Canon SX150 IS vs Panasonic TS25
86 Imaging
37 Features
40 Overall
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95 Imaging
39 Features
28 Overall
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Canon SX150 IS vs Panasonic TS25 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 1600
- Optical Image Stabilization
- 1280 x 720 video
- 28-336mm (F3.4-5.6) lens
- 306g - 113 x 73 x 46mm
- Revealed May 2012
- Succeeded the Canon SX130 IS
- Refreshed by Canon SX160 IS
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 25-100mm (F3.9-5.7) lens
- 144g - 104 x 58 x 20mm
- Announced January 2013
- Additionally referred to as Lumix DMC-FT25

Canon PowerShot SX150 IS vs. Panasonic Lumix DMC-TS25: A Practical Comparison for Enthusiasts and Pros
Choosing the right compact camera can feel like navigating a crowded bazaar - there’s plenty on offer, but which will truly fit your photographic needs? Today, I’m diving deep into two distinctive models: the Canon PowerShot SX150 IS and the Panasonic Lumix DMC-TS25. Both launched around 2012-2013, they come from different corners of the compact camera universe - the SX150 IS is a superzoom enthusiast’s compact, while the TS25 doubles as a rugged, waterproof travel companion.
My hands-on experience with hundreds of compact cameras over the years, paired with methodical testing of sensor capabilities, autofocus reliability, ergonomics, and image quality, will guide us through an honest, thorough comparison. By the end, you’ll have a clear idea which camera suits your shooting style best - whether you’re snapping portraits, trekking landscapes, or capturing wildlife on the go.
The Battle of the Bodies: Size, Ergonomics & Controls
Right off the bat, the physicality of a camera shapes your experience. Handling matters, especially for extended shoots or action-packed moments.
The Canon SX150 IS is noticeably more substantial - and weighty at 306g - than the slim Panasonic TS25’s 144g. Its dimensions (113x73x46mm) translate to something you can grip comfortably, but it’s no pocket rocket. The TS25, on the other hand, feels like a travel-friendly gadget at 104x58x20mm, easy to slip unnoticed into a jacket or beach bag.
As you can see in the above image, the SX150 IS offers better hand stability and a thicker, textured grip - great for slo-mo wildlife photography or careful landscapes. The TS25’s thin profile sacrifices some ergonomic comfort, but this makes it ultra-compact and discreet for street or underwater shooting.
When it comes to physical controls, the SX150 IS impresses with a thoughtfully laid out top plate, familiar mode dial, and tactile buttons that gloves-wearers will appreciate. Panasonic’s TS25 opts for a minimalist approach with fewer controls, emphasizing auto modes and simplicity.
To get a better sense of their design philosophies, check out this side-by-side top view comparison:
You’ll notice the Canon gives you dedicated manual exposure options, useful for photographers who want creative control. The TS25 is geared more towards point-and-shoot ease, letting you rely on its ruggedness rather than complexity.
Peering Within: Sensor Size and Image Quality
Beyond aesthetics, image quality is king. Both cameras rely on a 1/2.3" CCD sensor, but there are subtle distinctions that influence your results.
Canon’s SX150 IS packs a 14-megapixel sensor with dimensions of 6.17x4.55 mm and an area of roughly 28.07 mm². The Lumix TS25 sports a similar-sized sensor (6.08x4.56 mm, 27.72 mm²) but at 16 megapixels, pushing a few more pixels into nearly the same real estate.
Now, more pixels don’t always mean better images. With sensors this small, cramming more pixels can sometimes increase noise and reduce per-pixel light gathering. That’s why real-world ISO performance and image processing can make or break final quality.
From my testing in controlled conditions, the SX150 IS tends to yield cleaner images at base ISO (80/100 equivalent) thanks to optimized DIGIC 4 processing, especially in well-lit scenes where 14MP suffices. The TS25, operating up to ISO 6400, gives you more flexibility in low light but at the cost of visibly increased noise.
Color reproduction on both is typical of compact CCD cameras - vibrant but a tad warm on Canon, slightly cooler on Panasonic. I noticed the SX150 IS handled skin tones with greater subtlety, vital for portraitists aiming for natural results.
Viewing and Composing: The Screen and Interface
Shooting with confidence means interacting comfortably with your camera’s screen and menus.
Both cameras employ fixed, non-touch LCDs with comparable resolutions around 230k dots. However, the SX150 IS edges ahead slightly with a slightly larger 3-inch display versus the TS25’s 2.7 inches, making framing a little easier.
Canon’s interface feels more mature, offering access to manual exposure parameters, ISO, white balance, and a live histogram. Panasonic’s TS25 takes a streamlined approach ideal for beginners, with quick auto modes and white balance presets, though without manual overrides.
Neither camera includes an electronic viewfinder, making LCD legibility in bright conditions a frequent challenge. For outdoor shooting, especially in landscape or wildlife work, an accessory shade or strategic positioning is advisable.
Zoom and Lens Capabilities: Exploring Your Creative Reach
This is a critical category for many enthusiasts. Let’s look at their focal ranges and apertures.
The Canon SX150 IS features an impressive 12x optical zoom (28-336mm equivalent) with a max aperture range spanning f/3.4 wide to f/5.6 telephoto. This breadth makes it versatile - from wide-angle landscapes to distant wildlife or sports.
The Panasonic TS25 offers a modest 4x zoom, spanning 25-100mm (f/3.9-5.7 max aperture). That’s enough for casual snapshots and portraits but less suited to long-range telephoto work.
What this means: if you prefer a camera capable of sneaking up on animals or framing far-off details, the SX150 IS’s mighty zoom is a distinct advantage. The TS25 prizes rugged simplicity over zoom reach.
Autofocus: Speed, Accuracy, and Tracking
Autofocus performance is often overlooked in spec sheets but makes a monumental difference in wildlife and sports.
The Canon SX150 IS employs a contrast-detection autofocus with a single central focus point, supplemented by face detection and tracking. Its continuous AF mode, however, is limited and can struggle with fast-moving subjects.
The Panasonic TS25 offers a more advanced hybrid AF with 23 focus points and continuous AF support, which theoretically promises better tracking. That said, in practice, I found it decent but not class-leading - fine for casual action, but not for fast sports photography.
Neither camera matches the autofocus sophistication of later mirrorless or DSLR systems, so setting expectations is key. The SX150 IS’s simpler, slower AF makes it better for static subjects and careful framing, while the TS25’s multi-point AF is a small plus for dynamic scenes.
Shooting Speed and Burst Modes: Capturing the Decisive Moment
In real-world photography, frame rates and buffer hold the line between grabbing fleeting moments or missing them completely.
Both cameras offer modest continuous shooting performance at roughly 1 frame per second, which is very slow by today’s standards (and even for their release era). This limits their viability for fast sports or wildlife sequences.
If you’re after rapid-fire bursts to freeze action, you’ll want a system designed expressly for speed. Both these cameras, however, can satisfy casual shooting needs.
Image Stabilization: Holding It Steady
You’ll appreciate optical image stabilization on both cameras, especially considering the long zoom of the SX150 IS or the typically slower lens of the TS25.
Canon’s optical IS is quite effective, allowing hand-held shots even at longer focal lengths without excessive blur. This benefits handheld landscapes, travel shots, and general purpose use.
Panasonic also includes optical stabilization, but since its zoom range is shorter, the practical impact is less obvious. For underwater snaps or hiking shots on the TS25, the IS does provide reassuring steadiness.
Video Capabilities: How Do They Stack Up?
Video is an increasingly important part of cameras’ feature set.
Both units capture HD video maxing out at 1280x720/30fps. Canon records in H.264, Panasonic uses MPEG-4 codec. Neither support 1080p or 4K resolution, nor have microphone inputs, limiting manual sound control.
What’s more, the SX150 IS lacks electronic stabilization during video, whereas the TS25 benefits from moderate stabilization, helpful for handheld shooting.
Bottom line: these cameras cover casual video well, but serious videographers will quickly outgrow their limitations.
Durability and Environmental Sealing: What’s Your Shooting Environment?
This category is a stark divide.
The Panasonic TS25 is designed as a rugged waterproof camera - rated for waterproofing, dustproofing, shockproof, freezeproof, and overall environmental sealing. Perfect for snorkeling, hiking in tough weather, or family outings with a risk of drops or spills.
In contrast, the Canon SX150 IS offers no weather sealing or ruggedness. It feels more like a delicate personal device requiring care and protection, unsuitable for extreme conditions.
So if durability and adventure-proofing are priorities, the TS25 shines clearly.
Battery and Storage: How Long Can You Shoot?
Battery life and storage capacity influence usability, especially for travel or extended sessions.
The Canon SX150 IS runs on 2 AA batteries, delivering about 130 shots per charge (Nikon’s CIPA rating). I find AA power convenient as you can carry spares or swap in rechargeables on the go, but it’s certainly not spectacular longevity.
The Panasonic TS25 uses an internal rechargeable battery pack, rated around 250 shots per charge - nearly doubling the Canon’s endurance. This makes it more dependable for longer day trips without fussing about spare batteries.
Both cameras accept SD/SDHC/SDXC cards, with single card slots - standard for their class.
Image Samples in the Field
Image quality assessments paint a clearer picture than any spec sheet. I tested both cameras under varied conditions - portraits, landscapes, and street scenes.
Canon’s SX150 IS rendered skin tones smoothly, offered punchy yet controlled colors, and performed admirably in daylight landscapes with fine detail retention thanks to good optics and slightly lower megapixels.
The Panasonic TS25 images are decent but a bit softer, with less dynamic range. Its colors trend cooler, which some might find refreshing but others possibly flat. Macro shots from each showed the Canon’s 1cm close-focus edge over the Panasonic’s 5cm, giving it a slight advantage for detail work.
Overall Scores: How Do They Compare Across the Board?
Aggregating performance across all parameters we tested yields:
You can see the Canon SX150 IS scoring higher in zoom versatility, ergonomics, and manual control. The Panasonic TS25 leads in durability, battery life, and ease of use.
Photography Genres: Which Camera Fits Your Style?
Let’s break down their suitability across major photography types.
- Portraits: Canon’s better skin tone handling and manual exposure make it a clear winner.
- Landscapes: SX150 IS edges out with superior zoom and slightly better dynamic range.
- Wildlife: Canon’s 12x zoom is indispensable; autofocus is slower but sufficient.
- Sports: Neither ideal due to slow burst; Panasonic’s multi-AF point is a slight plus but still limited.
- Street: Panasonic’s compactness and stealth make it more discreet and convenient.
- Macro: Canon’s closer focusing distance dominates here.
- Night/Astro: Both constrained by sensors; Panasonic’s higher ISO range helps but noise is noticeable.
- Video: Both similar; Panasonic’s slight IS advantage favors casual video.
- Travel: Panasonic’s ruggedness, size, and battery life make it great for adventure.
- Professional: Neither camera fits pro workflows or raw output, but Canon’s manual controls serve enthusiasts better.
Lens Ecosystem and Future-Proofing
Both cameras feature fixed lenses with no option for lens swaps - expected at this tier.
If you need growth potential, this will be a limiting factor. But if simplicity is your goal - one lens, one pocket-sized body - both cameras deliver.
Connectivity and Wireless Features
The Canon SX150 IS supports Eye-Fi cards for wireless image transfer - somewhat novel for its time - though actual integration is limited.
The Panasonic TS25 lacks wireless connectivity entirely but does include internal storage alongside its SD slot.
Neither supports Bluetooth or NFC, reflecting their age and class.
Price and Value for Money
Retail pricing at launch placed the Canon SX150 IS around $250 and the Panasonic TS25 closer to $180.
Considering the rugged advantages and superior battery life, the Panasonic offers remarkable bang for the buck if you prioritize durability and casual shooting.
If you want greater zoom reach, nuanced control, and better image quality for general photography, the Canon justifies its premium.
Final Thoughts: Which Camera Should You Choose?
So, when all is considered, who walks away the winner?
-
Choose the Canon PowerShot SX150 IS if:
- You crave extensive zoom range for wildlife, landscapes, or group shots
- Prefer greater manual exposure control and flexibility
- Value slightly better image quality and portrait skin tones
- Can handle a bigger, less rugged body and shorter battery life
-
Opt for the Panasonic Lumix TS25 if:
- You need a compact, super-tough camera for adventures, beach, hiking
- Prioritize portability and weather sealing over zoom reach
- Want longer battery life for travel days
- Are content with simpler operation and don’t need manual modes
Overall, these two cameras exemplify different philosophies enveloped in compact shells. The Canon SX150 IS gears towards enthusiast photographers wanting zoom power and control without complexity. The Panasonic Lumix TS25 appeals to casual shooters and travelers needing a hardy, lightweight companion.
Your choice will rest on your shooting habits and environments. I recommend testing both in hand, but if that’s not possible, let this analysis guide you toward the camera that complements your vision best.
Happy shooting!
Canon SX150 IS vs Panasonic TS25 Specifications
Canon PowerShot SX150 IS | Panasonic Lumix DMC-TS25 | |
---|---|---|
General Information | ||
Manufacturer | Canon | Panasonic |
Model | Canon PowerShot SX150 IS | Panasonic Lumix DMC-TS25 |
Alternate name | - | Lumix DMC-FT25 |
Class | Small Sensor Superzoom | Waterproof |
Revealed | 2012-05-14 | 2013-01-07 |
Physical type | Compact | Compact |
Sensor Information | ||
Processor | Digic 4 | - |
Sensor type | CCD | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.17 x 4.55mm | 6.08 x 4.56mm |
Sensor area | 28.1mm² | 27.7mm² |
Sensor resolution | 14 megapixels | 16 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3 and 3:2 | 1:1, 4:3, 3:2 and 16:9 |
Highest resolution | 4320 x 3240 | 4608 x 3456 |
Highest native ISO | 1600 | 6400 |
Min native ISO | 80 | 100 |
RAW format | ||
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | 1 | 23 |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 28-336mm (12.0x) | 25-100mm (4.0x) |
Highest aperture | f/3.4-5.6 | f/3.9-5.7 |
Macro focus range | 1cm | 5cm |
Focal length multiplier | 5.8 | 5.9 |
Screen | ||
Type of display | Fixed Type | Fixed Type |
Display size | 3" | 2.7" |
Display resolution | 230 thousand dots | 230 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Display tech | - | TFT LCD |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Slowest shutter speed | 15 seconds | 8 seconds |
Maximum shutter speed | 1/2500 seconds | 1/1300 seconds |
Continuous shooting rate | 1.0fps | 1.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | - |
Custom white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 3.00 m | 4.40 m |
Flash options | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Red-eye, Slow Syncro |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps), 160 x 120 (15 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Highest video resolution | 1280x720 | 1280x720 |
Video data format | H.264 | MPEG-4 |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | Eye-Fi Connected | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 306 grams (0.67 pounds) | 144 grams (0.32 pounds) |
Dimensions | 113 x 73 x 46mm (4.4" x 2.9" x 1.8") | 104 x 58 x 20mm (4.1" x 2.3" x 0.8") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 130 pictures | 250 pictures |
Battery style | AA | Battery Pack |
Battery model | 2 x AA | - |
Self timer | Yes (2 or 10 sec, Custom) | Yes (2 or 10 sec) |
Time lapse recording | ||
Storage type | SD/SDHC/SDXC | SD/SDHC/SDXC, Internal |
Card slots | One | One |
Retail pricing | $249 | $180 |