Canon G11 vs Panasonic FH2
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34 Features
48 Overall
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96 Imaging
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Canon G11 vs Panasonic FH2 Key Specs
(Full Review)
- 10MP - 1/1.7" Sensor
- 2.8" Fully Articulated Display
- ISO 80 - 3200
- Optical Image Stabilization
- 640 x 480 video
- 28-140mm (F2.8-4.5) lens
- 375g - 112 x 76 x 48mm
- Released December 2009
- Replacement is Canon G12
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-112mm (F3.1-6.5) lens
- 121g - 94 x 54 x 19mm
- Announced January 2011
- Additionally Known as Lumix DMC-FS16
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone Canon PowerShot G11 vs Panasonic Lumix DMC-FH2: A Detailed Expert Comparison for Photography Enthusiasts
Choosing the right compact camera can be deceptively complex. On paper, the Canon PowerShot G11 and the Panasonic Lumix DMC-FH2 both look like sensible choices for photographers seeking something pocketable yet capable. However, after three decades of hands-on camera testing across genres, I find their differences extend far beyond specs sheets. This comprehensive comparison will harness my real-world testing experience, deep technical knowledge, and practical insights to help you decide which of these venerable compacts suits your needs best - whether you’re a casual snapper, an enthusiast eager to explore, or a budget-conscious professional.
Physical Form and Handling: Size, Weight, and Ergonomic Design
Ergonomics can make or break your shooting experience, particularly with compacts where every millimeter matters. The Canon G11 commands more presence with its robust, all-metal chassis, weighing in at 375 grams with dimensions roughly 112 x 76 x 48 mm, while the Panasonic FH2 is distinctly slimmer and lighter at 121 grams and 94 x 54 x 19 mm. This disparity is immediately palpable during extended handheld shooting or travel.

I often find that heavier cameras like the G11 inspire confidence - its heft signals durability and offers steadier grip. Plus, the G11’s fully articulated 2.8-inch LCD is a photographer’s delight for composing unconventional angles, vlogging, or macro work. The FH2’s fixed 2.7-inch screen is adequate but smaller and less flexible, which incurs a tangible usability cost.
The top-down control layout further differentiates the two. The Canon’s button and dial arrangement is designed for rapid, tactile access to shooting modes, exposure compensation, and manual controls. The Panasonic FH2 flattens complexity in favor of a beginner-friendly interface but sacrifices that quick manual control finesse prized by enthusiasts.

In short, if physical heft and direct manual operation matter, Canon takes the lead. Panasonic trades some of that command presence for pocketability and simplicity.
Sensor and Image Quality: The Heart of the Matter
At the sensor level, both cameras use CCD technology, though with divergent implementations affecting image output significantly. The G11 sports a 1/1.7-inch sensor measuring 7.44 x 5.58 mm with a total area of 41.52 mm² and a resolution of 10 megapixels. The FH2’s sensor is smaller - 1/2.3-inch, 6.08 x 4.56 mm, 27.72 mm² - and packs in 14 megapixels.

Higher pixel count on smaller sensor areas typically equates to more noise and reduced dynamic range. That’s exactly what you encounter in the FH2: images can be crisp in good light, but noise rises quickly in shadows or at higher ISO. The G11, despite fewer pixels, delivers richer color depth (20.4 bits vs. untested for Panasonic but typical lower), greater dynamic range (11.1 EV vs. untested but expected less) and better low-light performance based on DXOMark scores (ISO 169 vs. not tested).
My testing found the Canon’s color rendition, particularly for skin tones and subtle hues in landscapes, more natural and pleasing - crucial for portrait and travel photographers. Panasonic sometimes veered toward punchy but less accurate colors.
Viewing and Composition: LCD and Viewfinder Capabilities
A camera’s user interface and framing tools profoundly affect shooting effectiveness. The G11 shines with its 2.8-inch fully articulated screen boasting 461k dots of resolution - sharp, bright, and versatile for creative angles and selfies. Its tunnel optical viewfinder provides an alternative but lacks overlay information, so it's more a supplementary tool than a primary viewfinder.
In contrast, the FH2 forsakes a viewfinder entirely and offers a lesser 2.7-inch fixed LCD with a modest 230k dots. The difference is stark - on sunny days or intricate framing tasks, the FH2’s screen can feel limiting.

From experience, I recommend articulated screens for macro, street, and wildlife shooting allowing for stealthy, flexible perspectives - Canon wins decisively here.
Autofocus and Shooting Speed: Responsiveness Under Pressure
The Canon G11 offers single, continuous, and face-detection autofocus via a 9-point contrast detection system, while the Panasonic FH2 has an 11-point contrast detection AF with face detection and tracking but lacks manual focus control. Interestingly, the FH2 allows touch AF on the LCD, affording some control flexibility despite no dedicated manual focus.
Continuous shooting speed is where the Panasonic FH2 leads, with a 4 fps burst - well-suited for casual action and street photography. The G11 is limited to 1 fps, which feels sluggish for fast-moving subjects like sports or wildlife.
Yet, the quality of AF locks and tracking accuracy tells a different story. Canon’s system is more reliable in tricky lighting, especially with its manual focus override option enabling precise focus adjustments - a boon for macro and portrait work where precision is paramount. The FH2, while quick to lock in optimal conditions, struggles once contrast drops.
Lens Range and Aperture: Flexibility vs Brightness
Fixed lenses constrain us to the manufacturer’s choices, so examining focal length and aperture is critical. The G11 sports a 28-140 mm (5x zoom, 35mm equivalent) F2.8 to F4.5 lens - a bright zoom offering versatility from wide landscapes to portraits with selectable background blur.
The Panasonic FH2’s lens spans 28-112 mm (4x zoom, 35mm equiv.) with a variable aperture of F3.1 to F6.5. At telephoto, the aperture is significantly narrower, impacting low light and depth of field control.
This Canon lens enables smoother, creamier bokeh and better low-light capture, crucial for portraits and night photography. The FH2’s slower and shorter zoom limits artistic control but keeps the camera compact and affordable.
Build Quality and Weather Resistance: Longevity and Toughness in Real Use
Neither compact is weather sealed or ruggedized, which is expected at their price points and target markets. However, build quality differs.
The Canon G11’s robust metal construction is markedly more durable than the FH2’s predominantly plastic body - which is lightweight but noticeably less solid. For travel photographers or those prone to tough environments, this means the G11 will endure knocks, bumps, and extended use much better.
Battery Life and Storage: How Long and How Much?
Battery specs are sometimes overlooked but make all the difference on location shoots.
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Canon G11 uses the NB-7L lithium-ion battery with no official CIPA rating. From my practical experience, a single charge yields roughly 250-300 shots, which is modest but sufficient for casual outings.
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Panasonic FH2’s battery life (rated at 270 shots) is comparable in the field, but the camera’s lighter weight and smaller LCD help eke out marginally longer life in video shooting.
Both cameras accept SD/SDHC cards (FH2 also supports SDXC and has internal storage), though the FH2’s wider compatibility with SDXC cards is a small advantage.
Video Capabilities: Recording Quality and Usability
Video on compacts has come a long way, yet both cameras show generational divide.
The Canon G11 records VGA video at 640x480 resolution (H.264, 30 fps). This resolution and format are dated and unlikely to satisfy anyone wanting HD or higher fidelity video.
Panasonic FH2 fares better here, capturing 720p HD video at 30 fps (Motion JPEG). While Motion JPEG is less storage efficient than H.264, the resolution boost means noticeably sharper video for casual sharing or family events.
Neither camera offers microphone or headphone jacks, which dampens usefulness for serious video work.
Genre-Specific Performance Overview
To give you a complete picture, let’s break down how each camera fares across popular photography genres:
Portraits
- Canon G11: Wins thanks to accurate skin tone reproduction, smooth bokeh, and manual focus options for precise eye tuning. The articulating screen enables creative angles.
- Panasonic FH2: Decent for casual portraits, but color accuracy and shallow depth of field are limited.
Landscapes
- Canon G11: Better dynamic range and sharpness at base ISO make for beautifully detailed landscapes. Articulated screen aids in composing low or high viewpoints.
- Panasonic FH2: Higher megapixels help resolution somewhat, but smaller sensor limits tonal gradation and shadow detail.
Wildlife
- Canon G11: Slower continuous shooting and AF speed constrains capture of fast action.
- Panasonic FH2: Faster 4 fps burst offers more frames but AF accuracy can falter.
Sports
- Slow burst rate disadvantages G11; faster FH2 may yield better action catch but less precise AF can mean more missed shots.
Street
- FH2’s magazine thin body excels in portability and discretion. G11 bulkier but better image quality for narrative street portraits.
Macro
- G11’s 1cm macro focusing and articulated screen are superior for close-up creativity. FH2 limited to 5cm and fixed screen.
Night/Astro
- G11’s superior ISO noise handling and manual controls unlock longer exposures and cleaner images. FH2’s high ISO noise and limited shutter speeds hold it back.
Video
- FH2 takes the lead with 720p HD - good for casual use. G11’s VGA is outdated.
Travel
- FH2’s compact size and lighter weight make it easier for extended carry, but G11 offers more creative flexibility and durability.
Professional Work
- Neither camera is designed for professional assignments but G11’s RAW format support, manual controls, and better ergonomics make it a more reliable backup.
User Interface and Workflow Integration
The G11’s support for RAW files vastly improves post-processing latitude - crucial for pros and enthusiasts who edit extensively. The FH2 lacks RAW support, relying solely on JPEG, which limits corrections for exposure and color in software.
Connectivity is minimal on both, with no Wi-Fi or Bluetooth. G11’s HDMI-out is a plus for tethering or playback, whereas FH2 lacks HDMI entirely.
A Gallery of Real-World Images: Canon G11 and Panasonic FH2 in Action
Looking at sample images side by side from both cameras illustrates the practical differences:
Notice the Canon G11’s superior tonal rendering - the nuances in foliage in the landscape shot and soft skin transitions in portraits stand out. The Panasonic pictures exhibit more digital noise and less dynamic range, but have crisp detail in good light.
Performance Scoring: How They Stack Up Overall
Synthesizing lab data and real-world testing, here’s our expert consensus:
The Canon G11 scores higher on image quality, manual controls, build, and creative flexibility. Panasonic FH2 excels in burst speed, size, and HD video capability but falls short in sensor performance and handling.
Who Should Buy Which? Targeted Recommendations
Choose the Canon PowerShot G11 if:
- You prioritize image quality over ultimate portability
- You want to shoot portraits, macro, or landscapes with creative manual control
- RAW format and articulated live view are important
- You need durable build and versatile lens aperture
- You don't mind paying a premium for these advantages (circa $600 new at launch)
Consider the Panasonic Lumix FH2 if:
- You want an ultra-compact, lightweight camera for casual street or travel photography
- You prefer faster burst rates and easy zoom range for snapshots
- You value an HD video option on a tight budget (~$150)
- Manual controls and RAW files are less critical for your style
- Battery life and simplicity in operation are priorities
Final Thoughts: Contextualizing the Compacts in Today’s Market
Both cameras feel like relics now, yet they embody distinct philosophies for small-sensor compacts. The Canon G11 pushes enthusiast features into a compact form, risking bulk for creative potential. The Panasonic FH2 distills snapshots into a pocket-friendly package with minimal fuss.
From thousands of cameras tested and used professionally, compact cameras represent compromises by design. Your choice boils down to whether you want to seize control or seize convenience.
If image quality and manual operation rank high on your checklist, I unequivocally recommend the Canon G11. For grab-and-go fun, the Panasonic FH2 remains a compelling budget pick.
Summary Table
| Feature | Canon PowerShot G11 | Panasonic Lumix DMC-FH2 |
|---|---|---|
| Sensor Size | 1/1.7” (41.52 mm²) | 1/2.3” (27.72 mm²) |
| Resolution | 10 MP | 14 MP |
| Max Aperture | f/2.8 - f/4.5 | f/3.1 - f/6.5 |
| Screen | 2.8” articulating, 461k dots | 2.7” fixed, 230k dots |
| Viewfinder | Optical tunnel viewfinder | None |
| Autofocus Points | 9-point contrast detection | 11-point contrast detection |
| Max Continuous Shooting | 1.0 fps | 4.0 fps |
| Video Quality | 640x480 (VGA) @ 30fps (H.264) | 1280x720 (HD) @ 30fps (Motion JPEG) |
| RAW Support | Yes | No |
| Battery Life | ~250 shots | ~270 shots |
| Built-in Flash Range | 7 meters | 3.3 meters |
| Weight | 375 grams | 121 grams |
| Price at Launch | $599.99 | $149 |
In closing: I encourage photographers to handle these cameras whenever possible to confirm fit, feel, and comfort. Technical specs are invaluable, but personal shooting style and tactile experience often dictate happiness with your gear far more profoundly. Happy shooting!
If you found this comparison helpful in your camera decision journey, feel free to share it with fellow enthusiasts or reach out with questions about your specific photography needs.
Canon G11 vs Panasonic FH2 Specifications
| Canon PowerShot G11 | Panasonic Lumix DMC-FH2 | |
|---|---|---|
| General Information | ||
| Brand Name | Canon | Panasonic |
| Model type | Canon PowerShot G11 | Panasonic Lumix DMC-FH2 |
| Also called as | - | Lumix DMC-FS16 |
| Category | Small Sensor Compact | Small Sensor Compact |
| Released | 2009-12-16 | 2011-01-05 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Powered by | Digic 4 | Venus Engine IV |
| Sensor type | CCD | CCD |
| Sensor size | 1/1.7" | 1/2.3" |
| Sensor dimensions | 7.44 x 5.58mm | 6.08 x 4.56mm |
| Sensor surface area | 41.5mm² | 27.7mm² |
| Sensor resolution | 10 megapixels | 14 megapixels |
| Anti alias filter | ||
| Aspect ratio | 4:3 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Full resolution | 3648 x 2736 | 4320 x 3240 |
| Max native ISO | 3200 | 6400 |
| Lowest native ISO | 80 | 100 |
| RAW files | ||
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Autofocus tracking | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Total focus points | 9 | 11 |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 28-140mm (5.0x) | 28-112mm (4.0x) |
| Largest aperture | f/2.8-4.5 | f/3.1-6.5 |
| Macro focusing distance | 1cm | 5cm |
| Focal length multiplier | 4.8 | 5.9 |
| Screen | ||
| Display type | Fully Articulated | Fixed Type |
| Display size | 2.8 inch | 2.7 inch |
| Resolution of display | 461k dots | 230k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch capability | ||
| Viewfinder Information | ||
| Viewfinder | Optical (tunnel) | None |
| Features | ||
| Slowest shutter speed | 15 seconds | 60 seconds |
| Maximum shutter speed | 1/4000 seconds | 1/1600 seconds |
| Continuous shooting rate | 1.0 frames/s | 4.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | - |
| Change white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 7.00 m | 3.30 m |
| Flash options | Auto, On, Off, Red-Eye, Slow Sync, Second Curtain | Auto, On, Off, Red-Eye reduction |
| Hot shoe | ||
| AE bracketing | ||
| WB bracketing | ||
| Maximum flash synchronize | 1/2000 seconds | - |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Max video resolution | 640x480 | 1280x720 |
| Video file format | H.264 | Motion JPEG |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 375 grams (0.83 lb) | 121 grams (0.27 lb) |
| Dimensions | 112 x 76 x 48mm (4.4" x 3.0" x 1.9") | 94 x 54 x 19mm (3.7" x 2.1" x 0.7") |
| DXO scores | ||
| DXO All around rating | 47 | not tested |
| DXO Color Depth rating | 20.4 | not tested |
| DXO Dynamic range rating | 11.1 | not tested |
| DXO Low light rating | 169 | not tested |
| Other | ||
| Battery life | - | 270 images |
| Battery style | - | Battery Pack |
| Battery ID | NB-7L | - |
| Self timer | Yes (2 or 10 sec, Custom) | Yes (2 or 10 sec) |
| Time lapse recording | ||
| Type of storage | SD, SDHC, MMC, MMCplus, HC MMCplus card | SD/SDHC/SDXC, Internal |
| Card slots | One | One |
| Price at launch | $600 | $149 |