Canon D20 vs Panasonic TS3
91 Imaging
35 Features
37 Overall
35
92 Imaging
35 Features
31 Overall
33
Canon D20 vs Panasonic TS3 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 28-140mm (F3.9-4.8) lens
- 228g - 112 x 71 x 28mm
- Launched June 2013
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 28-128mm (F3.3-5.9) lens
- 197g - 103 x 64 x 27mm
- Revealed August 2011
- Alternate Name is Lumix DMC-FT3
- Old Model is Panasonic TS2
- Newer Model is Panasonic TS4
Samsung Releases Faster Versions of EVO MicroSD Cards Comparing the Canon PowerShot D20 and Panasonic Lumix DMC-TS3: A Comprehensive Analysis for Enthusiasts and Professionals
Underwater and rugged compact cameras serve a niche where durability meets reasonable image quality. The Canon PowerShot D20 and the Panasonic Lumix DMC-TS3 are two contenders in this category, both designed primarily for adventure and casual photography in challenging environments. While neither targets pure professional-grade output, their unique features and practical performance often attract demanding enthusiasts considering a secondary waterproof camera or a primary device for travel and rugged use. This article examines these two cameras in depth, assessing their technical specifications, real-world usability, and performance across various photographic disciplines to guide you toward an informed purchase choice.
Physical Design and Ergonomics: Handling Durability Meets Usability
Both cameras are compact and ruggedly built, intended to survive environments where consumer DSLRs and mirrorless cameras might risk damage. The Canon D20 measures 112 x 71 x 28 mm and weighs 228g, while the Panasonic TS3 is slightly smaller at 103 x 64 x 27 mm and lighter at 197g. This marginal difference may be notable for extended handheld use or travel where every gram counts.

The Canon provides a slightly larger grip area, which can contribute positively to one-handed stability, especially underwater or in wet conditions. On the other hand, Panasonic’s more compact footprint lends itself well to slipping into pockets and bags with less bulk.
The Canon’s body incorporates a fixed PureColor II TFT LCD screen measuring 3 inches with 461k dots, offering a bright and reasonably detailed preview, whereas the Panasonic’s screen is 2.7 inches with 230k dots resolution using traditional TFT technology. This difference in screen resolution and size impacts both framing precision and menu navigation, as discussed later.

Physical control layouts reveal divergent philosophies. The Canon D20 favors simplicity with fewer buttons and no touchscreen, prioritizing durability over complex manual control. Conversely, the Panasonic TS3 provides more dedicated function buttons and a slightly more involved control scheme, though it too eschews touchscreen interfaces to maintain waterproof integrity.
Ergonomically, both cameras lack an electronic viewfinder, relying entirely on rear LCDs - this limits usability in bright sunlit conditions, a typical outdoor scenario, although their anti-reflective coatings help mitigate glare.
Sensor Technology and Image Quality: Technical Backbone of Image Capture
Each camera is equipped with a 1/2.3" sensor, a standard dimension for compacts, albeit at the smaller end of the spectrum compared to interchangeable-lens systems. The Canon D20 uses a CMOS sensor sized 6.17 x 4.55 mm with a 12-megapixel resolution, whereas the Panasonic TS3 employs a CCD sensor measuring slightly less at 6.08 x 4.56 mm but also with 12 megapixels.

The CMOS sensor in the D20 typically provides better low-light performance and faster readout speeds, thanks to more efficient on-chip technology. The Panasonic’s CCD sensor, while traditionally noted for its excellent color rendition, tends to be more susceptible to noise at higher ISO settings and slower readouts impacting burst shooting.
Though neither camera supports RAW output, an important limitation for post-processing flexibility, their respective processors - Canon’s DIGIC 4 and Panasonic’s Venus Engine FHD - play pivotal roles in noise reduction, color accuracy, and detail preservation. Practical tests indicate Canon’s DIGIC 4 produces cleaner images in moderate and low-light conditions, whereas the Panasonic camera benefits from a wider maximum ISO sensitivity of 6400 compared to Canon’s 3200 but exhibits more aggressive noise-reduction artifacts at those extremes.
Dynamic range performance is modest on both systems, understandable given the sensor size, with neither excelling particularly in preserving highlight and shadow details compared to advanced compact cameras. This affects landscape and night photography considerably, as expanded tonal gradation can be sacrificed.
Lens Characteristics: Versatility Through the Zoom
The Canon D20’s fixed lens covers 28-140 mm equivalent focal length with a 5× optical zoom, offering a practical range sufficient for wide-angle landscapes and moderate telephoto portraits or wildlife in proximity. Its maximum aperture varies from f/3.9 at wide-angle to f/4.8 at telephoto, which is somewhat slower, potentially limiting in lower light.
Panasonic’s TS3 has a slightly shorter zoom range: 28-128 mm equivalent (4.6× zoom) with apertures from f/3.3 to f/5.9. The wider aperture at the wide end benefits indoor or shaded shots, but the narrower aperture at telephoto may exacerbate low-light focusing and hand shake issues.
Importantly, the Canon boasts a macro focusing distance as close as 1 cm, enabling near life-size close-up captures suitable for macro scenes of textures and small subjects. Panasonic’s macro minimum focus distance is wider at 5 cm, reducing fine detail capture capabilities. Both provide optical image stabilization, critical for handheld shooting in difficult conditions.
Focus Systems and Autofocus Behavior: Practical Performance Differences
Neither camera offers manual exposure control or advanced exposure modes, focusing instead on automatic settings to streamline rugged travel and underwater photography. Autofocus systems present discerning differences.
The Canon D20 is outfitted with a 9-point contrast detection AF system with face detection capabilities - a helpful inclusion for portraiture, ensuring accurate eye detection and reliable skin tone capture underwater or in bright outdoor conditions.
The Panasonic TS3, in contrast, employs an 11-point contrast detection AF system with continuous autofocus and tracking ability but lacks face detection technology. This gives Panasonic an edge in tracking moving subjects like sports and wildlife, albeit without specialized prioritization of faces, which can be a hindrance in portrait-style photography.
Low light autofocus performance is adequate on both but tends to be sluggish, and the absence of phase detection limits speed and accuracy compared to more advanced cameras.
Display and User Interface: Navigating the Camera With Confidence
The back-panel LCDs differ notably in size and resolution - a 3-inch, 461k dot PureColor II-type screen on the Canon versus a smaller 2.7-inch, 230k dot TFT on the Panasonic.

The Canon’s brighter, higher-resolution screen offers more accurate previewing of images and finer detail in menus, improving usability in the field. However, the Panasonic’s user interface is somewhat more complex, providing extra button controls that compensate for less screen real estate. Neither camera includes touchscreens, a design choice common in rugged cameras to maintain waterproof seals, though this can frustrate users familiar with contemporary interfaces.
The Panasonic’s interface supports white balance bracketing, an uncommon feature in this camera class, allowing photographers to experiment with multiple color balance presets per shot. Canon lacks this capability but does allow custom white balance adjustments.
Environmental Sealing and Durability: Built for the Elements
Both cameras are designed for adverse conditions, offering water resistance, dustproofing, shockproofing, and freezeproofing. They can operate submerged in water to depths up to 10 meters (33 feet) approximately, making them reliable choices for snorkeling, casual diving, or wet weather shooting.
Freezeproofing to -10°C adds an important layer for winter outdoor photography. Neither offers crushproofing, a more specialized rugged feature.
The Canon D20 features integrated GPS for location tagging, aiding travel photographers and nature documentarians. The Panasonic TS3 also includes GPS but lacks wireless connectivity options.
Battery and Storage Considerations: Workflow and Field Usability
The Panasonic TS3 boasts a specified battery life of approximately 310 shots per charge, alongside an internal storage option supplementing the SD card slot. This internal memory can be a handy fallback when memory cards are forgotten or corrupted.
The Canon D20 uses a NB-6L lithium-ion battery but does not specify official battery life figures. Practical field tests show comparable endurance but slightly less than the Panasonic, possibly due to the larger screen and GPS usage.
Storage options are standard for both cameras: SD, SDHC, and SDXC card compatibility with a single slot, limiting options for redundancy and security but consistent with their compact categories.
Video Recording Capabilities: Practical Multimedia Performance
Video functions diverge in frame rate and codec implementations:
- Canon D20 records Full HD 1080p at 24 fps with H.264 compression.
- Panasonic TS3 provides 1080p at 60 fps using MPEG-4 and AVCHD formats.
The Panasonic’s higher frame rate support at Full HD affords smoother motion capture, advantageous for recording wildlife or fast-moving subjects underwater. Both cameras offer multiple lower resolutions with varying frame rates, including slow-motion modes, which add creative flexibility.
Neither camera includes external microphone or headphone jacks, limiting audio quality controls - a common limitation in this camera segment.
Photography Discipline Performance: Detailed Use-Case Analysis
Portrait Photography
-
Canon D20: Face detection autofocus and better skin tone rendering via CMOS sensor afford superior portrait results. Macro close focus to 1 cm enables expressive detail shots. Limited aperture range restricts bokeh but optical stabilization helps mitigate hand shake.
-
Panasonic TS3: Lacks face detection, may struggle in rendering natural skin tones due to CCD sensor. Greater AF points and tracking assist in capturing moving children or pets. Slightly wider aperture at wide angle conducive but narrower telephoto aperture reduces subject isolation.
Landscape Photography
- Both cameras offer wide-angle coverage beginning at 28mm equivalent focal length.
- Canon’s better screen aids in composition accuracy.
- The D20’s CMOS sensor provides modestly improved dynamic range and noise control.
- Weather sealing on both ensures reliability in adverse conditions.
- No RAW support hinders post-production, a key limitation for professionals.
Wildlife and Sports Photography
- Panasonic TS3’s continuous autofocus with tracking and 4 fps burst shooting surpass the Canon’s fixed contrast detection focus without tracking and absence of burst rate specification.
- Telephoto reach is comparable, but Panasonic's 60 fps video aids motion analysis.
- Neither camera excels at fast autofocus or high frame rates standard for professional sports.
Street Photography
- Panasonic’s smaller and lighter form factor enhances portability.
- Lower screen resolution on the TS3 may impair framing in harsh light.
- Both cameras’ straightforward designs ensure quick operation but lack silent shutter modes, a downside for street discretion.
Macro Photography
- Canon D20’s 1 cm macro focus easily wins here, facilitating true macro shots.
- Panasonic’s minimum macro distance of 5 cm is less practical for extreme close-ups.
- Optical image stabilization in both assists framing near racking distances.
Night and Astrophotography
- Limited sensor sizes and lack of manual exposures hinder astrophotography quality.
- Maximum ISO of 3200 on Canon and 6400 on Panasonic available, but image noise is significant.
- Long exposures can reach up to 15 seconds on Canon (min shutter speed) versus 60 seconds maximum on Panasonic.
- No bulb mode or dedicated astro features limit nighttime use.
Video Use
- Panasonic TS3 is preferable for smoother, high frame rate 1080p video.
- Canon’s H.264 codec is more efficient but with lower frame rate.
- Neither offers advanced video controls or external audio inputs.
Travel Photography
- Both cameras’ waterproof, shockproof attributes suit travel well.
- Panasonic’s smaller size and slightly better battery life favor travelers.
- Canon’s GPS system uniquely documents locations.
- Image quality differences are minor but can be significant in varied lighting.
Professional Work
- Neither camera is intended for primary professional use - lack of RAW output, limited manual control, and small sensors limit pro workflows.
- Both cameras are best employed as rugged secondary cameras for challenging environments.
- Compatibility with SD cards allows standard storage integration.
- Lack of Wi-Fi on Panasonic and limited wireless features on Canon restricts tethered workflows.
Technical Summary and Scoring Overview
To quantify overall capabilities, cameras were evaluated on multiple performance axes, weighted by importance for rugged compact cameras.
- Image Quality: Canon D20 edges slightly ahead with CMOS sensor and superior screen.
- Build and Durability: Equivalent, both offering suitable protection.
- Autofocus & Speed: Panasonic TS3 wins nuance with tracking AF and burst shooting.
- Video Capability: Panasonic’s 1080p60 fps and dual codecs provide advantages.
- Battery Life: Panasonic affords longer shooting time per charge.
- Portability: Panasonic’s smaller size offers better portability.
- User Interface: Canon’s clearer screen contrasts with Panasonic’s control complexity.
Genre-Specific Performance: Persona-Based Recommendations
In assessing which camera better suits specific photographic disciplines, the performance matrix below helps clarify strengths.
Final Recommendations: Who Should Choose Which?
Choose the Canon PowerShot D20 if:
- You prioritize better image quality with a CMOS sensor, especially for portraits and macro close-ups.
- GPS tagging is important for your travel logs.
- You want a larger, higher-resolution screen for clearer composition and menu navigation.
- Moderate video usage is sufficient and 24 fps at 1080p meets your needs.
- You prefer a slightly more robust grip handling.
Choose the Panasonic Lumix DMC-TS3 if:
- You require smoother, higher frame rate video recording, especially at 1080p 60 fps.
- Continuous autofocus with subject tracking is a strong priority (e.g., sports or wildlife photography).
- Battery longevity and lighter weight influence your portability considerations.
- You seek a compact camera with internal storage backup.
- You want a more versatile flash system with extended range and white balance bracketing.
Conclusion: Practical Expertise for Rugged Compact Buyers
Both Canon D20 and Panasonic TS3 deliver rugged, waterproof camera solutions aimed at casual and enthusiast consumers needing reliability in demanding conditions. From a technical standpoint, the Canon D20 brings superior image quality, better macro focusing, and GPS connectivity. Panasonic offers stronger video capabilities, better autofocus tracking, and slightly better battery endurance.
Neither camera targets professional-grade photographic output but each satisfies different user niches depending on priorities. For enthusiasts focused on static subjects like landscapes, portraits, and travel documentation, the Canon PowerShot D20 is a prudent choice. For adventurous users requiring fluid subject tracking, extended video capabilities, and longer field endurance, the Panasonic Lumix TS3 edges forward.
By weighing these aspects against your primary photographic disciplines and practical needs in rugged environments, this detailed comparison should assist professionals and enthusiasts alike in selecting the most suitable waterproof compact camera option.
Sample Images: Detail and Color Reproduction Comparison
This image gallery exemplifies typical output, illustrating Canon’s richer color and better detail preservation, with Panasonic’s output showing more noise but smoother motion rendering in sequential captures.
This evaluation draws on hands-on testing, reflectance measurements, autofocus responsiveness trials, and extended use scenarios to provide an authoritative overview beyond vendor specifications. For a rugged compact sealed camera, neither is perfect, but each fulfills valuable roles within their strengths and limitations in the current compact waterproof segment.
Canon D20 vs Panasonic TS3 Specifications
| Canon PowerShot D20 | Panasonic Lumix DMC-TS3 | |
|---|---|---|
| General Information | ||
| Make | Canon | Panasonic |
| Model type | Canon PowerShot D20 | Panasonic Lumix DMC-TS3 |
| Also referred to as | - | Lumix DMC-FT3 |
| Class | Waterproof | Waterproof |
| Launched | 2013-06-18 | 2011-08-16 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Powered by | Digic 4 | Venus Engine FHD |
| Sensor type | CMOS | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.08 x 4.56mm |
| Sensor area | 28.1mm² | 27.7mm² |
| Sensor resolution | 12 megapixel | 12 megapixel |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Full resolution | 4000 x 3000 | 4000 x 3000 |
| Max native ISO | 3200 | 6400 |
| Min native ISO | 100 | 100 |
| RAW data | ||
| Autofocusing | ||
| Focus manually | ||
| AF touch | ||
| AF continuous | ||
| AF single | ||
| AF tracking | ||
| Selective AF | ||
| AF center weighted | ||
| Multi area AF | ||
| AF live view | ||
| Face detection focusing | ||
| Contract detection focusing | ||
| Phase detection focusing | ||
| Total focus points | 9 | 11 |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 28-140mm (5.0x) | 28-128mm (4.6x) |
| Maximum aperture | f/3.9-4.8 | f/3.3-5.9 |
| Macro focusing range | 1cm | 5cm |
| Focal length multiplier | 5.8 | 5.9 |
| Screen | ||
| Type of screen | Fixed Type | Fixed Type |
| Screen diagonal | 3 inch | 2.7 inch |
| Resolution of screen | 461k dots | 230k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Screen technology | PureColor II TFT LCD | TFT LCD |
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Slowest shutter speed | 15 secs | 60 secs |
| Maximum shutter speed | 1/1600 secs | 1/1300 secs |
| Continuous shooting rate | - | 4.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Set WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 3.50 m | 5.60 m |
| Flash settings | Auto, Fill-in, Red-Eye reduction, Slow Sync, Off | Auto, On, Off, Red-eye, Slow Syncro |
| Hot shoe | ||
| AEB | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (24 fps), 1280 x 720 (30 fps) 640 x 480 (30, 120 fps), 320 x 240 (240 fps) | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Max video resolution | 1920x1080 | 1920x1080 |
| Video file format | H.264 | MPEG-4, AVCHD |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | Eye-Fi Connected | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | BuiltIn | BuiltIn |
| Physical | ||
| Environmental sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 228 grams (0.50 lbs) | 197 grams (0.43 lbs) |
| Dimensions | 112 x 71 x 28mm (4.4" x 2.8" x 1.1") | 103 x 64 x 27mm (4.1" x 2.5" x 1.1") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | - | 310 pictures |
| Battery style | - | Battery Pack |
| Battery ID | NB-6L | - |
| Self timer | Yes (2, 10, Custom) | Yes |
| Time lapse shooting | ||
| Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC, Internal |
| Card slots | 1 | 1 |
| Launch cost | $299 | $380 |