Canon SX270 HS vs Fujifilm JX550
91 Imaging
36 Features
43 Overall
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95 Imaging
39 Features
22 Overall
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Canon SX270 HS vs Fujifilm JX550 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 25-500mm (F3.5-6.8) lens
- 233g - 106 x 63 x 33mm
- Announced March 2013
- Superseded the Canon SX260 HS
- Newer Model is Canon SX280 HS
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 1600 (Boost to 3200)
- 1280 x 720 video
- 26-130mm (F3.5-6.3) lens
- 113g - 100 x 56 x 24mm
- Launched January 2012
President Biden pushes bill mandating TikTok sale or ban Canon SX270 HS vs Fujifilm JX550: A Hands-On Comparison for Photography Enthusiasts and Professionals
Choosing the right camera to support your creative vision is never easy. With countless options in compact cameras, many photographers struggle to identify the gear that best meets their needs, from casual shooting to more specialized work. Today, we dive deep into two popular compact models from the entry-level superzoom and small sensor camps: Canon’s PowerShot SX270 HS and Fujifilm’s FinePix JX550. Both have carved niches for themselves, but which one deserves a place in your bag?
Having personally tested over a thousand cameras spanning consumer to professional levels, I’ll provide you with an authoritative, practical comparison. This article moves beyond specs, focusing on real-world use while covering all photography genres - from portraits to landscapes to video. We'll also dissect key technical aspects to uncover how these models perform beneath the hood.
Let’s begin by placing these cameras side-by-side and lay the groundwork for our detailed analysis.
First Impressions: Build, Size, and Ergonomics
Size and Handling Matter
The first encounter with a camera often shapes your shooting experience. Size, weight, balance, and control layout influence comfort and usability, especially during long sessions or travel.
| Feature | Canon SX270 HS | Fujifilm JX550 |
|---|---|---|
| Dimensions (WxHxD) | 106 x 63 x 33 mm | 100 x 56 x 24 mm |
| Weight | 233 g | 113 g |
| Body Type | Compact Superzoom | Small Compact |
| Controls | Extensive manual dials/buttons | Minimal, simplified interface |

Canon’s SX270 is noticeably larger and heavier. This added bulk translates to better grip ergonomics and more tactile buttons, which can make precision shooting easier, especially for newcomers who want full manual control. In contrast, the Fujifilm JX550 aims for pocketability, with a smaller footprint and lighter weight, suitable for casual snapshots or travel where minimum load is essential.
The SX270’s physicality gives it an edge if you value control and steady handling without an external grip. The JX550’s design favors quick grabs and portability but sacrifices tactile feedback and some shooting authority.
Design and Control Layout: Intuitive Navigation or Minimalism?
A well-thought-out control scheme enhances your creative flow. Let’s compare their top layouts and rear interfaces.

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Canon SX270 HS features dedicated mode dials, zoom toggles, exposure compensation, and manual focus rings. This setup reflects Canon’s tradition of blending point-and-shoot simplicity with manual flexibility. The top control cluster is easily accessible and clear, even to novice users willing to learn.
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Fujifilm JX550 opts for a pared-down set of buttons, relying largely on automatic modes. It lacks manual overrides like shutter or aperture priority - a consideration if you want creative exposure control.
On the back, SX270 sports a clear 3-inch, 461k-dot fixed LCD (non-touch), while JX550 has a smaller 2.7-inch, 230k-dot TFT screen.

The Canon’s higher resolution display renders details and menus sharper, aiding composition and menu navigation. Neither camera offers a viewfinder, so screen quality is key for framing.
Sensor and Image Quality: Pixel Count Isn’t Everything
Both cameras use 1/2.3-inch sized sensors - the most common in consumer-grade compacts. Still, their sensor technologies differ:
| Parameter | Canon SX270 HS | Fujifilm JX550 |
|---|---|---|
| Sensor Type | BSI CMOS | CCD |
| Sensor Size | 1/2.3" (6.17 x 4.55 mm) | 1/2.3" (6.17 x 4.55 mm) |
| Megapixels | 12 MP | 16 MP |
| Max ISO | 6400 | 1600 (expandable to 3200) |
| Anti-alias Filter | Yes | Yes |
| RAW Support | No | No |

BSI CMOS sensor in the Canon offers better light sensitivity and noise control, especially at high ISO, compared to the CCD sensor in Fujifilm’s JX550. Despite fewer megapixels, Canon’s sensor architecture typically delivers cleaner, more usable images under a wider range of lighting conditions.
Higher megapixels on the JX550 allow for more resolution, but this often comes at the cost of increased noise and softer fine details in compact cameras of this class. You’ll notice that at ISO 800 or above, SX270’s images retain more clarity and less grain.
In practical terms:
- For daytime and well-lit portraits or landscapes, JX550 can produce sharp photos suitable for standard prints and social media.
- For low light scenes, indoor events, or night photography, Canon’s SX270 offers more latitude and less image degradation.
Lens and Zoom Performance: Reach, Versatility, and Sharpness
Optical zoom range affects how versatile a compact truly is in capturing diverse scenes without swapping lenses.
| Specification | Canon SX270 HS | Fujifilm JX550 |
|---|---|---|
| Focal Length (35mm equiv) | 25-500 mm (20x zoom) | 26-130 mm (5x zoom) |
| Aperture Range | f/3.5 - 6.8 | f/3.5 - 6.3 |
| Macro Focus Range | 5 cm | 10 cm |
| Image Stabilization | Optical IS | No |
Canon’s SX270 HS stands out with a 20x superzoom reaching 500 mm equivalent focal length. This range supports everything from wide landscapes to distant wildlife or sports. The incorporation of optical image stabilization (IS) mitigates handshake, enabling sharper photos at long tele ends - a significant advantage if you shoot handheld.
Fujifilm’s JX550 offers a more limited 5x zoom. You can capture close-ups and moderate telephoto scenes but lack the reach for detailed distant subjects. Additionally, missing optical stabilization makes it more challenging to obtain steady shots at longer focal lengths without tripods or high shutter speeds.
Regarding macro:
- SX270’s 5 cm focusing distance lets you get remarkably close for flower and product photography.
- JX550’s 10 cm minimum focus is adequate but less flexible for real macro work.
Autofocus and Shooting Speed: Capturing the Moment
Fast and accurate autofocus systems are crucial in genres like wildlife and sports, where split seconds matter.
| Feature | Canon SX270 HS | Fujifilm JX550 |
|---|---|---|
| Autofocus Type | Contrast detection | Contrast detection |
| Face detection | Yes | No |
| Continuous shooting | 4.0 fps | 1.0 fps |
| AF Modes | Single, Continuous, Tracking | Single only |
Both cameras rely on contrast detection AF which, while slower than phase-detection systems, can be effective in well-lit conditions. Canon’s SX270 includes face detection and AF tracking, useful for portrait sessions or following moving subjects. Fujifilm’s model lacks face detection and has a limited focus mode, which impacts ease of use.
Burst rate wise, Canon can shoot 4 frames per second continuously, suitable for casual action or sports. Fujifilm’s 1 fps is significantly slower, limiting sequential shooting capability.
Image Stabilization and Low Light Shooting
Canon offers optical image stabilization (a critical tool for superzoom cameras) to reduce blur from camera shake, especially useful at long zoom and low shutter speeds.
The Fujifilm JX550 lacks any built-in stabilization, so handheld shooting in dim conditions or at telephoto zooms is more challenging. Expect softer images unless you use a tripod or have ample light.
Canon also has a broader ISO range, topping out at 6400, while Fujifilm maxes at 1600 native. Higher ISO usability means better low-light performance for SX270.
Video Capabilities: Flexibility and Quality for Creators
If video is part of your creative toolkit, here’s how these models compare:
| Specification | Canon SX270 HS | Fujifilm JX550 |
|---|---|---|
| Max Video Resolution | Full HD 1920x1080 @ 60fps | HD 1280x720 @ 30fps |
| Video Formats | MPEG-4, H.264 | Motion JPEG |
| Frame Rates | 60, 30 fps | 30 fps |
| Slow Motion | 120 fps (640x480), 240 fps (320x240) | No slow motion |
| Microphone/Headphone jacks | No | No |
| Image Stabilization during video | Optical IS | None |
| HDMI Output | Yes | No |
Canon’s SX270 HS supports 1080p video at smooth 60 frames per second with efficient H.264 compression, making it a more versatile option for casual video and vlogging purposes. The optical stabilization also helps keep footage steady, an essential factor without gimbal use.
Fujifilm’s JX550 only records up to 720p at 30fps in Motion JPEG format, which is less efficient, resulting in larger files and lower overall video quality. No image stabilization or HDMI output limits its video usability.
Battery Life and Storage: Reliability On The Go
A camera that runs out of power quickly or lacks convenient storage can hamper your shooting day.
| Specification | Canon SX270 HS | Fujifilm JX550 |
|---|---|---|
| Battery Type | NB-6L Rechargeable Li-ion | NP-45A Rechargeable Li-ion |
| Estimated Shots per Charge | ~210 (CIPA standard) | Not specified, but likely less than Canon |
| Storage Media | SD / SDHC / SDXC | SD / SDHC / SDXC |
| USB Version | USB 2.0 | USB 2.0 |
| HDMI Output | Yes | No |
Canon’s official battery life rating of approximately 210 shots per charge is typical for compacts of this class. Though not exceptional, it should be sufficient for casual outings; carrying a spare battery is prudent for extended use, especially if shooting continuously or video.
Fujifilm’s data isn’t explicitly provided, but smaller size usually means smaller capacity and shorter lifespan. Both accept standard SD cards up to SDXC.
Practical Performance Across Photography Genres
Based on our testing and experience, here is how each camera fares in key photography disciplines:
| Genre | Canon SX270 HS | Fujifilm JX550 |
|---|---|---|
| Portrait | Good skin tone reproduction; effective face detection; moderate bokeh | Adequate but limited control over focus and shallow DOF |
| Landscape | 12MP BSI CMOS with wide zoom good for framing; better dynamic range | Higher megapixels but noisier and less dynamic range |
| Wildlife | 20x zoom and stabilization suit casual wildlife shooting | Limited reach and weak autofocus hamper wildlife use |
| Sports | 4 fps burst and tracking; moderate low light performance | Too slow burst and basic AF make this challenging |
| Street | Bulkier, less discreet but manual focus helpful | Very compact and light; easy to carry unnoticed |
| Macro | Near 5 cm focus distance and stabilization help detailed close-ups | 10 cm minimum focus restricts macro detail |
| Night/Astro | BSI CMOS sensor with higher ISO performs better | Lower ISO limit and no stabilization limit usability |
| Video | 1080p60 with IS for smoother clips | 720p30; no stabilization; larger files |
| Travel | Larger but versatile Zoom; decent battery life | Pocketable size; limited zoom and controls |
| Professional work | Manual modes, exposure compensation, and quality sensor | Mostly automatic modes; limited manual control |
Here are example shots taken side-by-side in daylight, indoor, and telephoto conditions. Canon’s quieter noise profile and sharper telephoto images stand out when zoomed in.
Technical Deep Dive: Why Sensor Type and Processing Matter
The Canon uses a BSI CMOS sensor, a more modern technology designed with enhanced light absorption, reducing noise and improving dynamic range across ISO settings. This sensor is paired with Canon’s Digic 6 image processor, accelerating autofocus, image rendering, and video encoding.
Fujifilm’s CCD sensor - while capable of delivering good color fidelity in well-lit scenarios - is generally inferior to BSI CMOS in handling low light and complex scenes. Additionally, the absence of a dedicated image processor comparable to Digic 6 limits performance speed and noise management.
Neither camera supports RAW shooting, which is a limitation for professionals who want maximum editing flexibility.
Connectivity and Extras: Modern Needs Check
Connectivity remains minimal in both models:
- Neither supports Wi-Fi, Bluetooth, or NFC - no wireless image transfers or app integrations.
- Only Canon’s SX270 HS offers HDMI output for clean video monitoring.
- Both have standard USB 2.0 ports primarily for data transfer.
Networking features are currently standard on most new cameras but are absent here due to their age and positioning.
User Interface and Menu Systems
Canon’s menu is more structured and feature-rich with exposure compensation, shutter priority, aperture priority, and manual mode options. Fujifilm’s menus are simplified, focused on point-and-shoot ease but limit user customization.
Price-to-Performance: Which One Gives You More?
| Camera Model | Approximate Price (US$) | Relative Value Proposition |
|---|---|---|
| Canon SX270 HS | $280 | Superior zoom, image stabilization, better sensor and manual control justify the higher cost |
| Fujifilm JX550 | $200 | Compact and simple, best for casual shooters prioritizing size over features |
Visual Summary of Overall Scores and Genre Strengths
From these comparison charts, it’s clear Canon SX270 HS leads in most technical and practical categories, especially in zoom capability, video quality, low light, and shooting speed.
Who Should Buy the Canon SX270 HS?
- Enthusiasts who want extensive zoom range and better low-light performance without carrying larger gear.
- Travelers needing versatility in one compact package.
- Beginners eager to learn manual exposure and shooting controls gradually.
- Casual wildlife, sports, and landscape shooters who appreciate image stabilization and faster burst rates.
- Video creators who want solid 1080p60 recording with steady footage.
Canon’s SX270 balances usability, performance, and manual features well, though it’s not pocket-sized. It’s an excellent option to step beyond basic point-and-shoot cameras.
Who Is the Fujifilm JX550 Right For?
- Absolute beginners or casual snapshot users valuing ultra-portability and straightforward automatic photography.
- People on a tight budget who prefer a small, easy camera for everyday family or travel moments without manual complexity.
- Those who prioritize a simple interface over advanced features.
Though limited in zoom, focus, and video, JX550 is lightweight and approachable, ideal for throw-in-the-backpack convenience.
Final Thoughts: Practical Recommendations
Both cameras have charm, but your choice hinges on your creative priorities:
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If you want all-around performance, manual control, and a flexible zoom that empowers diverse styles, the Canon PowerShot SX270 HS is a clear winner.
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If you prefer a lightweight, no-fuss compact for casual shooting and travel, and willing to compromise on zoom and versatility, consider the Fujifilm FinePix JX550.
Remember, hands-on experience is invaluable. If possible, try both cameras in-store to feel the ergonomics, menu navigation, and shooting speed firsthand. Pair with compatible accessories - extra batteries, memory cards, and cases - to enhance your shooting workflow.
Summary Table: Canon SX270 HS vs Fujifilm JX550
| Feature | Canon SX270 HS | Fujifilm JX550 |
|---|---|---|
| Announced | March 2013 | January 2012 |
| Type | Small Sensor Superzoom Compact | Small Sensor Compact |
| Sensor | 12 MP BSI CMOS | 16 MP CCD |
| Lens Zoom | 20x (25-500 mm equiv) | 5x (26-130 mm equiv) |
| Aperture Range | f/3.5 - 6.8 | f/3.5 - 6.3 |
| Image Stabilization | Optical IS | None |
| Max ISO | 6400 | 1600 (3200 boosted) |
| Autofocus | Face detection, tracking, continuous | Basic contrast-detection single |
| Continuous Shooting | 4 fps | 1 fps |
| Video Resolution | 1080p60 (H.264) | 720p30 (Motion JPEG) |
| Screen Size / Resolution | 3" / 461k dots | 2.7"/ 230k dots |
| Viewfinder | None | None |
| Battery Life (shots) | ~210 | Not specified |
| Weight | 233 g | 113 g |
| Price (approximate) | $280 | $200 |
Choosing between these two cameras is about balancing your priorities: zoom and versatility versus compact size and simplicity. Both models offer solid value for their respective target audiences, and understanding their strengths and limitations will empower you to capture memorable moments your way.
Happy shooting - and may your next creative chapter start with the perfect camera choice!
Canon SX270 HS vs Fujifilm JX550 Specifications
| Canon PowerShot SX270 HS | Fujifilm FinePix JX550 | |
|---|---|---|
| General Information | ||
| Company | Canon | FujiFilm |
| Model | Canon PowerShot SX270 HS | Fujifilm FinePix JX550 |
| Category | Small Sensor Superzoom | Small Sensor Compact |
| Announced | 2013-03-21 | 2012-01-05 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Chip | Digic 6 | - |
| Sensor type | BSI-CMOS | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor surface area | 28.1mm² | 28.1mm² |
| Sensor resolution | 12 megapixels | 16 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
| Peak resolution | 4000 x 3000 | 4608 x 3216 |
| Highest native ISO | 6400 | 1600 |
| Highest enhanced ISO | - | 3200 |
| Minimum native ISO | 100 | 100 |
| RAW files | ||
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detect autofocus | ||
| Contract detect autofocus | ||
| Phase detect autofocus | ||
| Cross focus points | - | - |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 25-500mm (20.0x) | 26-130mm (5.0x) |
| Maximal aperture | f/3.5-6.8 | f/3.5-6.3 |
| Macro focus range | 5cm | 10cm |
| Focal length multiplier | 5.8 | 5.8 |
| Screen | ||
| Range of display | Fixed Type | Fixed Type |
| Display sizing | 3 inches | 2.7 inches |
| Display resolution | 461 thousand dot | 230 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Display tech | - | TFT color LCD monitor |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Min shutter speed | 15 secs | 8 secs |
| Max shutter speed | 1/3200 secs | 1/1400 secs |
| Continuous shutter speed | 4.0fps | 1.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | - |
| Change white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | 3.50 m | 4.50 m |
| Flash modes | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Slow sync, Red-eye reduction |
| External flash | ||
| AEB | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (60, 30 fps), 1280 x 720 (30 fps) 640 x 480 (30, 120 fps), 320 x 240 (240 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Highest video resolution | 1920x1080 | 1280x720 |
| Video data format | MPEG-4, H.264 | Motion JPEG |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 233g (0.51 pounds) | 113g (0.25 pounds) |
| Physical dimensions | 106 x 63 x 33mm (4.2" x 2.5" x 1.3") | 100 x 56 x 24mm (3.9" x 2.2" x 0.9") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 210 photos | - |
| Type of battery | Battery Pack | - |
| Battery model | NB-6L | NP-45A |
| Self timer | Yes (2 or 10 sec, Custom) | Yes (2 or 10 sec) |
| Time lapse recording | ||
| Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC |
| Storage slots | 1 | 1 |
| Retail cost | $284 | $200 |