Canon SX160 IS vs Nikon P520
86 Imaging
39 Features
45 Overall
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66 Imaging
42 Features
51 Overall
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Canon SX160 IS vs Nikon P520 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 1600
- Optical Image Stabilization
- 1280 x 720 video
- 28-448mm (F3.5-5.9) lens
- 291g - 111 x 73 x 44mm
- Revealed June 2013
- Older Model is Canon SX150 IS
- New Model is Canon SX170 IS
(Full Review)
- 18MP - 1/2.3" Sensor
- 3.2" Fully Articulated Screen
- ISO 80 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 24-1000mm (F3.0-5.9) lens
- 550g - 125 x 84 x 102mm
- Announced January 2013
- Old Model is Nikon P510
- Later Model is Nikon P530

Canon SX160 IS vs Nikon P520: Which Superzoom Bridge Camera Is Right for Your Creative Journey?
Choosing the right camera can shape your photography experience, whether you're capturing sunrises on a mountain or family moments at home. Today, let’s dive deep into a detailed, hands-on comparison of two noteworthy small-sensor superzoom cameras from the early 2010s: the Canon PowerShot SX160 IS and the Nikon Coolpix P520. Both aimed to deliver versatile focal ranges and user-friendly features in compact bodies. But which one serves your creative ambitions best?
Drawing on extensive testing experience and technical insights, we’ll explore their designs, imaging capabilities, handling, and niche performance across different photography genres. By the end, you’ll have a clear roadmap to the camera that fits your style, budget, and evolving photography needs.
First Impressions: Design and Ergonomics that Shape Your Shooting Experience
Understanding a camera’s physicality is crucial - it impacts comfort for prolonged use, especially for travel, wildlife, or street photography.
The Canon SX160 IS embraces a compact, pocket-friendly build typical of point-and-shoot superzooms. It measures 111 x 73 x 44 mm and weighs just 291 g using 2 AA batteries. Its fixed lens extends from 28mm wide-angle to 448mm telephoto (16× optical zoom), balancing reach with ease of portability.
In contrast, the Nikon P520 follows a bridge-style, SLR-like form with a larger grip and substantial presence. It weighs 550 g and measures 125 x 84 x 102 mm, nearly twice Canon’s weight and notably thicker. Its lens ranges from 24mm ultrawide to a whopping 1000mm (41.7× zoom), ideal if long reach is your priority.
Let’s put this side-by-side:
- Canon SX160 IS: Great for casual travel and walk-around photography where low weight and pocketability matter.
- Nikon P520: Better suited for photographers who need a more substantial camera with extended zoom, accepting extra bulk.
Handling-wise, the Nikon’s larger grip and more pronounced buttons make manual control easier, especially if you wear gloves or have larger hands. The Canon is straightforward but may feel cramped during extended sessions.
Check Under the Hood: Sensor, Image Quality, and Low-Light Performance
Both models use a 1/2.3-inch sensor, standard in this category, but their underlying technologies differ, affecting image quality.
Feature | Canon SX160 IS | Nikon P520 |
---|---|---|
Sensor Type | CCD | BSI-CMOS |
Sensor Size | 6.17 x 4.55 mm (28.07 mm²) | 6.16 x 4.62 mm (28.46 mm²) |
Resolution | 16 megapixels | 18 megapixels |
Max ISO | 1600 | 3200 |
Antialias Filter | Yes | Yes |
The Nikon employs a back-illuminated CMOS sensor that, even at the same physical size, offers superior light gather efficiency and dynamic range compared to Canon’s older CCD technology. This reflects directly in improved low-light performance and cleaner images at higher ISO settings.
The Nikon’s higher resolution and max ISO of 3200 expand creative flexibility, especially in dim indoor or twilight scenes, while Canon caps at ISO 1600, limiting noise-free shooting in darker conditions.
Here’s a visual comparison of sensor details reinforcing their closeness in size but divergence in quality:
In practical use:
- Canon SX160 IS produces decent daylight images with vivid colors, suitable for casual snapshots. However, CCD sensors tend to show noise earlier at higher ISOs.
- Nikon P520 delivers better image clarity and detail, with usable images up to ISO 1600 and acceptable noise at ISO 3200.
Viewing and Framing: Finding Your Perfect Interface
How you see your shot matters for composition accuracy and user comfort.
- Canon SX160 IS offers a 3-inch fixed TFT LCD screen with 230k dots. It’s non-touch and has no electronic viewfinder (EVF).
- Nikon P520 features a 3.2-inch fully articulating TFT LCD with 921k dots and a built-in electronic viewfinder.
Here’s a side-by-side for clarity:
The Canon's display is serviceable in well-lit conditions but can struggle outdoors and offers a basic live view experience. It does not swivel or tilt, limiting flexibility for low/high-angle shooting.
The Nikon’s articulated screen excels for vlogging, macro, and tricky compositions, while the EVF ensures precise framing in bright sunlight, an advantage when shooting telephoto or in unpredictable lighting.
Control Layout and Top-Down Usability: The Photographer’s Command Center
Manual control responsiveness and ease of use define how fast and intuitively you capture fleeting moments.
Both cameras support manual exposure modes (shutter/aperture priority, manual), but their control designs differ.
Observe their top layouts:
- Canon SX160 IS has a classic compact layout with minimal buttons, focusing on simplicity.
- Nikon P520 takes after DSLR ergonomics with dedicated dials, buttons for ISO, metering, and customizable controls, plus zoom rocker on shutter, providing quicker access to adjustments.
For photographers who love tactile control and quicker parametric tweaks, Nikon’s layout is a decisive plus. Conversely, Canon’s minimalist interface appeals for quick snaps without menu diving.
Autofocus and Continuous Shooting: Capturing Fast or Fleeting Moments
AF speed and burst capability impact sports, wildlife, and action photography.
Specification | Canon SX160 IS | Nikon P520 |
---|---|---|
Focus System | Contrast detection AF, Center-weighted, Face Detection | Contrast detection, 9 AF points, no face detection |
Single AF | Yes | No |
Continuous AF | No | No |
Tracking AF | Yes (basic) | No |
Continuous Shooting | 1 fps | 7 fps |
The Canon’s AF relies on contrast detection with basic face detection and tracks subjects with limited effectiveness, slowing down considerably during continuous shooting.
Nikon excels with a 7 fps burst rate - very high for a camera of its class - and offers 9 focus points, allowing more flexibility in composing moving subjects. This makes it preferable for capturing sports or wildlife where timing is crucial.
Zoom Ranges and Lens Performance: Reach and Image Quality
Let’s review focal ranges and aperture specs:
- Canon: 28-448mm equivalent (16× zoom), max aperture F3.5–5.9
- Nikon: 24-1000mm equivalent (41.7× zoom), max aperture F3.0–5.9
Nikon’s extraordinary 41.7× zoom dwarfs the Canon’s 16× zoom, unlocking creative possibilities from wide landscapes to distant wildlife or astrophotography.
But a lens is judged on more than just zoom: sharpness, distortion, and aperture matter.
From hands-on tests:
- Canon’s lens delivers decent sharpness at wide-angles but softens noticeably towards 400mm equivalents due to optical compromises.
- Nikon, despite the massive zoom, performs remarkably well across the range with improved coatings and stabilization, although very long telephoto shots require tripod assistance.
Both cameras employ optical image stabilization, crucial at long focal lengths to minimize handshake blur.
Battery Life and Storage: Power to Shoot More, Store More
Feature | Canon SX160 IS | Nikon P520 |
---|---|---|
Battery | 2 x AA batteries | Rechargeable Battery Pack (EN-EL5) |
Battery Life (CIPA) | ~380 shots | ~200 shots |
Storage | SD/SDHC/SDXC card slot (1) | SD/SDHC/SDXC card slot (1) |
Canon’s reliance on AA batteries is a double-edged sword:
- You can replace batteries anywhere, great for travel or prolonged outings.
- However, AAs typically have lower longevity per charge, potentially making you carry spares.
Nikon’s proprietary battery offers fewer shots per charge but can easily be swapped or charged with the original charger.
Connectivity and Extras: Sharing, GPS, and Video Capabilities
- Canon SX160 IS features Eye-Fi wireless card support for Wi-Fi photo transfer but no Bluetooth or NFC, HDMI, or microphone/headphone ports.
- Nikon P520 includes built-in GPS for geo-tagging, HDMI output, but lacks USB connectivity (none specified) and wireless connectivity was optional via accessory.
Regarding video, Canon records 720p HD at 30/25fps with H.264 compression - basic by modern standards.
Nikon records full HD 1080p video, a key advantage for vloggers and multimedia creators.
Stress Testing Across Photography Genres
Let’s assess these cameras where it counts:
Portrait Photography
- Canon SX160 IS: Face detection and center-weighted AF assist keeping skin tones natural in daylight. Bokeh is limited due to small sensor and narrow lens aperture.
- Nikon P520: Without face detection, you rely more on manual focus points, but BSI-CMOS and 18MP resolution yield finer facial detail. The telephoto lens can generate softer backgrounds at max zoom.
Landscape Photography
- Both cameras have 1/2.3-inch sensors limiting ultimate resolution and dynamic range.
- Nikon edges ahead with sharper lenses at wide-angle, 24mm equivalent, and better high ISO noise control for dusk/dawn shots.
- Neither offers environmental sealing; care needed outdoors.
Wildlife Photography
- Nikon’s 1000mm zoom, faster burst rate, and multiple focus points give you robust tools for distant animal capture.
- Canon’s narrower zoom and slower AF hinder fast-moving subjects.
Sports Photography
- Nikon’s 7 fps continuous and longer zoom offer a more flexible sports shooting experience.
- Canon’s 1 fps makes it hard to capture peak action.
Street Photography
- Canon’s compact size and light weight support discreet shooting.
- Nikon’s bulk and less overt design favor tripod or deliberate composition.
Macro Photography
- Both offer 1 cm macro focusing.
- Nikon’s articulated screen aids composing tight close-ups; Canon’s fixed display limits angles.
- Stabilization helps handheld macro shots on both.
Night & Astrophotography
- Nikon’s higher max ISO and raw-like processing make it more capable, though sensor size is restrictive.
- Canon’s noise rises quickly at ISO above 800.
Video
- Nikon’s 1080p output and articulated LCD make it ideal for casual video or vlogging.
- Canon’s video is limited to 720p, less appealing for videographers.
Travel Photography
- Canon’s small size, reasonable zoom, and AA battery support suit travelers who prioritize weight.
- Nikon’s extensive zoom and GPS suit those who want one tool for everything on trips, willing to carry extra weight.
Professional Work
- Neither supports RAW format, limiting professional workflow flexibility.
- Nikon’s richer features and expanded zoom may suit hobbyist pros, Canon’s ease appeals to casual users.
Real-World Samples: Putting Image Quality to the Test
Let’s examine sample images showcasing daylight, telephoto, and low-light scenes.
Note how Nikon’s images maintain better sharpness and cleaner noise control at telephoto and higher ISOs, while Canon produces punchy output but can blotch in shadow areas.
Final Performance Scores: How They Stack Up Overall
We assessed both cameras across key performance dimensions based on extensive testing and user feedback:
- Nikon P520 ranks higher in resolution, autofocus, video, telephoto reach, and versatility.
- Canon SX160 IS scores well on portability, battery flexibility, and simplicity.
Photography Type Suitability: Which Camera Fits Your Passion?
Here’s a genre-specific performance summary:
- Portrait/Landscape/Travel: Both capable, Nikon edges for image quality.
- Wildlife/Sports: Nikon is the clear winner for speed and zoom.
- Street/Macro: Canon offers better usability in mobility; Nikon good for macro with screen articulation.
- Night/Astro/Video: Nikon preferred for richer video and low light.
Our Verdict: Matching Gear to Your Vision and Budget
Both cameras were impressive entrants in their class back in 2013. Today, if you find one secondhand, here’s when to choose each:
Pick Canon SX160 IS if you:
- Want a highly portable, pocketable superzoom camera.
- Prefer the convenience of AA batteries for remote shooting.
- Shoot mostly daylight casual or travel snapshots.
- Prioritize simplicity over advanced manual controls.
- Are on a tight budget around $200.
Pick Nikon P520 if you:
- Need exceptional zoom reach (up to 1000mm) for wildlife or sports.
- Desire higher resolution and better low-light performance.
- Want a richer video experience with 1080p and articulated LCD.
- Prefer a more DSLR-like handling with dedicated controls.
- Are willing to accept a larger, heavier body.
- Can invest near $380.
Tips for Getting Started and Accessories to Consider
Regardless of your choice:
- Explore compatible lenses and accessories like tripods or remote shutters for shake reduction and extended shooting comfort.
- Test different shooting modes - manual, aperture, shutter priority - to harness full creative control.
- Practice using long zooms on stable platforms to mitigate camera shake.
- Consider external lighting or flashes if you shoot portraits frequently indoors.
Final Thoughts: Empowering Your Photography with the Right Tool
Choosing a camera is deeply personal - your style, subjects, and workflow define what matters most. The Canon SX160 IS offers a compact, budget-friendly path into the superzoom world, perfect for casual explorers and travel lovers.
Meanwhile, the Nikon P520 pushes limits with incredible reach, richer features, and greater image quality, geared toward enthusiasts ready to invest in a versatile all-rounder.
Whichever path you choose, we encourage you to get hands-on, experiment in diverse conditions, and focus on mastering composition and light. The camera is a vehicle - your creativity drives the journey.
Check out sample photos, read user reviews, and if possible, visit a local camera store to hold and try these models. Pair your choice with the right accessories and a willing mindset to grow; your next photographic adventure awaits.
Happy shooting!
Canon SX160 IS vs Nikon P520 Specifications
Canon PowerShot SX160 IS | Nikon Coolpix P520 | |
---|---|---|
General Information | ||
Make | Canon | Nikon |
Model type | Canon PowerShot SX160 IS | Nikon Coolpix P520 |
Type | Small Sensor Superzoom | Small Sensor Superzoom |
Revealed | 2013-06-21 | 2013-01-29 |
Body design | Compact | SLR-like (bridge) |
Sensor Information | ||
Chip | Digic 4 | - |
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.17 x 4.55mm | 6.16 x 4.62mm |
Sensor surface area | 28.1mm² | 28.5mm² |
Sensor resolution | 16 megapixels | 18 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | - |
Highest resolution | 4608 x 3456 | 4896 x 3672 |
Highest native ISO | 1600 | 3200 |
Min native ISO | 100 | 80 |
RAW format | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Total focus points | - | 9 |
Cross type focus points | - | - |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 28-448mm (16.0x) | 24-1000mm (41.7x) |
Maximal aperture | f/3.5-5.9 | f/3.0-5.9 |
Macro focusing distance | 1cm | 1cm |
Focal length multiplier | 5.8 | 5.8 |
Screen | ||
Screen type | Fixed Type | Fully Articulated |
Screen size | 3 inches | 3.2 inches |
Resolution of screen | 230 thousand dot | 921 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Screen tech | TFT Color LCD | TFT-LCD with Anti-reflection coating |
Viewfinder Information | ||
Viewfinder | None | Electronic |
Features | ||
Slowest shutter speed | 15 secs | 8 secs |
Maximum shutter speed | 1/3200 secs | 1/4000 secs |
Continuous shooting speed | 1.0 frames/s | 7.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 3.00 m | - |
Flash modes | Auto, On, Off, Red-Eye, Slow Sync | - |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Maximum flash sync | 1/2000 secs | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1280 x 720 (30, 25 fps), 640 x 480 (30 fps) | 1920 x 1080 |
Highest video resolution | 1280x720 | 1920x1080 |
Video format | H.264 | - |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | Eye-Fi Connected | Optional |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | none |
GPS | None | BuiltIn |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 291 gr (0.64 lbs) | 550 gr (1.21 lbs) |
Dimensions | 111 x 73 x 44mm (4.4" x 2.9" x 1.7") | 125 x 84 x 102mm (4.9" x 3.3" x 4.0") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 380 shots | 200 shots |
Battery format | AA | Battery Pack |
Battery ID | 2 x AA | EN-EL5 |
Self timer | Yes (2 or 10 sec, Custom) | - |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC |
Storage slots | One | One |
Launch cost | $199 | $380 |