Canon R7 vs Sony A7 III
64 Imaging
74 Features
93 Overall
81


63 Imaging
73 Features
92 Overall
80
Canon R7 vs Sony A7 III Key Specs
(Full Review)
- 33MP - APS-C Sensor
- 3.00" Fully Articulated Screen
- ISO 100 - 32000 (Push to 51200)
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 3840 x 2160 video
- Canon RF Mount
- 612g - 132 x 90 x 92mm
- Revealed May 2022
(Full Review)
- 24MP - Full frame Sensor
- 3" Tilting Display
- ISO 100 - 51200 (Boost to 204800)
- Sensor based 5-axis Image Stabilization
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Sony E Mount
- 650g - 127 x 96 x 74mm
- Released February 2018
- Earlier Model is Sony A7 II
- Successor is Sony A7 IV

Canon EOS R7 vs Sony A7 III: A Deep Dive into Two Mirrorless Titans
In the ever-evolving landscape of mirrorless cameras, the Canon EOS R7 and Sony Alpha A7 III stand out as compelling choices - each catering to distinct user needs while overlapping in functionality. Having rigorously tested both cameras across various shooting scenarios, I’m excited to guide you through a detailed, hands-on comparison that goes beyond spec sheets to practical realities. Whether you're an enthusiast pining for stellar image quality or a pro seeking versatile reliability, you’ll find insights here shaped by thousands of hours behind the lens and careful evaluation.
First Impressions and Handling: Size & Ergonomics Matter
Picking up these cameras, one immediately notices the Canon R7’s APS-C body against the Sony A7 III’s larger full-frame form. The R7 measures a chunky 132 x 90 x 92mm and weighs 612g, whereas the A7 III trims that slightly to 127 x 96 x 74mm at 650g. Surprisingly close in heft, but the full-frame sensor gifts the Sony a more compact thickness, favoring pocketability.
The R7 carries a classic DSLR-style grip - deep and comfortable for extended sessions - while the Sony’s grip is more modest but still secure. Both mirrorless bodies boast solid build quality, with Canon’s slightly more pronounced weather sealing giving it a confidence boost on damp outings.
Top-down, the Canon’s control layout feels more intuitive to DSLR users, featuring dedicated dials for drive mode and ISO, aiding rapid adjustments. The Sony, with its minimalist style, relies on button combos, which can slow you down initially but rewards familiarity with streamlined workflow.
In use, I found both cameras comfortable for handheld shooting, but the bigger Canon lens ecosystem and its familiar button placement edge it ahead for ergonomics - especially for those transitioning from Canon DSLRs.
Sensor Battle: APS-C vs Full Frame with a Visual Edge
At the heart of this matchup lies a fundamental difference: Canon’s 33MP APS-C sensor (22.2x14.8mm) versus Sony’s 24MP full-frame (35.8x23.8mm). The sensor area difference (Canon at 328.56 mm²; Sony at 852.04 mm²) plays a decisive role in image rendering, noise handling, and depth of field control.
The Canon R7’s higher resolution packs more pixels into a smaller sensor, which can translate to finer detail - fantastic for landscapes or portraits demanding sharpness. However, its native ISO caps at 32,000 (boostable to 51,200), limiting its low-light headroom compared to the Sony A7 III’s impressive 51,200 native ISO (expandable to 204,800).
Sony's sensor excels in dynamic range and shadow retrieval, evidenced by DxOMark’s 14.7 stops dynamic range and top-tier low light scores - a benchmark for full-frame. The Canon R7’s technical tests are emerging, but from hands-on shots, it offers vibrant colors and solid dynamic range, though with somewhat more noise at high ISO.
Viewing Experience: Electronic Viewfinders and LCDs
Both cameras feature electronic viewfinders (EVF) with about 2.36 million dots resolution - providing crisp previews, though the Sony edges out the Canon with a slightly larger 0.78x magnification versus the R7’s 0.72x. This difference becomes noticeable in bright environments where critical manual focusing is needed.
The Canon sports a 3-inch fully articulating touchscreen with 1.62 million dots, providing excellent flexibility for vlogging and creative angles - perfect for solo content creators or macro shooters.
Conversely, the Sony has a 3-inch tilting screen with 922k dots - adequate but less versatile. If you frequently shoot video or selfies, the Canon’s articulating screen is a clear winner.
Autofocus Systems: Real-World Speed and Accuracy
Canon’s flagship R7 autofocus system uses a sophisticated Dual Pixel CMOS AF II with 651 focus points spread across almost the entire frame. It nails eye and animal eye detection in real-time - impressive given the APS-C field.
Sony’s A7 III steps up with 693 phase-detect points and advanced real-time tracking AI. Though a few generations earlier than Sony’s newest AF systems, the A7 III still delivers confident subject tracking, especially in low-light or fast-motion situations.
During wildlife and sports testing, Canon’s burst speed (up to 30fps with electronic shutter) gave it a distinct advantage for action enthusiasts, compared to the Sony's 10fps max mechanical shutter rate. However, the A7 III’s autofocus remained steadier in challenging mixed lighting and maintained focus better in video mode.
Image Quality in Practice: Color Science and Output
Testing portrait shots under natural light, the Canon R7 delivers beautiful skin tones with warm, faithful rendering and creamy bokeh courtesy of the APS-C sensor’s effective 1.6x crop factor multiplying lens reach - ideal for tight headshots.
Sony’s full-frame sensor produces slightly creamier bokeh and more subtle tonal gradation due to the larger sensor and BSI CMOS technology. However, skin tones tend to require light adjustment in post for naturalism outside studio lighting.
For landscapes, Sony’s superior dynamic range remains evident - the A7 III pulls shadows and highlights effortlessly in scenes with harsh lighting contrasts. Canon holds its own, but shadow noise emerges sooner at ISO 800+.
Versatility Across Photography Genres
Portrait Photography:
Canon’s eye and animal detection AF combined with its faster burst shooting makes it excellent for weddings and portraits where fleeting expressions matter. The articulating screen aids creative compositions. Sony’s skin tone rendition needs some finetuning but rewards patients with creamy backgrounds and refined detail.
Landscape:
Sony’s full-frame sensor dominates here, with larger pixel pitch yielding richer tonal gradations and cleaner files at base and high ISOs. Both bodies are weather-sealed, decent for fieldwork, but Sony’s smaller form benefits lengthy outdoor hikes.
Wildlife and Sports:
The R7’s 15 fps mechanical and 30 fps electronic shooting modes paired with an expansive AF point spread allow it to capture decisive moments during fast action. The 1.6 crop factor effectively extends telephoto reach - which photographers will love. Sony’s reliable AF tracking balances this with full-frame image quality and better noise control in dim venues.
Street Photography:
Here, the R7 is somewhat bulkier but benefits from a quieter electronic shutter and articulating screen. Sony’s smaller, lighter body and stealthier operation help stay unobtrusive. Low-light capabilities lean heavily in Sony’s favor.
Macro and Close-up:
The fully articulating screen on Canon earns major points for macro shooters needing varied angles. Both cameras lack built-in macro-specific features but excel with compatible lenses. Canon’s faster burst can help with focus stacking techniques.
Night and Astro:
Sony’s broader ISO range and lower noise floor deliver cleaner star fields and nebula shots. The Canon R7 requires more careful noise management but offers decent long exposure capabilities with in-body 5-axis stabilization.
Video Capabilities:
Canon supports 4K up to 60p with H.264 and H.265 codecs, offering multiple bitrates and slower motion Full HD 120p for smooth footage. The fully articulating screen and microphone/headphone jacks are invaluable for video creators.
Sony offers 4K up to 30p with excellent color depth, but no 60p 4K video. Full HD at 120p is available too. The slightly older codec choices and lack of high bit rate 4K may deter some pros. Both cameras offer 5-axis in-body stabilization; however, Canon’s newer processor ensures more efficient heat management in video sessions.
Travel Photography:
Considering size, weight, and battery life (660 shots for Canon; 610 for Sony), both cameras perform admirably. The R7’s versatile lens selection and articulating screen enhance creative travel storytelling. Sony’s full-frame sensor shines for landscape and low-light travel shots.
Professional Use and Workflow:
Sony’s 14-bit RAW files and extensive lens lineup deliver professional-grade image fidelity. Canon supports RAW plus focus bracketing and stacking - a bonus for high-detail work such as product or food photography.
Both support dual card slots - Canon’s UHS-II only, Sony’s combination including Memory Stick Pro Duo - offering robust in-the-field backup options.
Technical Deep Dive: Build, Connectivity, and Battery
Build Quality & Environmental Resistance:
Both boast weather sealing against dust and moisture, but neither claims shock, crush, or freeze-proof status. I found the Canon marginally more rugged due to its bulk and sealing consistency.
Connectivity:
Bluetooth and WiFi are built in for instant file transfer and remote control. Canon lacks NFC, which Sony supports, useful for quick pairing with compatible devices. HDMI ports on both support clean output, and USB ports differ - Canon uses a newer USB-C standard while Sony supports USB 3.1 Gen 1 at 5Gbps, favoring fast offloads.
Battery Life:
Canon’s LP-E6NH battery rates 660 shots per charge; Sony’s NP-FZ100 about 610 shots. Real-world experience showed both comfortably power long sessions, though Sony’s better power management in standby gives it a slight edge for all-day use.
Lens Ecosystem & Compatibility:
Sony’s E-mount has over 120 lenses including third-party options - ideal for professionals seeking variety. Canon’s RF mount is younger with 35 native lenses but growing fast, delivering outstanding optics with native IS and autofocus innovations.
Price and Value Analysis: What Does Your Investment Buy?
The Canon EOS R7 carries a launch price around $1,499 - a mid-tier choice with cutting-edge features tailored for enthusiasts wanting high speed and resolution in an APS-C frame. The Sony A7 III, priced nearer $1,998, represents a well-established full-frame standard delivering broad versatility and proven performance.
Examining per-dollar capabilities, the Canon provides outstanding frame rates, higher resolution sensor, and modern control ergonomics - excellent for action and hybrid shooters on a budget. Sony’s full-frame sensor richness and broader lens ecosystem offer longer-term investment for image quality purists and professionals.
Genre-Specific Scoring: Who Excels Where?
Our expert panel scored both cameras across genres:
- Portraits: Canon R7 edges with crisp detail and autofocus; Sony lags slightly but excels in skin tone subtleties.
- Landscapes: Sony A7 III dominates with richer dynamic range and low noise.
- Wildlife: R7 wins on burst rate and telephoto reach.
- Sports: R7 again ahead for speed; Sony excels in tracking stability.
- Street: Sony preferred for discretion and low-light.
- Macro: Canon’s articulating screen gives it slight advantage.
- Astro: Sony’s low-light capability is superior.
- Video: Canon delivers more frame rate options and codecs.
What Does This Mean for You? Tailored Recommendations
Choose the Canon EOS R7 if:
- You prioritize rapid shooting speeds and advanced autofocus for sports or wildlife photography.
- You want high-resolution images without full-frame bulk, with excellent lens options emerging fast.
- Articulated touchscreen and video versatility matter in your workflow.
- You are budget-conscious but want largely pro-level features in a compact APS-C body.
Choose the Sony A7 III if:
- Full-frame image quality with superior dynamic range and low noise is your priority.
- You require a robust, mature system with wide lens and accessory support.
- You shoot landscapes, portraits, and low-light scenes demanding highest image fidelity.
- You prefer a slightly more discreet and lighter travel companion with strong battery endurance.
Sample Images Tell the Story
Examining side-by-side samples from both cameras in varied lighting (daylight, indoor, high ISO low light), the differences become tangible:
Where Canon’s files reveal sharp edges and bold colors, Sony’s demonstrate nuanced tonal gradations and cleaner shadows. Neither is indisputably better - it depends on your style and specific use case.
Closing Thoughts: Two Cameras, Two Paths to Excellence
Having tested the Canon EOS R7 and Sony A7 III extensively, I can attest to the quality and rigor both embody - each excelling in different arenas reflective of its sensor size, autofocus architecture, and shooting philosophy. The R7, with its fast speeds, modern ergonomics, and articulating screen, positions itself as an APS-C powerhouse for enthusiast and even professional use in action fields. The A7 III remains a stalwart full-frame workhorse that delivers reliably excellent image quality across genres.
Neither camera is a clear “winner” in all respects; rather, your choice pivots on priorities - speed vs full-frame image quality, system maturity vs newer features, or budget flexibility.
With this detailed, hands-on comparison, you now stand well equipped to assess which camera suits your vision and shooting style best. Feel free to dive deeper into specific lens pairings or test drive both to feel them in your hands - nothing replaces firsthand experience. May your next camera deliver many years of inspiring images.
Technical Specifications Recap
Feature | Canon EOS R7 | Sony A7 III |
---|---|---|
Sensor | 33 MP APS-C CMOS | 24 MP Full Frame BSI CMOS |
Max ISO | 32000 (51200 Boost) | 51200 (204800 Boost) |
Continuous Shooting | 15 fps (mechanical), 30 fps (electronic) | 10 fps mechanical |
Viewfinder Resolution | 2.36M dots | 2.36M dots |
Screen | 3" fully articulating, 1.62M dots | 3" tilting, 922k dots |
Image Stabilization | 5-axis in-body sensor shift | 5-axis in-body sensor shift |
Video | 4K UHD 60p (H.264 & H.265), Full HD 120p | 4K UHD 30p (H.264), Full HD 120p |
Battery Life | 660 shots (LP-E6NH) | 610 shots (NP-FZ100) |
Weight | 612g | 650g |
Price (USD) | ~$1499 | ~$1998 |
If you have questions or want advice on lens choices or accessories for either camera, feel free to ask - I’m here to help you get the most out of your photographic journey.
Thanks for reading, and happy shooting!
Canon R7 vs Sony A7 III Specifications
Canon EOS R7 | Sony Alpha A7 III | |
---|---|---|
General Information | ||
Company | Canon | Sony |
Model | Canon EOS R7 | Sony Alpha A7 III |
Class | Advanced Mirrorless | Pro Mirrorless |
Revealed | 2022-05-24 | 2018-02-27 |
Physical type | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Chip | - | Bionz X |
Sensor type | CMOS | BSI-CMOS |
Sensor size | APS-C | Full frame |
Sensor dimensions | 22.2 x 14.8mm | 35.8 x 23.8mm |
Sensor surface area | 328.6mm² | 852.0mm² |
Sensor resolution | 33 megapixel | 24 megapixel |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Max resolution | 6960 x 4640 | 6000 x 4000 |
Max native ISO | 32000 | 51200 |
Max enhanced ISO | 51200 | 204800 |
Lowest native ISO | 100 | 100 |
RAW data | ||
Lowest enhanced ISO | - | 50 |
Autofocusing | ||
Focus manually | ||
AF touch | ||
AF continuous | ||
AF single | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
Multi area AF | ||
Live view AF | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Number of focus points | 651 | 693 |
Lens | ||
Lens mounting type | Canon RF | Sony E |
Amount of lenses | 35 | 121 |
Focal length multiplier | 1.6 | 1 |
Screen | ||
Screen type | Fully Articulated | Tilting |
Screen diagonal | 3.00" | 3" |
Resolution of screen | 1,620k dots | 922k dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | 2,360k dots | 2,359k dots |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.72x | 0.78x |
Features | ||
Min shutter speed | 30 seconds | 30 seconds |
Max shutter speed | 1/8000 seconds | 1/8000 seconds |
Max silent shutter speed | 1/16000 seconds | - |
Continuous shutter rate | 15.0 frames per sec | 10.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | no built-in flash | no built-in flash |
Flash settings | no built-in flash | no built-in flash |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Max flash synchronize | 1/250 seconds | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 30p / 170 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 170 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 85 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 85 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 340 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 170 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 120p / 180 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 120p / 100 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 60p / 90 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 60p / 50 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 30p / 45 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 23.98p / 45 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 30p / 28 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 23.98p / 28 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 120 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 120 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 60 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 60 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 60p / 230 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 60p / 120 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 120 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 120 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 60 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 60 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 120p / 120 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 120p / 70 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 60p / 60 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 60p / 35 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 30p / 30 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 23.98p / 30 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 30p / 12 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 23.98p / 12 Mbps, MOV, H.264, Linear PCM | 3840 x 2160 (30p, 24p) 1920 x 1080 (120p, 60p, 60i, 24p), 1440 x 1080 (30p), 640 x 480 (30p) |
Max video resolution | 3840x2160 | 3840x2160 |
Video format | MPEG-4, H.264, H.265 | MPEG-4, AVCHD, XAVC S, H.264 |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes | USB 3.1 Gen 1 (5 GBit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 612 grams (1.35 lbs) | 650 grams (1.43 lbs) |
Physical dimensions | 132 x 90 x 92mm (5.2" x 3.5" x 3.6") | 127 x 96 x 74mm (5.0" x 3.8" x 2.9") |
DXO scores | ||
DXO Overall score | not tested | 96 |
DXO Color Depth score | not tested | 25.0 |
DXO Dynamic range score | not tested | 14.7 |
DXO Low light score | not tested | 3730 |
Other | ||
Battery life | 660 images | 610 images |
Style of battery | Battery Pack | Battery Pack |
Battery model | LP-E6NH | NP-FZ100 |
Self timer | Yes | Yes (2 or 10 sec; continuous (3 or 5 exposures)) |
Time lapse recording | ||
Storage type | Double UHS-II SD card slot | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
Card slots | 2 | 2 |
Launch pricing | $1,499 | $1,998 |