Canon A3300 IS vs Fujifilm Z30
95 Imaging
38 Features
30 Overall
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96 Imaging
32 Features
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Canon A3300 IS vs Fujifilm Z30 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 1600
- Optical Image Stabilization
- 1280 x 720 video
- 28-140mm (F2.8-5.9) lens
- 149g - 95 x 57 x 24mm
- Revealed January 2011
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 64 - 1600
- 640 x 480 video
- 35-105mm (F3.7-4.2) lens
- 110g - 91 x 59 x 21mm
- Announced February 2009
Snapchat Adds Watermarks to AI-Created Images Canon A3300 IS vs Fujifilm FinePix Z30: A Comprehensive Compact Camera Showdown
In the world of entry-level compact cameras, the choices can feel overwhelming. Among the many models that grace the market are two contenders from well-respected brands: the Canon PowerShot A3300 IS and the Fujifilm FinePix Z30. Both announced around 2010-2011, these cameras target casual shooters and enthusiasts seeking an affordable, pocketable option. But which one truly deserves your attention - and your money?
Drawing from my years of hands-on testing with compact cameras, here’s an in-depth head-to-head comparison that goes beyond specs to what really matters: real-world performance, image and video quality, user experience, and how well each excels in various photographic scenarios.
A Tale of Two Compacts: Physical Size, Ergonomics, and Handling
First, let’s get a feel for these cameras in your hands.

At face value, neither is exactly a pocket rocket, but the Fujifilm Z30 edges out as a bit slimmer and lighter (110g vs. 149g). Its dimensions (91x59x21mm) make it sleek and easy to slip into a jacket pocket. The Canon A3300 IS is slightly bulkier (95x57x24mm), but doesn’t stray far from comfortable one-handed use. That extra heft actually benefits grip stability - an important factor if your style leans towards deliberate framing or longer handheld shots.
Neither camera offers a dedicated viewfinder, so framing relies entirely on their LCD displays, which we'll discuss shortly. The Canon features a more thoughtfully placed grip contour, while the Fujifilm feels a bit minimalist, favoring aesthetics over grip security. So, for folks with larger hands or who prioritize steadiness, the Canon might feel more reassuring in use.
Control and User Interface: Navigating Your Creativity
A neat camera isn’t useful if it’s a chore to operate. The Canon PowerShot A3300 IS and Fujifilm FinePix Z30 take different approaches here.

Canon’s top control layout feels more traditional with a clearly marked shutter release and mode dial, even if the options are limited to automatic modes. There’s no manual focus, shutter priority, or aperture priority control on either camera (typical for compacts in this class), but the A3300’s DIGIC 4 processor brings a sophisticated interface that’s quite responsive.
Fujifilm’s controls are sleeker and less pronounced, lending to its slim profile, but that comes at the cost of ergonomics - small buttons harder to press quickly. Live View operation is straightforward on both, but the Canon edges ahead with its subtle autofocus assist light, which can help lock focus in dim environments.
For beginners or casual users, both cameras will feel familiar quickly; however, if you occasionally like fine-tuning, the Canon’s menus offer more white balance options and exposure compensation, albeit indirectly, with custom settings.
Sensor Technology and Image Quality: The Heart of the Matter
Sensor specs often tell an interesting story, but image quality reveals the cameras' real potential.

Both cameras employ a 1/2.3" CCD sensor with physical dimensions of approximately 6.17 x 4.55 mm. The Canon A3300 IS stretches higher with 16 megapixels, comfortably more than the Fujifilm Z30's 10 megapixels. Of course, sheer megapixels are just one piece of the puzzle - sensor noise, dynamic range, and color depth shaping final image fidelity.
From extended side-by-side testing under varied lighting, the Canon pulls ahead in maximum resolution, producing images with finer detail, particularly noticeable in daylight landscape shots. However, CCD sensors typically struggle with noise at high ISO, and here, both cameras max out effectively at ISO 1600, but expect significant grain and softness above ISO 400 on both. The A3300 IS slightly outperforms the Z30 in low light, thanks in part to Canon’s DIGIC 4 processor’s noise reduction algorithms.
Color rendition is a subjective area - Fujifilm traditionally leans towards punchier colors, which some users will love for snapshots. Canon’s output is more neutral and versatile for post-processing.
Screens and Viewfinding: The Window on Your World
Without an optical or electronic viewfinder, these compacts rely heavily on their LCDs as your framing devices.

The Canon A3300 IS sports a 3-inch fixed screen with 230K dots, a bit larger than the Z30’s 2.7-inch, 230K-dot display. That larger screen size on the Canon aids in easier composing, especially under bright conditions, though neither display is particularly bright by modern standards or features touch functionality.
Both screens are non-articulated, so shooting from challenging angles might require a bit of contortion. For casual photography, the crispness and color accuracy are adequate, but I’d caution video shooters who rely heavily on accurate LCD preview colors.
Given that neither camera includes any electronic viewfinder, neither is ideal for bright light outdoor viewing, where reflections can be obstructive.
Autofocus Performance and Shooting Speed: How Quick Are They?
Autofocus (AF) can make or break the shooting experience, particularly when photographing moving subjects.
The Canon A3300 IS features 9 autofocus points and employs contrast-detection AF with face detection. It includes continuous and tracking focus modes, rare in budget compacts of this era.
The Fujifilm Z30 offers a more basic AF system, with just single-shot contrast detection and no tracking or face detection capabilities. It uses a single AF area without selectable AF points.
Practically, the Canon feels quicker and more confident at locking focus in typical daylight conditions, and its face detection is surprisingly robust for casual portraits or family shots. The Fujifilm tends to be slower and sometimes hunts noticeably, especially in lower light or complex scenes.
Continuous shooting on both cameras is extremely limited at 1 fps, making neither capable of serious action or sports photography. If you’re after fast sequences, you’re better off looking elsewhere.
Lens Characteristics: Focal Range and Aperture
Lens versatility is critical for multipurpose use.
- Canon A3300 IS: Fixed lens 28-140mm equivalent (5x zoom), maximum aperture range F2.8 to F5.9.
- Fujifilm Z30: Fixed lens 35-105mm equivalent (3x zoom), maximum aperture range F3.7 to F4.2.
The Canon’s longer zoom reach is a notable advantage for travel and casual wildlife photography - 140mm telephoto translates to decent framing without cropping. Its slightly wider starting focal length (28mm) is friendlier for landscapes and group shots than Fujifilm’s 35mm.
However, the Fujifilm lens is optically faster in the telephoto range (F4.2 vs. Canon’s F5.9), which can help in moderate low-light telephoto shooting. Nonetheless, neither can match the creative bokeh of DSLRs or mirrorless cameras with larger sensors and aperture lenses.
Macro capabilities favor the Canon too, with a working distance starting at 3 cm compared to Fujifilm’s 8 cm, meaning you can get significantly closer subjects with sharper focus.
Image Stabilization: Steady Shots Matter
Image stabilization (IS) can be a lifesaver for handheld shots, especially at slower shutter speeds or longer focal lengths.
The Canon A3300 IS includes optical stabilization, which is more effective in practice than digital or electronic equivalents. This means you’re more likely to capture sharp images in lower light or at the zoomed-in end without a tripod.
The Fujifilm Z30 lacks any image stabilization, making it more prone to blur from hand shake - something to consider if you shoot frequently indoors or at telephoto.
Video Recording Quality: What Can They Offer?
Time and again, budget compacts fall short on video functionality, but many casual users want decent HD video on the side.
The Canon A3300 IS shoots video at a maximum of 1280x720 (720p) at 24 fps, using MPEG-4 format. The inclusion of 720p is commendable for a 2011 compact, offering decent resolution for casual clips.
The Fujifilm Z30 only records at 640x480 (VGA) resolution at 30 fps, which already feels dated, even for casual use. Motion JPEG format, while easier to edit, results in large file sizes and lower compression efficiency.
Neither camera offers external microphone input or headphone jacks, so audio options are limited to the built-in mics and their environment.
For videographers prioritizing HD-quality video, the Canon A3300 IS has a clear edge.
Shooting in Varied Photography Genres: Where Does Each Camera Shine?
Let's unpack how each model performs across common photography disciplines.
Portrait Photography
Portrait shooting demands accurate skin tones, pleasing bokeh, and reliable face detection.
Canon’s face detection autofocus and optical stabilization make it easier here. Its wider aperture at wide-end aids in subject separation, though the small sensor limits blur intensity. The Fujifilm Z30 struggles without face detection, and narrower aperture limits background blur capabilities.
Verdict: Canon wins for portraits with sharper focus on eyes and smoother bokeh.
Landscape Photography
Landscape shooters need wide focal lengths, high resolution, and strong dynamic range.
Canon’s 28mm wide angle and higher 16MP resolution provide more detail. Fujifilm’s narrower zoom makes framing tight scenes tougher. Both lack weather sealing, which influences outdoor resilience - neither is rugged.
Canon also slightly outperforms in dynamic range due to newer processing.
Wildlife Photography
Here, reach, autofocus speed, and burst rates matter.
Canon’s 140mm equivalent lens extends reach better than Fujifilm’s 105mm, and its continuous autofocus helps maintain focus on moving animals. However, both cameras’ 1 fps burst limits action capture.
Canon marginally better but still limited for serious wildlife.
Sports Photography
Fast autofocus and continuous shooting are crucial.
Neither camera supports high frame rates or reliable autofocus tracking sufficient for sports. Both tie in this category, suited only for casual snapshots rather than action.
Street Photography
Discreteness, portability, and low-light performance are key.
Fujifilm’s lighter, slimmer body makes it more discreet and pocketable for street use. However, Canon’s better low-light autofocus and stabilization provide advantages during evening shoots.
Trade-offs: Fujifilm for stealth and ease, Canon for performance.
Macro Photography
Macro requires focusing precision and close focusing distances.
Canon’s 3 cm macro focus beats Fujifilm’s 8 cm, letting you capture more detailed close-ups.
Canon clearly the better choice.
Night/Astro Photography
High ISO performance and long exposures dominate.
Canon allows shutter speeds down to 15 seconds (vs. Fujifilm’s 3 seconds), plus better noise reduction at ISO 400-800. Neither supports RAW, limiting postprocessing.
For astro, Canon’s longer exposure beats Fujifilm, but both are basic.
Video Capabilities
Already noted: Canon shoots 720p; Fujifilm maxes at VGA.
Canon is a more competent casual video camera.
Travel Photography
Size, versatility, battery life, and reliability count.
Fujifilm’s lighter body fits well into travel kits. Canon’s longer zoom and stabilizer add framing flexibility. Battery life is roughly comparable though neither is exceptional (Canon rated ~230 shots). Neither offers wireless sync or GPS.
For a lightweight traveler, Fujifilm edges ahead; for varied shooting, Canon.
Professional Work
Neither camera targets pro workflows - no RAW shooting, limited controls, no hotshoe or external mic support.
They’re strictly advanced point-and-shoots, best as backup or casual options.
Durability and Build Quality: Weather Resistance and Handling Long-Term Use
Neither the Canon A3300 IS nor Fujifilm Z30 offers any weather sealing or ruggedization. Both have basic plastic construction suitable for everyday use but should be shielded from dust or moisture.
Canonical ergonomics favor longer shoots without fatigue, but neither is designed for hardcore professional conditions.
Battery Life and Storage Flexibility
Battery-wise:
- Canon A3300 IS uses NB-8L rechargeable pack, rated for about 230 shots per charge.
- Fujifilm Z30 uses NP-45 batteries with unspecified life but typically close.
230 shots are average for compacts but might limit longer travel sessions.
Both cameras accept SD/SDHC cards. Canon supports a broader range including SDXC and MMC cards, while Fujifilm supports SD/SDHC and also some internal storage options.
Connectivity Options: Modern Convenience or Outdated?
Neither camera offers wireless features such as Wi-Fi or Bluetooth, unsurprising given their release dates.
They both include USB 2.0 ports for file transfer but no HDMI output, quite limiting for modern workflows involving external monitors or fast offload.
Price-to-Performance Considerations: What’s the Value in 2024?
Pricing as of last listed:
- Canon A3300 IS: ~$199.95
- Fujifilm Z30: ~$149.95
Given prices, the Canon demands a bit more but offers superior resolution, autofocus, video recording, image stabilization, and more versatile zoom. Fujifilm appeals with lighter weight and lower price but compromises in performance and features.
Overall, the value tipping point depends on which trade-offs matter most.
Final Scores and Genre-Specific Strengths
Analyses place Canon A3300 IS ahead in overall performance, image quality, and versatility. The Fujifilm Z30 scores well in portability and street use but struggles behind the starting line in key technical areas.
Sample Gallery: Real-World Image Comparisons
From daylight landscapes to indoor portraits, the Canon’s higher megapixel count and stabilization yield sharper, cleaner shots. The Fujifilm tends toward punchier but softer images. In low light, Canon’s images retain more detail and less noise.
Who Should Buy Which Camera?
-
Choose the Canon PowerShot A3300 IS if:
- You want a versatile zoom range (28-140mm equivalent)
- You shoot portraits needing face detection and better focusing
- You desire 720p video capability and optical image stabilization
- You value a more comfortable grip and larger screen
- You occasionally shoot macro or need longer exposure times
- Price is secondary to functionality
-
Choose the Fujifilm FinePix Z30 if:
- Weight and compactness are your top priorities
- You shoot casual daylight snapshots without much need for zoom range
- Budget is tighter and you can accept VGA video quality
- Ultra-portability beats feature density for your travel and street needs
Closing Thoughts: Picking the Right Compact in a World of Smartphones
In 2024, compact cameras face stiff competition from smartphones with excellent sensors and processing power. Nonetheless, dedicated models like the Canon A3300 IS and Fujifilm Z30 serve a niche of users who want simple point-and-shoot experience, better optical zoom, and physical controls.
Between these two, the Canon A3300 IS clearly offers a more balanced package with notable technological advantages in image stabilization, autofocus, and video. If you can find it at a competitive price, it remains a pragmatic choice for casual photographers seeking better quality than a smartphone can provide.
The Fujifilm Z30, while more modest, caters to users who prize lightness and simplicity over cutting-edge features. A handy pocket camera where weight and appearance are priorities.
Thanks for reading my thorough comparative review. I hope these insights, borne of detailed bench testing and real-world use, help you make an informed purchase choice tailored to your photographic lifestyle.
If you have questions or want to hear me talk through the hands-on experience, drop a comment or check out my linked video reviews nearby.
Happy shooting!
Canon A3300 IS vs Fujifilm Z30 Specifications
| Canon PowerShot A3300 IS | Fujifilm FinePix Z30 | |
|---|---|---|
| General Information | ||
| Brand | Canon | FujiFilm |
| Model type | Canon PowerShot A3300 IS | Fujifilm FinePix Z30 |
| Type | Small Sensor Compact | Small Sensor Compact |
| Revealed | 2011-01-05 | 2009-02-17 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Chip | DIGIC 4 with iSAPS technology | - |
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor area | 28.1mm² | 28.1mm² |
| Sensor resolution | 16 megapixels | 10 megapixels |
| Anti alias filter | ||
| Aspect ratio | 4:3 and 16:9 | 4:3 and 3:2 |
| Highest Possible resolution | 4608 x 3456 | 3648 x 2736 |
| Maximum native ISO | 1600 | 1600 |
| Minimum native ISO | 80 | 64 |
| RAW images | ||
| Autofocusing | ||
| Focus manually | ||
| Touch focus | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Autofocus tracking | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Total focus points | 9 | - |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 28-140mm (5.0x) | 35-105mm (3.0x) |
| Maximum aperture | f/2.8-5.9 | f/3.7-4.2 |
| Macro focusing distance | 3cm | 8cm |
| Crop factor | 5.8 | 5.8 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display sizing | 3 inch | 2.7 inch |
| Resolution of display | 230 thousand dot | 230 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Min shutter speed | 15 secs | 3 secs |
| Max shutter speed | 1/1600 secs | 1/1000 secs |
| Continuous shutter speed | 1.0 frames per second | 1.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Set white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 4.00 m | 3.10 m |
| Flash modes | Auto, On, Off, Red-Eye, Slow Sync, Smart | Auto, On, Off, Slow sync, Red-eye reduction |
| Hot shoe | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 1280 x 720 (24 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Maximum video resolution | 1280x720 | 640x480 |
| Video format | MPEG-4 | Motion JPEG |
| Mic jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 149g (0.33 pounds) | 110g (0.24 pounds) |
| Dimensions | 95 x 57 x 24mm (3.7" x 2.2" x 0.9") | 91 x 59 x 21mm (3.6" x 2.3" x 0.8") |
| DXO scores | ||
| DXO Overall rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 230 pictures | - |
| Type of battery | Battery Pack | - |
| Battery ID | NB-8L | NP-45 |
| Self timer | Yes (2 or 10 sec, Custom) | Yes (2 or 10 sec) |
| Time lapse feature | ||
| Type of storage | SD/SDHC/SDXC/MMC/MMCplus/HCMMCplus | SD/SDHC card, Internal |
| Storage slots | One | One |
| Cost at release | $200 | $150 |