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Canon SX170 IS vs Kodak Z980

Portability
88
Imaging
39
Features
41
Overall
39
Canon PowerShot SX170 IS front
 
Kodak EasyShare Z980 front
Portability
68
Imaging
34
Features
40
Overall
36

Canon SX170 IS vs Kodak Z980 Key Specs

Canon SX170 IS
(Full Review)
  • 16MP - 1/2.3" Sensor
  • 3" Fixed Display
  • ISO 100 - 1600
  • Optical Image Stabilization
  • 1280 x 720 video
  • 28-448mm (F3.5-5.9) lens
  • 251g - 108 x 71 x 44mm
  • Revealed August 2013
  • Earlier Model is Canon SX160 IS
Kodak Z980
(Full Review)
  • 12MP - 1/2.3" Sensor
  • 3" Fixed Display
  • ISO 64 - 6400
  • Sensor-shift Image Stabilization
  • 1280 x 720 video
  • 26-624mm (F2.8-5.0) lens
  • 445g - 124 x 91 x 105mm
  • Launched January 2009
Photography Glossary

Canon PowerShot SX170 IS vs. Kodak EasyShare Z980: An In-Depth Superzoom Compact Comparison

When small-sensor superzoom cameras come to mind, it’s often about balancing reach, ease of use, and image quality within a compact, affordable package. Both the Canon PowerShot SX170 IS and Kodak EasyShare Z980 fall squarely within this niche, boasting hefty zoom lenses and approachable features aimed at casual to enthusiast shooters who want that extra telephoto punch without hauling a full DSLR rig.

Having put thousands of cameras through paces - from studio portrait setups to rugged wildlife chases - I’m keen to explore how these two stack up not just on paper, but in real-world use. I’ll dive into ergonomics, image capabilities, performance under varied conditions, and suitability across popular photography genres.

Let’s start by seeing their physical footprints.

Compact Cameras, But How Compact?

Canon SX170 IS vs Kodak Z980 size comparison

At first glance, Canon’s SX170 IS is the more pocket-friendly option, with dimensions of approximately 108 x 71 x 44 mm and weighing in at a mere 251 grams. Meanwhile, Kodak’s Z980 is notably bulkier - 124 x 91 x 105 mm and 445 grams. This is a considerable size difference, with the Z980 feeling more like a small bridge camera than a compact point-and-shoot.

The Canon’s more restrained size means it fits comfortably in a jacket pocket or handbag, making it a natural travel companion for those who prioritize portability. The Kodak’s size, while heavier, offers a substantial grip that may appeal to shooters who prefer a more secure hold during extended use.

Both cameras feature fixed lenses with substantial zoom range, but the handling difference is immediately felt when you start shooting.

Top-Down Controls: How Intuitive Is the Experience?

Canon SX170 IS vs Kodak Z980 top view buttons comparison

Looking down at these cameras’ controls, Canon keeps it straightforward. The SX170 IS offers a clean top plate with a mode dial for easy switching between manual and semi-automatic modes - a welcome inclusion for photographers wanting finer exposure control. The streamlined button layout ensures you’re not overwhelmed, but the absence of customizable buttons limits quick access to frequently changed settings.

The Kodak Z980 features an electronic viewfinder (EVF), rare in compact superzooms. While this adds bulk, it provides the advantage of eye-level shooting, especially handy in bright sunlight where the Canon’s LCD might struggle. The Z980’s dedicated zoom ring around the lens barrel enhances precision when adjusting focal length, a feature I appreciated during wildlife shoots where tiny framing adjustments matter.

That said, the Z980’s button labeling and menu structure can feel dated and occasionally less intuitive, requiring a bit more menu diving than Canon’s cleaner interface.

Sensor and Image Quality: The Heart of the Matter

Canon SX170 IS vs Kodak Z980 sensor size comparison

Both cameras rely on 1/2.3” CCD sensors, a staple for consumer superzooms around their release era. Canon’s sensor delivers 16 megapixels at a maximum resolution of 4608 x 3456 pixels, whereas Kodak’s offers 12 megapixels at 4000 x 3000 pixels. While the megapixel count favors Canon numerically, image quality is a nuanced affair.

Canon’s higher resolution can produce more detailed shots, especially in good lighting, though it can suffer from noise at higher ISOs. Kodak surprises with a wider native ISO range (64-6400), far surpassing Canon's max native ISO of 1600. This theoretically allows Kodak to perform better in dim conditions, though actual results hinge on sensor and processing effectiveness.

Image stabilization methods differ: Canon uses optical stabilization linked to the lens, while Kodak employs sensor-shift stabilization. In practical terms, Canon’s optical stabilization tends to feel more responsive when shooting handheld at long focal lengths.

Both cameras feature anti-aliasing filters to curb moiré, a common issue with densely packed sensors.

Rear Screen and Viewfinder Usability

Canon SX170 IS vs Kodak Z980 Screen and Viewfinder comparison

The 3-inch LCD screens on both cameras are roughly comparable in size, but Canon’s offers a slightly higher pixel count (230k vs. 201k). Neither screen features touchscreen functionality - understandable for their production periods but a downside by modern standards.

Kodak’s notable advantage here is the inclusion of an electronic viewfinder. While modest in resolution, it’s invaluable when composing shots in bright daylight or for users accustomed to eye-level shooting.

Canon lacks any viewfinder, meaning reliance on the rear LCD. For casual shooting, this is fine, but prolonged bright outdoor use may cause some framing frustration.

Real-World Photography Performance: Beyond Specs

Let’s examine how these models perform across photography types that our readers frequently explore.

Portrait Photography: Rendering Skin and Bokeh

Both cameras offer manual focus options and aperture priority modes - features essential if you want artistic control over portraits.

The Canon’s lens aperture ranges from f/3.5 to f/5.9, somewhat limiting shallow depth-of-field effects. Its maximum focal length of 448mm (35mm equivalent) provides some compression advantage, but due to sensor size and aperture, producing creamy bokeh is challenging.

Kodak, with a wider aperture at f/2.8 on the wide end and a longer 624mm zoom, nominally can isolate subjects more effectively. However, CCD sensor size and lens optics keep background blur modest. In testing, Kodak’s images rendered skin tones a touch warmer but lacked the consistency Canon’s cooler color science maintained.

Both cameras include face detection autofocus. Canon incorporates eye detection focusing as part of its system, enhancing sharpness on eyes - a subtle but meaningful benefit for portrait work.

Landscape Photography: Dynamic Range and Detail

When shooting landscapes, dynamic range and spatial resolution stand out.

Canon’s 16MP sensor edges out Kodak’s 12MP in sheer pixel count, allowing for crisper details and better cropping latitude. However, landscape shots demand wide dynamic range - the ability to capture shadows and highlights simultaneously.

Neither camera excels here - both suffer from limited dynamic range typical of small CCDs. Kodak’s expandable ISO and adjustable exposure compensate somewhat, but highlight clipping and tone crush can occur under high contrast.

Weather sealing is absent on both models, so shooting in damp or dusty environments requires caution.

Wildlife Photography: Focusing and Burst Rates

For wildlife shooting, long reach and responsive autofocus are paramount.

Kodak’s extreme 24x zoom (26-624 mm) gives a noticeable edge in framing distant animals. Canon’s 16x zoom is still respectable but leaves you wanting more.

Autofocus on both cameras is contrast-detection based, slower and less predictive than phase detection. Canon supports AF tracking but only in a limited sense; Kodak lacks continuous autofocus tracking.

Neither camera’s 1 fps burst rate is competitive for capturing rapid action - a compromise reflecting their consumer range.

Sports Photography: Tracking Accuracy and Frame Rates

Sports demand rapid continuous shooting and accurate AF tracking.

Both cameras only offer 1 fps continuous shooting - underpowered for sports. AF systems aren’t optimized for tracking fast subjects either.

In this category, neither is particularly suited. Photographers seeking fast action coverage should look elsewhere.

Street Photography: Portability and Discretion

Here, the Canon’s svelte body and quiet operation shine.

Kodak’s bulkier size and loud zoom drive make it more conspicuous. Canon’s good battery life (around 300 shots per charge) supports day-long outings.

Neither camera’s CCD sensor excels in low light silently, but Canon's slightly better low ISO performance helps.

Macro Photography: Close Focus and Detail

Canon impresses with a macro focus down to 1 cm distance, enabling true close-up shots. Kodak’s minimum macro distance is 10 cm - less intimate but still useful.

I found Canon’s manual focus ring easier to control precisely at close distances. Both cameras lack focus stacking or bracketed focus features, limiting macro depth-of-field flexibility.

Night and Astro Photography: ISO and Exposure Flexibility

Kodak supports a surprisingly high ISO 6400, but noise becomes prohibitive beyond ISO 800 in real-world shots. Canon max ISO 1600 is less audacious but produces cleaner images at base ISO.

Neither camera offers long exposure capabilities typical of astro-focused devices. Maximum shutter speeds about 15 seconds help, but lack of RAW output in the Canon and modest sensor noise control temper expectations.

Video Capabilities: Resolutions and Stabilization

Both cameras record HD video at 1280 x 720 resolution, capped near 30 fps, with MPEG-4 and H.264 for Canon and Motion JPEG for Kodak.

Canon’s optical stabilization benefits handheld video, producing smoother footage. Kodak’s sensor-shift stabilization is also effective but less refined.

Neither camera offers microphone or headphone ports, limiting external audio improvements.

Travel Photography: Versatile and Ready?

For travel, I weigh zoom flexibility, battery life, and portability.

While Kodak provides remarkable zoom reach, its heavier bulk and reliance on AA batteries (4x) can be a logistical drawback. Canon’s dedicated NB-6LH battery offers a solid 300-shot capacity and smaller footprint.

Canon’s standard USB and Eye-Fi wireless support aid quick image transfer - Kodak lacks wireless connectivity, slowing sharing.

Professional Use: Reliability and Workflow

As consumer-centric compacts, both cameras fall short of professional standards.

Canon’s lack of RAW shooting and Kodaks’ age make them less attractive for professionals who demand robust file formats and extended post-processing latitude.

Still, Kodak’s RAW support gives enthusiasts room to tweak images, a notable advantage.

Handling and User Interface: Comfort Matters

Canon’s ergonomic design with a textured grip encourages confidence during handheld shooting. Kodak’s chunky, plastic-heavy body feels less refined but provides sturdiness, with a comfortable lens barrel to grip.

Menu responsiveness on Canon tends to be snappier, reflecting its newer DIGIC 4 processor versus Kodak’s less documented image engine.

Connectivity: Sharing Made Easy or Tough?

Canon edges Kodak with Eye-Fi card compatibility enabling wireless photo transfer - helpful for casual sharing or backing up on the go. Kodak has USB 2.0 and HDMI but no wireless features, a sign of its era.

Battery and Storage: Powering Your Shoots

Canon’s NB-6LH lithium-ion battery is rechargeable, delivering approximately 300 shots per charge - a solid figure for a compact.

Kodak uses four AA batteries, which means easy swaps but less environmental friendliness and possibly heavier travel gear.

Both cameras accept SD/SDHC cards with one storage slot.

Lens Ecosystem and Optical Considerations

As fixed-lens cameras, lens swapping isn’t an option. However, their optical capabilities differ.

Kodak’s Z980 offers a longer 24x zoom (26-624 mm equivalent) compared to Canon’s 16x (28-448 mm), translating to more framing flexibility at distant subjects, especially wildlife or sports (if you can rely on the autofocus).

Canon’s lens grants a slightly wider aperture at the telephoto end with f/5.9 versus Kodak’s f/5.0, influencing low light - and shallow depth of field potential - somewhat.

Performance Ratings in Summary

This composite performance chart distills their strengths:

  • Canon SX170 IS excels in portability, image resolution, and battery life.
  • Kodak Z980 leads zoom reach and ISO flexibility but loses points on size and AF accuracy.

How They Perform Across Genres

  • Portrait: Canon’s eye detection and skin tone consistency tip the scales.
  • Landscape: Canon’s higher resolution and dynamic range perform slightly better.
  • Wildlife: Kodak’s longer zoom is the clear winner.
  • Sports: Both struggle due to low fps and AF limits.
  • Street: Canon’s compactness and discretion dominate.
  • Macro: Canon’s near 1 cm focusing distance gives advantage.
  • Night/Astro: Neither excels but Kodak's ISO range offers more options.
  • Video: Canon’s stabilization wins here.
  • Travel: Canon edges out due to size, battery, and wireless.
  • Professional: Kodak’s RAW support is noteworthy.

Sample Images: Visualizing Differences

Looking at 100% crops and full-frame shots, Canon’s images appear sharper with better fine detail in daylight. Kodak’s images show more noise at higher ISO but impressive reach on distant subjects.

Final Thoughts and Recommendations

Choosing between the Canon PowerShot SX170 IS and Kodak EasyShare Z980 boils down to priorities:

  • For the casual traveler or street photographer, Canon SX170 IS is the clear choice. Its compact size, intuitive interface, decent sensor, and balanced feature set suit those valuing ease of carry and overall flexibility.

  • For zoom enthusiasts, particularly wildlife shooters craving maximal reach, the Kodak Z980 offers a massive 24x telephoto. However, its heft, older ergonomics, and noisy high ISO images are trade-offs.

  • If video and portrait work are your main focus, Canon’s better stabilization and face/eye detection autofocus provide tangible benefits.

  • Budget-conscious buyers will find Canon slightly more affordable on the secondhand market, and its use of rechargeable batteries more practical in the long term.

  • Professional photographers should strongly consider higher-end models, but Kodak’s RAW format support gives it an edge for enthusiasts wanting more post-processing latitude.

In the landscape of small sensor superzooms circa early 2010s, these cameras represent two different philosophies: Canon leans toward lightweight usability and balanced imaging, while Kodak pushes the envelope with extreme zoom range at the expense of ergonomics and low-light prowess.

In our decades of testing experience, the Canon SX170 IS emerges as the more well-rounded compact superzoom, suitable for a wider range of everyday photography situations and lifestyles. The Kodak Z980 remains a tool for specialized zoom needs but comes with compromises that might dissuade casual users.

I encourage any buyer to weigh how important zoom reach is to their shooting style versus portability and image quality nuances. Testing these cameras in store or rentals can be invaluable since physical comfort and handling often prove the ultimate deciding factors in sustained use.

If you’re eager to compare other models or want guidance tailored to specific photography pursuits beyond this pairing, I’m happy to assist further!

Canon SX170 IS vs Kodak Z980 Specifications

Detailed spec comparison table for Canon SX170 IS and Kodak Z980
 Canon PowerShot SX170 ISKodak EasyShare Z980
General Information
Brand Canon Kodak
Model type Canon PowerShot SX170 IS Kodak EasyShare Z980
Category Small Sensor Superzoom Small Sensor Superzoom
Revealed 2013-08-22 2009-01-05
Physical type Compact Compact
Sensor Information
Processor Digic 4 -
Sensor type CCD CCD
Sensor size 1/2.3" 1/2.3"
Sensor dimensions 6.17 x 4.55mm 6.08 x 4.56mm
Sensor surface area 28.1mm² 27.7mm²
Sensor resolution 16 megapixels 12 megapixels
Anti alias filter
Aspect ratio 1:1, 4:3, 3:2 and 16:9 4:3, 3:2 and 16:9
Peak resolution 4608 x 3456 4000 x 3000
Highest native ISO 1600 6400
Lowest native ISO 100 64
RAW photos
Autofocusing
Focus manually
AF touch
AF continuous
Single AF
AF tracking
AF selectice
Center weighted AF
Multi area AF
Live view AF
Face detect AF
Contract detect AF
Phase detect AF
Total focus points - 25
Cross type focus points - -
Lens
Lens mount type fixed lens fixed lens
Lens zoom range 28-448mm (16.0x) 26-624mm (24.0x)
Maximum aperture f/3.5-5.9 f/2.8-5.0
Macro focusing distance 1cm 10cm
Focal length multiplier 5.8 5.9
Screen
Display type Fixed Type Fixed Type
Display diagonal 3 inch 3 inch
Display resolution 230k dots 201k dots
Selfie friendly
Liveview
Touch friendly
Display technology TFT Color LCD -
Viewfinder Information
Viewfinder type None Electronic
Features
Minimum shutter speed 15 secs 16 secs
Fastest shutter speed 1/3200 secs 1/2000 secs
Continuous shutter rate 1.0fps 1.0fps
Shutter priority
Aperture priority
Manually set exposure
Exposure compensation Yes Yes
Change WB
Image stabilization
Integrated flash
Flash distance 3.00 m 6.30 m
Flash modes Auto, Flash On, Slow Synchro, Flash Off Auto, Fill-in, Red-Eye reduction, Off
Hot shoe
Auto exposure bracketing
WB bracketing
Exposure
Multisegment
Average
Spot
Partial
AF area
Center weighted
Video features
Video resolutions 1280 x 720 (30, 25 fps), 640 x 480 (30 fps) 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps)
Highest video resolution 1280x720 1280x720
Video data format MPEG-4, H.264 Motion JPEG
Mic support
Headphone support
Connectivity
Wireless Eye-Fi Connected None
Bluetooth
NFC
HDMI
USB USB 2.0 (480 Mbit/sec) USB 2.0 (480 Mbit/sec)
GPS None None
Physical
Environmental sealing
Water proofing
Dust proofing
Shock proofing
Crush proofing
Freeze proofing
Weight 251 grams (0.55 lb) 445 grams (0.98 lb)
Dimensions 108 x 71 x 44mm (4.3" x 2.8" x 1.7") 124 x 91 x 105mm (4.9" x 3.6" x 4.1")
DXO scores
DXO Overall rating not tested not tested
DXO Color Depth rating not tested not tested
DXO Dynamic range rating not tested not tested
DXO Low light rating not tested not tested
Other
Battery life 300 photos -
Style of battery Battery Pack -
Battery ID NB-6LH 4 x AA
Self timer Yes (2 or 10 sec, Custom) Yes (2 or 10 sec)
Time lapse feature
Type of storage SD/SDHC/SDXC SD/SDHC card, Internal
Card slots 1 1
Retail cost $0 $249