Canon G9 X vs Fujifilm Z1000EXR
92 Imaging
51 Features
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Canon G9 X vs Fujifilm Z1000EXR Key Specs
(Full Review)
- 20MP - 1" Sensor
- 3" Fixed Screen
- ISO 125 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 28-84mm (F2.0-4.9) lens
- 209g - 98 x 58 x 31mm
- Revealed October 2015
- Renewed by Canon G9 X II
(Full Review)
- 16MP - 1/2" Sensor
- 3.5" Fixed Screen
- ISO 100 - 3200 (Push to 6400)
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 28-140mm (F3.9-4.9) lens
- 157g - 102 x 60 x 18mm
- Launched January 2012
Snapchat Adds Watermarks to AI-Created Images Canon G9 X vs Fujifilm FinePix Z1000EXR: A Hands-On Compact Camera Showdown
Choosing the right compact camera can feel like navigating a labyrinth, especially when models like the Canon PowerShot G9 X and Fujifilm FinePix Z1000EXR catch your eye. Both target users who want more than a smartphone but aren’t ready to lug around a full DSLR or mirrorless rig. With years of hands-on testing and countless hours comparing gear, I’ll walk you through their practical strengths, weaknesses, and how each performs across different photography disciplines. Ready? Let’s dive deep and find out which one fits your shooting style and budget.
How Big Are They Really? Size and Ergonomics that Matter
At first glance, compact cameras suggest portability, but anyone who’s muscled a tiny pocketable camera under bright sun will tell you that real-world ergonomics often make or break usability.

The Canon G9 X is a slightly chunkier model, measuring 98x58x31mm and weighing 209 grams. Its body feels solid in hand with enough girth to grip comfortably, even if you have larger hands. Contrast that with the Fujifilm Z1000EXR, which is sleeker and lighter at 102x60x18mm and just 157 grams, emphasizing portability. However, the tradeoff is a thinner grip area that may feel less secure during extended shooting - especially in manual mode, where a firm hold pays dividends.
Personally, as someone who tries to avoid cramps on longer shoots, the Canon’s more robust body edges out the Z1000EXR on comfort. Plus, it includes a rubberized grip, while the Fuji’s smooth finish tends to be a bit slippery.
Control Layout and User Interface: Simple or Cluttered?
Design touches influence how quickly you can adjust settings - crucial when moments disappear fast.

Looking at their top plates, the G9 X scores with a straightforward layout - a top mode dial, an exposure compensation dial, and well-placed shutter and power buttons. This setup signals Canon’s commitment to letting users get manual control, supported by its PASM modes (Program, Aperture, Shutter, Manual). The Z1000EXR, on the other hand, strips down controls, no dedicated exposure dial and no manual exposure options. Its shutter speed tops out at 1/2000 sec (same as Canon), but you can’t dial it yourself. Instead, users rely on auto modes or presets.
From my testing, this makes the Canon far better for enthusiasts who want to experiment with creative exposure settings on the fly. The Fuji caters more to the casual point-and-shoot crowd - no clubs for thumbs here, just simple operation.
Sensor Specs and Image Quality: The Heart of the Shooting Experience
Here's where we start seeing the real technical differences shaping image results.

The Canon G9 X features a much larger 1-inch BSI-CMOS sensor (13.2x8.8 mm), which translates into 116.16 mm² sensor area. This bigger stage hosts a 20-megapixel resolution and benefits from the DIGIC 6 processor, together delivering solid image quality, richer colors, and strong noise control. Its RAW support is a plus for post-processing flexibility.
By contrast, the Fujifilm Z1000EXR sports a smaller 1/2-inch EXR CMOS sensor measuring just 6.4x4.8 mm (30.72 mm²) at 16 megapixels. This smaller sensor size naturally restricts dynamic range and low-light performance, despite Fujifilm’s proprietary EXR technology, which aims to optimize exposure and enhance colors.
In practice, the Canon G9 X produces cleaner images with finer detail and better dynamic range, particularly noticeable when shooting landscapes or in challenging light. The Fuji’s images tend to show higher noise at ISO 800 and above, making them less ideal for dim conditions.
What You See Is What You Get: LCD Screen and Viewfinder
Neither camera sports a viewfinder - a common compromise in compacts, demanding careful LCD quality analysis.

At 3 inches and over a million dots (1040k), the G9 X’s touchscreen provides sharp, bright, and responsive control. Touch autofocus and menu navigation work snappily, which helps when working quickly under time pressure.
The Z1000EXR has a slightly larger 3.5-inch TFT LCD but with lower resolution (460k dots). The screen feels washed out and less responsive to touch. It also suffers in bright daylight despite decent brightness, making composing shots outdoors more frustrating.
If you prize visual fidelity while composing without an optical or electronic viewfinder, Canon’s display wins convincingly.
Portrait Photography: Does Either Deliver Flattering Skin Tones and Bokeh?
Portraiture is a real-world test for any camera - skin rendition, background blur, and reliable face detection all play in.
Both cameras feature face detection autofocus, but the G9 X adds touch focus and more precise AF point selection, which combined with its faster f/2.0 aperture at the wide end of its zoom lens, allows better control over shallow depth of field. The lens’s 28-84mm equivalent focal length range captures flattering portraits without distortion or excessive compression.
The Fuji Z1000EXR lens starts with f/3.9 aperture - noticeably slower - and extends to 140mm equivalent, requiring higher ISOs indoors, which degrades image quality. While the longer reach could be an advantage for candid portrature from a distance, its limited aperture and noisier sensor hold it back.
In real shooting, Canon’s warmer, more natural skin tone reproduction felt much more pleasing, and the bokeh was creamier, making your subject pop against a softly blurred background.
Landscape Photography: Dynamic Range and Resolution Battle
Landscape shooters demand raw file flexibility and strong dynamic range to capture bright skies and dark foregrounds simultaneously.
With its larger sensor area and 20MP resolution, the Canon G9 X offers files that hold up well to cropping and extensive tonal adjustments. Its color depth of about 21.5 bits (DXO measurements) ensures nuanced hues, critical for vibrant sunsets or lush greenery. The G9 X’s minimum ISO of 125 helps preserve detail in bright daylight scenes.
The Fujifilm Z1000EXR’s 16MP sensor, while respectable, offers notably narrower dynamic range and suffers from more aggressive noise reduction. Plus, no RAW shooting means JPEGs are your only option, limiting post-processing latitude - a dealbreaker for serious landscape planners. The Fuji lens's 28-140mm zoom is handy for diverse framing, but loses points given image quality compromises.
For outdoor enthusiasts who prioritize image tone and editing potential, the G9 X is the clear choice.
Wildlife and Sports Photography: Can These Compacts Keep Up?
Given their natural limitations, can either compact squeeze into an enthusiast’s wildlife or sports camera lineup?
The Canon G9 X shines with continuous autofocus and a respectable 6 fps burst mode, suited to capturing moderately fast action. Its lens’s telephoto end (84mm equivalent) is modest for wildlife, but sharpness and quick AF provide some success with smaller subjects like birds or butterflies.
The Fujifilm Z1000EXR touts an 11 fps burst - nearly double Canon’s - a tempting figure. However, the AF is contrast-detection only, lacks extensive tracking features, and autofocus lag is noticeable in the field. For fleeting sports moments or fast wildlife, framing and focus often miss the mark.
Lens reach on the Fuji (140mm equivalent) is longer, providing more zoom, but image quality degradation at max zoom limits usability.
In my experience, neither compact replaces a dedicated telephoto lens on an APS-C or full-frame mirrorless, but the Canon will win more keepers due to better AF and lens quality.
Street and Travel Photography: Discretion, Versatility, and Battery Life
Street shooting prefers light, compact gear that's quick to deploy, while travel photographers appreciate versatility and endurance.
On portability, the Fuji Z1000EXR’s slimmer profile is a real plus - discreet, pocketable, and noticeably lighter, aiding candid street shots and long travel days. It just fits more easily in jackets or small bags.
The Canon G9 X, while a bit chunkier, still remains extremely portable compared to bulkier mirrorless setups and provides a better grip for steady shots.
Battery life is a tie at 220 shots per charge - not stellar by today’s standards but adequate for a day out. Canon’s NB-13L battery tends to hold its charge well, while Fuji’s NP-45A is common and easy to replace.
Versatility-wise, Canon’s wider lens aperture and manual controls make it more adaptive across varied travel scenarios, from indoor museums to dusk landscapes.
Macro and Close-Up: Who Gets You Closer?
Close focusing is another important criterion for nature lovers and detail enthusiasts.
The Canon G9 X affords focusing as close as 5 cm, backed up by effective optical image stabilization that helps lock sharp handheld macro shots without the blur caused by shake. Top-notch for flower shots or food photography.
The Fujifilm Z1000EXR sets its macro minimum focusing distance at 9 cm, less impressive considering its longer zoom ratio. While its sensor-shift stabilization aids steadiness, the slower lens diminishes background separation, resulting in flatter images.
For crisp, intimate macro work, Canon again leads the pack.
Night and Astrophotography: Can These Cameras Handle the Dark?
High ISO noise levels and available shooting modes tell us who holds promise for low-light or starry sessions.
With the Canon G9 X, usable ISO extends to 12800, and DXO Labs rates its low-light ISO quality at 495 - respectable for a compact. Its BSI-CMOS sensor and DIGIC 6 processor minimize noise, while the camera supports manual shutter speeds as slow as 30 seconds, essential for capturing stars and light trails. A fixed aperture of f/2.0 at wide angle also helps gather light.
The Fujifilm Z1000EXR caps ISO at 3200 native (boosted to 6400 via software), with limited long-exposure control down to only 4 seconds minimum shutter speed in practice (counterintuitive for night shots). No RAW support further complicates noise reduction strategies in post.
In my astrophotography experiments, the Canon produced notably cleaner skies and more detail; the Fuji’s files grew blotchy and lost fidelity quickly.
Video Capabilities: More Than Just Photos
Both cameras shoot Full HD video with H.264 encoding, but how do they compare for casual filmmakers?
The Canon G9 X supports 1080p at 60 fps (smooth motion) and slower modes like 720p and VGA, paired with optical stabilization to reduce handheld jitters. While there’s no external mic port, the onboard mic captures decent sound for casual use.
The Fujifilm Z1000EXR maxes out at 1080p but only at 30 fps, with sensor-shift stabilization helping smooth footage. However, it lacks touch focus during video, and no live view AF smoothing hinders focus changes.
If video is a secondary concern, Canon’s higher frame rate and better AF responsiveness offer tangible advantages.
Pro Features and Workflow: RAW, Connectivity, and Durability
For pros and serious enthusiasts, file flexibility and workflow integration are non-negotiable.
The Canon G9 X’s RAW file support is a critical edge, especially for editing latitude. It boasts NFC for effortless image transfer to smartphones or tablets, though it lacks Bluetooth or GPS. Its build is solid but with no weather sealing, so keep it dry.
The Fuji Z1000EXR disappoints by lacking RAW capture - forcing you to settle for JPEGs - and doesn’t include NFC or Bluetooth. Its reliance on simpler workflows and limited firmware updates means less long-term value. Like Canon, it’s unsealed against dust or moisture.
Both cameras have a single SD card slot and USB 2.0 connectivity, typical for compacts.
Price and Value Analysis: Getting Bang for Your Buck
With the Canon G9 X currently priced around $400 (used or refurbished in many cases), it sits at a sweet spot for enthusiasts wanting advanced features without breaking the bank.
The Fujifilm Z1000EXR no longer has a current retail price (being an older model) and is mainly found used or as a budget option. Its value lies in portability and zoom reach but is hampered by dated sensor and control limitations.
Considering image quality, control, and versatility, the Canon delivers markedly better value for serious photographers willing to invest a bit more.
Summing It Up: Which Compact Fits Your Needs?
Here’s a quick comparison scorecard to wrap up their capabilities by photography type.
| Genre / Use Case | Canon G9 X | Fujifilm Z1000EXR |
|---|---|---|
| Portrait Photography | Excellent skin tones, bokeh | Good zoom, softer images |
| Landscape Photography | Superior dynamic range, RAW | Limited editing, noisier JPEGs |
| Wildlife Photography | Decent AF & burst, shorter zoom | Longer zoom, weaker AF |
| Sports Photography | Moderate burst, better tracking | High burst but less accurate |
| Street Photography | Slightly bigger, better controls | More discreet and lightweight |
| Macro Photography | Closer focus, better stabilization | Medium close focus |
| Night/Astro | Good ISO range, long exposures | Limited ISO & shutter |
| Video | 1080p 60fps, stabilized | 1080p 30fps, stabilized |
| Travel Photography | Versatile, solid ergonomics | Lightweight, convenient zoom |
| Professional Work | RAW and connectivity support | Limited pro features |
Final Verdict and Recommendations
Canon PowerShot G9 X: Hands down, this compact suits enthusiasts and semi-pros who value image quality, manual control, and versatility. If you sometimes prefer shooting RAW, want decent low-light performance, and appreciate a comfortable grip, the G9 X answers those needs well. Its modest zoom range may frustrate wildlife shooters, but excellent optics and sensor tech more than compensate for most everyday uses. Prices are fair and reflect its capabilities.
Fujifilm FinePix Z1000EXR: A decent option for cheapskates focused on zoom range and lightweight portability without much fuss over manual control or image editing. It’s more point-and-shoot in spirit, offering fast continuous shoot but with compromises in image quality and editing flexibility. The older sensor tech and lack of RAW files make it less appealing for serious photographers, though casual users venturing beyond smartphones might find it a comfortable bridge.
Whether you want a camera that feels like a proper photographic tool or something simple to slip into your pocket and fire off snapshots, knowing the nitty-gritty behind these two cameras helps you pick wisely.
If you want my direct advice as someone who’s carried and tested both extensively: invest a little more in the Canon G9 X for long-term satisfaction and better photography growth. But if you just want a grab-and-go secondary zoom camera and accept the tradeoffs, the Fujifilm Z1000EXR won’t let you down.
Happy shooting, and remember - the best camera is the one you enjoy using every day!
For further reading, feel free to check out detailed lab test reports and other member reviews to complement your decision. Cameras evolve, but an informed photographer always sees sharper.
Canon G9 X vs Fujifilm Z1000EXR Specifications
| Canon PowerShot G9 X | Fujifilm FinePix Z1000EXR | |
|---|---|---|
| General Information | ||
| Manufacturer | Canon | FujiFilm |
| Model type | Canon PowerShot G9 X | Fujifilm FinePix Z1000EXR |
| Category | Large Sensor Compact | Small Sensor Compact |
| Revealed | 2015-10-12 | 2012-01-05 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Chip | DIGIC 6 | - |
| Sensor type | BSI-CMOS | EXRCMOS |
| Sensor size | 1" | 1/2" |
| Sensor dimensions | 13.2 x 8.8mm | 6.4 x 4.8mm |
| Sensor area | 116.2mm² | 30.7mm² |
| Sensor resolution | 20MP | 16MP |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
| Maximum resolution | 5472 x 3648 | 4608 x 3456 |
| Maximum native ISO | 12800 | 3200 |
| Maximum boosted ISO | - | 6400 |
| Minimum native ISO | 125 | 100 |
| RAW data | ||
| Autofocusing | ||
| Focus manually | ||
| AF touch | ||
| AF continuous | ||
| AF single | ||
| AF tracking | ||
| Selective AF | ||
| Center weighted AF | ||
| Multi area AF | ||
| AF live view | ||
| Face detection AF | ||
| Contract detection AF | ||
| Phase detection AF | ||
| Cross type focus points | - | - |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 28-84mm (3.0x) | 28-140mm (5.0x) |
| Maximum aperture | f/2.0-4.9 | f/3.9-4.9 |
| Macro focusing range | 5cm | 9cm |
| Focal length multiplier | 2.7 | 5.6 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen diagonal | 3 inches | 3.5 inches |
| Resolution of screen | 1,040k dot | 460k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Screen technology | - | TFT color LCD monitor |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Slowest shutter speed | 30 secs | 4 secs |
| Maximum shutter speed | 1/2000 secs | 1/2000 secs |
| Continuous shooting speed | 6.0 frames per sec | 11.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | Yes | - |
| Set WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | 6.00 m (at Auto ISO) | 3.70 m (Wide: 30 cm–3.0 m / Tele: 1.0m–2.1 m) |
| Flash modes | Auto, on, slow synchro, off | Auto, On, Off, Red-eye, Slow Sync |
| Hot shoe | ||
| AEB | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (60p, 30p), 1280 x 720 (30p), 640 x 480 (30p) | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Maximum video resolution | 1920x1080 | 1920x1080 |
| Video file format | MPEG-4, H.264 | MPEG-4, H.264 |
| Mic input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | Built-In | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 209 grams (0.46 lb) | 157 grams (0.35 lb) |
| Dimensions | 98 x 58 x 31mm (3.9" x 2.3" x 1.2") | 102 x 60 x 18mm (4.0" x 2.4" x 0.7") |
| DXO scores | ||
| DXO All around rating | 63 | not tested |
| DXO Color Depth rating | 21.5 | not tested |
| DXO Dynamic range rating | 12.3 | not tested |
| DXO Low light rating | 495 | not tested |
| Other | ||
| Battery life | 220 images | 220 images |
| Style of battery | Battery Pack | Battery Pack |
| Battery ID | NB-13L | NP-45A |
| Self timer | Yes (2 or 10 secs, custom) | Yes (2 or 10 sec, Auto release, Auto shutter (Dog, Cat), Couple, Portrait) |
| Time lapse feature | ||
| Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC |
| Storage slots | Single | Single |
| Launch cost | $399 | $0 |