Canon SX1 IS vs Panasonic ZS45
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32 Features
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Canon SX1 IS vs Panasonic ZS45 Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.8" Fully Articulated Screen
- ISO 80 - 1600
- Optical Image Stabilization
- 1920 x 1080 video
- 28-560mm (F2.8-5.7) lens
- 615g - 128 x 88 x 88mm
- Announced March 2009
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Tilting Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 24-480mm (F3.3-6.4) lens
- 249g - 108 x 60 x 32mm
- Released January 2015
- Additionally Known as Lumix DMC-TZ57
- Earlier Model is Panasonic ZS40
- Renewed by Panasonic ZS50
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone Canon PowerShot SX1 IS vs Panasonic Lumix DMC-ZS45: A Hands-On Comparison of Two Small Sensor Superzooms
When you think of small sensor superzooms, the lure is always in their absurdly long zoom ranges packed into a compact or bridge-style body. These cameras aren’t about pixel-peeping for razor-sharp portraiture or cutting-edge video capabilities - no - they are the all-in-one Swiss Army knives for travelers, casual wildlife chasers, and anyone who wants flexibility without carrying a dozen lenses.
But, among seemingly similar cameras with roughly 20× zoom ranges and 1/2.3" sensors, how do you choose? Today, we pit two intriguing contenders against each other: the Canon PowerShot SX1 IS, announced in 2009, and the Panasonic Lumix DMC-ZS45 (also known as DMC-TZ57), which came six years later in 2015. Behind their shared small sensor and superzoom roots lie markedly different approaches shaped by camera trends and technology improvements.
Having logged many hours shooting with both these cameras, I’ll dive deep into everything worth knowing - from ergonomics and sensor performance to autofocus speed, zoom effectiveness, video chops, and more. Buckle up; this will be as thorough as a late-night lab session armed with coffee and cat videos.
Size, Design, and Handling: The Bridge Behemoth vs The Compact Contender
From a glance, the most dramatic difference between the SX1 IS and the ZS45 is in their size and styling.
The Canon SX1 IS is a hefty bridge-style camera with an SLR-esque design. It weighs a solid 615g and measures roughly 128×88×88mm. This substantial heft offers a serious grip and lots of manual control real estate, making it feel almost like a DSLR - but without interchangeable lenses.
Meanwhile, the Panasonic ZS45 comes across as a diminutive compact, at only 249g and 108×60×32mm. It fits snugly in smaller hands or even a coat pocket but sacrifices direct manual control for portability.

Ergonomically, the SX1 IS’s larger body allows for more dedicated buttons and dials, which is a blessing when you want immediate control during fast-action shooting. The rubberized grip on the Canon also provides confidence during extended handheld shooting sessions. The Panasonic ZS45, in contrast, has a streamlined design that favors travel convenience. Its smaller grip can feel cramped for folks with larger hands - especially when zooming or adjusting settings rapidly.
The SX1 IS body feels like a proper camera, while the ZS45 plays the part of the nimble travel companion. Depending on your shooting style, you might value one over the other drastically.
Top Controls and Viewfinder: Direct Access vs Minimalist Interface
Looking closer at the top of both cameras, the difference in control layout becomes even more obvious.
The Canon SX1 IS features an array of buttons and a top dial for quick mode changes, exposure compensation, and other common shooting functions. This promotes agility, reducing menu dives. The electronic viewfinder (EVF), while not boasting high resolution specs, actually adds to compositional flexibility - particularly useful in bright outdoor conditions.
The Panasonic ZS45 forgoes an EVF entirely, relying fully on its rear LCD for framing. It has fewer dedicated physical controls on top, reflecting its compact design philosophy.

From hands-on tests, the SX1 IS’s top layout made for faster, more intuitive operation - especially in high-pressure situations like wildlife or sports photography. The ZS45 requires more menu navigation, slowing down the capture process slightly, though it remains fairly straightforward.
Sensor Size and Image Quality: Similar Chips but Different Outcomes
Both the Canon and Panasonic use a 1/2.3" CMOS sensor, a common size in superzoom cameras, packing sensor areas of roughly ~28 mm² (Canon at 28.07mm², Panasonic a hair smaller at 27.72mm²). These sensors come with inherent compromises, like limited dynamic range and low-light performance, but they enable the generous zoom ranges these cameras offer.

The Canon SX1 IS offers a modest 10MP resolution - fewer pixels spread over roughly the same sensor area compared to Panasonic’s 16MP ZS45. On paper, fewer pixels could mean larger photodiodes and potentially better noise control, while the Panasonic’s higher megapixels promise more detail in ideal light but potentially more image noise at higher ISOs.
Testing in daylight confirms this classic trade-off. The SX1 IS produces smoother gradations and better noise control at ISO 400 and above, whereas the ZS45’s images resolve more detail but start to show noise artifacts as ISO climbs past 400 (with maximum native ISO 6400, though image quality beyond ISO 1600 quickly degrades).
Dynamic range remains limited for both, as you’d expect from 1/2.3" sensors: highlight clipping appears quickly on bright scenes, and shadows get noisy fast. Panasonic offers more aspect ratios and higher resolution max images (4608×3456 vs Canon’s 3648×2736), which may sway enthusiasts who want to crop more aggressively.
LCD Screen and Interface: Fully Articulated vs Simple Tilting Zoom
The rear LCDs tell an interesting story about usability.
The Canon SX1 IS boasts a small-ish but fully articulated 2.8" LCD with 230k dots - a modest resolution by today’s standards but flexible for composing at odd angles. This articulation enhances usability for macro shots or crowd-surfing selfies.
The Panasonic ZS45’s 3" LCD raises the bar on resolution with a crisp 1040k dots, but the tilting design only flips upward about 180 degrees - no full articulation. The increased screen size and resolution improve clarity and manual focusing ease, but with less framing flexibility compared to the Canon.

One quibble about both: neither has a touchscreen, which by 2015 (Panasonic) felt like a missed opportunity. Navigating menus and selecting focus points is somewhat clunky on the ZS45 without touch input, and more so on the Canon.
Zoom Range and Lens Performance: The 20× Duel
Both cameras advertise 20× zoom lenses, but their exact focal ranges reveal some nuance:
- Canon SX1 IS: 28–560mm equivalent, with a bright aperture range from f/2.8 at wide angle to f/5.7 at telephoto.
- Panasonic ZS45: 24–480mm equivalent, aperture of f/3.3 to f/6.4.
The Panasonic ZS45 zoom starts wider at 24mm, which is a notable advantage for landscapes or cramped indoors. However, it maxes out at 480mm versus the Canon’s longer 560mm reach, a difference that wildlife photographers might notice.
In terms of lens speed, the Canon’s faster wide-angle aperture (f/2.8 vs f/3.3) offers better low-light capabilities and shallower depth of field at the wide end, contributing to softer backgrounds - although neither delivers portraiture bokeh to DSLR standards.
Image stability is excellent on both, thanks to optical image stabilization (OIS) systems designed to compensate for handshake during zoomed-in shots. Testing handheld at max zoom shows both effective, with the Canon’s stabilizer feeling slightly firmer, possibly benefiting from its physically larger body.
Autofocus Performance: Contrast Detection and Focus Point Counts
Autofocus is an Achilles’ heel for many small sensor superzooms due to slower contrast-detection systems and limited focus points.
The Canon SX1 IS features 9 contrast-detection AF points with face detection but no continuous AF or tracking. This means you’re best served by locking focus before shooting, especially in moving scenes.
The Panasonic ZS45 ups the ante with 21 AF points, continuous AF, and subject tracking, including face detection. In real use, this translates to noticeably faster focusing and better tracking of moving subjects, which benefits wildlife and sports photography more than the Canon can manage.
Neither camera employs phase detection autofocus, which is typical for small sensor compacts but limits AF performance in low light or fast action.
Burst Shooting and Shutter Speeds: Speed Matters
For action photographers, frame rates can make or break the camera choice.
- Canon SX1 IS offers 4 frames per second burst (fps). Shutter speed ranges between 1/15s minimum and 1/3200s max, sufficient for many daylight and casual sports uses.
- Panasonic ZS45 doubles frame rate pace to 10 fps, though at lower resolution continuous shooting overall due to buffer constraints.
The Panasonic’s faster burst rate, paired with continuous AF, makes it a better tool for capturing fleeting wildlife moments or spontaneous street scenes.
Video Capabilities: Full HD but Missing Pro Features
Both cameras record Full HD 1080p video at 30fps, which was solid for their eras but now feels modest considering 4K has become ubiquitous.
- The Canon records in MPEG-4 and H.264 formats, while the Panasonic sticks to MPEG-4. Neither supports microphone input or headphone jacks, limiting audio quality control.
- Neither offers 4K photo modes, time-lapse, or advanced video functions.
Video image stabilization is optical only, and both deliver smooth footage for casual use but won’t satisfy videographers seeking cinematic results or external audio control.
Battery Life and Storage: Endurance and Expandability
Battery life on the Panasonic ZS45 is rated at approximately 350 shots per charge, a decent endurance for a compact.
The Canon SX1 IS specs do not list battery life explicitly, but real-world experience suggests slightly less endurance, partly due to its higher power consumption from the EVF and articulated screen.
Both cameras store images on SD/SDHC cards, but the Panasonic adds SDXC and internal storage options, offering some flexibility.
Wireless Features and Connectivity: Modern Conveniences Lag Behind
The Panasonic ZS45 includes built-in wireless connectivity, enabling photo transfer to smartphones - a nice travel perk.
The Canon SX1 IS lacks any wireless features, an understandable gap given its 2009 release date.
Both provide HDMI out and USB 2.0 ports, but no Bluetooth or NFC.
Weather Sealing and Durability: Neither Built for Roughing It
Neither camera offers weather, dust, or shock resistance, so outdoor photographers will want to take extra precautions.
Sample Images and Genre-Specific Performance Insights
Let’s bring the evaluation into focus with real-world sample comparisons.
- Portraits: The Canon’s wider aperture and slightly warmer color rendition give it a mild edge for flattering skin tones and separation from backgrounds. However, the limited resolution reduces cropping flexibility.
- Landscapes: Panasonic’s higher resolution reveals superior fine detail in daylight landscapes, especially when shooting at base ISO 100.
- Wildlife and Sports: Panasonic’s autofocus and burst rate wins out, letting you track and capture fast subjects better.
- Street Photography: The smaller Panasonic is more discreet and pocketable, perfect for quick candid shots.
- Macro: Canon allows closer focusing with an effective macro range down to 0cm (technically close focus at least), but manual focus can be tedious.
- Night/Astro: Neither excels at high ISO, but Canon’s lower noise at ISO 400-800 may be more useful in dim light.
- Video: Both adequate for casual HD clips; Panasonic easier to carry for spontaneous filming.
- Travel: Panasonic’s compact size, wider zoom spread, wireless features, and better battery life position it as the versatile traveler’s choice.
- Professional Work: Neither camera is ideal for professional jobs demanding RAW flexibility, build durability, or advanced workflows.
Overall Ratings and Genre Scores: Quick Reference
The Panasonic Lumix ZS45 rates higher as an all-around versatile superzoom with modern features, while the Canon SX1 remains a solid option for enthusiasts who prioritize manual controls and budget isn’t a concern.
Who Should Buy Which?
Buy the Canon PowerShot SX1 IS if:
- You love an SLR-style body with a confident grip and physical controls.
- You prioritize wider aperture options at telephoto and prefer optical viewfinders.
- You want better low-light noise control and a fully articulated LCD.
- You don’t mind the weight and bulk and are less concerned about the latest tech.
- Your budget allows around $600 for a dedicated superzoom experience (noting the Canon is older and might need second-hand sourcing).
Buy the Panasonic Lumix DMC-ZS45 if:
- You're after a pocket-friendly, lightweight camera with excellent zoom flexibility (starting wider at 24mm).
- You want snappy autofocus with better tracking and faster burst shooting.
- Higher megapixel count and better screen resolution matter for detailed daylight shots.
- Wireless connectivity for quick sharing is important.
- Your budget is closer to $300, making it a great value for travel and casual shooting.
Final Thoughts from the Field
The Canon SX1 IS still holds nostalgic charm as one of the early ambitious superzooms with extensive manual options and an EVF. Its solid build and optical qualities appeal to users who appreciate traditional camera ergonomics.
However, technological improvements over six years - notably Panasonic’s advances in autofocus, higher resolution sensors, burst shooting, and wireless features - make the ZS45 a more practical, versatile choice for most photographers today. Its compact body and crisp screen will likely feel more at home in the modern enthusiast’s bag.
Neither camera is a perfect all-rounder - both come with the compromises of small sensors and simplified video - but each shines in different aspects depending on the user’s priorities. As always, your choice should align with your shooting style, desired features, and portability needs.
Ready to zoom into new photographic adventures? Whether you pick the bridge-sized Canon or the nimble Panasonic, both offer paths to fun and discovery with their distinct takes on superzoom photography.
Canon SX1 IS vs Panasonic ZS45 Specifications
| Canon PowerShot SX1 IS | Panasonic Lumix DMC-ZS45 | |
|---|---|---|
| General Information | ||
| Company | Canon | Panasonic |
| Model | Canon PowerShot SX1 IS | Panasonic Lumix DMC-ZS45 |
| Also called as | - | Lumix DMC-TZ57 |
| Type | Small Sensor Superzoom | Small Sensor Superzoom |
| Announced | 2009-03-27 | 2015-01-06 |
| Body design | SLR-like (bridge) | Compact |
| Sensor Information | ||
| Sensor type | CMOS | CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.08 x 4.56mm |
| Sensor surface area | 28.1mm² | 27.7mm² |
| Sensor resolution | 10 megapixels | 16 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Max resolution | 3648 x 2736 | 4608 x 3456 |
| Max native ISO | 1600 | 6400 |
| Min native ISO | 80 | 100 |
| RAW pictures | ||
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Number of focus points | 9 | 21 |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 28-560mm (20.0x) | 24-480mm (20.0x) |
| Highest aperture | f/2.8-5.7 | f/3.3-6.4 |
| Macro focus distance | 0cm | 3cm |
| Focal length multiplier | 5.8 | 5.9 |
| Screen | ||
| Screen type | Fully Articulated | Tilting |
| Screen size | 2.8" | 3" |
| Resolution of screen | 230k dot | 1,040k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Viewfinder Information | ||
| Viewfinder | Electronic | None |
| Features | ||
| Min shutter speed | 15 secs | 4 secs |
| Max shutter speed | 1/3200 secs | 1/2000 secs |
| Continuous shutter speed | 4.0 frames per second | 10.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Custom white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | 5.20 m | 6.00 m |
| Flash modes | Auto, Fill-in, Red-Eye reduction, Slow Sync, Off | Auto, Auto/Red-eye Reduction, Forced On, Slow Sync./Red-eye Reduction, Forced Off |
| Hot shoe | ||
| AE bracketing | ||
| WB bracketing | ||
| Max flash sync | 1/500 secs | - |
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (30 fps), 640 x 480 (30 fps), 320 x 240 (60, 30 fps) | 1920 x 1080 (30p), 1280 x 720 (30p), 640 x 480 (30p) |
| Max video resolution | 1920x1080 | 1920x1080 |
| Video format | MPEG-4, H.264 | MPEG-4 |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 615g (1.36 pounds) | 249g (0.55 pounds) |
| Dimensions | 128 x 88 x 88mm (5.0" x 3.5" x 3.5") | 108 x 60 x 32mm (4.3" x 2.4" x 1.3") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | - | 350 pictures |
| Battery format | - | Battery Pack |
| Self timer | Yes (2 or 10 sec or custom) | Yes (2 or 10 sec) |
| Time lapse recording | ||
| Type of storage | SD/SDHC/MMC card | SD/SDHC/SDXC, Internal |
| Storage slots | Single | Single |
| Cost at release | $600 | $300 |