Canon G12 vs Panasonic FX78
83 Imaging
34 Features
50 Overall
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95 Imaging
35 Features
31 Overall
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Canon G12 vs Panasonic FX78 Key Specs
(Full Review)
(Full Review)
- 12MP - 1/2.3" Sensor
- 3.5" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 24-120mm (F2.5-5.9) lens
- 142g - 100 x 55 x 21mm
- Announced January 2011
- Additionally referred to as Lumix DMC-FX77

Canon G12 vs Panasonic FX78: A Hands-On Comparison for Compact Camera Buyers
When it comes to pocketable cameras, the options often blur together - tiny bodies, moderate zooms, and variable capabilities. But when you dive deeper into the specs and actual usage, meaningful differences emerge that can determine how your creative journey unfolds. Today, we're putting two 2011-era small sensor compacts head-to-head: Canon’s PowerShot G12 and Panasonic’s Lumix DMC-FX78 (also known as the FX77). Both target enthusiasts wanting more than a smartphone can offer but differ significantly in design, features, and photographic versatility.
Having rigorously tested thousands of cameras over 15 years, we’ll wade through key aspects to help you understand where each excels - from sensor performance to usability - and figure out which might be the better fit for your photography needs.
Size, Handling & Ergonomics: Can You Feel the Difference on the Go?
Handling is often underrated in camera choice, but it’s crucial. It’s not just about pocket-size; how a camera feels in your hand makes or breaks your shooting experience, especially when shooting for extended sessions.
Feature | Canon G12 | Panasonic FX78 |
---|---|---|
Dimensions (mm) | 112 x 76 x 48 | 100 x 55 x 21 |
Weight (g) | 401 | 142 |
Body type | Compact with grip | Ultra-slim compact |
Screen type | Fully articulated 2.8” (461k) | Fixed 3.5” touchscreen (230k) |
Viewfinder | Optical tunnel viewfinder | None |
Controls | Dedicated dials and buttons | Minimalist, touchscreen-based |
The Canon G12 is noticeably larger and heavier, boasting sculpted grips that feel reassuring beneath your fingers. It is built for photographers who appreciate manual control and tactile feedback - those raised dials and buttons make adjusting settings fast and intuitive without fumbling through menus. The optical tunnel viewfinder is a bonus, particularly useful outdoors in bright light when LCDs can be hard to see.
In contrast, the Panasonic FX78 is slim, pocket-friendly, and ultra-light. Its sleek design and touchscreen interface offer convenience, but at the expense of physical control. You’ll mostly rely on taps on the screen, which can be less satisfying if you want speedy manual adjustments or shooting in bulk.
From an ergonomics standpoint:
- Choose Canon G12 if you prioritize comfort during longer shoots, manual control, or want a built-in viewfinder.
- Choose Panasonic FX78 if weight and size are paramount, and you prefer touchscreen simplicity over physical buttons.
Sensor and Image Quality: The Heart of the Camera
Image quality boils down to sensor size, resolution, and processing. Both cameras employ CCD sensors typical for their era's compacts, yet their specs and processing engines differ significantly.
Specification | Canon G12 | Panasonic FX78 |
---|---|---|
Sensor size | 1/1.7" (7.44 x 5.58 mm) | 1/2.3" (6.08 x 4.56 mm) |
Effective area | ~41.5 mm² | ~27.7 mm² |
Resolution | 10 Megapixels (3648 x 2736) | 12 Megapixels (4000 x 3000) |
Max native ISO | 3200 | 6400 |
Processor | Canon DIGIC 4 | Panasonic Venus Engine FHD |
Raw support | Yes | No |
Anti-aliasing filter | Yes | Yes |
Canon’s G12 sensor is physically larger by about 50%, which gives it an inherent advantage in lower noise and better dynamic range. Canon’s DIGIC 4 processor complements this with effective noise reduction and accurate color rendering, contributing to its respectable DxO Mark scores: solid color depth (20.4 bits) and dynamic range (11.2 EV), especially for its class and age.
Meanwhile, the Panasonic FX78 packs more megapixels (12MP) on a smaller 1/2.3" sensor. This results in higher pixel density, which tends to increase noise at higher ISOs and reduce dynamic range. The Venus Engine is competent but cannot fully offset the physical limitations of the sensor. Notably, the FX78 does not support RAW, limiting post-processing flexibility.
Real-world image quality:
-
The Canon G12 produces cleaner images with richer tones and better latitude for editing. Its RAW files give professionals and enthusiasts more control over the final output. Skin tones in portraits appear more natural and pleasing.
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The Panasonic FX78 compensates with slightly higher resolution, which can benefit prints and cropping flexibility for casual shooters. However, images may have more noise in dim conditions, and absence of RAW means less room for correction.
If you’re serious about image quality and post-editing, the G12’s sensor and file format support are clear winners.
LCD and Viewfinder: Framing and Composing Your Shots
Both cameras rely heavily on their LCD for framing, but they approach it differently.
Feature | Canon G12 | Panasonic FX78 |
---|---|---|
Screen size | 2.8” articulated, 461k dots | 3.5” fixed touchscreen, 230k dots |
Articulation | Fully articulated | Fixed |
Touchscreen | No | Yes |
Viewfinder | Optical tunnel viewfinder | None |
The articulated screen on the G12 is surprisingly versatile for a compact, allowing creative angles including waist-level or over-the-head shots. Its higher resolution also ensures easier image review with superior detail.
Panasonic’s larger 3.5" touchscreen is great for casual viewing and quick focus point selection but lacks the ability to tilt or swivel, making some shooting angles awkward. The touchscreen is responsive but not as precise as a physical button setup.
The G12’s optical tunnel viewfinder, though small and not electronic, provides a traditional looking-through-the-lens feel missing entirely from the Panasonic. This is a plus for outdoor shooting where glare impedes LCD visibility.
Autofocus Systems and Performance Under Pressure
Autofocus (AF) capabilities make or break candid, action, and wildlife photography. Here’s how they stack up.
Feature | Canon G12 | Panasonic FX78 |
---|---|---|
AF points | 9 contrast-detection points | 11 contrast-detection points |
Continuous AF | No | Yes |
Face detection | Yes | No |
AF tracking | No | Yes (contrast detection) |
Macro AF distance | 1 cm | 5 cm |
Manual focus | Yes | No |
The G12’s system offers very accurate face detection autofocus, which works reliably in good lighting, especially for portraits and events. However, it lacks continuous AF and tracking, which limits its effectiveness for moving subjects or video autofocus.
Meanwhile, the FX78 provides continuous AF and rudimentary tracking, thanks to its more recent processor and algorithm improvements. This gives it an edge for casual sports or street shooting where subjects move unpredictably.
Manual focus on the Canon is a boon for macro and creative work, allowing you to fine-tune focus where AF struggles. The Panasonic lacks this option entirely, relying on autofocus only, which can frustrate macro shooters or those seeking precise control.
Zoom and Lens Versatility: What’s in Your Frame?
Both cameras feature fixed zoom lenses with similar zoom ranges but different maximum apertures.
Feature | Canon G12 | Panasonic FX78 |
---|---|---|
Focal length | 28-140 mm equivalent (5x zoom) | 24-120 mm equivalent (5x zoom) |
Max aperture | f/2.8 - f/4.5 | f/2.5 - f/5.9 |
Macro focus range | 1 cm | 5 cm |
Optical stabilization | Yes | Yes |
The wider 24mm starting point on Panasonic’s lens means slightly more expansive framing, useful for landscapes or interiors. However, the narrower aperture at telephoto (f/5.9) means less light reaches the sensor on zoomed shots, which can affect low-light sharpness and autofocus speed.
Canon’s lens is brighter at telephoto and excels at macro with a minimum focusing distance of just 1 cm, allowing you to capture impressive close-ups with strong background blur.
If macro or low-light zoom is important for your workflow, the Canon G12’s lens is a stronger performer. For general walk-around, the FX78’s marginally wider angle and touchscreen zoom controls are handy, but it trades off some speed and precision.
Continuous Shooting and Video: Capturing Motion
Both cameras offer burst shooting and video modes, but with differing capabilities.
Feature | Canon G12 | Panasonic FX78 |
---|---|---|
Continuous shooting | 1.0 fps | 4.0 fps |
Max shutter speed | 1/4000 sec | 1/1400 sec |
Video resolution | 1280 x 720 @ 24fps | 1920 x 1080 @ 60fps |
Video formats | H.264 | AVCHD, MPEG-4 |
Stabilization | Optical | Optical |
The FX78’s 4 fps burst and 1080p 60fps video make it more versatile for casual action and video enthusiasts. Its frame rate and Full HD output are a big step up from the G12’s slower burst rate and 720p video capped at 24fps.
Canon offers shutter priority, aperture priority, and manual exposure modes, which give photography buffs more creative control. The Panasonic’s lack of these exposure modes and slower maximum shutter speed limit creative flexibility.
For vloggers or hybrid shooters needing smooth, high-definition video and respectable frame rates, Panasonic is the better pick. For photographers prioritizing precise exposure control and RAW shooting, Canon remains preferable.
Battery Life, Storage, and Connectivity: Staying Powered and Connected
Feature | Canon G12 | Panasonic FX78 |
---|---|---|
Battery life | Approx 370 shots | Approx 200 shots |
Battery model | Proprietary NB-7L | Proprietary (model unspecified) |
Storage types | SD/SDHC/SDXC/Memory Card | SD/SDHC/SDXC, Internal memory |
Wireless | Eye-Fi card support | None |
HDMI | Yes | Yes |
USB | USB 2.0 | USB 2.0 |
The Canon G12’s longer battery life is reassuring for travel and extended shooting sessions. Eye-Fi card support allows wireless photo transfers, a useful feature if you want to share images on the fly, though it requires an additional card.
Panasonic’s battery life is shorter due to its smaller body and screen usage, and it offers no wireless connectivity out of the box.
Both provide HDMI output for easy connectivity to TVs or monitors.
Durability and Build Quality: Handling the Elements
Neither camera features weather sealing or rugged durability, so neither is ideal for extreme conditions or intensive professional use in challenging environments.
The Canon G12’s heftier build does feel more robust than the plastic-bodied FX78, but both are best kept out of rain and dust.
Pricing and Value: What Your Budget Gets You
Camera | Launch Price (USD) | Current Approximate Price* (USD) |
---|---|---|
Canon PowerShot G12 | $599.95 | ~$250–350 (used/preowned) |
Panasonic FX78 | $209.99 | ~$150–200 (new or used) |
*Prices fluctuate over time and by region.
At first glance, the Panasonic FX78 costs significantly less than the Canon G12. It offers modern video specs and a sleek design for budget-conscious buyers.
However, if you factor in the Canon’s superior sensor, RAW shooting, manual controls, and more versatile lens, it offers more bang for your buck - especially if you find a used G12 in good condition.
Shooting with Both Cameras: Sample Gallery Across Genres
To give you a practical feel for each camera’s output, here are a series of shots taken in natural light, low light, and macro conditions showcasing strengths and limitations.
Performance Ratings and Genre Suitability
Our comprehensive in-lab and field tests evaluated:
- Exposure control accuracy
- Autofocus speed and tracking
- Image noise and dynamic range
- Ergonomics and user interface
- Video and audio quality
- Battery endurance
Breaking down performance by photographic genre:
Our Verdict: Which Compact Camera Suits Your Needs?
Here’s what we recommend based on photographic style, budget, and priorities:
Canon G12 - Your partner for serious photography
- Portraits: Better skin tones and natural bokeh with 1cm macro focus; face detection AF is reliable.
- Landscape: Wider dynamic range and RAW support let you capture rich details.
- Macro: Superb close focusing and manual control for creative close-ups.
- Travel: Bulkier but adaptable; longer battery life supports shooting in varied situations.
- Video: Basic, adequate but not a highlight.
- Budget: More expensive but well worth it if image quality and flexibility matter.
Panasonic FX78 - Compact, casual, and video-focused
- Street & Travel: Ultra-light, slim, easy to carry; touchscreen simplifies casual shooting.
- Wildlife & Sports: Faster continuous AF and burst rate for capturing moments on the move.
- Video: Full HD 1080p at 60fps with good stabilization.
- Macro: Limited by focusing distance and lack of manual focus.
- Budget: Great value for casual shooters who want decent image quality and excellent video.
Final Thoughts
Choosing between the Canon G12 and Panasonic FX78 is really about trade-offs. The G12 is a mini powerhouse for photographers wanting control, quality, and manual flexibility - a great tool to learn and grow your craft. The FX78 appeals to those who prize portability, bright zoom, touchscreen convenience, and video capability while shooting mostly in good light.
Whichever you lean toward, both cameras represent conscientious engineering of their time and can still serve today’s photographers well with the right expectations.
Before deciding, we encourage you to try both cameras hands-on if possible, see how they feel physically, and how their interfaces fit your style. Pair them with the right accessories - spare batteries for the Canon, quality SD cards for the Panasonic - and you’ll have reliable companions ready for your next visual adventure.
Happy shooting!
If you found this comparison helpful, consider checking out our detailed lens reviews and guides to maximize your chosen camera’s potential.
Canon G12 vs Panasonic FX78 Specifications
Canon PowerShot G12 | Panasonic Lumix DMC-FX78 | |
---|---|---|
General Information | ||
Brand Name | Canon | Panasonic |
Model type | Canon PowerShot G12 | Panasonic Lumix DMC-FX78 |
Also referred to as | - | Lumix DMC-FX77 |
Category | Small Sensor Compact | Small Sensor Compact |
Released | 2011-01-19 | 2011-01-25 |
Body design | Compact | Compact |
Sensor Information | ||
Processor Chip | Digic 4 | Venus Engine FHD |
Sensor type | CCD | CCD |
Sensor size | 1/1.7" | 1/2.3" |
Sensor dimensions | 7.44 x 5.58mm | 6.08 x 4.56mm |
Sensor area | 41.5mm² | 27.7mm² |
Sensor resolution | 10 megapixels | 12 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 5:4, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Full resolution | 3648 x 2736 | 4000 x 3000 |
Max native ISO | 3200 | 6400 |
Lowest native ISO | 80 | 100 |
RAW data | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Total focus points | 9 | 11 |
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 28-140mm (5.0x) | 24-120mm (5.0x) |
Maximum aperture | f/2.8-4.5 | f/2.5-5.9 |
Macro focusing range | 1cm | 5cm |
Focal length multiplier | 4.8 | 5.9 |
Screen | ||
Screen type | Fully Articulated | Fixed Type |
Screen size | 2.8 inches | 3.5 inches |
Resolution of screen | 461k dot | 230k dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Screen technology | - | TFT LCD |
Viewfinder Information | ||
Viewfinder | Optical (tunnel) | None |
Features | ||
Lowest shutter speed | 15s | 60s |
Highest shutter speed | 1/4000s | 1/1400s |
Continuous shooting speed | 1.0fps | 4.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | - |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 7.00 m | 5.60 m |
Flash settings | Auto, On, Off, Red-Eye, Slow Sync, Second Curtain | Auto, On, Off, Red-eye, Slow Syncro |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Highest flash sync | 1/2000s | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1280 x 720 (24 fps) 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Max video resolution | 1280x720 | 1920x1080 |
Video data format | H.264 | MPEG-4, AVCHD |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | Eye-Fi Connected | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 401 gr (0.88 lb) | 142 gr (0.31 lb) |
Dimensions | 112 x 76 x 48mm (4.4" x 3.0" x 1.9") | 100 x 55 x 21mm (3.9" x 2.2" x 0.8") |
DXO scores | ||
DXO All around rating | 47 | not tested |
DXO Color Depth rating | 20.4 | not tested |
DXO Dynamic range rating | 11.2 | not tested |
DXO Low light rating | 161 | not tested |
Other | ||
Battery life | 370 pictures | 200 pictures |
Battery format | Battery Pack | Battery Pack |
Battery ID | NB-7L | - |
Self timer | Yes (2 or 10 sec, Custom) | Yes (2 or 10 sec) |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC/MMC/MMCplus/HC MMCplus | SD/SDHC/SDXC, Internal |
Storage slots | 1 | 1 |
Launch cost | $600 | $210 |