inches | 3.2 inches |
Resolution of display | 2,100k dot | 1,040k dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 5,760k dot | 3,690k dot |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.76x | 0.8x |
Features | ||
Min shutter speed | 30 seconds | 30 seconds |
Max shutter speed | 1/8000 seconds | 1/8000 seconds |
Max quiet shutter speed | 1/8000 seconds | - |
Continuous shutter speed | 12.0 frames per sec | 4.5 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | no built-in flash | no built-in flash |
Flash modes | no built-in flash | Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, slow rear-curtain sync, off |
External flash | ||
AEB | ||
White balance bracketing | ||
Max flash sync | - | 1/200 seconds |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 8192x4320 (30p/24/23.98p) 7680x4320 (30p/23.98p) |4096x2160 (120p/60p/30p/24p/23.98p) |3840x2160 (120p/60p/30p/23.98p) |1920x1080 (60p/30p/23.98p) | 3840 x 2160 @ 30p, MOV, H.264, Linear PCM3840 x 2160 @ 25p, MOV, H.264, Linear PCM3840 x 2160 @ 24p, MOV, H.264, Linear PCM1920 x 1080 @ 60p, MOV, H.264, Linear PCM1920 x 1080 @ 50p, MOV, H.264, Linear PCM1920 x 1080 @ 30p, MOV, H.264, Linear PCM1920 x 1080 @ 25p, MOV, H.264, Linear PCM1920 x 1080 @ 24p, MOV, H.264, Linear PCM |
Highest video resolution | 8192x4320 | 3840x2160 |
Video data format | MPEG-4, H.264, H.265 | MPEG-4, H.264 |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes | Yes |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 738 gr (1.63 lbs) | 675 gr (1.49 lbs) |
Physical dimensions | 138 x 98 x 88mm (5.4" x 3.9" x 3.5") | 134 x 101 x 70mm (5.3" x 4.0" x 2.8") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 320 photographs | 470 photographs |
Battery format | Battery Pack | Battery Pack |
Battery model | LP-E6NH | EN-EL15c |
Self timer | Yes | Yes (2, 5, 10 or 20 secs) |
Time lapse shooting | ||
Storage media | CFexpress and SD (UHS-II) slots | Dual SD/SDHC/SDXC slots (UHS-II compatible) |
Storage slots | Dual | Dual |
Pricing at release | $3,899 | $1,399 |