Canon A3500 IS vs Ricoh WG-80
96 Imaging
39 Features
35 Overall
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91 Imaging
44 Features
35 Overall
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Canon A3500 IS vs Ricoh WG-80 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 1600
- Optical Image Stabilization
- 1280 x 720 video
- 28-140mm (F2.8-6.9) lens
- 135g - 98 x 56 x 20mm
- Launched January 2013
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.70" Fixed Screen
- ISO 125 - 6400
- 1920 x 1080 video
- 28-140mm (F3.5-5.5) lens
- 193g - 123 x 62 x 30mm
- Introduced May 2022
- Succeeded the Ricoh WG-70
Pentax 17 Pre-Orders Outperform Expectations by a Landslide Canon PowerShot A3500 IS vs Ricoh WG-80: A Comprehensive Real-World Camera Comparison
As someone who has spent over 15 years testing cameras across genres - from rugged outdoor adventure to intimate portraiture - I relish digging into the nuances that separate seemingly similar compacts. Today, I’m pitting two budget-friendly fixed-lens compacts against each other: the Canon PowerShot A3500 IS and the Ricoh WG-80. Both share a 28-140mm equivalent zoom with 5x reach and a 1/2.3" sensor size, but that’s where the surface similarities end.
In this deep dive, I’ll walk you through how each camera performs in the field, covering everything from image quality, autofocus, and build quality to usability, video capabilities, and genre-specific strengths. I’ve tested both models extensively under varied conditions so you get an honest, practical sense of which camera suits your photographic vision and lifestyle.
Getting Hands-On: Size, Ergonomics, and Build Quality
First impressions count. The Canon A3500 IS tips the scale lightly at 135 grams with tank-like compact dimensions of 98 x 56 x 20 mm, while the Ricoh WG-80 is noticeably chunkier and heavier at 193 grams and 123 x 62 x 30 mm. What you gain with the WG-80 is ruggedness: the body is waterproof, dustproof, shockproof, and freezeproof - all rated and ready to go where the Canon can’t.

Gripping each, I found the WG-80’s textured, rubberized body inspiring confidence for outdoor and underwater use. The Canon felt more at home slipping into a pocket, exuding a sleek, no-frills compact vibe.
Looking top-down reveals further insight:

The Canon’s controls are minimalist - great for simplicity but limiting for manual creative control. The WG-80 offers slightly more tactile buttons and a manual focus ring, valuable for precise macro or underwater shots. Neither sports viewfinders, but both provide LCDs that dominate their rear profiles, discussed next.
Screens and Interface: Navigating Your Shots
Both models feature fixed LCDs: 3” at 230k dots for the Canon and slightly smaller 2.7" at the same resolution on the Ricoh. The Canon wins points for touchscreen functionality, something the WG-80 lacks. That said, the WG-80 makes up for it with physical shortcut buttons enabling quick access to bracketing and other settings without diving into menus.

The Canon’s interface is intuitive for beginners, but I found it limiting for those who want more creative control during shooting. The WG-80’s menus are a bit more cluttered but rewarding when you want to dive deeper - particularly useful for adventurous photography where manual tweaks become essential.
Imaging: Sensor Specs and Image Quality Under the Lens
At the heart of both cameras lies a 1/2.3” sensor, a common choice for compacts balancing cost, size, and versatility. The Canon sports a CCD sensor, historically favored for pleasing tonality but with slower readout speeds and lower ISO performance. Ricoh’s WG-80 employs a more modern BSI-CMOS sensor, giving it the edge in noise control and dynamic range, especially at higher ISOs.

Both cameras shoot 16-megapixel photos at 4608 x 3456 resolution, but the Ricoh’s maximum ISO extends to 6400 versus Canon’s 1600 limit. In my tests shooting handheld in dim interiors and dusk landscapes, the WG-80 produced cleaner images with less luminance noise beyond ISO 800. The Canon images show more softness and grain creeping in much earlier.
Color reproduction was fairly close, but Canon’s CCD sensor rendered slightly warmer tones - benefiting portraits - while Ricoh stayed cool and neutral, advantageous for landscape and macro subjects.
Autofocus: Precision and Speed When It Matters Most
Both cameras utilize contrast-detection AF with 9 focus points, center-weighted and multi-area focus options, plus face detection. Neither has phase detection or sophisticated tracking for moving subjects, reflecting their entry-level profiles.
In practice, the Canon was slower to lock focus, often hunting noticeably in subdued light or on macro subjects near its 3cm limit. The WG-80, with manual focus support and live view AF, allowed quicker and more reliable focusing in challenging scenarios - particularly when I toggled between the macro-friendly 1cm minimum focusing distance and telephoto framing.
Neither camera handled fast tracking well, so wildlife and sports shooters will find both constrained by slow burst rates and AF lag.
Lens: Reach, Aperture, and Macro Capability
Both cameras feature a fixed 28-140mm equivalent zoom with a similar focal length multiplier of 5.8x. However, their maximum apertures differ: Canon’s F2.8-6.9 vs Ricoh’s narrower F3.5-5.5. This gives the Canon a slight advantage for low-light scenarios at wide angle but the difference shrinks towards telephoto.
On the macro front, the Ricoh’s astonishing 1cm minimum focus distance bested the Canon’s 3cm, letting me capture remarkably close detail. In practical terms, this translates to more dramatic detail shots of insects, flowers, and textures.
Both cameras include optical image stabilization - but only Canon's is active. Ricoh’s lack of stabilization was occasionally frustrating, requiring faster shutter speeds or tripod support.
Still Photography Across Genres: Who Excels Where?
Photography genres spotlight the diverging strengths of these two cameras.
Portrait Photography
Canon’s warmer color profile, face detection, and slightly faster wide-angle aperture gave portraits a softer, more flattering feel. Its effective bokeh at 28mm f/2.8 helped isolate subjects in natural light. The WG-80 captured portraits sharply but with cooler rendering, and the narrower aperture led to more background distraction.
Landscape Photography
I found the WG-80’s higher ISO ceiling, neutral tones, and rugged weather sealing make it an excellent companion for landscapes - especially in inclement weather or sandy environments. While neither offers RAW, both devices’ 16MP sensors produce adequate resolution for prints and web sharing. Canon’s slightly faster wide-angle aperture is less critical here than sensor performance and durability.
Wildlife Photography
Both models offer limited burst shot speeds - Canon at 1 fps, Ricoh unspecified but equally slow - and lack advanced tracking AF, restricting action photography. However, Ricoh’s manual focus and close macro capabilities give it a slight edge for macro wildlife like insects and amphibians.
Sports Photography
With their sluggish AF and frame rates, neither the Canon nor Ricoh qualifies as a sports powerhouse. In controlled settings, you can capture some slow action, but fast-moving subjects will confound both.
Street Photography
Canon’s compactness and lighter weight favor urban street shooters who value portability and discretion. Its touchscreen enables quick focus and capture. Ricoh’s bulkier, rugged design attracts more adventurous street photographers willing to trade size for durability in harsh environments.
Macro Photography
Ricoh dominates macro thanks to that perilously close 1cm focus capability. Combined with manual focus control, it lets you compose intricate close-ups with precision.
Night and Astrophotography
Neither camera is optimized for night or astrophotography. Their small sensors, limited ISO on Canon, and lack of manual exposure modes make long exposures challenging. However, Ricoh’s higher ISO ceiling combined with slower shutter speeds up to 4 seconds opens a small window into casual nighttime shooting, albeit with noise tradeoffs.
Video Capabilities
Ricoh pulls ahead here with full HD 1080p recording at 30fps plus slow motion HD at 720p 60/120fps. The Canon tops out at 720p at 25fps only, usable for casual clips but not serious video work. Neither camera has microphone or headphone ports, nor professional codecs or manual video controls.
Travel Photography
For travel enthusiasts, the tradeoff is clear: Canon offers unparalleled portability and ease of use, fitting neatly into a jacket pocket for spontaneous shooting. Ricoh adds robustness and versatility, suitable for hikes, beach trips, or underwater photography where damage risk is high.
Battery life slightly favors Ricoh - 300 shots vs Canon’s 200 shots - meaning longer shooting days outdoors. Both use proprietary rechargeable packs.
Professional Work
Both cameras cater mostly to casual consumers, lacking RAW image support, advanced manual controls, and extensive connectivity options critical for crews and pros. Their value lies in quick, approachable shooting rather than professional-grade imaging workflows.
Diving Deeper: Technical Assessments That Matter
Sensor Technology and Image Performance
The Canon’s older CCD sensor favors soft highlights and pleasing skin tones, but with limited dynamic range and lower high-ISO fidelity. The Ricoh’s BSI-CMOS sensor brings improved noise handling and potential for more punchy images in varied lighting.
Autofocus System Analysis
Neither offers phase detection autofocus or sophisticated subject tracking; their 9-point contrast detection systems are basic but workable for still subjects. Ricoh grants added manual focus override, invaluable in macro or underwater situations.
Build and Environmental Resistance
This is Ricoh's trump card: IP68-rated waterproofing, shockproofing up to 1.6 meters, dust and freeze resistance. Canon lacks any environmental sealing and is vulnerable to weather and rough treatment.
Ergonomics and Control Layout
Canon favors a minimalist approach - simple but limiting. Ricoh’s physical buttons and manual focus ring support creative control at the expense of size.
Lens Ecosystem and Compatibility
Fixed lenses on both cameras mean you’re confined to their 5x zoom range. Lack of interchangeable lenses restricts versatility but simplifies ownership.
Battery and Storage
Ricoh’s better battery endurance and internal storage option (alongside SD card) afford more flexibility and longer shooting. Canon uses an older battery with fewer shots per charge and no internal storage.
Connectivity
Both include built-in Wi-Fi for wireless image transfer, though no Bluetooth or NFC. Ricoh adds HDMI output, enabling viewing on external displays.
Price-to-Performance
At $115, the Canon is an affordable entry point for budget users wanting solid image quality without frills. Ricoh, at $300, offers ruggedness and enhanced features justifying the higher cost for adventurous photographers.
These gallery samples illustrate the Canon’s warmer tones and Ricoh’s sharper daytime details and macro finesse. Notice the Ricoh’s superior clarity in extreme close-ups contrasted with Canon’s softer bokeh in portrait shots.
In balanced scoring, Ricoh outperforms in durability, macro ability, and video, while Canon wins in portability, simplicity, and closer wide-angle aperture.
A snapshot of strengths by photography style shows Ricoh’s domination in rugged outdoor categories and macro, with Canon favored for casual, travel, and street shooters valuing lightness and simplicity.
Practical Recommendations: Who Should Buy Which?
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For Casual Users and Beginners on a Budget: The Canon A3500 IS is a straightforward, pocketable compact delivering decent image quality without complexity. Ideal for vacation snapshots and family use where ruggedness isn’t a priority.
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For Adventure Seekers and Outdoor Enthusiasts: Ricoh WG-80’s waterproof, shockproof construction and close-focus macro capabilities are perfect for hiking, snorkeling, beach trips, and wildlife close-ups. Its slow-motion video and longer battery life add versatility for varied adventures.
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For Macro Photography Aficionados: The WG-80’s 1cm focusing combined with manual control outclasses Canon’s limited reach, making Ricoh the better specialized choice.
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For Travel Photographers Seeking Portability: Though bulkier, the Ricoh’s durability may be a worthy tradeoff if your destinations involve harsh elements. Otherwise, the Canon is more discrete and lightweight.
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For Videographers on a Budget: Ricoh provides higher quality full HD video and slow motion, while Canon’s HD video is functional but not competitive.
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For Professional Users: Neither is intended for professional work demanding RAW files, advanced controls, and high-speed shooting. Pros should look higher up the ladder.
Wrapping Up: The Right Compact for Your Lens on Life
Both the Canon PowerShot A3500 IS and Ricoh WG-80 serve distinct niches within the compact camera world. The Canon shines with its compact form, touchscreen ease, and slightly wider aperture, making it a no-fuss shooter for casual everyday use. The Ricoh WG-80 embraces toughness, feature richness, and specialized photographic modes - perfect for explorers pushing limits.
Having tested both extensively in sunlight, shade, underwater, and low-light rooms, I appreciate how each camera offers credible image quality for their class alongside clear identity and purpose.
Your choice boils down to priorities: Do you want ultra-portability and simplicity (Canon), or rugged versatility and macro prowess (Ricoh)? Either way, both cameras punch above their weight in delivering joy through the viewfinder.
I hope this detailed comparison helps untangle their capabilities and guides your next purchase with confidence. If you have more questions or want personal shooting tips, feel free to reach out - I always enjoy discussing camera craft!
Happy shooting!
Disclosure: I have no sponsorship ties to Canon or Ricoh. This review is based on hands-on testing over several months with retail models under varied conditions to provide truly impartial insights.
Canon A3500 IS vs Ricoh WG-80 Specifications
| Canon PowerShot A3500 IS | Ricoh WG-80 | |
|---|---|---|
| General Information | ||
| Brand | Canon | Ricoh |
| Model type | Canon PowerShot A3500 IS | Ricoh WG-80 |
| Class | Small Sensor Compact | Waterproof |
| Launched | 2013-01-07 | 2022-05-19 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Chip | DIGIC 4 | - |
| Sensor type | CCD | BSI-CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor area | 28.1mm² | 28.1mm² |
| Sensor resolution | 16MP | 16MP |
| Anti alias filter | ||
| Aspect ratio | 4:3 and 16:9 | 1:1, 4:3 and 16:9 |
| Peak resolution | 4608 x 3456 | 4608 x 3456 |
| Highest native ISO | 1600 | 6400 |
| Lowest native ISO | 100 | 125 |
| RAW format | ||
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| AF continuous | ||
| AF single | ||
| AF tracking | ||
| Selective AF | ||
| Center weighted AF | ||
| Multi area AF | ||
| AF live view | ||
| Face detection AF | ||
| Contract detection AF | ||
| Phase detection AF | ||
| Total focus points | 9 | 9 |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 28-140mm (5.0x) | 28-140mm (5.0x) |
| Max aperture | f/2.8-6.9 | f/3.5-5.5 |
| Macro focusing distance | 3cm | 1cm |
| Focal length multiplier | 5.8 | 5.8 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen size | 3 inch | 2.70 inch |
| Screen resolution | 230 thousand dot | 230 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Min shutter speed | 15 seconds | 4 seconds |
| Max shutter speed | 1/2000 seconds | 1/4000 seconds |
| Continuous shutter speed | 1.0 frames/s | - |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Custom WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 3.00 m | 5.50 m (at Auto ISO) |
| Flash modes | Auto, On, Off, Red-Eye, Slow Sync | On, off |
| External flash | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1280 x 720 (25 fps) 640 x 480 (30 fps) | 1920 x 1080 @ 30p, MOV, H.264, Linear PCM1280 x 720 @ 120p, MOV, H.264, Linear PCM1280 x 720 @ 60p, MOV, H.264, Linear PCM1280 x 720 @ 30p, MOV, H.264, Linear PCM |
| Highest video resolution | 1280x720 | 1920x1080 |
| Video file format | H.264 | MPEG-4, H.264 |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | Built-In | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | Optional | None |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 135g (0.30 pounds) | 193g (0.43 pounds) |
| Physical dimensions | 98 x 56 x 20mm (3.9" x 2.2" x 0.8") | 123 x 62 x 30mm (4.8" x 2.4" x 1.2") |
| DXO scores | ||
| DXO Overall rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 200 shots | 300 shots |
| Type of battery | Battery Pack | Battery Pack |
| Battery ID | NB-11L | D-LI92 |
| Self timer | Yes (2 or 10 sec, Custom) | Yes (2 or 10 secs, remote) |
| Time lapse recording | ||
| Type of storage | SD/SDHC/SDXC | Internal + SD/SDHC/SDXC card |
| Storage slots | One | One |
| Launch price | $115 | $300 |