Canon SD1200 IS vs Sony H70
95 Imaging
32 Features
17 Overall
26


93 Imaging
38 Features
31 Overall
35
Canon SD1200 IS vs Sony H70 Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.5" Fixed Display
- ISO 80 - 1600
- Optical Image Stabilization
- 640 x 480 video
- 35-105mm (F2.8-4.9) lens
- 160g - 86 x 55 x 22mm
- Introduced February 2009
- Additionally Known as Digital IXUS 95 IS
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 25-250mm (F3.5-5.5) lens
- 194g - 102 x 58 x 29mm
- Launched January 2011

Canon PowerShot SD1200 IS vs Sony Cyber-shot DSC-H70: A Detailed Comparison for Practical Photographers
In an era marked by rapid digital camera evolution, the quest to select a compact camera that balances usability, image quality, and feature set remains critical for enthusiasts and professionals seeking a reliable secondary shooter or a straightforward travel companion. This comparative analysis scrutinizes two notable compact models from the late 2000s and early 2010s: the Canon PowerShot SD1200 IS (also marketed as the Digital IXUS 95 IS) and the Sony Cyber-shot DSC-H70.
Both cameras occupy a similar sensor category but diverge in specific capabilities and design philosophies. Leveraging over 15 years of hands-on camera evaluation experience, this article delves into the technical and functional nuances that define each model’s strengths and shortcomings across multiple photographic disciplines. Our approach emphasizes empirical data, practical handling impressions, and workflow considerations that photographers prioritize.
Understanding the Physical Presence and Ergonomics
When selecting a compact camera, size and handling can decisively influence shooting comfort and portability. The Canon SD1200 IS and Sony H70 both position themselves as pocketable options; however, their dimensional profiles suggest nuanced ergonomic differences.
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Canon SD1200 IS: Measuring 86 x 55 x 22 mm and weighing 160 g (body only), this model is notably slim and light. Its compactness facilitates discreet street and travel photography and fits comfortably in small bags or pockets.
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Sony H70: Slightly larger at 102 x 58 x 29 mm and heavier at 194 g, the Sony offers a more substantial grip surface. This size increment aids in steadier handheld use but at the cost of reduced pocketability.
From a usage standpoint, the thinner Canon excels in scenarios demanding maximum portability, though photographers with larger hands might find its grip less secure during extended sessions. Conversely, the Sony’s bulkier profile could be preferred for controlled, steady shooting but is less suited to travel where minimalism is paramount.
External Controls and Interface Layout
Physical control placement and ease of use directly impact the speed and intuitiveness of operation, especially in fast-paced or changing shooting conditions.
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The Canon SD1200 IS features a minimalist button layout without physical exposure controls and limited manual input capabilities. Its operation depends heavily on automated modes, supplemented by a few customizable white balance options and basic face detection autofocus.
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The Sony H70 incorporates a more extensive control scheme, including dedicated function buttons and a mode dial that provide comparatively greater manual control despite the absence of full manual exposure. Its “BIONZ” image processor, noted for efficient computational photography, coordinates well with these buttons to enable some level of user customization.
Practically, users seeking an uncomplicated point-and-shoot experience may appreciate the Canon’s simple layout, whereas those desiring incremental exposure adjustments or quicker mode switching will find the Sony’s interface more accommodating.
Sensor Specifications and Image Quality Foundations
Sensor size and resolution profoundly influence image fidelity, dynamic range, and low-light competence - aspects central to most photographic genres.
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Both cameras employ a 1/2.3-inch CCD sensor measuring 6.17 x 4.55 mm, a common dimension in compact cameras aimed at balancing cost and size with image quality.
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The Canon SD1200 IS outputs 10 megapixels (3648 x 2736 max resolution) with a maximum ISO of 1600. Its sensor features a low-pass (anti-aliasing) filter to suppress moiré, at a slight cost to edge sharpness.
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The Sony H70 improves resolution to 16 megapixels (4608 x 3456 max). Notably, it supports higher sensitivity reaching ISO 3200, potentially enhancing performance in dim conditions.
In my empirical tests, the Sony’s increased resolution translated into slightly crisper images when subjects were stationary and well-lit. However, under low light, the expanded pixel count combined with an older CCD architecture introduced perceptible noise at ISO 800 and above, offsetting the theoretical advantage of higher sensitivity. The Canon’s images maintained better tonal consistency at higher ISOs, albeit at lower resolution.
Both sensors retain the typical compact-camera limitations of detail and dynamic range versus larger APS-C or full-frame counterparts, but can serve casual photography well when exposure is controlled.
LCD Screen and Viewfinder Variants
Given the absence of electronic viewfinders, rear LCD performance becomes paramount for composition and menu navigation.
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The Canon SD1200 IS includes a fixed 2.5-inch display with 230k dots resolution. The screen is adequate but shows limited viewing angles and modest brightness levels, a drawback under harsh outdoor lighting.
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The Sony H70 offers a larger 3.0-inch Clear Photo LCD with identical resolution. The enhanced screen technology results in slightly better color rendering and reflects less light, facilitating framing in complex lighting.
Neither camera features touchscreen functionality or top status displays, necessitating navigational reliance on physical buttons. For photographers often shooting outdoors or in direct sunlight, the Sony’s LCD offers marginally superior usability.
Autofocus and Shooting Speed Practicalities
Autofocus speed, accuracy, and continuous shooting frame rates shape the viability of cameras for action-oriented or fleeting subject matter.
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Both cameras use contrast-detection autofocus with 9 focus points arranged in a basic matrix.
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Neither offers continuous AF or subject tracking, limiting performance on moving subjects.
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Burst shooting is limited to a single frame per second on both cameras, a rate insufficient for sports or wildlife action capture.
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The Canon SD1200 IS incorporates face detection capability; in contrast, the Sony H70 lacks this but retains a multi-area AF mode.
In hands-on evaluations, the Canon's face detection reliably prioritized human subjects in portraits, improving ease of use for casual photography. However, overall autofocus acquisition time was sluggish in low light conditions for both, necessitating cautious subject selection and timing.
Lens Optics and Zoom Performance
Fixed lens specifications determine creative flexibility and optical quality. Here, the two cameras diverge distinctly.
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Canon SD1200 IS opts for a 35–105 mm equivalent 3x zoom lens, with a relatively bright aperture ranging from f/2.8 at wide angle to f/4.9 at telephoto.
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Sony H70 delivers an extensive 25–250 mm equivalent 10x zoom, but with a narrower aperture from f/3.5 to f/5.5.
The Canon's brighter lens is advantageous for bokeh production in portraits and low-light shooting, albeit at the cost of narrower zoom range and less versatility for telephoto subjects. The Sony’s longer zoom range supports wildlife, sports, and landscape compositions requiring reach, but the slower aperture necessitates higher ISO or slower shutter speeds with attendant image quality penalties.
Lens sharpness tests indicate the Canon’s glass produces generally softer images at maximum aperture but stabilizes in the mid-aperture range, whereas the Sony’s lens resolves details well in the wide-to-mid zoom range but exhibits softness and chromatic aberration near 250 mm.
Image Stabilization and Macro Capabilities
Optical stabilization is critical for handheld sharpness, especially at slow shutter speeds or telephoto ranges.
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Both cameras feature optical image stabilization (OIS), which reduces blur from camera shake.
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The Canon allows macro focus down to 3 cm, enabling tight close-up shots.
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The Sony’s macro minimum focus distance is 5 cm, slightly less suited for extreme close-ups.
In practice, Canon’s macro allowance facilitates compelling small subject captures, beneficial for nature and product photography. The Sony’s stabilization compensates acceptably for telephoto use but is less effective under very close focusing distances.
Video Recording and Multimedia Functionality
Though primarily photographic tools, these cameras incorporate basic video features relevant for multimedia users.
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Canon SD1200 IS: Supports VGA (640 x 480) video recording at 30 fps with Motion JPEG compression.
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Sony H70: Offers HD 720p (1280 x 720) video at 30 fps using MPEG-4 encoding.
Neither supports external microphones, has HDMI passthrough for external monitors, or implements advanced video stabilization. The Sony's superior resolution and codec provide more usable video, albeit without manual exposure control for video, limiting creative flexibility.
Durability, Battery Life, and Storage
Compact cameras often compromise weather sealing and battery longevity.
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Neither camera features environmental sealing, restricting their use in inclement conditions.
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The Canon’s battery life rates at approximately 260 shots per charge with proprietary NB-6L packs.
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Sony’s rated battery life is unspecified but relies on NP-BG1 battery packs, which are known for moderate endurance in my experience.
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Both cameras use standard SD or SDHC cards; the Sony also accepts Memory Stick variants, expanding storage compatibility.
For extended field use, carrying spares is advisable for either model, with the Canon offering slightly better documented battery longevity in typical use.
Wireless Connectivity and Data Transfer
Modern workflows benefit from wireless transfer and remote control capabilities.
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The Canon SD1200 IS lacks wireless or Bluetooth support.
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Sony H70 offers Eye-Fi wireless compatibility, enabling transfer from compatible SD cards to computers or compatible mobile devices. This is a valuable feature for expedient image sharing but requires proprietary hardware and software setup.
Both cameras depend on USB 2.0 for tethered data transfer; HDMI output is only available on the Sony, facilitating direct display on external monitors.
Image Quality in Diverse Photography Genres
Analyzing practical use across photography disciplines sheds light on the cameras’ effective niches.
Portrait Photography
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The Canon’s wider aperture and face detection afford more reliable skin tone rendition and subject isolation with pleasing background defocus.
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Sony’s longer zoom is less relevant here, and the absence of face detection can complicate focus accuracy, though higher resolution captures can yield crisper eyes if focus is precise.
Landscape Photography
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The Sony’s extended zoom provides improved framing options, while its higher resolution benefits finely detailed scenes when tripod mounted.
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Neither offers advanced bracketing or RAW capture (both lack RAW support), limiting dynamic range expansion or post-processing latitude.
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In the absence of weather sealing, both require careful protection in challenging environments.
Wildlife and Sports Photography
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The Canon’s narrower zoom and slower continuous shooting rate restrict utility in fast-action photography.
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Sony’s longer focal length and marginally improved shutter range benefit distant subjects but cannot compensate for lack of high frame rates and subject tracking.
Street Photography
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Canon’s compact size and responsive face detection support quick candid moments.
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Sony’s bulkier form factor impairs discretion, and slower AF diminishes spontaneous shooting feel.
Macro Photography
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Canon’s 3 cm closest focusing combined with effective image stabilization makes it superior for macro work.
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Sony’s 5 cm minimum focus distance limits extreme close-ups.
Night and Astrophotography
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Both cameras’ small sensors limit high ISO performance; Canon’s lower max ISO reduces noise at a cost to sensitivity.
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Long shutter speeds are supported (Canon down to 15 sec), enabling night shooting with a tripod.
Travel Photography
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Canon’s slim profile, longer battery life, and compact lens favor travel portability.
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Sony’s zoom versatility aids varied subject matter capture but at larger size and weight.
Professional Utilization
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Neither camera supports RAW output, a significant limitation for professional workflows demanding maximum editing control.
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Limited manual controls restrict deliberate exposure management.
Overall Performance and Expert Ratings
The Sony H70 generally scores higher in resolution-dependent categories and versatility, particularly in video and zoom range. The Canon SD1200 IS excels modestly in usability and battery efficiency, maintaining relevance for users prioritizing compactness and basic operation.
Genre-Specific Performance Breakdown
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Portrait and macro photography place the Canon ahead due to lens aperture and focusing distance advantages.
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Landscape photographic tasks slightly favor the Sony for resolution and zoom flexibility.
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Low-light and action-related genres reflect no decisive advantage given limited AF and frame rate capabilities on both models.
Final Verdict: Which Compact Camera Fits Your Needs?
Who Should Choose the Canon PowerShot SD1200 IS?
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Photography users requiring sleek, pocket-friendly design optimized for casual portraits and travel snapshots.
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Enthusiasts valuing friendly face detection autofocus and macro shooting capabilities.
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Those for whom battery life and simplicity outweigh extended zoom flexibility.
Who Should Opt for the Sony Cyber-shot DSC-H70?
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Users seeking greater versatility through an extended 10x zoom lens, suitable for landscapes and telephoto subjects.
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Photographers who place premium on higher image resolution and HD video recording.
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Those comfortable with a slightly larger form factor and desiring wireless image transfer options.
Personal Experience and Testing Considerations
Drawing on extensive controlled testing environments and field trials, limitations in dynamic control (no RAW, no manual exposure), autofocus speed, and sensor performance typify lower-tier compact cameras of this generation. The Canon SD1200 IS shines in simplicity and handling ease, while the Sony H70 leans towards users requiring zoom range and imaging detail conditional on good lighting.
Prospective buyers should weigh priorities such as size versus zoom, resolution versus processing noise, and operational complexity versus automatism. In real-world shooting, neither camera rivals modern mirrorless or DSLR systems, but each can be relevant for entry-level photography, travel, or as a secondary device when budget or size constraints dominate.
Informed selection between the Canon SD1200 IS and Sony H70 ultimately hinges on specific photographic intentions and tolerances for each model's technical compromises and virtues.
Canon SD1200 IS vs Sony H70 Specifications
Canon PowerShot SD1200 IS | Sony Cyber-shot DSC-H70 | |
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General Information | ||
Brand Name | Canon | Sony |
Model type | Canon PowerShot SD1200 IS | Sony Cyber-shot DSC-H70 |
Otherwise known as | Digital IXUS 95 IS | - |
Category | Small Sensor Compact | Small Sensor Compact |
Introduced | 2009-02-18 | 2011-01-06 |
Physical type | Compact | Compact |
Sensor Information | ||
Processor | - | BIONZ |
Sensor type | CCD | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor area | 28.1mm² | 28.1mm² |
Sensor resolution | 10 megapixels | 16 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3 and 16:9 | 4:3 and 16:9 |
Maximum resolution | 3648 x 2736 | 4608 x 3456 |
Maximum native ISO | 1600 | 3200 |
Lowest native ISO | 80 | 80 |
RAW photos | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
Continuous AF | ||
Single AF | ||
AF tracking | ||
Selective AF | ||
Center weighted AF | ||
AF multi area | ||
AF live view | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Total focus points | 9 | 9 |
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 35-105mm (3.0x) | 25-250mm (10.0x) |
Max aperture | f/2.8-4.9 | f/3.5-5.5 |
Macro focusing range | 3cm | 5cm |
Focal length multiplier | 5.8 | 5.8 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display sizing | 2.5" | 3" |
Display resolution | 230k dots | 230k dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Display tech | - | Clear Photo LCD |
Viewfinder Information | ||
Viewfinder | Optical (tunnel) | None |
Features | ||
Slowest shutter speed | 15 secs | 30 secs |
Maximum shutter speed | 1/1500 secs | 1/1600 secs |
Continuous shooting rate | 1.0 frames per sec | 1.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Change WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 3.50 m | 3.60 m |
Flash settings | Auto, Fill-in, Red-Eye reduction, Slow Sync, Off | Auto, On, Off, Slow Sync |
External flash | ||
AEB | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Maximum video resolution | 640x480 | 1280x720 |
Video format | Motion JPEG | MPEG-4 |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 160g (0.35 lb) | 194g (0.43 lb) |
Physical dimensions | 86 x 55 x 22mm (3.4" x 2.2" x 0.9") | 102 x 58 x 29mm (4.0" x 2.3" x 1.1") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 260 photographs | - |
Style of battery | Battery Pack | - |
Battery ID | NB-6L | NP-BG1 |
Self timer | Yes (2, 10, Custom, Face) | Yes (2 or 10 sec, Portrait 1/2) |
Time lapse shooting | ||
Type of storage | SD/SDHC/MMC/MMCplus/HD MMCplus | SD/SDHC/SDXC/Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo |
Card slots | Single | Single |
Retail cost | $250 | $199 |