Canon G12 vs Nikon L20
83 Imaging
34 Features
50 Overall
40


94 Imaging
32 Features
17 Overall
26
Canon G12 vs Nikon L20 Key Specs
(Full Review)
(Full Review)
- 10MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 64 - 1600
- 640 x 480 video
- 38-136mm (F3.1-6.7) lens
- 135g - 97 x 61 x 29mm
- Released February 2009

Canon PowerShot G12 vs Nikon Coolpix L20: A Hands-On Showdown for Enthusiasts and Budget Buyers
Choosing a compact camera can feel deceptively simple, but as any seasoned photographer will attest, the devil’s in the details. I’ve spent ample time comparing the Canon PowerShot G12 and the Nikon Coolpix L20 - two small sensor compacts from roughly the same era, but aimed at quite different users and price tiers. While both appeal to those looking for pocketable versatility, their technical makeup and real-world performance couldn’t be more distinct.
Drawing from extensive lab tests and field shoots across various genres - from portraits to landscapes, wildlife to street photography - I’ll walk you through how these cameras stack up in the trenches. Along the way, expect insights grounded in hands-on experience, practical advice for your shooting style, and a fair assessment of what each camera can realistically do for your imagery.
Let’s get started where it all begins: their physical presence and usability.
First Impressions: Size, Weight, and Handling
Size and ergonomics often make or break your shooting experience. After all, a camera that feels awkward or bulky will quickly end up in your bag, unused.
The Canon G12 is a commendably solid, compact enthusiast camera, built to feel substantial yet manageable in the hand. Its dimensions (112x76x48 mm) and weight (401 g) make it noticeably larger and heavier compared to the diminutive Nikon L20, which tips the scales at a mere 135 g with reference dimensions of 97x61x29 mm. The L20 is almost pocket-friendly - light enough for casual urban roamers and travelers who never want a bulky companion.
Ergonomically, the G12 features a textured grip and dedicated physical controls that feel reassuringly purposeful. The layout invites you to tweak exposure settings, focus, and white balance without diving deep into menus. In contrast, the L20 trades off comfort and manual control for minimalism. Its fixed lens and simplified buttons suggest a “point and shoot” ethos, making it best suited for beginners or users who desire straightforward, no-fuss operation.
If you value handling finesse and tactile feedback during extended sessions, Canon’s G12 stands firm as the preferred option. However, for those craving ultra-compact portability and no-complication shooting, Nikon’s L20 deserves applause for its minimalist approach.
Design and Control: Where The G12 Shines with Intentionality
Beyond just size, the user interface and control philosophy tell you a lot about a camera’s ambitions.
The Canon G12’s top deck effectively balances a traditional DSLR feel with pocket-size convenience. Notice the dedicated mode dial offering manual, aperture, shutter priority, and program modes - toys for enthusiasts who want creative control. The mechanical shutter button, zoom lever, and quick-access dials put the power literally at your fingertips.
The Nikon L20, on the other hand, offers a pared-back top panel. Most adjustments are handled digitally through a menu system accessed via buttons on the rear. While the simplicity is appreciated by casual shooters, photographers who want to quickly change shooting parameters or customize their setup might find the L20’s interface limiting and slower to navigate.
Personally, as someone who often shoots in diverse scenarios requiring quick adaptation, I found the G12’s control layout a frugal companion. The L20 won’t frustrate beginners, but it can feel cumbersome once you step beyond auto modes.
Sensor and Image Quality: Why Sensor Size and Design Matter
The heart of any camera is its sensor - both in size and technology. This heavily influences resolution, noise, dynamic range, and ultimately, image fidelity.
The Canon G12 incorporates a 1/1.7-inch CCD sensor measuring 7.44 x 5.58 mm (41.52 mm² sensor area), delivering approximately 10 megapixels at a maximum native ISO of 3200. Canon’s DIGIC 4 image processor further handles image rendering and noise reduction. Meanwhile, Nikon’s L20 sports a smaller 1/2.3-inch CCD sensor (6.08 x 4.56 mm, 27.72 mm²) with similar nominal 10 megapixels but capped at a lower max ISO of 1600.
In practice, that sensor difference is palpable. The G12’s larger sensor provides better light-gathering ability - translating to improved dynamic range, superior color depth, and lower noise levels especially beyond ISO 400. Canon’s higher ISO ceiling adds flexibility for dim environments or creative shallow depth-of-field shooting. The Nikon L20’s smaller sensor, while competent for daylight and well-lit situations, quickly exhibits digital noise and reduced detail fidelity in shadow areas or higher ISOs.
Put simply: if you shoot portraits demanding faithful skin tones or vibrant landscapes rich in tonal gradations, G12’s sensor technology has a clear upper hand. The L20’s sensor is less forgiving, better suited to snapshots where sensitivity to detail and tonal nuance are secondary.
The Rear Display Battles: Articulated vs Fixed Screens
A camera’s LCD is your window to framing, focus checking, and menu navigation - so quality and flexibility matter.
The Canon G12 impresses with a fully articulated 2.8-inch screen boasting 461k-dot resolution. Articulation allows for shooting from challenging angles - low to the ground or selfies - an advantage for macro or street photographers who want compositional variety without contorting themselves.
The Nikon L20 opts for a fixed 3-inch screen with a lower 230k-dot resolution. While bigger, the fixed nature and lower resolution limit real-time shooting flexibility and detail checking. The L20’s touchscreen deficit also means slower menu navigation and no tap-focus capability - a small but impactful inconvenience, especially if you’re used to swift handheld shooting.
For video shooters or anyone who experiments with bracketing angles and multi-level compositions, the G12’s articulated display offers substantial ergonomic value. The L20’s fixed screen might suffice for casual users content with typical eye-level shooting.
Autofocus, Shooting Speed, and Lens Versatility: What You Actually Get
A compact’s autofocus system can significantly dictate what genres it's suitable for - from wildlife to street photography.
The Canon G12 features a hybrid autofocus system using contrast detection with nine focus points and face detection capability. Its manual focus option opens doors to precise control - ideal for macro or shallow depth-of-field portraits. However, note the continuous shooting speed is limited to around 1 frame per second, making it less ideal for fast action or sports sequences.
Nikon’s L20, by contrast, lacks manual focus entirely and restricts autofocus modes to single-shot contrast detection with no face detection or focus point selection. It does not offer burst shooting, so fast subjects become a challenge. Lens-wise, both cameras have fixed zooms: the G12 with a 28-140mm (~5x zoom) f/2.8-4.5 lens, compared to L20’s 38-136mm (~3.6x zoom) f/3.1-6.7.
The G12’s brighter aperture and wider focal length provide greater creative latitude - better background separation for portraits, more dramatic landscapes, and more reach for telephoto needs. The L20’s narrower zoom range and smaller aperture limit low light capability and bokeh potential.
So if wildlife or sports shooting appeal to you, neither is a dream candidate given autofocus speed and burst rate limitations. But for street photography and travel, the G12’s better AF flexibility and lens are noticeable advantages.
Building for Life Out There: Durability and Battery Life
Both cameras lack professional-grade weather sealing, but build quality and battery stamina influence reliability during extended outings.
The Canon G12 has a robust metal body with a textured grip, lending durability unusual in this segment. Its NB-7L rechargeable battery rates about 370 shots per charge - reasonable but not exceptional considering its spec density.
Nikon’s L20, made largely of plastic, feels less durable but compensates with glaringly longer battery life through two AA batteries (easily replaced in the field). This makes the L20 an attractive option for travelers who avoid bulky chargers or worry about power access.
Neither model is rainproof or shockproof - so carrying a protective case or housing is wise for outdoor, active shooting.
Video and Connectivity: Modest Offerings for Casual Use
In an era where hybrid stills/video cameras are common, it’s worth examining multimedia capabilities.
The G12 supports HD video recording (1280x720) at 24 fps with H.264 compression. While limited compared to modern standards, this is solid for casual video clips. It lacks external mic inputs, which restricts audio control.
Nikon’s L20 maxes out at VGA 640x480 at 30 fps, far more basic and suited only as a last-resort video recorder. Neither camera offers wireless connectivity except Canon’s limited Eye-Fi support on the G12, which is clunky and mostly obsolete by today’s standards.
Real-World Images: A Tale of Two Cameras
The best way to judge image quality and character is a direct viewing of samples from each camera.
The Canon G12 delivers images with richer tonality, more accurate skin rendition, and cleaner low-light shots. Its lens produces sharper corners and better control over background blur. For macro photography, G12’s 1cm close-focus distance lets you get impressively detailed shots, a feature absent from L20’s longer 5cm macro range.
Nikon L20’s images are generally softer, with less dynamic range and muted colors. It can be a reliable point-and-shoot for snapshots but isn’t a tool you’d rely on for critical portraits or fine art prints.
Comprehensive Performance Ratings: What Does the Radar Show?
To summarize objective testing results I’ve conducted in lab and field conditions, take a look at the scores compiled:
The G12 scores notably higher across color depth, dynamic range, and low-light ISO performance. Nikon’s L20 falls short in every category except battery efficiency and simplicity of use.
Specialty Photography Breakdown: Where Each Camera Excels or Falters
Different photography disciplines put unique demands on your gear. Here’s how these two fare across popular genres:
- Portraits: Canon G12 excels - clean skin tones, excellent bokeh, and face detection autofocus. Nikon L20 is serviceable only for casual portraits.
- Landscapes: G12’s higher resolution and dynamic range give it the edge. L20 is limited by sensor size and static processing.
- Wildlife: Neither is ideal; slow AF and minimal zoom ratio restrict reach and action capture.
- Sports: G12’s 1 fps shooting rate and AF would struggle; L20 lacks burst completely.
- Street: L20’s small form factor offers discreetness; G12’s superior image quality impacts final output.
- Macro: G12’s 1 cm macro range and manual focus outclass L20’s fixed focus and 5 cm limit.
- Night/Astro: G12’s noise control and IS help; L20’s weaker sensor technology causes visible grain.
- Video: G12’s 720p HD is okay for casual use; L20’s VGA video is outdated.
- Travel: L20’s lightness, AA battery option appeal; G12 delivers far more creative flexibility.
- Professional Use: G12 supports RAW and manual controls; L20 does not.
Lens Ecosystem, Storage, and Connectivity
Fixed lens means no upgrade options, but optical quality matters greatly.
Canon’s f/2.8-4.5 lens paired with a 5x zoom range offers quality glass, useful focal length coverage, and optical image stabilization that truly helps handheld shooting. In comparison, Nikon’s smaller-aperture 3.6x zoom lens with f/3.1-6.7 limits shooting in dim conditions and longer focal lengths suffer from softness.
Both cameras rely on SD cards, which is standard, and have a single card slot. The Canon’s HDMI out is a plus for direct display on TVs; Nikon lacks this feature.
The Bottom Line: Who Should Buy Which?
After thorough testing and comparison, here’s my verdict for different buyers and photographers:
- Enthusiasts seeking image quality, manual controls, and creative flexibility: Canon PowerShot G12 is the clear winner. It balances manageable size with powerful features, great image quality, and useful articulation.
- Budget shoppers or casual photographers prioritizing portability and simplicity: Nikon Coolpix L20 is appealing for snapshooters and travelers wanting no-hassle operation and excellent battery life.
- Portrait, macro, and landscape photographers will find Canon’s sensor and lens quality indispensable.
- Travelers valuing lightweight gear and easy power replacement might prefer the L20 for convenience, but they pay in image quality.
- Video shooters should lean toward the G12 for its HD capabilities.
- Wildlife and sports photographers should consider cameras with faster AF and higher burst rates beyond these two.
Final Thoughts: A Balanced Choice Based on Priorities
Choosing between the Canon G12 and Nikon L20 ultimately hinges on your photography style, technical appetite, and budget. The G12 represents a bridge between pocket compacts and DSLR-style control, with enough technical sophistication to satisfy most enthusiasts. The L20 is an uncomplicated pocket tool that errs on simplicity at the cost of capability.
As a reviewer, I recommend hands-on trials whenever possible, paying attention to handling, menu navigation, and sample output for your preferred subjects. Gear should enable your vision, not limit it.
If you want examples of the image quality or control layouts discussed here, please see my image galleries and comparative test footage linked above. And to those buying cameras in this vintage segment: sometimes the best camera is one you’ll genuinely enjoy carrying and using.
Thanks for reading this detailed comparison - happy shooting!
Please note all photos were taken by myself under the same lighting conditions, processed minimally to reflect real-world capability.
Canon G12 vs Nikon L20 Specifications
Canon PowerShot G12 | Nikon Coolpix L20 | |
---|---|---|
General Information | ||
Company | Canon | Nikon |
Model | Canon PowerShot G12 | Nikon Coolpix L20 |
Class | Small Sensor Compact | Small Sensor Compact |
Introduced | 2011-01-19 | 2009-02-03 |
Body design | Compact | Compact |
Sensor Information | ||
Powered by | Digic 4 | - |
Sensor type | CCD | CCD |
Sensor size | 1/1.7" | 1/2.3" |
Sensor dimensions | 7.44 x 5.58mm | 6.08 x 4.56mm |
Sensor surface area | 41.5mm² | 27.7mm² |
Sensor resolution | 10 megapixels | 10 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 5:4, 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
Max resolution | 3648 x 2736 | 3648 x 2736 |
Max native ISO | 3200 | 1600 |
Min native ISO | 80 | 64 |
RAW support | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Number of focus points | 9 | - |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 28-140mm (5.0x) | 38-136mm (3.6x) |
Max aperture | f/2.8-4.5 | f/3.1-6.7 |
Macro focus distance | 1cm | 5cm |
Crop factor | 4.8 | 5.9 |
Screen | ||
Range of display | Fully Articulated | Fixed Type |
Display diagonal | 2.8" | 3" |
Display resolution | 461k dot | 230k dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Viewfinder Information | ||
Viewfinder | Optical (tunnel) | None |
Features | ||
Minimum shutter speed | 15 seconds | 8 seconds |
Fastest shutter speed | 1/4000 seconds | 1/2000 seconds |
Continuous shutter speed | 1.0fps | - |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | - |
Custom white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 7.00 m | - |
Flash settings | Auto, On, Off, Red-Eye, Slow Sync, Second Curtain | Auto, Fill-in, Red-Eye reduction, Slow, Off |
External flash | ||
AEB | ||
WB bracketing | ||
Fastest flash sync | 1/2000 seconds | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1280 x 720 (24 fps) 640 x 480 (30 fps), 320 x 240 (30 fps) | 640 x 480 (30 fps), 320 x 240 (30 fps) |
Max video resolution | 1280x720 | 640x480 |
Video data format | H.264 | Motion JPEG |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Eye-Fi Connected | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 401g (0.88 pounds) | 135g (0.30 pounds) |
Physical dimensions | 112 x 76 x 48mm (4.4" x 3.0" x 1.9") | 97 x 61 x 29mm (3.8" x 2.4" x 1.1") |
DXO scores | ||
DXO Overall score | 47 | not tested |
DXO Color Depth score | 20.4 | not tested |
DXO Dynamic range score | 11.2 | not tested |
DXO Low light score | 161 | not tested |
Other | ||
Battery life | 370 photos | - |
Battery form | Battery Pack | - |
Battery model | NB-7L | 2 x AA |
Self timer | Yes (2 or 10 sec, Custom) | Yes |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC/MMC/MMCplus/HC MMCplus | SD/SDHC card, Internal |
Storage slots | One | One |
Retail pricing | $600 | $120 |