Canon G5 X MII vs Sony RX100 V
86 Imaging
54 Features
76 Overall
62
89 Imaging
52 Features
80 Overall
63
Canon G5 X MII vs Sony RX100 V Key Specs
(Full Review)
- 20MP - 1" Sensor
- 3" Tilting Screen
- ISO 125 - 12800 (Push to 25600)
- Optical Image Stabilization
- 3840 x 2160 video
- 24-120mm (F1.8-2.8) lens
- 340g - 111 x 61 x 46mm
- Launched July 2019
- Succeeded the Canon G5 X
(Full Review)
- 20MP - 1" Sensor
- 3" Tilting Screen
- ISO 125 - 12800 (Boost to 25600)
- Optical Image Stabilization
- 3840 x 2160 video
- 24-70mm (F1.8-2.8) lens
- 299g - 102 x 58 x 41mm
- Released October 2016
- Superseded the Sony RX100 IV
- Replacement is Sony RX100 VI
Sora from OpenAI releases its first ever music video Canon PowerShot G5 X Mark II vs Sony RX100 V: The Ultimate Large Sensor Compact Showdown
When selecting a compact camera that punches well above its weight in image quality and versatility, enthusiasts frequently gravitate toward models featuring 1-inch sensors - a sweet spot balancing sensor performance with pocketable size. Among these, the Canon PowerShot G5 X Mark II and Sony Cyber-shot DSC-RX100 V represent two compelling options from respected brands, each appealing to photographers craving both mobility and advanced features.
In this detailed comparison, I bring over 15 years of experience testing and evaluating cameras, drawing on rigorous side-by-side hands-on assessments of these two compacts. Whether you’re a travel shooter, street photographer, or video content creator, this guide will walk you through the nuanced differences across technical, practical, and image quality aspects to help you make an informed choice.

A Tale of Two Compact Forms: Ergonomics and Handling
At first glance, both the Canon G5 X Mark II and Sony RX100 V cater to photographers who demand a large sensor in a compact body, but their design philosophies diverge subtly, influencing handling comfort and user experience - the cornerstone of photography enjoyment especially during extended use.
The Canon G5 X Mark II, with dimensions of 111 x 61 x 46 mm and a weight of 340 grams, feels marginally larger and more substantial than the RX100 V, which weighs 299 grams and measures 102 x 58 x 41 mm. These differences, while small on paper, translate into a more confident grip on the Canon, largely because the G5 X Mark II offers a more pronounced thumb rest and a deeper front grip. This is vital when shooting handheld in dynamic conditions such as street or wildlife photography, where steadiness and control make or break the shot.
Sony’s RX100 V maintains a sleek, simplified aesthetic, favoring portability that edges closer to pocket camera convenience. This minimalistic design may appeal to those prioritizing discretion and rapid carry, such as travel photographers and street shooters aiming to blend in.
Both cameras feature a tilting 3-inch screen; however, the Canon’s touchscreen functionality (absent in the RX100 V) adds a layer of intuitive control for touch AF point selection and menu navigation - making it more accessible for users transitioning from smartphones or touchscreen-centric cameras.

Physical control layout reinforces the usability narrative. The Canon G5 X Mark II introduces dedicated dials and customizable buttons facilitating quick exposure adjustments - a boon in fast-paced environments like sports and wildlife, where immediate access to settings is paramount. The Sony RX100 V employs a somewhat tighter control cluster with an intuitive rear dial and fewer external buttons, which, while minimal, could limit rapid parameter changes if you’re accustomed to DSLR-like control schemes.

The Heart of the Matter: Sensor and Imaging Performance
Both cameras employ the staple 1-inch (13.2 x 8.8 mm) stacked BSI-CMOS sensors at a resolution of 20 megapixels, ensuring a baseline parity in detail capture and low light potential. This sensor size, though smaller than APS-C or full-frame, excels in balancing image quality with compactness.
Sony holds a slight edge in sensor technology evolution here. The RX100 V, built around the Bionz X processor and featuring a hybrid autofocus system (integrating 315 phase-detection AF points complementing contrast detection), delivers superior autofocus accuracy and speed, particularly useful in action and wildlife photography where quick, reliable focus acquisition on erratically moving subjects is essential.
Canon’s G5 X Mark II counters with the DIGIC 8 processor, enhancing burst rates (up to an impressive 30 fps), and incorporating face detection autofocus along with touch AF. However, it relies on contrast-detection autofocus only, which, though improved, tends to be slower and less precise in continuous tracking scenarios compared to Sony’s hybrid system.
While neither camera introduces revolutionary color science, Canon’s rendering traditionally favors warmer, pleasing skin tones - potentially more flattering for portraiture - whereas Sony’s images lean toward neutral and crisp colors that can benefit landscape photographers favoring accuracy in foliage and sky reproduction.

Live View and User Interface: Screen and Viewfinder Technology
Both models provide electronic viewfinders (EVF) and tilting rear LCDs, indispensable for composition flexibility in bright light or unconventional shooting angles.
The Canon G5 X MII’s EVF has a resolution of 2.36 million dots, matched closely by Sony's RX100 V at roughly 2.36 million dots as well. Notably, the RX100 V features a slightly higher magnification (0.59x), delivering a more immersive viewing experience critical for precise framing, especially in telephoto or macro shooting.
The rear LCD screens are 3 inches on both cameras, but the Sony panel boasts a higher resolution of approximately 1.2 million dots compared to Canon’s 1.04 million dots. Although subtle, the Sony screen offers marginally improved sharpness and clarity.
Most consequential is the Canon’s touchscreen capability, allowing swift AF point shifts and menu interactions - a decisive advantage when shooting in live view or video modes. The Sony RX100 V, lacking touchscreen interface, necessitates joystick or dial navigation, which may slow workflow but benefits those preferring tactile control.
Shutter and Burst Capabilities: Speed and Responsiveness
The Canon G5 X Mark II pushes burst shooting to an impressive 30 frames per second, albeit at a reduced resolution or with autofocus locked on the initial frame (depending on mode), delivering a useful tool for capturing fleeting moments in sports or wildlife.
In contrast, the Sony RX100 V maxes out at a still speedy 24 fps with full autofocus and auto exposure tracking, making it notably effective for action photography. Sony’s stacked sensor design also enables blackout-free continuous shooting, allowing you to maintain framing without viewfinder obstruction - a small but meaningful benefit in dynamic environments.
Each camera offers mechanical shutter speeds from 30 seconds to 1/2000s, with electronic shutters extending maximum speeds further: Canon up to 1/25600s and Sony reaching 1/32000s. The shorter maximum electronic shutter speed on Sony provides more flexibility to shoot wide apertures in bright light without ND filtering, favorable for portraits involving shallow depth of field.
Real-World Image Quality Across Genres
Testing across multiple genres demonstrates the strengths and limitations of each model in context:
Portrait Photography
Canon’s warmer color science renders skin tones with natural elegance, aided by the fast f/1.8 aperture at the wide end of its zoom range, which yields pleasing subject separation and bokeh quality. The touchscreen facilitates eye detection autofocus more intuitively, giving an edge for portrait workflows.
Sony’s RX100 V, though similarly sharp, produces cooler tones that may require post-processing warmth adjustment for flattering skin. The hybrid autofocus with 315 phase-detection points excels in locking focus on eyes even in challenging light, beneficial when shooting moving subjects.
Landscape Photography
Both cameras produce detailed and vibrant landscapes, but the RX100 V’s broader dynamic range (12.4 EV measured by DxOMark) and superior color depth (22.8 bits) offer an advantage in retaining shadow detail and highlight gradation, which are crucial in high-contrast scenes.
Neither camera offers weather sealing, limiting prolonged outdoor use under challenging elements. The G5 X MII’s longer zoom reach (24-120 mm equivalent) provides more framing flexibility on landscapes featuring distant subjects or framing adjustments without a tripod.
Wildlife and Sports Photography
Sony RX100 V’s phase-detection AF array coupled with blackout-free continuous shooting outperforms the Canon in tracking fast action. The RX100 V’s 24 fps burst with full AF tracking ensures more keeper shots in unpredictably moving scenes, a valuable asset for wildlife and sports photographers relying on compact equipment.
Canon’s faster 30 fps burst is enticing, but autofocus performance during bursts is limited compared to Sony, making it less suited for active tracking despite the raw shooting speed advantage.
Street Photography
For candid street work, Sony’s smaller footprint and quieter operation (due to electronic shutter and less zoom extension noise) make it more discreet. The absence of a touchscreen isn’t a critical drawback here, as quick dials enable smooth manual adjustments.
Canon’s touchscreen and longer zoom may slow responsiveness but allow rapid selection of focus points and framing options, useful for creative framing or selective focus effects in urban environments.
Macro Photography
Both cameras achieve a minimum macro focus distance of around 5 cm, offering solid close-up capabilities. The G5 X Mark II’s longer zoom range aids in framing and background compression, with optical image stabilization enhancing handheld macro stability. The Sony RX100 V’s excellent autofocus precision in macro scenarios is bolstered by its high-resolution EVF and magnification to aid composition.
Night and Astrophotography
Low-light performance sees Sony’s RX100 V’s sensor shine with an effective high ISO range and low noise figures up to ISO 3200–6400, supporting cleaner night shots. The Canon’s max native ISO 12800 is respectable but tends to show more noise earlier, partly a factor of its older autofocus system struggling in dim conditions.
Neither camera provides built-in intervalometers for astro timelapse photography by default, though Canon offers timelapse recording natively while Sony requires third-party app integration, a complexity for enthusiasts.
Video Capabilities: 4K Resolution with Different Flavors
Both compacts deliver 4K (3840 x 2160) video at 30 fps, but nuances differentiate their appeal for videographers:
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Canon G5 X Mark II records 4K at 120 Mbps in the MOV format using H.264 codec with stereo AAC audio, emphasizing quality and integration ease. However, no external microphone or headphone jacks limit audio input options, vital for serious video work.
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Sony RX100 V records 4K internally at 100 Mbps (XAVC S codec) with Linear PCM audio in MP4 containers. Audio monitoring is also unavailable externally, but the camera includes superior electronic shutter speed for rolling shutter reduction, favoring smoother video capture of fast movement.
Neither camera supports advanced video features like log recording or external mic inputs, restricting them more to hybrid shooters or enthusiast vloggers rather than professional filmmakers.
Construction, Durability, and Battery Life
Neither camera is weather-sealed, so caution is warranted in harsh conditions. The Canon’s slightly heftier build conveys a more robust feel, but both remain compact enough for everyday carry.
Battery life is competitive, with the Canon rated for approximately 230 shots per charge and the Sony close behind at 220 shots. Real-world testing aligns with these figures, though video recording drains power comparatively faster on both.
Storage-wise, Canon supports SD/SDHC/SDXC cards (UHS-I compatible), while Sony adds support for Memory Stick Pro Duo cards as well, offering a modicum of flexibility.
Performance and Value Assessment
Multiple benchmark analyses (including internal lab testing and DxOMark metrics for Sony) position the RX100 V slightly ahead in overall image quality and autofocus performance, particularly in low-light scenarios and burst shooting reliability. The G5 X Mark II shines with touchscreen ergonomics, longer zoom range, and faster burst speed with some caveats.
From a pricing standpoint, Canon’s MSRP (~$900) undercuts Sony’s RX100 V (~$998), making it a tempting proposition considering newer processor technology and user-friendly features.
Tailored Recommendations for Photographers and Creators
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Portrait and Event Photographers: Canon G5 X Mark II is preferable for its warmer tone rendition, intuitive touchscreen AF, and longer zoom reach - perfect when subtle tonal control and rapid touch AF are priorities.
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Landscape and Travel Photographers: Sony RX100 V’s superior dynamic range and compactness make it ideal for demanding outdoor conditions and portability on hikes or city trips.
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Wildlife and Sports Photographers: Sony’s hybrid autofocus, blackout-free continuous shooting, and tracking reliability mark a clear advantage in capturing fast-moving subjects.
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Street Photographers: Sony RX100 V’s smaller size and quieter operation promote discretion, while Canon benefits those who appreciate touchscreen AF and flexible zoom for creative framing.
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Macro Enthusiasts: Both body/lens combos perform admirably; your choice depends on preference for ergonomic grip (Canon) or live view magnification and AF precision (Sony).
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Video Content Creators: Both cameras enable solid 4K footage with caveats on audio input. Canon’s higher bitrate supports marginally better image quality; Sony excels then in shutter speed control and rolling shutter suppression.
Final Thoughts: Which Compact Camera Earns Your Investment?
Selecting between the Canon PowerShot G5 X Mark II and Sony Cyber-shot RX100 V ultimately hinges on the photographer’s priorities and shooting style.
Canon’s G5 X Mark II, introduced in 2019, integrates modern processing power, a versatile 24-120mm lens, and touchscreen control, appealing to enthusiasts who want a reliable, flexible hybrid camera with excellent image quality and user-friendly operation.
The Sony RX100 V, launched in 2016, despite its age, remains a formidable contender thanks to its advanced autofocus system, notably higher dynamic range, and compact form factor optimized for speed and discretion.
Learning from extensive comparative testing, I urge photographers valuing speed, autofocus precision, and image tone neutrality to lean toward the Sony RX100 V, while those prioritizing zoom reach, touch-driven ergonomics, and portrait warmth may find the Canon G5 X Mark II better aligned with their workflow.
Summary Table
| Feature Category | Canon G5 X Mark II | Sony RX100 V |
|---|---|---|
| Sensor | 1" BSI-CMOS, 20MP | 1" BSI-CMOS, 20MP |
| Processor | Canon DIGIC 8 | Sony Bionz X |
| Lens Focal Range | 24-120mm f/1.8-2.8 (5x zoom) | 24-70mm f/1.8-2.8 (2.9x zoom) |
| Max Burst Rate | 30 fps (limited AF modes) | 24 fps (continuous tracking AF) |
| Autofocus System | Contrast-detection, face detect | Hybrid (315 phase + contrast detect) |
| LCD Screen | 3", 1,040k dots, Tilting, Touchscreen | 3", 1,229k dots, Tilting, No Touch |
| Viewfinder | EVF, 2.36M dots, 100% coverage | EVF, 2.36M dots, 0.59x mag, 100% cov |
| Video | 4K @30p 120Mbps, MOV (no external mics) | 4K @30p 100Mbps, XAVC S (no mics) |
| Size (WxHxD) | 111 x 61 x 46 mm | 102 x 58 x 41 mm |
| Weight | 340 g | 299 g |
| Battery Life (CIPA) | ~230 shots | ~220 shots |
| Price (Street estimate) | ~$900 | ~$999 |
By weaving together comprehensive technical analysis, real-world testing insights, genre-specific evaluations, and ergonomic considerations - bolstered by visual comparisons provided herein - this comparison aims to empower your decision with clarity and confidence.
Happy shooting!
Canon G5 X MII vs Sony RX100 V Specifications
| Canon PowerShot G5 X Mark II | Sony Cyber-shot DSC-RX100 V | |
|---|---|---|
| General Information | ||
| Company | Canon | Sony |
| Model | Canon PowerShot G5 X Mark II | Sony Cyber-shot DSC-RX100 V |
| Class | Large Sensor Compact | Large Sensor Compact |
| Launched | 2019-07-09 | 2016-10-06 |
| Body design | Large Sensor Compact | Large Sensor Compact |
| Sensor Information | ||
| Chip | DIGIC 8 | Bionz X |
| Sensor type | BSI-CMOS | BSI-CMOS |
| Sensor size | 1" | 1" |
| Sensor dimensions | 13.2 x 8.8mm | 13.2 x 8.8mm |
| Sensor surface area | 116.2mm² | 116.2mm² |
| Sensor resolution | 20 megapixel | 20 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Full resolution | 5472 x 3648 | 5472 x 3648 |
| Max native ISO | 12800 | 12800 |
| Max boosted ISO | 25600 | 25600 |
| Lowest native ISO | 125 | 125 |
| RAW pictures | ||
| Lowest boosted ISO | - | 80 |
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Autofocus tracking | ||
| Selective autofocus | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Number of focus points | - | 315 |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 24-120mm (5.0x) | 24-70mm (2.9x) |
| Largest aperture | f/1.8-2.8 | f/1.8-2.8 |
| Macro focus range | 5cm | 5cm |
| Focal length multiplier | 2.7 | 2.7 |
| Screen | ||
| Screen type | Tilting | Tilting |
| Screen sizing | 3 inch | 3 inch |
| Screen resolution | 1,040 thousand dot | 1,229 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Viewfinder Information | ||
| Viewfinder | Electronic | Electronic |
| Viewfinder resolution | 2,360 thousand dot | 2,359 thousand dot |
| Viewfinder coverage | 100% | 100% |
| Viewfinder magnification | - | 0.59x |
| Features | ||
| Lowest shutter speed | 30 secs | 30 secs |
| Highest shutter speed | 1/2000 secs | 1/2000 secs |
| Highest silent shutter speed | 1/25600 secs | 1/32000 secs |
| Continuous shooting speed | 30.0 frames/s | 24.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | Yes |
| Set white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 7.50 m | 10.20 m (at Auto ISO) |
| Flash options | Auto, on, slow synchro, off | - |
| External flash | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Highest flash sync | - | 1/2000 secs |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 3840 x 2160 @ 30p / 120 Mbps, MOV, H.264, AAC | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM |
| Max video resolution | 3840x2160 | 3840x2160 |
| Video format | MPEG-4, H.264 | MPEG-4, AVCHD, XAVC S |
| Mic input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | Built-In | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | Yes | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 340 grams (0.75 pounds) | 299 grams (0.66 pounds) |
| Dimensions | 111 x 61 x 46mm (4.4" x 2.4" x 1.8") | 102 x 58 x 41mm (4.0" x 2.3" x 1.6") |
| DXO scores | ||
| DXO All around score | not tested | 70 |
| DXO Color Depth score | not tested | 22.8 |
| DXO Dynamic range score | not tested | 12.4 |
| DXO Low light score | not tested | 586 |
| Other | ||
| Battery life | 230 images | 220 images |
| Battery format | Battery Pack | Battery Pack |
| Battery model | - | NP-BX1 |
| Self timer | Yes (2 or 10 secs, custom) | Yes |
| Time lapse shooting | With downloadable app | |
| Type of storage | SD/SDHC/SDXC card (UHS-I compatible) | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
| Storage slots | 1 | 1 |
| Cost at launch | $900 | $998 |