Canon R50 vs Panasonic S1
75 Imaging
71 Features
88 Overall
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54 Imaging
74 Features
84 Overall
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Canon R50 vs Panasonic S1 Key Specs
(Full Review)
- 24MP - APS-C Sensor
- 3.00" Fully Articulated Display
- ISO 100 - 32000 (Raise to 51200)
- 3840 x 2160 video
- Canon RF Mount
- 375g - 116 x 86 x 69mm
- Introduced February 2023
(Full Review)
- 24MP - Full frame Sensor
- 3.2" Tilting Screen
- ISO 100 - 51200 (Push to 204800)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 3840 x 2160 video
- Leica L Mount
- 1021g - 149 x 110 x 97mm
- Launched February 2019
Photobucket discusses licensing 13 billion images with AI firms Canon R50 vs Panasonic Lumix S1: Friendly Giants in a Tale of Two Mirrorless Worlds
Stepping into the arena of mirrorless cameras can feel like preparing for an epic duel: lightweight and nimble entry-level versus a pro-grade powerhouse. Today, I'm rolling up my sleeves to pit the Canon EOS R50 - that sprightly, kid-in-the-park APS-C mirrorless - against the hulking, Swiss-army-knife-like Panasonic Lumix S1, a full-frame pro mirrorless beast. Having personally tested thousands of cameras over the years, I promise you’ll get honest, hands-on insights rather than marketing fluff and buzzwords. Let’s dig in.
Size and Ergonomics: David Meets Goliath
Imagine holding the Canon R50 and the Panasonic S1 side by side. The size difference is like that between a sporty hatchback and a rugged SUV. The R50 weighs in at a featherlight 375g with dimensions 116×86×69mm, while the S1 is built like a tank at 1021g, measuring 149×110×97mm.

The R50's compactness makes it a dream for travel, street photography, and casual shoots - it’s not a burden slung at your side for hours on end. Its slick, SLR-style mirrorless body fits nicely into smaller bags and invites spontaneous shooting. Ergonomically, it’s optimized for entry-level users: the grips are modest, and the buttons fairly minimalistic, perfect for those who want simplicity.
In contrast, the S1’s bulk isn’t just a brute aesthetic; it offers a deep, substantial grip that feels like an extension of your hand, especially with larger lenses. The body’s weather sealing (more on that later) and robust construction make it a workhorse for pro environments, albeit less discreet in the street. The S1 has illuminated buttons and dual SD card slots that matter hugely for extended shoots.
Balancing portability with control, the R50 delivers accessibility and ease, whereas the S1 demands commitment not just in weight but in presence.
Design and Controls: A Tale Told From the Top
How the dials turn and buttons click under your fingertips - these matter more than you'd imagine in fast-paced scenarios.

From testing both, the S1 features a joystick, dedicated ISO and exposure comp dials, and a top LCD screen - aimed at pros who want instant feedback without diving into menus. On the other hand, the R50 opts for a leaner control scheme with no top LCD, fewer physical dials, and a touchscreen-dependent interface.
For photographers used to DSLR ergonomics or those gunning for speed, the S1's layout is a blessing. The R50 is friendlier to beginners who prefer touchscreen operation and don’t want to worry about accidentally twisting wrong dials mid-shoot.
Sensor and Image Quality: APS-C vs Full Frame - The Classic Debate
At the heart of every camera is the sensor. Here we have an APS-C sensor (22.3×14.9mm) on the Canon R50 versus a full-frame sensor (35.6×23.8mm) on the Panasonic S1.

Both pack approximately 24 megapixels, a sweet spot for balancing resolution with fast data readout and manageable file sizes. But size matters here: with ~328.56mm² for R50 vs ~847.28mm² for S1, the full-frame sensor on the S1 offers superior light-gathering capabilities, leading to cleaner images at high ISO, better dynamic range, and smoother tonal gradations.
In my testing, the Canon R50 produces impressively detailed files for its class, particularly at base ISO 100-400. However, push it beyond ISO 3200, and noise becomes more evident - fine for social sharing, less so for print at large sizes.
The S1 shines in low-light and high-contrast conditions. Its lack of an anti-aliasing (low-pass) filter aids in maximizing sharpness, although sometimes at a slight risk of moiré (rare in real-life scenarios). Panasonics' Venus Engine processor optimizes color depth and dynamic range, measurable in DXOmark scores where it rates very highly, especially benefiting landscape and studio works.
Viewing and Interface: Eye on the Prize
Composing your shot is half the battle; interfaces can elevate or frustrate the experience.

Canon offers a fully articulated 3.0" touchscreen at 1040k dots on the R50, perfect for vloggers or selfies due to its flip-out design and friendly UI. The electronic viewfinder (EVF) is a modest 2.36 million dots, delivering decent magnification but can feel a tad basic compared to higher-end displays.
Panasonic’s S1 has a larger, sharper 3.2" tilting display with 2100k dots, bright and rich for detail checking. Its EVF is a stunner - 5.76 million dots, 0.78x magnification - rivaling professional DSLR optics. This makes framing in bright sunlight or for critical focus work significantly easier. Plus, illuminated buttons aid nighttime handling, a small perk that seasoned pros appreciate deeply.
Autofocus: Eye Detection, Speed, and Tracking
Autofocus (AF) remains pivotal whether you’re snapping a kid dashing down a soccer field or delicately focusing a flower’s pistil.
The R50 boasts Canon’s Dual Pixel CMOS AF with 651 focus points - covering most of the frame - and supports face and eye detection, including animal eye AF. In my experience, the R50 nails subjects in good to average light quickly and smoothly, ideal for portraits and casual wildlife shots. The AF system supports continuous, single, and tracking modes, accommodating beginner to intermediate needs effectively.
Meanwhile, the S1 employs a contrast-detection AF system, boasting 225 points but no phase detection. This initially raised eyebrows for a pro-level camera, but Panasonic’s updated algorithms deliver dependable focus in controlled lighting and landscapes. The lack of eye or animal AF is a downside in fast-action or portrait-centric work. AF speed is respectable yet sometimes stumbles with fast-moving subjects or in low light - a tradeoff for the higher resolution EVF and computational focus stacking capabilities.
Burst Rates and Buffer: Catching the Action
Continuous shooting speed and buffer depth are decisive for sports and wildlife photography.
The Canon R50 impresses for an entry-level APS-C mirrorless with 12 fps mechanical and 15 fps electronic shutter burst rates, letting you capture fleeting moments effectively. Its buffer handles about 30 RAW frames before slowing - perfectly adequate for hobbyist sports photographers or event shooters.
The S1 dips slightly in burst speed - 9 fps mechanical shutter - but its robust buffer depth and dual card slots help manage longer sessions without missing frames. Its sensor stabilization and pro-grade lenses synergize to capture sharper images even at these burst rates.
Build Quality and Weather Resistance: Are You A Tough Photographer?
If your shooting regularly involves rain, dust, or rugged terrain, build quality becomes non-negotiable.
Canon’s R50 is not weather-sealed - a reflection of its entry-level positioning. It’s best reserved for fair-weather shooting or protected conditions. Its plastic construction keeps weight minimal but at some cost to ruggedness.
Conversely, the Lumix S1 sports comprehensive weather sealing to withstand moisture, dust, and light splashes, earning the trust of professional landscape, travel, and documentary shooters. Its magnesium alloy chassis adds durability, though at the cost of additional weight.
Lens Ecosystem: Choosing Your Creative Toolkit
A camera’s value rises or falls with the lens lineup available and compatible.
The Canon R50 uses the RF mount, which has grown exponentially since its 2018 debut, boasting 37 native lenses ranging from affordable kit lenses to sharp, fast primes. It also supports EF and EF-S lenses via adapter, tapping into Canon’s decades-old lens treasure trove.
The Panasonic S1 embraces the Leica L mount, a joint venture with Sigma and Leica. Its native lenses number about 30 and are lauded for high optical quality, often manual-focused or professional grade. However, compared to RF mount or Sony E mount ecosystems, choices are less abundant, and lenses can be pricey.
Your choice might hinge on whether you prioritize budget and versatility (R50) versus lens build and optical excellence (S1).
Battery Life and Storage: Shoots for Days?
The Canon R50 uses the LP-E17 battery, rated at approximately 370 shots per charge - decent but hardly marathon-level. It relies on a single UHS-II SD card slot, which keeps memory simple but lacks backup capability.
The S1 uses a larger, more power-packed battery enabling about 380 shots, coupled with two SD card slots - a blessing for pros who can’t afford data loss and want instant backup or overflow storage.
Connectivity and Extras: Keeping Pace with the Digital Age
Both cameras contain built-in wireless (Wi-Fi and Bluetooth), allowing remote control and image transfer. The R50 lacks GPS, a feature often overhyped but sometimes useful for travel logs.
The S1 steps up with USB charging capabilities (supporting high-power chargers), microphone, and headphone ports - the latter critical for serious video capture.
Video Capabilities: Motion Picture Matchups
Both cameras shoot 4K video, but the devil is in the details.
The R50 offers 4K up to 60p, albeit with a 1.6x crop from its APS-C sensor (common in such setups), and includes H.264 and H.265 codecs. It’s perfect for casual to intermediate videographers and vloggers, particularly given its fully articulated touchscreen for selfie-style shooting.
The S1 supports 4K 60p in 10-bit 4:2:0 internally (in MP4) and has a microphone and headphone jack, allowing professional audio capture and monitoring. It additionally offers 4K photo modes (extract frames from video), focus stacking, and multi-bracketing features, making it a creative powerhouse for hybrid shooters.
Real-World Shooting: From Portraits to Astro
Let me share some anecdotes from hands-on testing that put specs into context.
Portrait Photography
The R50’s Eye AF found its mark consistently - soft skin tones rendered beautifully and pleasing bokeh from RF lenses enhanced subject isolation. The lower resolution viewfinder was a minor hindrance for pinpoint focus on eyelashes in tight shots.
The S1, with its full-frame sensor, excelled in creamy bokeh and dynamic range, capturing subtle skin texture and gradations with aplomb. However, the missing eye detect meant some frustration when shooting spontaneous expressions or jittery toddlers.
Landscape Photography
Here’s where the S1's dynamic range is invaluable. Hiking with the S1, I captured sunrise panoramas with blown highlights tamed beautifully and shadows rich in detail. The weather sealing gave peace of mind when unexpectedly caught in drizzle.
The R50 performed admirably for its price, but highlight clipping and shadow noise crept in during extreme contrast situations. A decent lens choice and RAW processing helped, yet it’s clearly a tier below S1.
Wildlife and Sports Photography
The R50's 15 fps burst and reliable AF made it surprisingly capable for backyard birdwatching and low-level sports, but in dim light, tracking lagged.
The S1 could deliver sharp sequences with large lenses mounted, stabilized sensor aiding sharpness, but AF speed occasionally lagged on erratic subjects, like small birds in flight.
Street and Travel Photography
The R50’s size, weight, and flip-out screen made it ideal for blending into scenes and documenting candid moments discreetly.
The S1’s bulk reduced discretion and portability, making it less suitable for prolonged street missions but perfect when image quality trumps stealth.
Macro and Night/Astro Photography
The S1’s focus stacking and longer exposure handling with low noise supported demanding macro and astro shots, revealing fine details with less post-processing noise.
The R50 lacks focus stacking and features inferior high ISO performance for starscapes, but for casual macro, it suffices.
Pricing and Value: What’s Your Wallet Saying?
The Canon R50 retails at around $679 - remarkably affordable for a mirrorless with a modern APS-C sensor, versatile AF, and decent video.
The Lumix S1 commands a professional price of nearly $2500, reflecting build, full-frame sensor, and pro feature set.
Judging by raw performance, the S1 justifies its price for pros and semi-pros demanding that extra edge in dynamic range, ruggedness, and lens quality. The R50 becomes the go-to for beginners or enthusiasts who want strong image quality without corporate credit approval.
Overall Scores and Genre-Specific Ratings
To crystallize this comparison, here’s a summary based on rigorous testing.
- The R50 scores highly in portability, ease of use, and video for casual use.
- The S1 dominates landscape, studio, and rugged outdoor photography categories.
Conclusion: Picking Between a Nimble Comet and a Steady Mountain
In my 15+ years shooting and reviewing cameras, I’ve seen each category flourish for the right audience.
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Choose the Canon R50 if: You prize portability, affordability, easy handling, strong autofocus for portraits and casual wildlife, and excellent 4K video on a budget. It’s a fantastic learning tool and travel companion.
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Choose the Panasonic S1 if: You need top-tier image quality, rugged build, professional-level features, superior dynamic range, and plan to work extensively in demanding environments, including landscapes, studio, or professional video work.
Neither camera is objectively “better” - they are tailored for different photographic journeys. The R50 invites you to capture passion with mobility and simplicity; the S1 demands dedication, promising excellence in return.
Sample Gallery: Seeing Is Believing
Finally, let’s look at real photos from both cameras to understand their character.
Final Thoughts
The Canon EOS R50 and Panasonic Lumix S1 each tell different tales - one of an eager novice’s travel friend, the other, a pro’s trusty sidekick capable of tackling any challenge. No matter which you choose, remember: the best camera is the one in your hands ready to capture your vision.
Happy shooting!
Canon R50 vs Panasonic S1 Specifications
| Canon EOS R50 | Panasonic Lumix DC-S1 | |
|---|---|---|
| General Information | ||
| Brand | Canon | Panasonic |
| Model | Canon EOS R50 | Panasonic Lumix DC-S1 |
| Category | Entry-Level Mirrorless | Pro Mirrorless |
| Introduced | 2023-02-08 | 2019-02-01 |
| Physical type | SLR-style mirrorless | SLR-style mirrorless |
| Sensor Information | ||
| Processor | - | Venus Engine |
| Sensor type | CMOS | CMOS |
| Sensor size | APS-C | Full frame |
| Sensor dimensions | 22.3 x 14.9mm | 35.6 x 23.8mm |
| Sensor area | 332.3mm² | 847.3mm² |
| Sensor resolution | 24MP | 24MP |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Max resolution | 6000 x 4000 | 6000 x 4000 |
| Max native ISO | 32000 | 51200 |
| Max enhanced ISO | 51200 | 204800 |
| Minimum native ISO | 100 | 100 |
| RAW format | ||
| Minimum enhanced ISO | - | 50 |
| Autofocusing | ||
| Manual focus | ||
| Touch focus | ||
| Continuous AF | ||
| Single AF | ||
| Tracking AF | ||
| Selective AF | ||
| Center weighted AF | ||
| AF multi area | ||
| AF live view | ||
| Face detect AF | ||
| Contract detect AF | ||
| Phase detect AF | ||
| Number of focus points | 651 | 225 |
| Lens | ||
| Lens mount | Canon RF | Leica L |
| Available lenses | 37 | 30 |
| Crop factor | 1.6 | 1 |
| Screen | ||
| Display type | Fully Articulated | Tilting |
| Display diagonal | 3.00" | 3.2" |
| Display resolution | 1,040 thousand dots | 2,100 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Viewfinder Information | ||
| Viewfinder | Electronic | Electronic |
| Viewfinder resolution | 2,360 thousand dots | 5,760 thousand dots |
| Viewfinder coverage | 100% | 100% |
| Viewfinder magnification | 0.59x | 0.78x |
| Features | ||
| Min shutter speed | 30s | 60s |
| Max shutter speed | 1/4000s | 1/8000s |
| Max quiet shutter speed | 1/8000s | 1/8000s |
| Continuous shutter rate | 12.0fps | 9.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Change WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 6m at ISO 100 | no built-in flash |
| Flash options | - | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync, Slow Sync w/Red-eye Reduction, Forced Off |
| External flash | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Max flash synchronize | 1/200s | 1/320s |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 3840 x 2160 @ 30p / 120 Mbps, MP4, H.264, AAC3840 x 2160 @ 24p / 120 Mbps, MP4, H.264, AAC3840 x 2160 @ 30p / 60 Mbps, MP4, H.264, AAC3840 x 2160 @ 24p / 60 Mbps, MP4, H.264, AAC3840 x 2160 @ 60p / 230 Mbps, MP4, H.264, AAC3840 x 2160 @ 60p / 120 Mbps, MP4, H.264, AAC3840 x 2160 @ 30p / 470 Mbps, MP4, H.264, AAC1920 x 1080 @ 120p / 120 Mbps, MP4, H.264, AAC1920 x 1080 @ 120p / 70 Mbps, MP4, H.264, AAC1920 x 1080 @ 60p / 60 Mbps, MP4, H.264, AAC1920 x 1080 @ 60p / 35 Mbps, MP4, H.264, AAC1920 x 1080 @ 30p / 30 Mbps, MP4, H.264, AAC1920 x 1080 @ 24p / 12 Mbps, MP4, H.264, AAC1920 x 1080 @ 30p / 90 Mbps, MP4, H.264, AAC3840 x 2160 @ 30p / 170 Mbps, MP4, H.265, AAC3840 x 2160 @ 24p / 170 Mbps, MP4, H.265, AAC3840 x 2160 @ 30p / 85 Mbps, MP4, H.265, AAC3840 x 2160 @ 24p / 85 Mbps, MP4, H.265, AAC3840 x 2160 @ 60p / 230 Mbps, MP4, H.265, AAC3840 x 2160 @ 60p / 120 Mbps, MP4, H.265, AAC3840 x 2160 @ 30p / 470 Mbps, MP4, H.265, AAC1920 x 1080 @ 120p / 120 Mbps, MP4, H.265, AAC1920 x 1080 @ 120p / 70 Mbps, MP4, H.265, AAC1920 x 1080 @ 60p / 60 Mbps, MP4, H.265, AAC1920 x 1080 @ 60p / 35 Mbps, MP4, H.265, AAC1920 x 1080 @ 30p / 30 Mbps, MP4, H.265, AAC1920 x 1080 @ 24p / 30 Mbps, MP4, H.265, AAC1920 x 1080 @ 30p / 12 Mbps, MP4, H.265, AAC1920 x 1080 @ 24p / 12 Mbps, MP4, H.265, AAC1920 x 1080 @ 30p / 90 Mbps, MP4, H.265, AAC | 3840 x 2160 @ 60p / 150 Mbps, MP4, H.264, Linear PCM |
| Max video resolution | 3840x2160 | 3840x2160 |
| Video file format | MPEG-4, H.264, H.265 | MPEG-4, H.264, H.265 |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | Built-In | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 3.2 Gen 2 (10 GBit/sec) | Yes (can be charged with high-power laptop/tablet chargers or portable power banks) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 375 grams (0.83 lb) | 1021 grams (2.25 lb) |
| Dimensions | 116 x 86 x 69mm (4.6" x 3.4" x 2.7") | 149 x 110 x 97mm (5.9" x 4.3" x 3.8") |
| DXO scores | ||
| DXO Overall score | not tested | 95 |
| DXO Color Depth score | not tested | 25.2 |
| DXO Dynamic range score | not tested | 14.5 |
| DXO Low light score | not tested | 3333 |
| Other | ||
| Battery life | 370 images | 380 images |
| Type of battery | Battery Pack | Battery Pack |
| Battery model | LP-E17 | - |
| Self timer | Yes | Yes |
| Time lapse recording | ||
| Type of storage | Single UHS-II SD card slot | - |
| Card slots | Single | Two |
| Price at release | $679 | $2,498 |