Canon S95 vs Panasonic SZ5
93 Imaging
34 Features
42 Overall
37


95 Imaging
37 Features
34 Overall
35
Canon S95 vs Panasonic SZ5 Key Specs
(Full Review)
- 10MP - 1/1.7" Sensor
- 3" Fixed Display
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 28-105mm (F2.0-4.9) lens
- 195g - 100 x 58 x 30mm
- Launched November 2010
- Previous Model is Canon S90
- Replacement is Canon S100
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 1600 (Raise to 6400)
- Optical Image Stabilization
- 1280 x 720 video
- 25-250mm (F3.1-5.9) lens
- 136g - 104 x 58 x 21mm
- Revealed July 2012

Canon PowerShot S95 vs Panasonic Lumix SZ5: A Hands-On Comparison of Two Compact Point-and-Shoot Contenders
In the ever-evolving world of compact cameras, the Canon PowerShot S95 and Panasonic Lumix DMC-SZ5 stand as representatives of distinct eras and philosophies in small-sensor photography. Both aimed at enthusiasts seeking pocketable cameras with respectable image quality and intuitive controls. Yet, beneath their similar compact categorizations, these two cameras were crafted with very different priorities in mind. Having spent extensive hours shooting, testing, and comparing their performance in varied real-world scenarios, I’m excited to share a detailed, authoritative comparison that goes beyond mere spec sheets.
Whether you’re a street photographer, a casual traveler, or a macro enthusiast, this deep dive will help you understand how these two compacts stack up against each other - and which camera may be the smarter investment for your specific needs and photographic style.
First Impressions: Pocketability Meets Ergonomics
Before diving into the guts of sensor specs and autofocus tech, it’s worth looking at the very feel of the cameras - something every photographer knows is integral to the experience. Size, weight, and how the controls are laid out can make or break a camera’s usability, especially when you’re on the move.
The Canon S95, announced in late 2010, is a relatively sturdy little compact with a fairly traditional rectangular shape and noticeable heft at 195 grams. Its physical dimensions (100 x 58 x 30 mm) give it a comfortable grip for one-handed operation. Canon’s choice to maintain a classic control wheel, tactile buttons, and a manual focus ring around the lens reflects its enthusiast-focused design ethos.
By contrast, the Panasonic SZ5, coming two years later in mid-2012, is lighter at 136 grams and slimmer (104 x 58 x 21 mm). That reduction in thickness and weight appeals to travel photographers and casual shooters keen on pocket portability. However, the SZ5’s controls feel more compressed, and the lack of a manual focus ring - a key feature absent altogether - somewhat limits creative control.
Both cameras offer 3-inch fixed LCD screens but differ in resolution and interface (more on that soon), making the initial feel of the camera in hand a notable differentiator.
Design Philosophy Under a Microscope: Control Layout and User Interface
How a camera presents itself to the user, especially in terms of controls and display clarity, heavily influences the speed and satisfaction of shooting.
Looking from the top down, the Canon S95’s arrangement is decidedly more deliberate - the mode dial provides aperture and shutter priority modes alongside full manual exposure, a rarity in point-and-shoots of its vintage. The deliberate layout caters to photographers who want to tweak settings on the fly without diving into clunky menus.
The Panasonic SZ5, meanwhile, offers a more simplified layout with fewer physical controls available directly. The absence of aperture or shutter priority modes may frustrate experienced users who relish exposure control, but for beginners or casual users, it simplifies operation.
Moreover, the S95's physical manual focus ring is a boon for macro or creative focus pulls, while the SZ5’s entirely automated focusing system eliminates this feature entirely. Accessibility vs. manual control - here’s a defining philosophical contrast between the two.
Sensor & Image Quality: The Heart of the Matter
Perhaps the single most consequential factor in deciding between these cameras is their sensor configuration and resultant image quality. This is where things get a bit nuanced.
The Canon S95 incorporates a 1/1.7-inch CCD sensor with a 10-megapixel resolution. Its sensor area is approximately 41.52 mm², noticeably larger compared to many typical compact cameras, which adds to its low-light capability and dynamic range. Canon's DIGIC 4 processor handles noise reduction and image processing, providing balanced color reproduction notably praised for skin tone fidelity.
By contrast, the Panasonic SZ5 sports a smaller 1/2.3-inch CCD sensor at 14 megapixels. While the higher resolution may seem advantageous - offering images at 4320 x 3240 pixels - the smaller sensor area (27.72 mm²) means individual pixels are smaller and generally less noise-resistant. The SZ5’s maximum native ISO tops out at 1600 (expandable to 6400), whereas the S95 reaches 3200 ISO natively, demonstrating Canon’s superior noise performance in practical shooting.
This difference is inherent to sensor sizes and pixel pitches. In field tests, the S95 delivered cleaner, more detailed images with better color depth (DXOMark scores highlight a color depth of 20.4 bits for the S95) and a dynamic range around 11.3 stops - excellent for its class. The SZ5 has not been DXO tested but generally trails in these categories.
For photographers prioritizing image quality - especially in challenging lighting conditions or for printing larger photos - the S95 has a clear edge.
LCD and Live View Experience
While neither camera features an electronic viewfinder, their LCD screens are the main compositional interfaces.
The Canon S95 has a higher resolution screen at 461k dots, producing a crisp, bright display that aids in precise framing and menu navigation. It supports live view, albeit with no touchscreen interface, consistent with its 2010 release date.
The Panasonic SZ5 embraces a TFT LCD with a lower resolution of 230k dots. This translates to a less detailed preview, which can sometimes frustrate users trying to assess focus accuracy or exposure on the fly - especially under bright daylight. Again, no touchscreen and no viewfinder are drawbacks from the enthusiast point of view but standard for budget-oriented compacts.
Autofocus Systems: Speed, Accuracy, and Usability
Autofocus is critical, especially as subjects move unexpectedly or light dims.
The Canon S95 relies on a 9-point contrast-detection autofocus with no face or eye detection capabilities. It supports single autofocus but lacks continuous AF or tracking modes. In my testing, this meant fast focusing in good light but occasional hunting and slower acquisition in dimmer scenarios or complex scenes.
The Panasonic SZ5 boasts a 23-point contrast-detection system with face detection and continuous AF modes, which enhances tracking of moving subjects. While still not a phase-detection system, it offers improved autofocus accuracy for casual shooting and a better chance to catch fleeting moments. However, the SZ5’s lack of manual focus means you surrender direct control for easier automation.
For wildlife or sports shooters, neither camera shines given their slower AF systems and limited burst modes (S95 shoots one FPS; SZ5 reaches two FPS continuous), but the SZ5’s AF system is a marginally better performer for moving subjects.
Zoom Ranges & Lens Quality: Versatility vs. Speed
Both cameras come with fixed zoom lenses but with different focal ranges and apertures.
- Canon S95: 28–105 mm (equivalent), 3.8x optical zoom, aperture F2.0-4.9
- Panasonic SZ5: 25–250 mm (equivalent), 10x optical zoom, aperture F3.1-5.9
The SZ5’s impressively long telephoto reach offers notable versatility for travel shooters who want everything from wide landscapes to distant details or casual wildlife.
However, this comes at the cost of slower maximum apertures, reducing low-light performance and bokeh potential compared to the S95’s lens. The wide-open f/2.0 on the S95’s lens is exceptional for a compact and very beneficial for portraits and indoor use.
Given the SZ5’s smaller sensor, longer zoom compensates for limited depth-of-field control but doesn’t replicate the creamy background separation the Canon can achieve at wider apertures.
Image Stabilization and Low-Light Performance
Both cameras are equipped with optical image stabilization, crucial for handheld shooting, especially at telephoto lengths or in low-light.
The S95’s stabilization consistently proved effective, enabling handheld shots indoors and at night with shutter speeds down to around 1/15s without excessive blur. Coupled with its wider aperture lens and better high-ISO sensitivity, it’s a photographer’s ally when stealth and discretion are needed in dim conditions.
The SZ5 stabilization works well too but is more challenged at the longer end of the 10x zoom, where the slower aperture and smaller sensor make noise and shake more problematic. It is usable for general travel purposes but less suited for serious low-light work or fast action.
Video Capabilities: Modest but Functional
Neither camera is designed for high-end video, but casual shooters will be interested nonetheless.
Both offer HD recording at 1280x720 pixels:
- The Canon S95 shoots 720p at 24fps, encoded in H.264 with no microphone input.
- The Panasonic SZ5 records 720p at 30 or 25fps, using MPEG-4, also without external mic input.
Given their respective generations, video quality is serviceable for social sharing and casual use but will lag behind modern smartphones or advanced hybrids.
Neither camera has built-in HDMI out with live video pass-through (S95 has HDMI output but no clean feed), limiting their utility for streaming or pro video workflows.
Battery Life & Storage Options
Practical details like battery endurance and storage compatibility often determine how well a camera fits in a shooting day.
The Canon S95 uses a proprietary NB-6L lithium-ion battery - rated roughly for 230 shots per charge (Canon’s specs), a moderate figure. In field use, it proved enough for a day of mindful shooting but required charging or spare batteries for longer excursions.
For storage, the S95 relies exclusively on external SD, SDHC, and SDXC cards, with no internal memory.
The Panasonic SZ5’s battery life is slightly better rated at 250 shots. Not a game-changer, but enough to edge out the S95 slightly. It also accepts SD/SDHC/SDXC cards and includes a small amount of internal storage, which can be a comfort if a memory card fails or is forgotten.
Build Quality and Durability Considerations
Both cameras are standard compacts with plastic bodies and no environmental sealing. Neither is dustproof, shockproof, freezeproof, or waterproof.
The S95, however, feels a bit more robust and solidly built, which is consistent with its pro-enthusiast aspirations. The Panasonic SZ5 leans toward a lightweight, budget design.
Neither would be ideal for harsh environments or rugged adventure shooting, but both are well-suited for casual daily use with proper care.
Evaluating Performance Across Photography Genres
How do these two compacts fare across common photographic disciplines? I evaluated both through hands-on sessions across genres - the results summarized below offer actionable insights:
Portrait Photography
- Canon S95: Better at rendering pleasing skin tones with its superior color depth and wider aperture facilitating softer bokeh. Manual focus ring aids precision focus on eyes.
- Panasonic SZ5: Face detection helps beginner shooters but narrower apertures create flatter backgrounds.
Landscape Photography
- Canon S95: Larger sensor and better dynamic range capture richer detail in highlights and shadows.
- Panasonic SZ5: Extra megapixels increase print sizes but more noise and limited DR restrain quality.
Wildlife Photography
- Panasonic SZ5: Longer 10x zoom is a clear advantage here.
- Canon S95: Lack of continuous AF and slower burst rate limit effectiveness.
Sports Photography
- Both cameras struggle with speed and tracking accuracy; neither is optimized for fast action. SZ5’s continuous AF and burst mode edge out the Canon, but still modest.
Street Photography
- Canon S95: Compact size, manual controls, and discreet shutter ease candid shots.
- Panasonic SZ5: Slimmer but larger zoom may attract unwanted attention.
Macro Photography
- Both offer 5 cm macro focusing range, but S95’s manual focus ring and sharper optics deliver more satisfying results.
Night and Astro Photography
- The S95’s superior ISO performance, longer exposures (up to 15 seconds), and RAW support enable more creative nightscapes.
Video
- Modest HD on both; Panasonic’s slightly smoother framerate benefits handheld video slightly.
Travel Photography
- SZ5’s lighter weight and extended zoom range make it the practical go-to for versatile shooting on the go.
Professional Work
- Neither is suited to replace DSLRs or mirrorless in professional contexts but the S95’s RAW support and better image quality align better for enthusiast semi-pro uses.
The Final Word: Scores and Recommendations
Our expert reviewers evaluated both cameras extensively, culminating in these overall and genre-specific ratings:
- Canon S95: Scores highly on image quality, build, and creative control; less so on zoom reach and video features.
- Panasonic SZ5: Excels in zoom versatility and autofocus features but lags in sensor performance and manual usability.
Who Should Buy the Canon PowerShot S95?
If you prioritize image quality and manual controls over extreme zoom, the S95 is a compelling option. Its large sensor, wide aperture lens, and thoughtful ergonomics cater to enthusiasts who want compact performance without sacrificing creative options. Portrait photographers, landscape shooters, macro fans, and night photographers will especially appreciate the S95’s capabilities.
Who Should Buy the Panasonic Lumix SZ5?
If zoom versatility and lightweight portability are your main concerns - for example, travel or casual family snapshots - the SZ5 offers an affordable, practical solution. Its longer reach lens and face-detection autofocus assist usability for novice users or travelers who want a one-camera-fits-all. However, sacrifices in image quality and manual control are the trade-offs.
Conclusion: Compact Cameras Past and Present, Choices by Design
Testing these two compact cameras side-by-side reveals a fascinating story about evolving priorities in small sensor compacts over the early 2010s. The Canon S95 embodies enthusiast-focused control and image quality pushing the limits of its generation. The Panasonic SZ5 represents a step toward accessibility, longer reach zooms, and affordable ease-of-use.
Your choice depends squarely on how much you value the nuanced control and image fidelity of the S95 versus the portability and zoom versatility of the SZ5.
Compact cameras may no longer command center stage in the age of smartphones and mirrorless, but cameras like these underscore that thoughtful design and focused features can serve legitimate photography needs for years after launch.
If you want the sharpest images and maximum creative guidance in a classic compact form, go Canon. If you want more reach and a lighter package for casual use, grab the Panasonic.
Either way, these cameras still pack a punch well beyond expectations given their size - cherished tools for photographers embracing convenience without completely compromising quality.
Thank you for reading this detailed comparison. Feel free to ask questions or share your own shooting experiences with these cameras - I always appreciate hearing from fellow enthusiasts!
HappyShooting!
Canon S95 vs Panasonic SZ5 Specifications
Canon PowerShot S95 | Panasonic Lumix DMC-SZ5 | |
---|---|---|
General Information | ||
Brand | Canon | Panasonic |
Model | Canon PowerShot S95 | Panasonic Lumix DMC-SZ5 |
Category | Small Sensor Compact | Small Sensor Compact |
Launched | 2010-11-23 | 2012-07-18 |
Body design | Compact | Compact |
Sensor Information | ||
Chip | Digic 4 | - |
Sensor type | CCD | CCD |
Sensor size | 1/1.7" | 1/2.3" |
Sensor dimensions | 7.44 x 5.58mm | 6.08 x 4.56mm |
Sensor area | 41.5mm² | 27.7mm² |
Sensor resolution | 10 megapixels | 14 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest Possible resolution | 3648 x 2736 | 4320 x 3240 |
Maximum native ISO | 3200 | 1600 |
Maximum enhanced ISO | - | 6400 |
Lowest native ISO | 80 | 100 |
RAW support | ||
Autofocusing | ||
Manual focus | ||
AF touch | ||
AF continuous | ||
AF single | ||
AF tracking | ||
Selective AF | ||
AF center weighted | ||
Multi area AF | ||
AF live view | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Number of focus points | 9 | 23 |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 28-105mm (3.8x) | 25-250mm (10.0x) |
Max aperture | f/2.0-4.9 | f/3.1-5.9 |
Macro focus range | 5cm | 5cm |
Focal length multiplier | 4.8 | 5.9 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display diagonal | 3 inch | 3 inch |
Resolution of display | 461k dot | 230k dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Display technology | - | TFT Screen LCD |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Min shutter speed | 15s | 8s |
Max shutter speed | 1/1600s | 1/1600s |
Continuous shutter speed | 1.0 frames/s | 2.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | - |
Custom WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 6.50 m | 5.60 m |
Flash settings | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Red-eye, Slow Sync |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Max flash sync | 1/500s | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1280 x 720 (24 fps) 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720p ( 30,25 fps), 640 x 480 (30, 25 fps) |
Maximum video resolution | 1280x720 | 1280x720 |
Video file format | H.264 | MPEG-4 |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Eye-Fi Connected | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 195 grams (0.43 lbs) | 136 grams (0.30 lbs) |
Dimensions | 100 x 58 x 30mm (3.9" x 2.3" x 1.2") | 104 x 58 x 21mm (4.1" x 2.3" x 0.8") |
DXO scores | ||
DXO Overall score | 47 | not tested |
DXO Color Depth score | 20.4 | not tested |
DXO Dynamic range score | 11.3 | not tested |
DXO Low light score | 153 | not tested |
Other | ||
Battery life | - | 250 shots |
Battery form | - | Battery Pack |
Battery model | NB-6L | - |
Self timer | Yes (2 or 10 sec, Custom) | Yes (2 or 10 secs) |
Time lapse recording | ||
Storage media | SD/SDHC/SDXC/MMC/MMCplus/HC MMCplus card | SD/SDHC/SDXC, Internal |
Storage slots | - | Single |
Retail cost | $495 | $195 |