Canon D20 vs Canon SD4000 IS
91 Imaging
36 Features
37 Overall
36
94 Imaging
33 Features
30 Overall
31
Canon D20 vs Canon SD4000 IS Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 28-140mm (F3.9-4.8) lens
- 228g - 112 x 71 x 28mm
- Introduced June 2013
(Full Review)
- 10MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 28-105mm (F2.0-5.3) lens
- 175g - 100 x 54 x 23mm
- Launched August 2010
- Also referred to as IXUS 300 HS / IXY 30S
President Biden pushes bill mandating TikTok sale or ban Exploring Two Canon Compacts: Waterproof Ruggedness vs. Classic Elegance – Canon PowerShot D20 vs. SD4000 IS
Choosing a compact camera in today’s smartphone-centric world demands a clear focus: what specific needs will your camera fulfill that a phone cannot? With this in mind, I’ve spent extensive hands-on time evaluating two intriguing Canon compacts from the early 2010s - the rugged Canon PowerShot D20 and the versatile Canon PowerShot SD4000 IS (also known as IXUS 300 HS / IXY 30S).
Both appeal to enthusiasts seeking portability but touch different niches: the D20 offers durable waterproof features aimed at adventure photographers, while the SD4000 IS punches above its class with a wider aperture lens and more refined exposure control. My comprehensive tests and experience with many similar models provide a lens to dissect strengths, compromises, and value propositions these cameras bring to various photographic pursuits.
Let’s dive deep, across genres and technical layers, to unveil which compact suits your needs best.

Handling and Ergonomics: Rugged Bulk vs. Sleek Compactness
From first grip to prolonged shooting sessions, a camera’s physicality shapes joy and ease of use. The Canon D20 projects solid ruggedness. Weighing 228g and measuring 112x71x28mm, it feels substantial in hand - designed to endure shocks, dust, water submersion (up to 10m), and freezing temps. Its matte rubberized surfaces and pronounced contours inspire confidence on slippery hikes or underwater shoots. The fixed 3-inch PureColor II TFT LCD sits firmly (454K dots), aiding outdoor visibility.
In contrast, the SD4000 IS is markedly smaller and lighter at 175g and 100x54x23mm, favoring pocketability over protective armor. Its smooth, minimalist aluminum shell appeals to those who prize discretion. The 3-inch LCD is fixed but offers lower resolution (230K dots) and lacks the advanced display tech of the D20. Neither camera features an optical or electronic viewfinder - nudging you to rely on live mode composition fully.
I found the D20’s buttons a tad stiffer, reflecting its waterproof sealing, while the SD4000 IS’s controls are more responsive and straightforward. Neither camera sports touchscreen capability, so button familiarity is key. Top control layouts reflect these design goals:

Sensor and Image Quality: Same Size, Different Sensors
Both cameras share the same sensor physical size - the 1/2.3” standard for compacts (6.17x4.55 mm; approx 28 mm² sensor area). However, internal sensor technologies and image processing pipelines differ significantly:
- Canon D20: 12MP CMOS sensor paired with Digic 4 processor. Traditional CMOS sensor with an anti-aliasing filter.
- Canon SD4000 IS: 10MP BSI CMOS sensor (Back-Side Illuminated) also with Digic 4 processing.
The BSI sensor in the SD4000 IS delivers better light gathering efficiency than the D20’s front-illuminated CMOS, translating into superior noise control and dynamic range, especially in low light.
Resolution-wise, the D20 outputs a max image of 4000x3000 pixels; the SD4000 IS slightly lower at 3648x2736 pixels. Both include an anti-aliasing filter, which can moderately soften fine detail but reduces moiré artifacts.
Dynamic range and noise are crucial for landscape and night photography. While neither camera has official DxOMark scores, my empirical tests revealed the SD4000 IS maintains cleaner shadow detail in dim environments, partially due to BSI sensor benefits and somewhat larger aperture at wide end (f/2.0 vs f/3.9 on D20).
For color depth and tonality, both performed adequately with custom white balance adjustments, but the D20’s color rendition leaned toward cooler tones - potentially influenced by its waterproof housing glass.
Sensor differences are visualized here:

Autofocus and Performance: Speed vs. Versatility
When evaluating autofocus (AF), I pay attention to speed, accuracy, and tracking capabilities - critical for wildlife, sports, and street photography.
- Canon D20: Nine contrast-detection AF points, including face detection. Lacks tracking AF, but features continuous AF in live view. Focuses down to 1cm for macro. Manual focus is available.
- Canon SD4000 IS: Single contrast- detection AF point without face detection or tracking. No continuous AF or manual focus options. Minimum focusing distance is 3cm.
In practice, the D20’s multiple AF points and face detection outperform the SD4000 IS in autofocus speed and subject acquisition reliability, particularly for moving subjects or portraits. While neither camera is fast by modern standards, the robust contrast detection of the D20 ensures fewer hunting episodes.
For burst shooting, the SD4000 IS supports 4fps continuous shooting, making it somewhat better positioned for moderate action sequences. The D20 does not specify burst capability, aligning more with snapshot and adventure-focused use.
From my real-world tests, the D20 trails in shutter speed range (15s to 1/1600s) that is narrower than the SD4000 IS's (15s to 1/2500s), limiting the latter for bright-light or action-stopping shots.
Videos also differ significantly:
- D20 shoots full HD 1080p at 24fps.
- SD4000 IS records 720p HD at 30fps using older Motion JPEG codec.
Neither camera offers microphone input or advanced stabilization beyond optical IS, but D20’s PureColor LCD and rugged design offer a comfortable video shooting experience outdoors.
Build Quality, Weather Sealing, and Durability
This is the most striking difference. The Canon D20 is explicitly built for the outdoors:
- Waterproof to 10m
- Dustproof
- Shockproof (drops up to 1.5m)
- Freezeproof down to -10°C
- No crushproof claims
In contrast, the SD4000 IS is a typical compact, with no environmental sealing, vulnerable to moisture, dust, or rough handling.
So if your photography includes beaches, pools, hikes in variable weather, or occasional cold snaps, the D20 is purpose-built to survive. The SD4000 IS demands more cautious care indoors or in favorable conditions.
Ergonomics and User Interface: Navigating Controls
Neither camera offers touchscreen input. The D20 employs a small cluster of buttons with simple menus, emphasizing ruggedness over customization. It lacks exposure modes like shutter or aperture priority - restricting manual control. You can select modes like intelligent auto or scene selection and set custom white balance.
The SD4000 IS supports aperture and shutter priority modes alongside auto modes, providing photographers with more creative flexibility. An absence of manual exposure mode pushes it towards enthusiast snapshot use rather than advanced manual shooting.
Neither model displays an electronic or optical viewfinder, compelling reliance on rear LCDs.
Examining their LCDs side by side:

Lens and Optical Performance Insights
Both cameras have fixed lenses, sacrificing interchangeable freedom for small size and ruggedness.
- D20 Lens: 28-140mm equivalent zoom (5x optical), aperture f/3.9–4.8.
- SD4000 IS Lens: 28-105mm equivalent zoom (3.8x optical), aperture f/2.0–5.3.
The D20’s longer zoom range suits distant subjects - landscape details, wildlife, or action at a distance. The wider maximum aperture at the wide end on SD4000 IS (f/2.0 vs f/3.9) translates to better low-light and shallower depth-of-field capabilities, improving portraits with creamy bokeh.
I personally appreciated the SD4000 IS lens for street and portraiture, where faster glass aids clean separation of subjects. The D20’s lens, while slower, performs well in bright environments and maintains sufficient sharpness throughout the zoom range.
Macro focusing reveals another difference: D20 focuses from 1 cm, enabling close-up captures (e.g., water droplets, textures). The SD4000 IS’s macro starts around 3 cm, still respectable but less intimate.
Sample Image Quality in Various Real-World Categories
Image samples speak louder than specs. I shot diverse scenes with both cameras on a sunny day, shadowed forest, and an aquatic environment.
- Portraits: SD4000 IS nails smoother skin tones and more natural bokeh, thanks to faster lens and BSI sensor. The D20, while capable, produced slightly cooler tones and less subject-background separation.
- Landscapes: Both cameras show decent dynamic range, but SD4000 IS edges ahead with richer shadow details and less noise in shaded areas.
- Wildlife: The D20’s longer zoom is an advantage here. Autofocus is slow but sufficient for stationary subjects; SD4000 IS lacks reach and struggles focusing through branches.
- Sports: Neither is ideal for fast action; however, SD4000 IS’s burst mode and faster shutter give it the slight edge.
- Street: SD4000 IS is slimmer and stealthier for candid shots, while D20’s robustness shines in rain or splash-prone locales.
- Macro: D20 covers tighter close-ups with less distortion.
- Night/Astro: Both shoot at max ISO 3200, but SD4000 IS produces cleaner noise patterns owing to sensor tech.
- Video: HD 1080p from D20 provides more polished footage with better color reproduction than SD4000 IS’s 720p Motion JPEG clips.
- Travel: D20’s ruggedness reduces gear worry; SD4000 IS’s finesse and pocketability appeal to urban explorers.
- Professional Work: Neither camera targets pro workflow with raw capture or tethering, but SD4000 IS’s shutter/aperture priority modes give photographers slightly more control.
Genre and Use-Case Performance Breakdown
To contextualize their real-world utility, I scored each camera across photographic disciplines:
- D20 shines in rugged outdoor, underwater, macro, and travel adventure contexts.
- SD4000 IS excels in portrait, street, low-light, and landscape scenarios requiring nuanced exposure control.
Technical Performance Ratings: A Summary
Aggregating metrics from imaging, speed, handling, and features:
- Canon D20 scores solidly for durability and versatility in tough environments.
- Canon SD4000 IS rates higher in image quality, low-light performance, and creative controls.
Connectivity, Storage, and Power
Both cameras utilize Eye-Fi wireless SD cards - an early solution for Wi-Fi photo transfer. No Bluetooth or NFC present; HDMI output provided for media playback.
Storage wise:
- D20 supports SD/SDHC/SDXC cards.
- SD4000 IS offers broader compatibility, including MMC variants.
Battery models are identical (NB-6L lithium-ion), with similar estimated lifespans around 250 shots per charge. Neither camera supports USB charging; a dedicated charger is needed.
Price and Value Consideration
Both hovered around $300 new at launch. Today, their availability is limited and they appeal mostly to niche buyers or collectors.
The D20’s waterproof and rugged features justify a premium for adventure enthusiasts who want a durable camera without smartphone compromises.
The SD4000 IS offers a better balance of image quality and creative control for everyday shooters on a budget.
Final Thoughts: Which Camera Fits Your Vision?
From my extensive testing and personal experience across thousands of cameras, I conclude:
-
Choose Canon PowerShot D20 if:
- You need a tough camera to survive water, dust, and shocks.
- Outdoor travel, snorkeling, winter trips, or adventurous photography are priorities.
- Macro close-ups underwater or challenging environments await.
- Full HD video recording matters.
-
Choose Canon PowerShot SD4000 IS if:
- You desire better image quality with richer colors and improved low light.
- Creative exposure control (aperture and shutter priority) is essential.
- You prefer a lighter, sleeker camera for street, portraits, or casual landscape.
- Video shooting at 720p suffices.
Both cameras showcase how Canon skillfully targeted different needs within compact cameras during their time. My advice: match features realistically to your main shooting scenarios rather than chasing specs alone.
If you value ruggedness and the ability to shoot in extreme conditions, the Canon D20 will be your trusty field companion. For sharper portraits or detailed urban photography, the SD4000 IS holds subtle but important advantages in lens speed and exposure flexibility.
I hope this detailed comparison empowers you to select the right camera for your photographic journey.
Happy shooting!
Canon D20 vs Canon SD4000 IS Specifications
| Canon PowerShot D20 | Canon PowerShot SD4000 IS | |
|---|---|---|
| General Information | ||
| Manufacturer | Canon | Canon |
| Model | Canon PowerShot D20 | Canon PowerShot SD4000 IS |
| Also called | - | IXUS 300 HS / IXY 30S |
| Category | Waterproof | Small Sensor Compact |
| Introduced | 2013-06-18 | 2010-08-02 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Processor Chip | Digic 4 | Digic 4 |
| Sensor type | CMOS | BSI-CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor area | 28.1mm² | 28.1mm² |
| Sensor resolution | 12 megapixel | 10 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
| Highest resolution | 4000 x 3000 | 3648 x 2736 |
| Highest native ISO | 3200 | 3200 |
| Lowest native ISO | 100 | 100 |
| RAW pictures | ||
| Autofocusing | ||
| Manual focus | ||
| Touch to focus | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Live view autofocus | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Number of focus points | 9 | - |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 28-140mm (5.0x) | 28-105mm (3.8x) |
| Max aperture | f/3.9-4.8 | f/2.0-5.3 |
| Macro focus distance | 1cm | 3cm |
| Crop factor | 5.8 | 5.8 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display diagonal | 3 inch | 3 inch |
| Display resolution | 461k dot | 230k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Display tech | PureColor II TFT LCD | - |
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Slowest shutter speed | 15 secs | 15 secs |
| Maximum shutter speed | 1/1600 secs | 1/2500 secs |
| Continuous shooting speed | - | 4.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Change white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | 3.50 m | 6.00 m |
| Flash modes | Auto, Fill-in, Red-Eye reduction, Slow Sync, Off | Auto, On, Off, Red-eye, Fill-in, Slow Syncro |
| External flash | ||
| AEB | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (24 fps), 1280 x 720 (30 fps) 640 x 480 (30, 120 fps), 320 x 240 (240 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps), 320 x 240 (240 fps) |
| Highest video resolution | 1920x1080 | 1280x720 |
| Video format | H.264 | Motion JPEG |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | Eye-Fi Connected | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | BuiltIn | None |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 228 gr (0.50 lb) | 175 gr (0.39 lb) |
| Physical dimensions | 112 x 71 x 28mm (4.4" x 2.8" x 1.1") | 100 x 54 x 23mm (3.9" x 2.1" x 0.9") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery model | NB-6L | NB-6L |
| Self timer | Yes (2, 10, Custom) | Yes (2 sec or 10 sec, Custom) |
| Time lapse feature | ||
| Storage media | SD/SDHC/SDXC | SD/SDHC/SDXC/MMC/MMCplus/MMCplus HC |
| Storage slots | 1 | 1 |
| Retail pricing | $299 | $300 |