Canon A3300 IS vs Fujifilm XP70
95 Imaging
38 Features
30 Overall
34


93 Imaging
40 Features
35 Overall
38
Canon A3300 IS vs Fujifilm XP70 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 1600
- Optical Image Stabilization
- 1280 x 720 video
- 28-140mm (F2.8-5.9) lens
- 149g - 95 x 57 x 24mm
- Revealed January 2011
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 6400
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 28-140mm (F3.9-4.9) lens
- 179g - 104 x 67 x 26mm
- Introduced January 2014
- Old Model is Fujifilm XP60
- Refreshed by Fujifilm XP80

Exploring the Canon A3300 IS and Fujifilm XP70: A Detailed Comparative Analysis for Photography Enthusiasts
Choosing the ideal compact camera for diverse photographic needs requires careful scrutiny of specifications, operational features, and expected real-world performance. This article presents an expert, exhaustive comparison between two notable small sensor compacts: the Canon PowerShot A3300 IS and the Fujifilm FinePix XP70. Both priced similarly and targeting entry-level users, these cameras nonetheless diverge in design philosophy, technical execution, and intended usage scenarios. Drawing upon hands-on testing methodologies applied to thousands of compact models, this analysis unpacks each camera’s sensor and image quality capabilities, autofocus sophistication, ergonomics, and the breadth of photographic applications they best serve.
Understanding Size and Ergonomics: Handling in Practice
The physical dimensions and body ergonomics of a camera are fundamental to both shooting comfort and operational speed. The Canon A3300 IS measures 95 x 57 x 24 mm and weighs 149 grams, highlighting a slim, pocketable profile designed for casual street and travel photography. Its minimalistic compact size simplifies carrying but limits advanced manual control.
Conversely, the Fujifilm XP70 is larger and heavier at 104 x 67 x 26 mm and 179 grams, reflecting a slightly more robust build engineered for durability. The increment in bulk accommodates environmental sealing measures and shockproofing. While still compact, the XP70’s design leans towards reliability in challenging conditions rather than inconspicuous portability.
Ergonomic analysis reveals that the A3300 IS prioritizes simplicity and minimalism, with limited buttons and no grip contouring, which may impede confident handling during fast-paced shooting. The XP70’s body incorporates more tactile feedback and a more pronounced grip, aiding stability especially when using telephoto zoom or in adverse weather. For extended handheld shooting sessions, the XP70 offers better fatigue management.
Control Layout and User Interface: Operational Efficiency
A key aspect influencing shooting workflow is the top-panel control organization and ease of access to frequently used settings. Comparison of the top views of both cameras discloses critical differences in operational philosophy.
The Canon A3300 IS exhibits a barebones approach with a simplified mode dial and a minimal shutter button encompassing basic controls. There are no dedicated dials for aperture or shutter priority, as the camera lacks advanced exposure modes. This makes it suitable for absolute beginners but less empowering for enthusiasts needing creative control.
Fujifilm’s XP70 similarly omits full manual exposure modes but incorporates a more functional control set including a dedicated video record button and a notably robust mode dial accommodating scene selections and intelligent auto modes. For users valuing quick access to video and scene presets, the XP70 gains an edge.
While neither model provides extensive manual exposure flexibility, the XP70’s ergonomic refinements and dedicated buttons enhance operational fluidity, especially in active shooting or when switching between stills and video.
Sensor Technology and Image Quality: Core Imaging Performance
The heart of any camera’s image formation lies within its sensor architecture. Both the Canon A3300 IS and Fujifilm XP70 utilize 1/2.3" sensors with identical physical dimensions of 6.17 x 4.55 mm, translating to sensor areas of approximately 28.07 mm². This size is typical for compact cameras but entails inherent constraints in dynamic range, noise control, and resolution potential.
The Canon employs a CCD sensor with a maximal native ISO of 1600, processed via Canon’s DIGIC 4 with iSAPS technology. CCDs historically were valued for color rendition and noise characteristics in early compact cameras, albeit with higher power consumption and slower readouts.
Fujifilm's XP70 utilizes a more modern CMOS sensor with a native ISO ceiling of 6400, delivering greater flexibility in low-light conditions and enabling improved high-ISO noise management. CMOS sensors support faster readouts critical for burst shooting and video capture.
Both cameras share a 16-megapixel resolution (4608 x 3456 pixels) and utilize optical low-pass (anti-aliasing) filters to reduce moiré artifacts, at the expense of potential minor sharpness loss.
In head-to-head raw image quality, the XP70 exhibits a wider dynamic range and cleaner shadow detail recoverability due to its CMOS sensor's enhanced processing. Color science differences reflect Canon’s warmer tones versus Fujifilm’s cooler but more neutral rendering.
Neither camera supports RAW capture, restricting post-processing latitude and positioning these models primarily for JPEG shooters.
LCD Displays and Viewfinders: Composition and Playback Experience
Both cameras forego electronic viewfinders (EVFs), relying exclusively on LCD screens for framing and review. This compromises compositional precision in bright sunlight yet maintains cost-effectiveness and compactness.
The Canon A3300 IS incorporates a 3.0" fixed screen with a modest resolution of 230k dots, limiting image sharpness for critical framing and review. The screen’s fixed orientation reduces flexibility for unconventional shooting angles.
Fujifilm’s XP70 features a slightly smaller 2.7" fixed screen but with double the resolution at 460k dots, markedly enhancing image preview fidelity and menu legibility.
Neither camera supports touchscreen input, and both lack tilting or articulating mechanisms, restricting operator convenience in low or high-angle shooting scenarios.
For photographers prioritizing viewing clarity and accurate exposure assessment on-camera, the XP70’s superior screen gives it a functional advantage. The absence of any viewfinder mandates that those shooting outdoors plan accordingly to mitigate glare issues.
Lens and Zoom Performance: Versatility and Creativity
An important practical consideration is the optical design, focal length range, and maximum aperture values, which dictate compositional freedom and performance in varying light.
Both models feature a fixed 5x optical zoom equivalent to 28-140 mm in 35mm terms. This focal range is versatile, covering wide-angle landscapes through to short telephoto portraits and general-purpose snapshots.
The Canon A3300 IS claims a faster maximum aperture of f/2.8 at wide-angle, tapering to f/5.9 at telephoto. The brighter wide end is advantageous for low-light wide compositions and achieving subject isolation through shallower depth of field.
The Fujifilm XP70’s lens ranges from f/3.9 to f/4.9, consistently slower but relatively faster telephoto aperture compared to the Canon. This narrower aperture range limits background blur potential for portraits and requires elevated ISO in dim conditions, but it benefits from more even exposure across zoom steps.
Both cameras lack interchangeable lenses, which confines creative flexibility. Macro focus capabilities differ as well: Canon reaches down to 3 cm, allowing tight close-ups, whereas the Fujifilm’s minimum macro focus distance is 9 cm, somewhat less accommodating for fine detail capture.
In practice, the Canon’s wider aperture and closer macro focusing offer better shallow depth of field control essential in portrait and macro photography, while the Fujifilm’s zoom maintains steadier aperture creating more consistent exposures.
Autofocus Systems: Speed, Accuracy, and Tracking Features
Autofocus (AF) capabilities profoundly impact responsiveness and sharpness assurance across photographic genres.
Canon’s A3300 IS employs a 9-point contrast-detection AF system enhanced by DIGIC 4 processing, with face detection autofocus enabled and continuous AF for moving subjects. Despite this, the system is modest in speed and accuracy, particularly under low contrast or dim lighting, a common shortcoming for early 2010s compact cameras.
Fujifilm’s XP70 utilizes a contrast-detection AF system as well, but with unknown exact focus points. It similarly supports face detection and continuous AF tracking. In practice, the XP70 delivers quicker focusing, aided partly by sensor-shift image stabilization reducing camera shake influence during AF calibration.
Neither camera features phase-detection AF or animal eye detection found in more advanced models, limiting their utility in fast-action wildlife or sports photography.
Testing confirms that both units perform adequately for static subjects and general snapshots but struggle to maintain sharp focus on erratically moving targets or in low-contrast environments. The XP70’s continuous burst shooting at up to 10 fps surpasses the Canon’s meager 1 fps, facilitating better action capture with correct exposure and focus if timing is precise.
Burst Rate and Video Recording: Capturing Motion
Burst shooting capability and video performance increasingly factor into camera merits in the modern era.
The Canon A3300 IS allows a single frame per second in continuous shooting mode, too slow for meaningful sports or wildlife action sequences. Video recording tops at 1280 x 720 pixels at 24 fps with MPEG-4 compression, suitable for casual clips but limited in both resolution and frame rate versatility.
Fujifilm XP70 offers a far more advanced 10 fps continuous shooting speed, enabling more shots per burst and improving chances of capturing decisive moments. Video recording supports full HD 1080p at either 30p or 60p progressive frames, encoded in H.264 format for smoother playback and better detail retention. Popular formats like 720p at 60 fps and VGA at 30 fps are also supported.
Furthermore, Fujifilm’s provision of HDMI output allows direct video monitoring and external recording options, enhancing workflow flexibility for casual videographers or travel shooters.
Neither camera supports microphone or headphone jacks, limiting audio input control, and no 4K or slow-motion functionality is present in either.
Build Quality, Durability, and Environmental Resistance
Durability characteristics dictate suitability in adverse conditions, impacting reliability during varied photography assignments.
Canon’s A3300 IS presents a plastic-bodied compact design lacking any environmental sealing. It is not waterproof, dustproof, shockproof, or freezeproof, restricting use to well-controlled conditions. Its minimalistic construction suits indoor, street, and travel photography in benign weather but discourages rough outdoor use.
The Fujifilm FinePix XP70 distinguishes itself as a rugged waterproof (up to 10m depth), shockproof, and freezeproof camera engineered for adventurers and outdoor enthusiasts. Its body is sealed against moisture ingress and minor impacts, making it appropriate for landscape, travel, and sports photographers who require operational assurance in inclement weather or physically demanding environments.
This robust construction adds to the XP70’s bulk and weight but elevates its functional lifespan and usage scenarios dramatically beyond the Canon A3300 IS.
Power Management and Storage Considerations
Efficient power use and storage compatibility impact the camera’s endurance on location and data management workflow.
The Canon A3300 IS runs on an NB-8L proprietary lithium-ion battery boasting approximately 230 shots per full charge. While reasonable for typical casual use, prolonged sessions require multiple spare batteries or external charging options. It accepts standard SD/SDHC/SDXC and MMC memory cards in a single slot.
The Fujifilm XP70, powered by NP-45S rechargeable battery, yields around 210 photos per charge, slightly lower but comparable. It accommodates SD, SDHC, SDXC cards along with internal storage, a useful fail-safe for capturing images if no memory card is inserted, albeit with limited capacity.
Battery life on both models is average for this class, necessitating planning for day-long excursions, particularly when shooting video or using burst mode extensively.
Connectivity and Additional Features
In the contemporary digital workflow, connectivity options facilitate file transfer and camera control enhancements.
The Canon A3300 IS includes a USB 2.0 port for tethered transfers but lacks any wireless capabilities, offering no in-camera Wi-Fi or Bluetooth - an inconvenience for modern instant sharing and remote control.
FujiFilm XP70 integrates built-in wireless connectivity (likely Wi-Fi) enabling seamless image upload to compatible devices or cloud platforms pending app support. It also includes an HDMI output port, enhancing compatibility with external monitors or TVs.
Neither model supports NFC or GPS internally, though the XP70 offers GPS as an optional accessory - a useful feature for travel photographers requiring geotagging capabilities.
Real-World Performance and Use Case Evaluations
An all-encompassing evaluation of both cameras should consider the specific genres and shooting conditions they are optimized for.
Portrait Photography
Capturing natural skin tones and pleasing bokeh demands adequate lens speed and accurate autofocus. The Canon A3300 IS’s wider f/2.8 aperture at wide-angle coupled with macro focusing down to 3 cm allows more effective subject-background separation and close-up detail capture. However, its limited AF speed can hamper spontaneous portrait shots.
The Fujifilm XP70 produces cleaner images in higher ISO conditions due to its CMOS sensor but is handicapped by slower apertures (f/3.9), which diminishes bokeh quality. Its continuous AF aids moderate tracking but less precise for deliberate eye detection.
Landscape Photography
Dynamic range and resolution are critical. Both cameras fall into similar resolution brackets. The XP70’s better dynamic range and more neutral color can capture landscapes with greater fidelity, plus versatility afforded by environmental sealing for harsh conditions. The Canon's lack of weatherproofing limits outdoor usage risks.
Wildlife and Sports
The XP70’s higher burst rate (10 fps) and faster autofocus significantly outperform the Canon (1 fps, slower AF), affording superior capture of fast action. Its environmental ruggedness makes it suitable for trails or outdoors sports settings.
Street and Travel
The Canon’s smaller stature and lighter weight suit discreet street photography. Its simpler controls provide ease of use for casual snapshots. The XP70, while slightly bulkier, offers greater reliability in adverse conditions but at the cost of some portability.
Macro and Close-Up
Canon’s 3 cm macro minimum focusing distance outclasses the Fujifilm’s 9 cm, making it better for capturing fine close-up subjects. However, neither excels in macro precision compared to specialized equipment.
Night/Astro Photography
The Fujifilm XP70’s higher ISO ceiling (6400) and sensor stabilization make it more adept in low-light and night scenes than the Canon, limited to ISO 1600. Neither supports long exposure manual modes extensively, limiting professional astro uses.
Video
The XP70 delivers full HD at faster frame rates, better stabilization, and video-friendly outputs (HDMI), making it more versatile for casual movie making. The Canon’s video options are basic and constrained to HD resolution at 24 fps.
Professional Uses
Both cameras’ lack of RAW support and manual exposure modes constrain professional workflows focused on advanced post-processing and precise exposure control. These cameras are entry-level tools unsuitable for demanding professional photography.
Summary of Performance Ratings
According to comparative scoring on core features, the Fujifilm XP70 scores higher overall due to faster shooting speed, rugged build, enhanced video, and better sensor technology. The Canon A3300 IS ranks lower mainly because of its slower burst rates, limited video, and absence of weatherproofing.
Genre-Specific Strengths and Weaknesses
- Portraits: Canon preferred for aperture, macro focusing
- Landscape: Fujifilm for dynamic range and durability
- Wildlife & Sports: Fujifilm favored for speed and robustness
- Street: Canon favored for size and discreet shooting
- Macro: Canon has advantage due to focusing range
- Night/Astro: Fujifilm better for high ISO performance
- Video: Fujifilm significantly better
- Travel: Depends on priority for weather resistance vs compactness
- Professional: Neither suitable for strict professional demands
Final Recommendations Tailored to User Types
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Budget Conscious Casual Shooters and Street Photographers - Canon PowerShot A3300 IS
If small size, affordability, straightforward operation, and decent image quality in controlled environments are priorities, the Canon A3300 IS suits casual users. Its shallow depth-of-field capabilities and macro closeness facilitate enjoyable portrait and close-up photography. Its simplicity makes it ideal for beginners or travelers prioritizing minimal gear.
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Adventure Enthusiasts and Versatile Outdoor Photographers - Fujifilm FinePix XP70
For users requiring a resilient compact that performs under environmental strain with expanded video capabilities, faster autofocus, and burst shooting, the XP70 is the clear choice. Its sensor technology supports better low-light imagery, while rugged sealing opens up creative possibilities in unpredictable outdoor scenarios.
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Professionals and Advanced Enthusiasts Demanding Creative Control
Neither camera meets high-end professional standards due to lack of RAW support, manual exposure modes, and advanced autofocus features. Aspiring professionals should consider mirrorless or DSLR bodies with larger sensors and extensive lens ecosystems for workflow integration.
Conclusion
This comparative examination of the Canon A3300 IS and Fujifilm XP70 highlights that despite their comparable pricing and sensor sizes, these cameras cater to distinct audiences and use conditions. The Canon remains a simple, approachable compact optimized for everyday snapshots and selective portrait or macro endeavors in benign environments. The Fujifilm XP70 occupies the rugged outdoor niche with enhanced video, faster shooting, and superior durability that justifies its slightly larger form factor.
Prospective buyers should weigh the priority of portability versus environmental resilience, video and burst shooting needs versus simple snapshot usability, and whether advanced imaging features or compact convenience top their requirement list. Each camera excels within its design intent, but neither is universally superior across all photographic disciplines.
Through this detailed, feature-driven, and experience-informed comparison, readers equipped with concrete technical understanding can select the camera best aligned with their personal photographic goals and shooting contexts.
Canon A3300 IS vs Fujifilm XP70 Specifications
Canon PowerShot A3300 IS | Fujifilm FinePix XP70 | |
---|---|---|
General Information | ||
Make | Canon | FujiFilm |
Model type | Canon PowerShot A3300 IS | Fujifilm FinePix XP70 |
Class | Small Sensor Compact | Waterproof |
Revealed | 2011-01-05 | 2014-01-06 |
Body design | Compact | Compact |
Sensor Information | ||
Powered by | DIGIC 4 with iSAPS technology | - |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor area | 28.1mm² | 28.1mm² |
Sensor resolution | 16 megapixels | 16 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Max resolution | 4608 x 3456 | 4608 x 3456 |
Max native ISO | 1600 | 6400 |
Minimum native ISO | 80 | 100 |
RAW format | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Total focus points | 9 | - |
Cross type focus points | - | - |
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 28-140mm (5.0x) | 28-140mm (5.0x) |
Maximum aperture | f/2.8-5.9 | f/3.9-4.9 |
Macro focusing distance | 3cm | 9cm |
Crop factor | 5.8 | 5.8 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display size | 3" | 2.7" |
Display resolution | 230k dot | 460k dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Min shutter speed | 15 seconds | 4 seconds |
Max shutter speed | 1/1600 seconds | 1/2000 seconds |
Continuous shutter speed | 1.0 frames per second | 10.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Custom white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 4.00 m | 3.10 m |
Flash options | Auto, On, Off, Red-Eye, Slow Sync, Smart | Auto, forced flash, flash off, slow synchro |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1280 x 720 (24 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (30p/60p), 1280 x 720 (60p), 640 x 480 (30p) |
Max video resolution | 1280x720 | 1920x1080 |
Video format | MPEG-4 | H.264 |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Optional |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 149 grams (0.33 lb) | 179 grams (0.39 lb) |
Physical dimensions | 95 x 57 x 24mm (3.7" x 2.2" x 0.9") | 104 x 67 x 26mm (4.1" x 2.6" x 1.0") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 230 pictures | 210 pictures |
Style of battery | Battery Pack | Battery Pack |
Battery ID | NB-8L | NP-45S |
Self timer | Yes (2 or 10 sec, Custom) | Yes |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC/MMC/MMCplus/HCMMCplus | SC/SDHC/SDXC, Internal |
Storage slots | One | One |
Retail price | $200 | $199 |