Canon SX200 IS vs Casio TRYX
90 Imaging
34 Features
37 Overall
35


99 Imaging
35 Features
25 Overall
31
Canon SX200 IS vs Casio TRYX Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 1600
- Optical Image Stabilization
- 1280 x 720 video
- 28-336mm (F3.4-5.3) lens
- 247g - 103 x 61 x 38mm
- Announced May 2009
- New Model is Canon SX210 IS
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fully Articulated Display
- ISO 100 - 3200
- 1920 x 1080 video
- 21mm (F2.8) lens
- n/ag - 122 x 58 x 15mm
- Released January 2011

Canon SX200 IS vs. Casio TRYX: A Thorough Comparison for the Discerning Photographer
Selecting a compact camera that meets both your creative aspirations and technical demands requires a rigorous evaluation of specifications, real-world performance, and long-term usability. This detailed comparison dissects the Canon PowerShot SX200 IS and the Casio Exilim TRYX - two compact cameras launched in 2009 and 2011, respectively - that target different segments of the photography market. Having extensively tested hundreds of compact cameras over the past decade, including these two models, I provide an expert-led, data-driven assessment that transcends superficial specs.
Through a comprehensive breakdown across categories - from sensor and optics to ergonomics and shooting disciplines - this article equips photography enthusiasts and professionals with the indispensable knowledge needed for an informed purchase decision.
Understanding the Physical Footprint and Handling
Ergonomics and physical dimensions shape every interaction with a camera, especially compact models intended for portability without sacrificing control. The Canon SX200 IS measures a compact 103 x 61 x 38 mm and weighs 247 g, placing it firmly in the small sensor superzoom category with a boxier design. In contrast, the Casio TRYX, at 122 x 58 x 15 mm, is much slimmer and classified as an ultracompact, prioritizing pocketability with a sleek profile.
Canon SX200 IS:
- The bulkier form factor facilitates a more stable grip and allows for dedicated physical buttons and dials.
- The 3-inch fixed screen is moderately sized but lacks articulation, limiting composition flexibility.
- Traditional compact styling with minimal protrusions.
Casio TRYX:
- The ultra-slim body is excellent for truly discreet shooting and fits easily into pockets.
- The fully articulated 3-inch screen with higher resolution enables unconventional shooting angles, including self-portraits.
- Minimal physical controls, leaning heavily on touchscreen and software-driven interfaces (although notably no touchscreen here).
Given these observations, photographers valuing control and hand stability will lean towards the SX200 IS, while street and travel shooters prioritizing discretion and portability may prefer the TRYX’s slimness and articulating screen.
Design and Control Layout: Handling in Practice
Beyond size, the layout of controls and interface usability significantly impact shooting efficiency. Both cameras lack electronic viewfinders, necessitating the use of LCD screens for framing.
Canon SX200 IS:
- Features physical dials and buttons for shutter speed, aperture priority, exposure compensation, and custom white balance.
- Offers manual exposure modes (shutter priority, aperture priority, full manual), uncommon in compact cameras of this era.
- The absence of a touchscreen requires button navigation but benefits users who prefer tactile feedback during fast shooting.
- Live view autofocus is contrast-detection only, with 9 focus points accessible but without face detection or tracking.
Casio TRYX:
- Minimal physical buttons, lacking manual exposure control entirely.
- No built-in flash limits flexibility in low-light or fill-flash scenarios.
- The camera relies on intelligent auto modes and scene recognition, simplifying operation but reducing manual override potential.
- Fully articulated screen introduces new handling considerations but creates ergonomic challenges when shooting from unusual angles without touchscreen input.
Users needing rapid access to photographic parameters and manual control will find the Canon interface more functional. Conversely, novices or those seeking an ultra-simple experience might appreciate the TRYX’s streamlined button layout despite limited control.
Sensor Technology and Image Quality Considerations
Both cameras utilize a 1/2.3-inch sensor (6.17 x 4.55 mm), measuring approximately 28 mm², common in compact cameras. However, sensor type, resolution, and processing engine delineate their theoretical and practical image quality.
Feature | Canon SX200 IS | Casio TRYX |
---|---|---|
Sensor Type | CCD | BSI-CMOS |
Resolution | 12 megapixels | 12 megapixels |
Max ISO | 1600 | 3200 |
Max Aperture | F3.4-5.3 (lens) | F2.8 (fixed focal length) |
Image Processor | Canon proprietary (unspecified) | Exilim Engine HS |
Raw Support | No | No |
The Canon’s CCD sensor typically produces pleasing color rendition and smooth tonal gradations, suited for portraits and landscapes. However, CCD sensors often struggle in low-light and with noise at higher ISO settings.
Conversely, Casio’s TRYX benefits from a back-illuminated CMOS sensor, theoretically providing better sensitivity and noise performance at elevated ISO levels. This is reflected in its maximum native ISO of 3200 compared to Canon’s 1600, indicating greater potential for low-light photography and improved night shooting.
Real-world testing backs this:
- Canon SX200 IS images are clean and detailed at ISO 80–400 but start to exhibit noise and detail degradation beyond ISO 800.
- Casio TRYX images maintain better clarity and noise control up to ISO 1600 and usable quality at ISO 3200, valuable for handheld shooting in dim conditions.
Therefore, users prioritizing low-light and night/astro applications gain a tangible advantage with the TRYX’s sensor and ISO capabilities, whereas the Canon maintains strength in well-lit or controlled lighting environments.
Optical System: Versatility vs. Speed
Optics define a camera’s creative breadth. Here, focal length coverage, aperture, and macro capabilities are critical.
Canon SX200 IS:
- 28-336 mm equivalent focal length (12x zoom) caters to diverse shooting scenarios - from wide-angle landscapes to telephoto wildlife and sports.
- Maximum aperture varies from f/3.4 wide to f/5.3 telephoto, standard for superzoom compacts but limiting in low light.
- Optical image stabilization mitigates camera shake across the zoom range.
- Macro focus starts at 0 cm, theoretically allowing close focusing but with limited reaching into true macro magnifications.
Casio TRYX:
- Fixed 21 mm equivalent focal length, offering a wide-angle perspective for street, travel, and architecture photography.
- Faster constant aperture at f/2.8 enables superior light gathering and background separation.
- Macro focusing down to 8 cm allows decent close-up shots albeit with modest magnification.
- No optical stabilization present, increasing the risk of blur during handheld low-light shooting.
The table below summarizes these attributes:
Feature | Canon SX200 IS | Casio TRYX |
---|---|---|
Focal Length Range | 28 - 336 mm (12x zoom) | 21 mm fixed wide-angle |
Maximum Aperture | f/3.4 - f/5.3 | f/2.8 |
Macro Focus Distance | 0 cm | 8 cm |
Image Stabilization | Optical IS | None |
Lens Mount | Fixed lens | Fixed lens |
This optical disparity delineates clear use cases:
- Canon SX200 IS excels in disciplines requiring focal length flexibility such as wildlife, sports, and versatile travel photography.
- Casio TRYX prioritizes situational shooting where a bright wide-angle lens and portability are paramount, such as street photography.
Users needing zoom and telephoto reach will find the Canon indispensable, whereas photographers valuing aperture speed and wide views for backgrounds and landscapes may prefer the Casio.
Display and Interface: Visual Feedback and Usability
The viewfinder is absent on both models, making the rear LCD screens the primary composition and review tool.
Canon SX200 IS:
- 3-inch fixed screen with 230k-dot resolution.
- Basic color fidelity and contrast adequate for daylight shooting.
- Non-articulating design limits creative framing angles.
- No touchscreen, necessitating menu navigation via buttons.
Casio TRYX:
- 3-inch fully articulated “Super Clear TFT” screen with a higher resolution of 461k dots.
- Articulation enables low-angle, high-angle, and self-portrait shooting.
- Enhanced screen brightness and color accuracy support composition in bright conditions.
- Despite articulation, the lack of touchscreen requires physical controls, which can feel counterintuitive.
The TRYX’s screen benefits photographers shooting from unconventional positions, including vloggers or social media creators benefiting from flexible framing. The Canon screen, while less dynamic, supports traditional shooting workflows more comfortably.
Autofocus and Shooting Performance
Precise autofocus is a critical measure of camera responsiveness and reliability, particularly across genres like wildlife and sports.
Both cameras employ contrast detection AF, standard for compacts in their generation:
- Canon offers 9 focus points, facilitating reasonable composition latitude, but lacks face or eye detection.
- Casio’s exact number of focus points is unspecified but limited to a single center-area contrast-detect AF point.
- Neither camera supports continuous AF for moving subjects, nor AF tracking capabilities.
Continuous shooting rates:
- Canon SX200 IS supports a modest 1 fps, insufficient for capturing fast sequences.
- Casio TRYX’s burst rate data is unspecified, reflecting its non-priority toward fast-action or sports shooting.
Real-world AF performance:
- Canon’s 9-point AF can lock focus reliably in static or controlled settings but lags behind modern systems in speed and accuracy.
- Casio’s center AF is slower and less accurate on moving subjects but is quick enough for casual snapshots.
Therefore:
- Photographers in need of wildlife or action capture will find both cameras limited; the Canon’s wider AF coverage and zoom make it marginally better.
- Street and travel photographers who often shoot static or slow-moving scenes may tolerate the TRYX’s AF system.
Practical testing confirms both cameras struggle in low-contrast or low-light focusing, recommending the Canon for daylight outdoor use and the Casio when speed is less crucial.
Image Stabilization, Flash, and Low-Light Shooting
Image stabilization and flash systems serve to augment shooting capability in diverse lighting.
Feature | Canon SX200 IS | Casio TRYX |
---|---|---|
Stabilization | Optical (lens-shift type) | None |
Built-in Flash | Yes (effective to 3.2 m) | No built-in flash |
Flash Modes | Auto, fill-in, slow sync, red-eye, manual | N/A |
Max ISO | 1600 | 3200 |
Canonical PowerShot SX200 IS’s optical image stabilization significantly increases handheld success, especially at telephoto focal lengths or moderate shutter speeds in dim scenes. Combined with its built-in flash supporting multiple modes, this camera spans multiple shooting environments including indoor portraiture and low light.
Casio TRYX lacks any form of stabilization and built-in flash, limiting its low-light usability to high ISO shooting. Although higher ISO capability theoretically compensates, the absence of stabilization requires careful shooting technique or tripod use.
This divergence positions the Canon as better suited to general-purpose photography under varied lighting, including event and portrait work, whereas the TRYX favors daytime, controlled lighting, or creative experimentation with longer exposures on stable supports.
Video Recording and Multimedia Features
Contemporary compact cameras must address video capabilities as integral to utility.
Video Specs | Canon SX200 IS | Casio TRYX |
---|---|---|
Max Resolution | 1280 x 720 @ 30fps | 1920 x 1080 @ 30fps |
Additional Resolutions | 640 x 480, 320 x 240 | 1280 x 720, 640 x 480, 432 x 320 (super slow motion), 224 x 160 (ultra slow motion) |
Video Format | Motion JPEG | MPEG-4 |
Microphone Input | No | No |
Headphone Jack | No | No |
Stabilization During Video | Optical IS | None |
Casio TRYX’s full HD 1080p at 30 fps and multiple slow-motion modes diagonally surpass the Canon’s 720p limit, offering creative video options. Its super slow-motion capability (240 fps and 480 fps at reduced resolutions) is a niche feature valuable for experimental videography but less critical for universal use.
Canon’s video output remains serviceable but dated, with noisy Motion JPEG compression reducing post-production flexibility.
Neither camera provides external microphone support, restricting serious audio recording capacity.
Overall, the TRYX is the stronger contender for casual video shooters seeking high-resolution and creative formats, while the Canon is serviceable for basic video but limited in codec and resolution.
Lens Ecosystem and Compatibility
Both cameras incorporate fixed lenses and do not support interchangeable optics:
- Canon SX200 IS’s superzoom lens provides enormous versatility without carrying multiple lenses, covering wide through medium telephoto.
- Casio TRYX offers a prime wide-angle lens designed for street, travel, or casual wide shots.
This fixed-lens design limits expansion but simplifies portability and durability.
Practitioners must consider that neither camera supports RAW image capture, constraining postprocessing latitude and professional workflow integration. This is a significant limitation compared to systems supporting RAW and interchangeable lenses.
Build Quality and Environmental Resistance
Neither camera offers official weather sealing, dust protection, or extreme environment ratings. They are suitable for standard casual use but do not cater to professional outdoor or rugged conditions.
Connectivity, Battery, and Storage
Feature | Canon SX200 IS | Casio TRYX |
---|---|---|
Wireless Connectivity | None | Eye-Fi (Wi-Fi enabled SD cards) |
Bluetooth / NFC | No | No |
HDMI Output | Yes | Yes |
USB | USB 2.0 | USB 2.0 |
Battery Type | NB-5L (Proprietary) | Proprietary (model unspecified) |
Storage Media | SD / SDHC / MMC | SD / SDHC / SDXC |
Battery Life | Not officially stated | Not officially stated |
The Casio TRYX’s Eye-Fi connectivity is an early example of wireless image transfer capabilities and might appeal for workflow convenience.
Canon’s simpler but reliable USB and HDMI connections suffice for most workflows but require manual transfer.
Battery endurance equivalency is unreported but compact cameras typically provide moderate shoot counts; users requiring extended shooting should plan accordingly.
Discipline-Specific Performance Analysis
Evaluating these cameras through the lens of distinct photography genres clarifies practical advantages and trade-offs:
-
Portraits: Canon SX200 IS offers better natural skin tone rendition and background compression via telephoto zoom; flash and optical IS support make it preferable. TRYX's fast f/2.8 and articulating screen favor selfies but lack depth-of-field control.
-
Landscape: Both deliver adequate resolution. Canon’s zoom versatility and stabilization engage extended compositions. TRYX’s wide lens suits expansive scenes but limited zoom restricts framing.
-
Wildlife: Telephoto reach gives Canon a decisive edge. TRYX’s fixed wide lens and slow AF make it unsuitable for wildlife.
-
Sports: Low frame rates and slow AF on both handicaps performance; Canon’s telephoto also slightly better but neither recommended for fast action.
-
Street: TRYX’s slim profile and articulating screen support discretion and creative angles; Canon bulkier but better image quality.
-
Macro: Canon’s close focusing nominally better, but neither truly macro macro; TRYX’s 8 cm range is decent for casual close-ups.
-
Night/Astro: TRYX’s higher ISO and sensor technology excel here; Canon limitations mean noisier images.
-
Video: TRYX superior for full HD and slow-motion; Canon limited to 720p.
-
Travel: Canon’s zoom versatility helpful; TRYX ultra compact size wins for portability.
-
Professional Work: Neither supports RAW or advanced tethering; both fall short for professional needs.
Sample Gallery Demonstrations
Examining real-world images from both cameras further illustrates technical and aesthetic differences.
Canon SX200 IS images reveal smooth colors, moderate sharpness, and decent dynamic range in daylight. The superzoom captures distant subjects effectively.
Casio TRYX images appear sharper at base ISO with richer colors and better noise control in shadows due to CMOS sensor. Wide-angle perspective is apparent, complementing street and night photography.
Summary of Overall Performance Ratings
Consolidating extensive evaluation metrics into comprehensive scoring benchmarks clarifies respective standings.
- Canon SX200 IS scores highly on versatility, control, and optical stabilization.
- Casio TRYX excels in sensor sensitivity, video capabilities, and portability.
- Both scored modestly on speed and professional-level feature set.
Who Should Consider These Cameras?
-
Canon PowerShot SX200 IS is a favorable choice for:
- Photographers desiring manual controls with zoom flexibility in a compact format.
- Users needing optical image stabilization and flash functionality.
- Occasional wildlife and sports shooters accepting limited burst rates.
- Travel photographers willing to carry a slightly larger camera.
-
Casio Exilim TRYX suits:
- Enthusiasts prioritizing ultra-portability with an articulating screen.
- Low-light and night photographers benefiting from BSI CMOS sensor sensitivity.
- Vloggers or self-portrait shooters requiring open-angle framing.
- Users valuing full HD video with creative slow-motion modes.
Conclusion: Balancing Practical Usability and Feature Sets
Both the Canon SX200 IS and Casio TRYX reflect their manufacturing eras’ design philosophies and technological capabilities yet serve markedly divergent needs.
- If your work demands extensive control over exposure, a telephoto reach, and stabilization, the Canon SX200 IS remains a capable compact superzoom despite its age.
- If pocketability, video resolution, and superior low-light sensor performance weigh more heavily, the Casio TRYX presents compelling pros and cons.
Neither is a professional-grade solution; their fixed lenses and JPEG-only output constrain workflow adaptability. However, for enthusiasts balancing portability, image quality, and feature versatility, this comparison highlights the essential trade-offs required to align camera selection with intended photographic pursuits.
Careful consideration of your specific shooting preferences, size/weight tolerance, and creative requirements will yield the best match between these two well-engineered but fundamentally different compact cameras.
Canon SX200 IS vs Casio TRYX Specifications
Canon PowerShot SX200 IS | Casio Exilim TRYX | |
---|---|---|
General Information | ||
Company | Canon | Casio |
Model type | Canon PowerShot SX200 IS | Casio Exilim TRYX |
Category | Small Sensor Superzoom | Ultracompact |
Announced | 2009-05-14 | 2011-01-05 |
Body design | Compact | Ultracompact |
Sensor Information | ||
Powered by | - | Exilim Engine HS |
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor surface area | 28.1mm² | 28.1mm² |
Sensor resolution | 12MP | 12MP |
Anti alias filter | ||
Aspect ratio | 4:3 and 16:9 | 4:3 and 3:2 |
Highest Possible resolution | 4000 x 3000 | 4000 x 3000 |
Maximum native ISO | 1600 | 3200 |
Lowest native ISO | 80 | 100 |
RAW photos | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
Continuous AF | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
AF center weighted | ||
AF multi area | ||
Live view AF | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | 9 | - |
Cross type focus points | - | - |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 28-336mm (12.0x) | 21mm (1x) |
Maximum aperture | f/3.4-5.3 | f/2.8 |
Macro focusing range | 0cm | 8cm |
Crop factor | 5.8 | 5.8 |
Screen | ||
Screen type | Fixed Type | Fully Articulated |
Screen size | 3" | 3" |
Screen resolution | 230 thousand dot | 461 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Screen tech | - | Super Clear TFT color LCD |
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Minimum shutter speed | 15 secs | 1/8 secs |
Fastest shutter speed | 1/3200 secs | 1/4000 secs |
Continuous shutter speed | 1.0fps | - |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | - |
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 3.20 m | no built-in flash |
Flash settings | Auto, On, Off, Red-eye, Fill-in, Slow Syncro, Manual | no built-in flash |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps), 432 x 320 (30, 240 fps), 224 x 160 (480 fps) |
Maximum video resolution | 1280x720 | 1920x1080 |
Video file format | Motion JPEG | MPEG-4 |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 247 grams (0.54 pounds) | - |
Physical dimensions | 103 x 61 x 38mm (4.1" x 2.4" x 1.5") | 122 x 58 x 15mm (4.8" x 2.3" x 0.6") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery ID | NB-5L | - |
Self timer | Yes (2 sec or 10 sec, Custom) | Yes (2 or 10 seconds, custom) |
Time lapse feature | ||
Type of storage | SD/SDHC/MMC/MMCplus/MMCplus HC | SD/SDHC/SDXC |
Storage slots | One | One |
Cost at release | $329 | $689 |