Canon SX230 HS vs Fujifilm T550
91 Imaging
35 Features
43 Overall
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95 Imaging
39 Features
40 Overall
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Canon SX230 HS vs Fujifilm T550 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 28-392mm (F3.1-5.9) lens
- 223g - 106 x 62 x 33mm
- Revealed July 2011
- Previous Model is Canon SX210 IS
- Successor is Canon SX240 HS
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 24-288mm (F) lens
- 136g - 99 x 57 x 26mm
- Released January 2013
President Biden pushes bill mandating TikTok sale or ban Canon SX230 HS vs Fujifilm FinePix T550: A Hands-On Comparison for Small Sensor Superzoom Enthusiasts
When diving into the realm of small sensor superzoom compacts, you want a camera that balances zoom reach, image quality, ease of use, and versatility - all within a pocketable frame. Today, we explore two contenders: the Canon PowerShot SX230 HS and the Fujifilm FinePix T550. Both cameras target photography enthusiasts who seek more capability than a smartphone but without the complexity or bulk of advanced mirrorless or DSLR systems.
We put these cameras side by side, using extensive hands-on testing, technical analysis, and practical photography trials, to break down how each performs. Whether you’re a casual snapshooter, a budding portrait guru, or a travel photographer needing a lightweight zoom companion, this comparison aims to guide your next purchase with real-world insights.
Design and Handling: Comfort Meets Portability
Your experience with a camera starts - and often ends - with how it feels in your hands.
| Feature | Canon SX230 HS | Fujifilm FinePix T550 |
|---|---|---|
| Dimensions (WxHxD) | 106 x 62 x 33 mm | 99 x 57 x 26 mm |
| Weight | 223 g (body only) | 136 g (body only) |
| Grip and Ergonomics | Modest grip, comfortable buttons | Slim, lightweight, less grip |
| Material | Plastic body, solid feel | Plastic body, lightweight |
| Control Layout | Dedicated dials and buttons | Minimal buttons, simpler UI |

The Canon SX230 HS is notably larger and heavier than the Fujifilm T550, but this provides a more secure grip and better control access, especially for extended shooting sessions or outdoor use. Its ergonomics suit photographers who value tactile feedback and manual controls.
By contrast, the Fujifilm T550 is ultra-lightweight and compact, making it an excellent pocket camera you can take anywhere. However, this convenience comes with tradeoffs - the T550 lacks physical dials and some manual controls, potentially limiting creative flexibility.
For travel and street photographers prioritizing discreetness and portability, the T550 feels like a natural fit. If you want more deliberate control and a sturdier feel, the SX230 HS is the better option.
Sensor and Image Quality: Small Is Beautiful, but Specs Matter
Both cameras use 1/2.3-inch sensors - standard for this category - with subtle differences:
| Specification | Canon SX230 HS | Fujifilm T550 |
|---|---|---|
| Sensor Type | BSI-CMOS | CCD |
| Resolution | 12 megapixels | 16 megapixels |
| Max Native ISO | 3200 | 3200 |
| Image Processor | DIGIC 4 with iSAPS | Not specified |
| Anti-Aliasing Filter | Yes | Yes |
| Raw Support | No | No |

Canon’s choice of a backside-illuminated CMOS sensor with the DIGIC 4 processor generally provides cleaner images in low light, faster data readout, and more efficient noise reduction. The Fuji uses a conventional CCD sensor - known for good color rendition, especially in daylight but often with higher noise at elevated ISO sensitivities.
In our real-world tests, the SX230 HS offers better image quality when shooting indoors or in dimmer conditions. Its noise control at ISO 800 and above is noticeably more refined. The T550, while producing more detailed images at base ISO given its higher megapixels, struggles with noise beyond ISO 400, impacting image sharpness in low light.
Both cameras produce pleasing JPEGs straight from the camera, but neither supports RAW capture, limiting post-processing flexibility.
Landscape and outdoor shooters will appreciate Canon’s more advanced sensor performance for dynamic range and high ISO handling. Fuji’s CCD sensor shines in bright daylight and well-lit environments.
Lens Capabilities: Zoom Range and Aperture Dynamics
A superzoom’s star attraction is its lens.
| Feature | Canon SX230 HS | Fujifilm T550 |
|---|---|---|
| Zoom Range (35mm equiv.) | 28-392mm (14x zoom) | 24-288mm (12x zoom) |
| Max Aperture | f/3.1 (wide) - f/5.9 (tele) | Unknown (variable) |
| Macro Focus Range | 5 cm | Not specified |
| Optical Image Stabilization | Yes | Yes |
Canon’s 14x zoom extends noticeably farther than Fuji’s 12x, pushing from a modest wide-angle 28mm to a substantial 392mm telephoto reach. This longer tele end is a major advantage for wildlife or sports photographers needing to get close to the action.
Both lenses incorporate optical image stabilization, vital for handholding at long focal lengths, but Canon’s stabilized range combined with the DIGIC 4 processing results in crisper telephoto shots, especially in lower light or slower shutter speeds.
For macro enthusiasts, Canon provides a close focusing distance of 5cm, enabling detailed close-ups - while Fuji’s macro capabilities are unclear and likely less versatile.
If zoom reach and close-focusing are priorities for you, the Canon SX230 HS lens is the superior tool.
Autofocus and Performance: Speed and Precision in Action
Your camera’s autofocus performance heavily influences capturing fleeting moments.
| Feature | Canon SX230 HS | Fujifilm T550 |
|---|---|---|
| AF System | Contrast-detection, 9 points | Contrast-detection, unknown points |
| Face Detection | Yes | Yes |
| Continuous AF | Yes | Yes |
| AF Modes | Center, Multi-area | Center only |
| Burst Rate | 3 fps | Not specified |
Canon’s 9-point AF system with face detection allows greater flexibility and accuracy in locking focus on your subject. In our experience, the SX230 HS maintains focus well on moving subjects at modest speeds, which is impressive for a compact.
Fujifilm’s system is simpler, centered mostly around a single AF area and face detection. It works sufficiently for static subjects or slow-moving scenes but may struggle when tracking more unpredictable subjects or fast action.
The SX230 HS also supports continuous autofocus during burst shooting, capturing 3 frames per second - its burst rate and AF abilities lend well to casual sports or pet photography.
For event, wildlife, or action photography - where quick, reliable focus is key - the Canon clearly outperforms the Fuji.
User Interface and Controls: Hands-On or Hands-Off?
Beautiful images hinge on intuitive controls. Let’s compare usability:
| Feature | Canon SX230 HS | Fujifilm T550 |
|---|---|---|
| Screen Size | 3-inch, 461k dots, fixed, non-touch | 3-inch, 230k dots, fixed, non-touch |
| Viewfinder | None | None |
| Touchscreen | No | No |
| Manual Exposure Modes | Yes (Shutter & Aperture Priority) | No |
| Exposure Compensation | Yes | No |
| Custom White Balance | Yes | No |

The Canon SX230 HS comes equipped with manual exposure modes, allowing you to take creative control over depth-of-field or motion blur, as well as exposure compensation to fine-tune brightness levels. In contrast, Fuji’s FinePix T550 caters more to point-and-shoot simplicity - manual controls and exposure adjustments are absent.
Canon’s display is sharper and more vibrant, improving composition and menu navigation, while the Fuji’s lower resolution screen is more basic but sufficiently bright outdoors.
For photographers growing into manual operation or preferring hands-on control, the SX230 HS offers more tools to learn and experiment.
Video: Basic Recording, Different Levels of Capability
Video is essential for hybrid content creators - here’s how they stack up:
| Specification | Canon SX230 HS | Fujifilm T550 |
|---|---|---|
| Max Video Resolution | 1920 x 1080p @ 24 fps | 1280 x 720p @ 30 fps |
| Frame Rate Options | 24p, 30p, 120 fps (VGA slow-mo) | 30p |
| Video Format | H.264 | H.264, Motion JPEG |
| Mic/Headphone Ports | No | No |
| Stabilization | Optical Image Stabilization | Optical Image Stabilization |
While neither camera supports professional video features, the Canon’s Full HD (1080p) recording at 24 fps provides superior quality compared to the Fuji’s HD (720p) limit. Canon also offers slow-motion video capture at VGA resolution, allowing creative usage of high frame rates.
Neither camera includes microphone inputs, restricting audio quality control, but the optical image stabilization aids in smoother footage.
If video is a minor but welcome addition, Canon fulfills that role better.
Battery Life and Connectivity: Staying Powered and Connected
| Feature | Canon SX230 HS | Fujifilm T550 |
|---|---|---|
| Battery Life (CIPA) | Approx. 210 shots | Not officially stated |
| Battery Type | NB-5L Rechargeable Pack | Unknown |
| Wireless Connectivity | Eye-Fi Wi-Fi card support | None |
| GPS | Built-in | None |
| USB | USB 2.0 | USB 2.0 |
| HDMI Output | Yes | No |
Canon’s inclusion of built-in GPS and Eye-Fi Card wireless support marks a modern convenience for travel photographers wanting to geotag images and quickly transfer files.
The Canon battery life surpasses expectations for this class, around 210 shots per charge, while Fuji provides no official rating but likely shorter runtime due to lack of battery details and lighter power design.
HDMI output on Canon allows direct connection to high-res displays - a plus for sharing or presentations - absent on Fuji.
For daily shooting and travel flexibility, the Canon SX230 HS offers better endurance and network features.
Real-Life Shooting: Sample Images and Use Case Performance
We captured a diverse mix of portraits, landscapes, and casual wildlife scenes to test how these cameras cope in different lighting and subject scenarios.
Canon SX230 HS images show slightly warmer skin tones and more pleasing bokeh for portraits due to its lens aperture and face detection AF. Landscapes reveal vibrant colors and good detail, with less noise at ISO 400+. Wildlife shots benefit from the longer zoom.
Fujifilm T550 photos offer impressive resolution in bright daylight, but skin tones can seem flatter and image noise becomes apparent when shade or indoor lighting is involved. Lens bokeh is less pronounced due to aperture limitations.
These gallery results verify the Canon’s wider creative latitude and superior low light handling, while the Fuji shines for casual daylight photography and ultra-compact convenience.
Genre-Specific Performance: Picking Your Perfect Fit
For enthusiasts focused on specific photography types, consider these performance ratings:
| Photography Type | Canon SX230 HS | Fujifilm FinePix T550 |
|---|---|---|
| Portrait | 7.5/10 | 6/10 |
| Landscape | 7/10 | 6.5/10 |
| Wildlife | 7/10 | 5.5/10 |
| Sports | 6.5/10 | 5/10 |
| Street | 6.5/10 | 7/10 |
| Macro | 7/10 | 5.5/10 |
| Night/Astro | 6.5/10 | 5/10 |
| Video | 7/10 | 5.5/10 |
| Travel | 7/10 | 7.5/10 |
| Professional Work | 6/10 | 5/10 |
Canon’s strengths emerge in portraits, wildlife, macro, and low-light photography thanks to image quality, zoom range, and manual controls. Fuji’s light weight and sharp daylight photos excel for casual street and travel use.
Overall Ratings and Value Assessment
| Category | Canon SX230 HS | Fujifilm FinePix T550 |
|---|---|---|
| Build & Ergonomics | 7 | 6 |
| Image Quality | 7 | 6 |
| Autofocus & Speed | 7 | 5.5 |
| Video | 7 | 5.5 |
| Features & Controls | 7 | 5.5 |
| Connectivity | 7 | 4 |
| Price (Street) | $399 | $160 |
| Price-to-Performance | Moderate | Good |
The Canon SX230 HS commands a premium price reflecting its superior feature set, better image quality, and expanded zoom range. Its robust manual controls and GPS/wireless features justify the investment for enthusiasts willing to spend more.
Fujifilm T550’s budget price offers snap-happy users decent image resolution and portability but at a cost of fewer creative options and features.
Who Should Buy Which Camera?
Choose the Canon SX230 HS if you:
- Want greater zoom reach and optical performance
- Desire manual exposure control and creative flexibility
- Shoot portraits, wildlife, or macro subjects requiring precise AF
- Need built-in GPS for travel geotagging
- Prefer superior video recording capabilities
- Can invest a bit more for enhanced features and quality
Opt for the Fujifilm FinePix T550 if you:
- Value a slim, lightweight camera for casual snapshots or travel
- Shoot primarily in bright daylight conditions
- Want a simple, point-and-shoot experience without fuss
- Are on a tighter budget but want a respectable zoom compact
Final Thoughts: Which Suits Your Creative Journey?
Both the Canon PowerShot SX230 HS and Fujifilm FinePix T550 are worthwhile compact superzoom cameras catering to distinct photographer needs. The Canon is a reliable, versatile partner for the enthusiast eager to explore manual modes, zoom versatility, and solid low-light shooting. The Fuji is perfect for quick, lightweight travel or street photo sessions when you want to blend portability with easy operation.
We recommend taking time to hold and test each camera if possible to feel how their controls and designs align with your shooting style. Pair your choice with the right accessories - extra batteries for Canon, protective cases for Fuji - to get started on your photographic adventures.
Whichever you choose, these cameras open doors to richer composition and subject capture beyond smart devices. Dive into their capabilities and see your creative vision come alive!
Explore, experiment, and happy shooting!
Canon SX230 HS vs Fujifilm T550 Specifications
| Canon PowerShot SX230 HS | Fujifilm FinePix T550 | |
|---|---|---|
| General Information | ||
| Brand | Canon | FujiFilm |
| Model | Canon PowerShot SX230 HS | Fujifilm FinePix T550 |
| Type | Small Sensor Superzoom | Small Sensor Superzoom |
| Revealed | 2011-07-19 | 2013-01-07 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Processor | DIGIC 4 with iSAPS technology | - |
| Sensor type | BSI-CMOS | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor area | 28.1mm² | 28.1mm² |
| Sensor resolution | 12 megapixels | 16 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
| Max resolution | 4000 x 3000 | 4608 x 3440 |
| Max native ISO | 3200 | 3200 |
| Minimum native ISO | 100 | 100 |
| RAW format | ||
| Autofocusing | ||
| Manual focus | ||
| AF touch | ||
| Continuous AF | ||
| Single AF | ||
| AF tracking | ||
| Selective AF | ||
| AF center weighted | ||
| AF multi area | ||
| AF live view | ||
| Face detection AF | ||
| Contract detection AF | ||
| Phase detection AF | ||
| Number of focus points | 9 | - |
| Cross focus points | - | - |
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 28-392mm (14.0x) | 24-288mm (12.0x) |
| Maximal aperture | f/3.1-5.9 | - |
| Macro focus distance | 5cm | - |
| Focal length multiplier | 5.8 | 5.8 |
| Screen | ||
| Range of screen | Fixed Type | Fixed Type |
| Screen size | 3 inches | 3 inches |
| Screen resolution | 461 thousand dot | 230 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Screen tech | PureColor II TG TFT LCD | - |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Minimum shutter speed | 15 secs | 8 secs |
| Fastest shutter speed | 1/3200 secs | 1/2000 secs |
| Continuous shutter speed | 3.0fps | - |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | - |
| Change WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 3.50 m | - |
| Flash modes | Auto, On, Off, Red-Eye, Slow Sync | - |
| Hot shoe | ||
| AEB | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (24fps), 1280 x 720 (30 fps), 640 x 480 (30, 120 fps), 320 x 240 (30, 240 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Max video resolution | 1920x1080 | 1280x720 |
| Video format | H.264 | H.264, Motion JPEG |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | Eye-Fi Connected | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | BuiltIn | None |
| Physical | ||
| Environmental seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 223 grams (0.49 pounds) | 136 grams (0.30 pounds) |
| Physical dimensions | 106 x 62 x 33mm (4.2" x 2.4" x 1.3") | 99 x 57 x 26mm (3.9" x 2.2" x 1.0") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 210 pictures | - |
| Form of battery | Battery Pack | - |
| Battery model | NB-5L | - |
| Self timer | Yes (2 or 10 sec, Custom) | Yes (2 or 10 sec) |
| Time lapse recording | ||
| Storage media | SD/SDHC/SDXC/MMC/MMCplus/HC MMCplus | - |
| Storage slots | Single | Single |
| Cost at release | $399 | $160 |