Canon SD970 IS vs Samsung TL350
94 Imaging
34 Features
24 Overall
30
94 Imaging
33 Features
47 Overall
38
Canon SD970 IS vs Samsung TL350 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 1600
- Optical Image Stabilization
- 1280 x 720 video
- 37-185mm (F3.2-5.7) lens
- 160g - 96 x 57 x 26mm
- Released February 2009
- Alternative Name is Digital IXUS 990 IS
(Full Review)
- 10MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 24-120mm (F2.4-5.8) lens
- 195g - 100 x 59 x 22mm
- Introduced February 2010
- Other Name is WB2000
Sora from OpenAI releases its first ever music video Compact Contenders of Their Era: Canon SD970 IS vs Samsung TL350 - An In-Depth Comparison
In a world where high-end mirrorless and DSLR systems often steal the spotlight, it’s easy to overlook the charm and utility of small-sensor compact cameras - especially vintage gems like the Canon PowerShot SD970 IS (aka Digital IXUS 990 IS) from 2009 and the Samsung TL350 (WB2000) launched a year later in 2010. Both designed for enthusiasts wanting pocketable convenience without venturing into smartphone territory, these cameras represent an intriguing clash of features, handling, and real-world usability.
I’ve spent a fair amount of hands-on time with both models, putting them through their paces across a variety of scenarios - from casual portraits and landscapes to macro curiosities and video experiments. So, rather than pitching glossy marketing fluff, I’ll guide you through their brass tacks: sensor performance, ergonomics, controls, autofocus, and more - with my two cents drawn from years of evaluating compact cameras in the field.
Let’s get into it.
Size and Handling: Pocketability Meets Ergonomics
These cameras reside comfortably in the compact class, but subtle differences impact daily usability.
The Canon SD970 IS is petite - measuring 96 x 57 x 26 mm and weighing a mere 160 grams, it fits effortlessly in light pockets or small bags, making it a trustworthy travel companion when minimalism is a priority. I appreciate Canon’s attention to rounded edges and a slightly textured grip area, which offers surprisingly confident handling despite the small footprint.
The Samsung TL350 is a tad bigger at 100 x 59 x 22 mm and heavier at 195 grams. While still pocket-friendly, it feels more substantial, which I personally value as it reduces hand fatigue during longer shooting sessions. Its slim profile and well-placed control buttons offer a surprisingly balanced feel.

Looking at the top view of both, it’s clear that Samsung aimed for more traditional photographic controls - with dedicated dials allowing granular manual input - whereas Canon plays it safe with minimalist button layouts.

Bottom line: If ultimate compactness and lightweight carry are your priority, Canon’s SD970 IS has an edge. For those who prefer a bit more heft for steadiness and enhanced control, the Samsung TL350 makes ergonomic sense.
Sensor Technology & Image Quality: Seeing Through the Miniature Window
Both cameras employ the ubiquitous 1/2.3-inch sensor size typical for point-and-shoot compacts of their time, but the Canon utilizes a 12-megapixel CCD sensor, while Samsung’s TL350 opts for a 10 MP CMOS sensor.

CCD sensors generally yield pleasing color rendition and lower noise at low ISOs, but CMOS sensors have made strides in power efficiency and high ISO performance - a crucial consideration for low-light photography.
Despite Canon’s slightly higher resolution, the difference in pixel count is minor in real-world shooting. In my tests, the SD970 IS produces crisp images with good detail in daylight, though the images tend to get noisy beyond ISO 400 - expected given the sensor and age. Samsung’s CMOS sensor handles ISO up to 800 better, with a bit less chroma noise and more usable shadows, especially in indoor scenarios.
Dynamic range on both cameras is constrained by the small sensor area (~28 mm²), but Samsung’s newer sensor chemistry affords slightly better highlight preservation and shadow recovery. However, neither camera can compete with APS-C or full-frame brethren for those rich landscapes demanding expansive tonal range.
If you’re pixel-peeping, the Canon’s CCD may render colors with a richer palette at base ISO, but Samsung’s CMOS edge comes alive in higher-ISO situations - a balancing act that will influence which camera suits your style better.
LCD Screen and Interface: The Visual and Interactive Experience
A good rear screen can make or break a shooting experience, especially without an electronic viewfinder.
Canon offers a 3-inch fixed LCD with a modest 461k-dot resolution. It’s serviceable but on the dimmer side and can get washed out under bright sunlight, causing occasional frustration framing shots on beach vacations or snow-covered landscapes.
Samsung breaks new ground here with a 3-inch, high-resolution 920k-dot LCD, noticeably sharper and brighter. The increased pixel density translates into a more enjoyable live view and image review experience - a well-made screen that welcomes more prolonged use.

Regarding interface, Canon’s menu is clean but basic, leaning on automation with limited manual controls. Samsung delivers more sophisticated options, including shutter and aperture priority modes and manual exposure settings - a boon for enthusiasts wanting greater creative input on a compact.
Autofocus and Shooting Performance: Speed, Accuracy, and Tracking
Autofocus on compact cameras often feels like a compromise, given sensor and processor limitations. Both models rely on contrast-detection AF with no phase-detect capabilities.
The Canon SD970 IS offers a center-weighted AF area with nine contrast-based focus points and face detection. While face detection mostly works, the focusing speed is leisurely - expect some lag when shooting moving subjects or in low contrast conditions. The camera locks focus reasonably in ample light, but in dim or fast-action scenes, hunting can occur.
Samsung’s TL350 steps up with slightly better AF algorithms and continuous single-area AF. While face detection is notably absent, the autofocus feels snappier and more reliable for general shooting, especially in burst mode, where 10fps shooting is possible (compared to Canon’s single frame per second).
Neither camera excels in wildlife or sports tracking scenarios, so for those demanding ultra-fast autofocus and tracking from a compact, these models may feel limiting.
Lens and Versatility: Zoom Range and Aperture
Optical zoom and aperture range translate directly to framing options and performance in various lighting.
Canon’s fixed lens spans a 37-185mm equivalent focal range providing 5x optical zoom - handy for casual zooming but with a narrower wide end. The maximum aperture ranges from f/3.2 at wide to f/5.7 at telephoto, somewhat limiting in darker environments.
Samsung slightly edges out with a 24-120mm equivalent zoom; its ultra-wide angle starting point offers more compelling landscape and architectural framing without requiring stepping back. Aperture starts brighter at f/2.4 wide, a significant advantage when shooting indoors or in dim light, but it closes to f/5.8 at tele.
I often found the Samsung’s wider angle and brighter aperture more flexible for everyday shooting - especially in tight interiors or street photography.
Burst, Shutter Speeds, and Exposure Control
Photography enthusiasts usually appreciate frame rate and shutter control flexibility.
Canon’s SD970 IS offers shutter speeds from 15s to 1/1600s but lacks aperture or shutter priority modes, confining you mostly to full auto or program modes. Continuous shooting maxes out at an anemic 1fps, making it unsuitable for action shots.
Samsung powers ahead with a 16s to 1/2000s shutter speed range, and importantly offers full manual, shutter priority, and aperture priority exposure controls. The burst mode can achieve 10fps - a remarkable feat for a compact of that period - adding muscle for capturing fleeting moments.
This control difference reflects Samsung targeting the enthusiast market more aggressively, whereas Canon’s SD970 IS leans toward point-and-shoot simplicity.
Macro and Close-Up Performance
Macro shooting delights require sharpness, focusing precision, and close focusing distance.
Canon boasts an impressive 2cm minimum focusing distance, enabling detailed close-ups of flowers, insects, and textures. The optical image stabilization further aids handheld macro work.
Samsung’s macro focus distance sits at 5cm - still respectable but less intimate than Canon’s. However, its faster lens aperture and manual focus option give some edge in difficult lighting and fine-tuning focus.
In my testing, Canon’s SD970 IS delivered more satisfying macro shots with its closer focusing, while Samsung compensated with better exposure control for creative results.
Video Capabilities: HD and Beyond
Both cameras offer video, but with notable differences.
Canon records 720p HD video at 30fps using Motion JPEG - a format that produces large, less efficient files that need conversion for editing ease. Audio input is internal only, and there’s no external mic port, limiting sound recording quality.
Samsung steps up with full 1080p HD (1920x1080) at 30fps encoded in H.264, offering better compression and file management. The camera also supports time-lapse recording - a neat creative addition - and multiple lower-res frame rates for flexibility.
Neither provides manual control over exposure when shooting video or microphone/headphone connectivity, which is typical for compacts of this era.
Battery Life, Storage, and Connectivity
Both models rely on proprietary rechargeable lithium-ion batteries - Canon’s NB-5L and Samsung’s SLB-11A. Official battery life claims hover around 200-300 shots, which aligns with my field experience; neither is marathon battery beast, so carrying a spare is advisable for travel days.
Storage-wise, both support SD/SDHC cards. Samsung additionally offers internal storage for quick snaps, a small but handy feature when card swapping isn’t feasible.
Connectivity options are sparse. Neither supports Wi-Fi, Bluetooth, or NFC - features unheard of at launch for affordable compacts. Both sport USB 2.0 and HDMI outputs for image transfer and viewing, standard for their time.
Build Quality and Weather Sealing
Neither camera is weather-sealed or ruggedized. Both are standard compact builds using primarily plastic chassis but with solid assembly that can withstand everyday handling and light knocks.
If you’re shooting outdoor landscapes in rain or dust, you’ll want protective coverings or a more rugged model entirely.
Real-World Photography: Genres and Use Cases
Let me briefly walk through how these cameras hold up across photography genres from practical experience:
Portraits and People Shots
- Canon SD970 IS: Face detection works well enough in good light; colors render skin tones vividly but with a slight warmth. The f/3.2 aperture at wide end offers decent background separation but bokeh is rather restrained due to sensor size.
- Samsung TL350: No face detection, but faster shutter speeds and larger aperture allow sharper portraits with more subject-background separation. Slightly cooler color palette but more accurate.
Landscape Photography
- Canon: Limited dynamic range and narrower lens end make wide landscapes a bit constrained, but great for sunny scenes.
- Samsung: Wider angle and better exposure control facilitate richer compositions. The louder shutter click is a downside for quiet settings.
Wildlife and Sports
Neither excels given slow AF and limited zoom reach. Samsung marginally better with faster burst and shutter options.
Street Photography
Samsung’s wider angle and faster lens paired with manual controls give it an edge here. Canon’s charming compact size benefits discreet shooting but slower responsiveness hinders quick shots.
Macro Photography
Canon’s closer focusing distance and sharp optical stabilization make it the preferred pick for macro enthusiasts.
Night and Astro Photography
Limited by small sensors and high noise, but Samsung’s higher ISO ceiling and manual modes offer slightly improved low-light capability.
Video Work
Samsung clearly outperforms Canon here with 1080p and versatile recording options.
Travel and Versatility
Canon appeals with its ultra-compact, pocket-friendly body. Samsung’s richer feature set and better exposure flexibility favored for those wanting control.
Value and Recommendations
With original launch prices hovering around $300-400, these cameras today haunt the used market in bargain bins. Here’s my take on who should consider which:
-
Choose the Canon SD970 IS if:
You want a straightforward, ultra-pocketable compact for basic point-and-shoot use, with excellent macro potential and decent image quality in good light. Perfect for casual travelers or those upgrading from basic cameras wanting simplicity without bells and whistles. -
Choose the Samsung TL350 if:
You crave more creative control, better video performance, faster continuous shooting, and a versatile lens with wide-angle capability. Ideal for enthusiasts stepping up from entry-level compacts, who appreciate manual exposure options and sharper rear LCD.
Summing Up: Performance Scores and Genre-Specific Ratings
I’ve consolidated comprehensive shooting tests into camera scores reflecting overall and genre-specific performance, balancing technical data with field observations.
Sample Images Gallery: A Visual Face-Off
Finally, no comparison is complete without seeing actual image samples under various lighting and subjects.
In summary, while both cameras show their age, they offer surprisingly robust performance within their segment and era. Your choice hinges on your photography ambitions and how much control or compactness you desire.
Final thoughts: These two cameras reflect a transitional period in compact digital photography - bridging user-friendly fundamentals and emerging enthusiast features. Whether you lean toward Canon’s simplicity or Samsung’s flexibility, both demonstrate the solid foundations upon which today’s advanced compacts evolved.
Choosing between them feels a bit like balancing nostalgia versus capability. And isn’t that part of the fun in exploring older gear? You reconnect not only with the tools but with the evolving mindset of photography itself. Happy shooting!
Canon SD970 IS vs Samsung TL350 Specifications
| Canon PowerShot SD970 IS | Samsung TL350 | |
|---|---|---|
| General Information | ||
| Company | Canon | Samsung |
| Model | Canon PowerShot SD970 IS | Samsung TL350 |
| Also called as | Digital IXUS 990 IS | WB2000 |
| Category | Small Sensor Compact | Small Sensor Compact |
| Released | 2009-02-18 | 2010-02-20 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Sensor type | CCD | CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.08 x 4.56mm |
| Sensor surface area | 28.1mm² | 27.7mm² |
| Sensor resolution | 12MP | 10MP |
| Anti aliasing filter | ||
| Aspect ratio | 4:3 and 16:9 | 1:1, 4:3 and 16:9 |
| Highest resolution | 4000 x 3000 | 3648 x 2736 |
| Highest native ISO | 1600 | 3200 |
| Lowest native ISO | 80 | 80 |
| RAW format | ||
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Number of focus points | 9 | - |
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 37-185mm (5.0x) | 24-120mm (5.0x) |
| Max aperture | f/3.2-5.7 | f/2.4-5.8 |
| Macro focus range | 2cm | 5cm |
| Crop factor | 5.8 | 5.9 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen diagonal | 3 inches | 3 inches |
| Screen resolution | 461 thousand dots | 920 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch function | ||
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Lowest shutter speed | 15 secs | 16 secs |
| Highest shutter speed | 1/1600 secs | 1/2000 secs |
| Continuous shooting rate | 1.0 frames per second | 10.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | - | Yes |
| Change white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | 3.50 m | 5.20 m |
| Flash modes | Auto, Fill-in, Red-Eye reduction, Slow Sync, Off | Auto, On, Off, Red-eye, Fill-in, Slow syncro, Manual |
| External flash | ||
| AE bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps), 608 x 342 (30 fps), 320 x 240 (30 fps), 138 x 78 (30 fps) |
| Highest video resolution | 1280x720 | 1920x1080 |
| Video file format | Motion JPEG | H.264 |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 160g (0.35 lb) | 195g (0.43 lb) |
| Dimensions | 96 x 57 x 26mm (3.8" x 2.2" x 1.0") | 100 x 59 x 22mm (3.9" x 2.3" x 0.9") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery model | NB-5L | SLB-11A |
| Self timer | Yes (2, 10, Custom, Face) | Yes (10 sec, 2 sec, Double, Motion) |
| Time lapse recording | ||
| Storage type | SD/SDHC/MMC/MMCplus/HD /MMCplus | SD/SDHC, internal |
| Card slots | One | One |
| Price at launch | - | $400 |