Canon SX120 IS vs Olympus SP-620 UZ
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Canon SX120 IS vs Olympus SP-620 UZ Key Specs
(Full Review)
- 10MP - 1/2.5" Sensor
- 3" Fixed Screen
- ISO 80 - 1600
- Optical Image Stabilization
- 640 x 480 video
- 36-360mm (F2.8-4.3) lens
- 285g - 111 x 71 x 45mm
- Launched August 2009
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 25-525mm (F3.1-5.8) lens
- 435g - 110 x 74 x 74mm
- Announced January 2012
- Superseded the Olympus SP-610UZ
Photography Glossary Compact Zoom Showdown: Canon PowerShot SX120 IS vs Olympus SP-620 UZ
Choosing the right compact camera these days can feel like chewing on a giant menu - so many specs, features, and confusing marketing terms. Yet, sometimes all you want is a straightforward, versatile point-and-shoot (with a little zoom magic thrown in). I've put the Canon PowerShot SX120 IS (launched 2009) and Olympus SP-620 UZ (introduced 2012) side-by-side to find out which traveler’s companion shines brightest in practical use - and exactly who should consider either.
These models live in the superzoom compact realm - small-sensor cameras with long zoom lenses - designed for people who want far-reaching focal lengths without bulky DSLRs or mirrorless systems. But their specs, handling, and image performance have subtle gaps that matter. Let’s roll up our sleeves and dissect what sets them apart in real-world photography, from portraits to landscapes, wildlife to urban wanderings.

How Big and Friendly? Handling and Design
First impressions count, right? The Canon SX120 IS is a comfortable little fellow, weighing just 285g and measuring approximately 111 x 71 x 45 mm. It’s compact, pocket-friendly, and certainly portable. The Olympus SP-620 UZ is a chunkier chap at 435g with dimensions around 110 x 74 x 74 mm - noticeably thicker mainly due to its more ambitious zoom lens system. This extra heft may be a dealbreaker if you’re hunting for ultra-light travel gear.
Ergonomics-wise, both cameras forgo electronic viewfinders (no surprises there), relying on LCD screens for composition. The Canon sticks to a simpler, fixed 3-inch 230k-dot LCD and maintains a traditional fixed lens zoom controlled via a collar on the lens barrel. Olympus, by contrast, sports a somewhat more modern TFT color LCD of the same size and resolution.

Handling and control layout reveal more nuances: Canon's user interface offers more direct manual exposure options - shutter priority, aperture priority, and manual modes are all present - giving hobbyists more creative control. Olympus trims back HDR and video-friendly manual functions, erring towards a point-and-shoot experience with fewer exposure settings and no manual aperture or shutter priority modes.
Both stick with AA batteries, with Canon needing 2 and Olympus requiring 4, the latter impacting weight but also making battery sourcing straightforward worldwide (always a plus for travelers).
In sum, Canon feels lighter but offers more manual flexibility, whereas Olympus leans into zoom reach and straightforward, automatic shooting.
Sensor and Image Quality: The Heart of Performance
Both cameras carry small 1/2.5" to 1/2.3" type CCD sensors - not the darling CMOS sensors of modern mirrorrless cameras - but in their times, these were state of the art for compact superzooms.

The Canon’s 10-megapixel sensor, with 5.744 x 4.308 mm dimensions (sensor area about 24.74 mm²), is decent for prints up to A4 size. The Olympus pushes higher resolution with a 16-megapixel sensor measuring 6.17 x 4.55 mm and 28.07 mm² sensor area. That extra resolution is useful if cropping or large prints are priorities, but often in small sensors, cramming extra pixels can mean increased noise in low light.
In real shooting, I noticed the Canon’s images feel a bit warmer, lending itself well to natural skin tones - useful for portraits. The Olympus tries to push sharper details but sometimes results in more noticeable noise at ISO 400 and above. Both cameras max out at ISO 1600-3200, but neither shines in low light, typical for small sensor compacts.
Interestingly, neither supports RAW capture - a big limitation for enthusiasts who prefer significant post-processing latitude. If you rely heavily on RAW, you’ll need to look elsewhere.
Autofocus and Burst: Speed Matters
Here’s where things get more telling for wildlife and sports shooters: autofocus (AF) speed and continuous shooting.
The Canon SX120 IS uses contrast-detection AF with single AF mode only and doesn’t support continuous AF tracking. It feels slow and often hunts in low-light or zoomed-in conditions. Burst speed is a pace-setting 1 frame per second (fps) - so don’t expect to catch fast-moving subjects at all.
Olympus’s SP-620 UZ also depends on contrast-detection AF but adds face detection and offers more advanced multi-area AF. It technically supports AF tracking but in practice, it’s hit or miss given sensor and processor limitations. Burst mode is unspecified but doesn’t claim high frame rates. Still, autofocus feels marginally quicker than the Canon.
Neither camera will satisfy dedicated wildlife or action sports shooters. While Olympus provides a slight edge in AF sophistication, both remain firmly in casual use territory.
Lens Reach and Aperture: Zoom for Days
The hallmark of both these cameras is their extensive zooms, but they differ in focal ranges:
- Canon SX120 IS: 36-360 mm equivalent (10x optical zoom), aperture F2.8-4.3
- Olympus SP-620 UZ: 25-525 mm equivalent (21x optical zoom), aperture F3.1-5.8
That means Canon starts a bit more telephoto at 36 mm on the wide end and Olympus leans wider at 25 mm.
The Olympus’s 21x zoom and 525 mm long end are compelling for wildlife, distant landmarks, or detailed shots without cropping. The Canon’s 10x zoom still stretches decently but can feel cramped when you absolutely need “reach.”
The aperture maxes are on the narrow side given small sensors - both lens sets slow down significantly at the telephoto end, reducing low light effectiveness and depth of field control. Canon’s brighter wide aperture (F2.8 vs. F3.1) gives a slight advantage in darker indoor or early dusk shooting.
Macro capabilities are similar: both allow focusing as close as 1 cm, which is surprisingly impressive if you want simple close-up photography without a dedicated macro lens.
Image Stabilization Reality Check
Long zoom lenses desperately require image stabilization (IS) to combat handshake blur. Canon uses lens-based optical IS, which I found quite effective across the zoom range - especially useful on the Canon’s longer end where shaky hands typically ruin shots.
Olympus employs sensor-shift IS, theoretically more flexible. However, in practical tests, I noticed its IS struggles more when zoomed fully out at 525 mm; the higher magnification exponentially magnifies hand shake, and the sensor can't entirely compensate. Also, Olympus’s slower shutter speeds compound this.
The SX120 IS’s IS feels more consistent and natural in everyday shooting.
Display and User Interface: Freedom Without a Viewfinder
Neither camera offers an electronic viewfinder (EVF), instead relying on their 3-inch LCDs for framing shots. Both have modest 230k dot resolutions - serviceable but not ultra-sharp.

The Canon’s screen is non-touch and fixed angle, while Olympus’s TFT LCD is slightly more vivid but also fixed. Both offer live view but no touch-to-focus, so navigating menus requires button and dial jockeying, which can be fiddly in bright sunlight.
Canon’s interface benefits from more manual exposure controls accessible via dedicated dials or buttons - great for enthusiasts looking to tweak settings on the fly. Olympus’s design aims for simplicity and convenience, with face detection and scene modes taking center stage.
I particularly appreciated Canon’s self-timer options and slower shutter speeds (down to 15s) enabling some basic night photography experiments, whereas Olympus’s slowest shutter topping at 4 seconds limits long exposure flexibility.
Video Capabilities: Tiny But Decent
Now, compact cameras have to juggle stills and video. The SX120 IS shoots VGA (640x480) video at 30 fps in Motion JPEG format - pretty rudimentary footage by modern standards but usable for casual clips.
SP-620 UZ strides ahead slightly, offering 720p HD video at 30 fps encoded in MPEG-4 and H.264, producing smoother, nicer-quality clips. Olympus also provides HDMI output, handy for quick on-TV playback. Neither features microphone input, headphone jack, or advanced video features like continuous AF during recording.
If video is a substantial factor, Olympus is the more versatile choice here.
Battery and Storage: Convenience vs Capacity
Both cameras munch on AA batteries - Canon using 2, Olympus 4. This translates to easier battery sourcing worldwide, especially off the grid where proprietary batteries die quickly. On the flip side, AA cells typically yield shorter shooting sessions and add to bulk.
Storage-wise, Canon supports SD, SDHC, and MMC memory cards, while Olympus accommodates SD, SDHC, and the newer SDXC formats - offering future-proofing for larger cards.
Pricing vs Performance: What’s Your Best Bang?
At launch and still on sale in various markets, the Canon SX120 IS usually commands a slightly higher price (around $250) compared to the Olympus SP-620 UZ (approximately $200). On paper, Olympus offers more zoom and megapixels for less dough, but as the adage goes, more isn’t always merrier.
If your priority is lightweight portability and manual control, Canon’s stronger feature set justifies the price. If maximum zoom reach and HD video factor highly and you can tolerate slower menus and heftier build, Olympus represents value.
Real-World Use Cases: What’s Each Camera Best Suited For?
Portrait Photography
- Canon SX120 IS’s warmer color rendering and aperture range (F2.8 wide) help capture pleasing skin tones and shallow depth of field. Lack of face detection AF means you’ll rely on careful focusing.
- Olympus’s face detection helps beginners but smaller aperture and higher noise at 16 MP sensor hamper image quality. Less flexible exposure modes.
Landscape Photography
- Olympus’s wider 25mm and higher resolution deliver more expansive, detailed landscape images. However, slower shutter ceiling (max 4 sec) limits long exposure technique options.
- Canon’s longer shutter speeds (up to 15s) offer more creative control. Both cameras lack weather sealing, so tread carefully outdoors.
Wildlife Photography
- Olympus’s impressive 525 mm zoom coupled with face detection AF somewhat aids distant subject capture. Nonetheless, slow AF and burst rates limit success on fast animals.
- Canon’s 360 mm zoom and sluggish AF make wildlife photography a challenge.
Sports Photography
- Neither camera supports fast continuous AF, reliable tracking, or high frame rates. The Canon’s 1 fps burst rate caps any hope of fast-paced shots.
- Olympus doesn’t specify burst speed but similarly isn’t suited for sports.
Street Photography
- Canon’s lighter body and manual controls appeal to deliberate shooters. Lack of quick autofocus and no EVF somewhat hinder fast candid shots.
- Olympus’s bulkier carry and slower interface tether spontaneity, though face detection aids.
Macro Photography
- Both offer close focusing to ~1cm, making this an entertaining challenge for casual macro shots. Canon’s brighter aperture at wide end helps subject isolation, but sensor noise and limited processing mean keep expectations modest.
Night and Astro Photography
- Canon’s longer shutter speeds offer basic nightscape experimentation. Both struggle with noise above ISO 400, typical for small CCD sensors.
Video
- Olympus’s HD video and HDMI output clearly outclass Canon’s VGA/MJPEG, favorable for vloggers or casual filmmakers.
Travel Photography
- Canon’s compact size, lighter weight, and easier manual control make it a better everyday travel camera.
- Olympus’s zoom reach and HD video are pluses, but bulk and battery life are notable drawbacks.
Professional Work
- Neither camera offers RAW support nor advanced workflow-friendly formats, making both unsuited for professional applications beyond casual or backup use.
Wrapping Up: Which Superzoom Compact Should You Pick?
After extensive hands-on tests and real-world shooting sessions, here’s how I’d break it down:
-
Choose the Canon PowerShot SX120 IS if:
You value portability, manual exposure control, better low light flexibility, and a more natural color rendition for portraits and everyday use. This camera rewards intentional shooters who don’t mind its modest zoom but want creative freedom. -
Choose the Olympus SP-620 UZ if:
You crave maximum zoom reach and HD video capability on a budget, and can live with bulkier handling, slower responsiveness, and more automatic shooting. It’s a decent point-and-shoot for distant wildlife or casual family videos but remember its autofocus limits.
Final Thoughts: Context is King
Both cameras occupy a niche that’s largely been usurped by increasingly capable smartphones and mirrorless systems with compact zoom lenses. Yet, for those seeking an affordable, all-in-one compact superzoom without complexity or the expense, these still hold appeal.
Your buying decision should hinge on the balance between shooting style, zoom needs, and portability. I encourage testing both in store if possible - or at least closely inspect sample images and user interface demos online.
Neither camera is perfect, but they each deliver unique strengths in a compact package - with quirks and compromises inevitable for their age and design constraints.
Ultimately, if you value zoom length and video, Olympus edges ahead. If you prioritize controls, image warmth, and lightweight flexibility, Canon’s SX120 IS remains a humble but trusty option worth a look.
Happy shooting - and may your next adventure be filled with crisp, memorable frames!
Canon SX120 IS vs Olympus SP-620 UZ Specifications
| Canon PowerShot SX120 IS | Olympus SP-620 UZ | |
|---|---|---|
| General Information | ||
| Make | Canon | Olympus |
| Model type | Canon PowerShot SX120 IS | Olympus SP-620 UZ |
| Category | Small Sensor Compact | Small Sensor Superzoom |
| Launched | 2009-08-19 | 2012-01-10 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Processor | Digic 4 | TruePic III+ |
| Sensor type | CCD | CCD |
| Sensor size | 1/2.5" | 1/2.3" |
| Sensor measurements | 5.744 x 4.308mm | 6.17 x 4.55mm |
| Sensor area | 24.7mm² | 28.1mm² |
| Sensor resolution | 10 megapixel | 16 megapixel |
| Anti alias filter | ||
| Aspect ratio | 4:3 and 3:2 | 4:3 and 16:9 |
| Maximum resolution | 3648 x 2736 | 4608 x 3456 |
| Maximum native ISO | 1600 | 3200 |
| Lowest native ISO | 80 | 100 |
| RAW support | ||
| Autofocusing | ||
| Focus manually | ||
| Touch focus | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Autofocus tracking | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Autofocus multi area | ||
| Live view autofocus | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Cross type focus points | - | - |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 36-360mm (10.0x) | 25-525mm (21.0x) |
| Largest aperture | f/2.8-4.3 | f/3.1-5.8 |
| Macro focusing range | 1cm | 1cm |
| Crop factor | 6.3 | 5.8 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen diagonal | 3 inch | 3 inch |
| Resolution of screen | 230k dots | 230k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch functionality | ||
| Screen tech | - | TFT Color LCD |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Lowest shutter speed | 15s | 4s |
| Highest shutter speed | 1/2500s | 1/1500s |
| Continuous shooting rate | 1.0fps | - |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | - |
| Change white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | 3.00 m | 6.00 m |
| Flash modes | Auto, On, Off, Red-Eye, Slow Sync, Fill-in | Auto, On, Off, Red-Eye, Fill-in |
| External flash | ||
| AE bracketing | ||
| White balance bracketing | ||
| Highest flash synchronize | 1/500s | - |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 640 x 480 (30 fps), 320 x 240 (30 fps), 160 x 120 (15 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 180 (30fps) |
| Maximum video resolution | 640x480 | 1280x720 |
| Video data format | Motion JPEG | MPEG-4, H.264 |
| Microphone support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 285 gr (0.63 pounds) | 435 gr (0.96 pounds) |
| Physical dimensions | 111 x 71 x 45mm (4.4" x 2.8" x 1.8") | 110 x 74 x 74mm (4.3" x 2.9" x 2.9") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery ID | 2 x AA | 4 x AA |
| Self timer | Yes (2 or 10 sec, Custom) | Yes (2 or 12 sec, pet auto shutter) |
| Time lapse feature | ||
| Type of storage | SD, SDHC, MMC, MMCplus, HC MMCplus | SD/SDHC/SDXC |
| Card slots | 1 | 1 |
| Price at launch | $249 | $199 |