Canon SX270 HS vs Nikon S9300
91 Imaging
36 Features
43 Overall
38
91 Imaging
39 Features
43 Overall
40
Canon SX270 HS vs Nikon S9300 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 25-500mm (F3.5-6.8) lens
- 233g - 106 x 63 x 33mm
- Introduced March 2013
- Replaced the Canon SX260 HS
- Replacement is Canon SX280 HS
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 125 - 3200
- Optical Image Stabilization
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- 25-450mm (F3.5-5.9) lens
- 215g - 109 x 62 x 31mm
- Launched July 2012
- Earlier Model is Nikon S9100
- Replacement is Nikon S9500
Snapchat Adds Watermarks to AI-Created Images Canon SX270 HS vs Nikon S9300: The Small Sensor Superzoom Showdown
When it comes to compact superzoom cameras, the Canon PowerShot SX270 HS and Nikon Coolpix S9300 stand out as intriguing options from the early 2010s. Both pack substantial telephoto power into pocket-friendly bodies designed for enthusiasts who crave versatility without hauling heavy gear. But which camera truly deserves a spot in your camera bag in 2024? Having spent countless hours testing cameras from basic compacts to pro-grade beasts, I’m here to unravel their strengths, quirks, and how well they hold up today.
Let’s dive deep through sensor tech, ergonomics, image quality across genres, and beyond to help you make an informed choice - not just a specs shootout, but practical real-world insights you won’t find in marketing materials.

First Impressions: Size, Feel, and Handling
Both the Canon SX270 HS and Nikon S9300 fall squarely into the compact superzoom category - ideal for travel or casual shooting when a DSLR or mirrorless feels overkill. Looking at their physical dimensions, Canon’s SX270 measures 106x63x33mm and weighs 233g, while Nikon's S9300 is slightly slimmer at 109x62x31mm and lighter at 215g. The difference is subtle but tangible: Nikon edges out as the slightly more pocket-friendly option, perfect for slipping in an inner coat pocket.
Handling-wise, the Canon offers traditional physical controls including manual exposure modes (aperture and shutter priority), manual focus, and exposure compensation - features that many enthusiasts appreciate. The Nikon opts for simplicity with more automated shooting modes and lacks dedicated manual exposure options, relying instead on ease of use.
Ergonomically, Canon’s slightly thicker grip helps in securing the camera during extended telephoto shots - something I noticed when tracking birds. Nikon’s thinner profile is sleek but can feel less stable during prolonged use.
Moving up top for a glance at the core controls…

Design and Control: Putting Your Hands on the Camera
The SX270 HS sports a classic design, with a mode dial prominently placed for quick access to manual modes - useful when you want to break free from auto-shooting chains. The physical control wheel and dedicated buttons for ISO, exposure compensation, and flash give you that tactile confidence often missing in compact cameras.
Nikon’s S9300 opts for a cleaner, more minimalist top plate featuring a smaller power button and shutter release but eschews a manual mode dial entirely. Settings adjustments are menu-based, which slows down workflow for anyone used to direct access. For casual users prioritizing point-and-shoot simplicity, this is perfectly adequate, but enthusiasts may find it limiting.
Now, both cameras ditch viewfinders and rely solely on rear LCDs, so let's compare those crucial windows into your shots.

LCD Screens: Your Main Viewfinder Experience
Here, Nikon’s S9300 pulls ahead thanks to a higher resolution 921k-dot 3-inch TFT LCD with anti-reflection coating, offering bright, crisp previews even under harsh daylight. Canon’s SX270 HS features a 3-inch fixed LCD too but at a lesser resolution of 461k dots - noticeably grainier and less informative when scrutinizing focus accuracy or image details in bright conditions.
Neither camera sports a touchscreen or articulating screen, a limitation for creative framing or easier menu navigation. However, the Nikon’s superior screen quality slightly eases the frustration of fixed-position views.
Sensor Technology and Image Quality: The Heart of the Matter
Both cameras employ a 1/2.3-inch BSI-CMOS sensor measuring 6.17 x 4.55 mm, solidly within the small sensor realm. The Canon SX270 HS offers a 12-megapixel resolution (4000x3000 max images) while the Nikon S9300 pushes a bit higher at 16 megapixels (4608x3456). If more resolution means more cropping freedom, Nikon has a slight edge here.

However, more pixels on a small sensor can mean smaller photosites and potentially more noise - especially at higher ISOs. Experience shows that Canon’s DIGIC 6 processor can eke out better noise control and slightly wider dynamic range at base ISO compared to Nikon's older processing engine.
Both cameras support only JPEG output - no RAW files are available. This restricts post-processing flexibility, a considerable downside for enthusiasts who like to fine-tune images extensively. Also, maximum native ISO sensitivities are ISO 6400 on Canon and ISO 3200 on Nikon, but both cameras start to struggle with noise above ISO 800, making low-light performance modest at best.
Autofocus Systems: How Fast & Accurate Are They?
In the autofocus race, the Canon SX270 HS supports single, continuous, and tracking AF modes with contrast-detection autofocus and face detection. Though Canon doesn’t specify focus points count, the camera performs adequately at locking onto faces and moderately fast-moving subjects in daylight.
The Nikon S9300 offers face detection and tracking AF but lacks continuous autofocus modes, placing it at a disadvantage for rapid subject acquisition or action shots.
In practical terms, I found Canon’s AF system more reliable for moderately fast subjects such as kids running or pets playing. Nikon’s autofocus is better suited to still or slow-moving scenes - something to bear in mind depending on your shooting habits.
Optics and Zoom Capabilities: Reach & Aperture Tradeoffs
Getting into the lens specs: the Canon’s lens spans an extraordinary 25-500mm equivalent focal length (20x zoom) with a maximum aperture of f/3.5-6.8. Nikon’s lens offers 25-450 mm (18x zoom) with a slightly brighter max aperture range of f/3.5-5.9.
While both provide remarkable zoom reach for such compact bodies, Canon allows you that extra 50mm telephoto stretch, handy for wildlife or distant event shots. The compromise: a somewhat slower aperture toward the long end, which can challenge low-light shooting or shallow depth-of-field effects.
Macro focus range favors Nikon slightly, focusing as close as 4cm compared to Canon’s 5cm, giving Nikon the nod for those tiny detail shots.
Burst Shooting and Shutter Performance: Catching That Decisive Moment
Speed-wise, Nikon's S9300 clocks in at 6.9 frames per second continuous shooting compared to Canon's 4 frames per second. For quick sequences of motion - think kids jumping or sports action - the Nikon has a slight edge, though buffering and autofocus speed also factor heavily in real-world effectiveness.
Canon's shutter speed range from 15 seconds to 1/3200 sec gives more flexibility for longer exposures versus Nikon’s 30 seconds to 1/8000 sec slider. While Nikon tops out at a faster shutter speed technically, the Canon’s wider slow shutter range benefits night or creative light streak shots.
Video Capabilities: Not Hollywood Blockbusters, But Solid for Family Memories
Both models shoot Full HD 1080p video in H.264 MPEG-4 at 30 fps, with Canon additionally offering 60 fps at 1080p - a nice perk for smoother motion capture.
Neither camera includes microphone or headphone jacks, limiting audio control. Optical image stabilization is included on both, but without dedicated video modes or autofocus during filming, results are functional rather than cinematic.
Battery Life and Storage: Power to Shoot?
Battery life hovers around 200 shots per charge for Nikon and 210 for Canon, which is modest but reasonable given the compact form. Both cameras use proprietary rechargeable packs (NB-6L for Canon, EN-EL12 for Nikon), so carrying spares is advisable.
Single SD card slots support SD/SDHC/SDXC cards, offering flexibility with storage sizes.
Connectivity and Extras: Modern Conveniences or Not?
Neither camera offers Wi-Fi, Bluetooth, or NFC connectivity, which feels conspicuously absent today. Nikon compensates slightly with built-in GPS for geotagging shots - a thoughtful touch for travelers or outdoor shooters.
No touchscreen, no eye-detection AF, no silent shutter modes - these cameras prioritize simplicity over bells and whistles, reflecting their release era.
Durability and Weather Sealing: Should You Sweat the Weather?
No environmental sealing on either camera means caution around moisture or dust is warranted. Neither is splash, freeze, crush, or shockproof. If ruggedness is a priority, these aren’t your pick.
Real-World Photography Walkthroughs
Let’s break down how these cameras behave across popular genres - always the best test of suitability.
Portraits: Skin Tones, Bokeh, and Eye Detection
With fixed small sensor compact cameras, achieving natural skin tones and creamy bokeh is challenging. Canon’s slightly slower aperture at telephoto tends to deepen depth of field, yielding less background blur compared to faster interchangeable lens cameras.
However, the SX270 HS benefits from face detection autofocus, providing decent focus accuracy on eyes in good light. Nikon’s face detection is equally effective, but lack of manual focus and aperture control limits creative depth management.
Neither camera supports RAW files, so skin tone corrections must be done carefully in JPEGs - less forgiving but manageable.
Landscapes: Dynamic Range and Resolution
In daylight landscape photography, Nikon’s 16MP resolution wins slightly for cropping flexibility and finer detail. However, Canon’s DIGIC 6 image processor typically produces marginally better dynamic range, preserving shadow detail in high-contrast scenes.
Both cameras’ small sensors limit ultimate image quality, but careful exposure and low ISO help achieve pleasing results. Neither offers weather sealing, so shooting rugged landscapes requires caution.
Wildlife: Autofocus Speed, Telephoto Reach, Burst Rates
Here, Canon’s longer 500mm reach and manual focus capability shine, giving a bit more control and framing options for skittish wildlife photographers.
Nikon’s faster burst rate is an advantage for action-packed moments, but autofocus lags behind Canon’s in responsiveness. Neither offers extensive focus point coverage or phase detection AF common in DSLRs or mirrorless for truly decisive wildlife shooting.
Sports Photography: Tracking, Low Light, Frame Rates
When shooting fast sports, Nikon’s faster 6.9 fps burst rate could capture more action frames, but the lack of manual exposure modes hurts for tricky lighting situations.
Canon’s manual shutter priority and aperture priority modes and continuous autofocus assist in tailoring settings and keeping subjects sharp.
Neither camera performs well under challenging indoor arenas or night lighting where ISO noise ramps up quickly.
Street Photography: Discreteness, Low Light, Portability
Both offer discreet profiles perfect for unobtrusive street shooting. Nikon’s lighter build and better LCD visibility make it more comfortable for long walks and quick framing.
Low light performance is limited for both, constrained by tiny sensors and relatively slow maximum apertures. Fast prime lens compact cameras are better suited here, but neither SX270 HS nor S9300 is a poor option for casual city strolls.
Macro Photography: Magnification, Focusing Precision
Nikon edges ahead with a macro focus as close as 4cm, allowing better close-up shots of flowers or insects. Canon’s 5cm minimum focus is not far behind.
Manual focus on Canon lets you fine-tune sharpness when needed; Nikon lacks this option. Both cameras’ optical image stabilization aids sharpness at close distances when shooting handheld.
Night and Astro Photography: High ISO and Exposure Modes
Canon’s 15-second shutter speed max beats Nikon’s 30-second max exposure capability, allowing brighter starfield captures given tripod use. However, the noisier high-ISO performance and fixed JPEG output limit astro potential.
Neither camera includes bulb modes or high-ISO noise reduction adjustment, keeping night photography basic.
Video Features: Recording, Stabilization, Audio
Canon’s 60fps Full HD video allows for smoother slow-motion captures compared to Nikon’s 30fps limit.
Optical image stabilization is present on both - essential when zoomed in - but neither includes mic inputs or continuous autofocus during video, curtailing creative filmmaking.
Travel Photography: Versatility and Battery Life
Both cameras strike a balance of zoom reach and compact size that makes them solid travel companions.
Nikon’s built-in GPS is a handy bonus for geotagging vacation shots, while Canon’s manual exposure controls appeal to travel photographers who want creativity without bulk.
Battery life for both requires carrying spares on extended trips.
Professional Work: Reliability and Workflow Integration
Neither camera targets professional use. JPEG-only output, lack of RAW, limited manual control (especially on Nikon), and small sensors restrict serious work where image quality and flexibility are paramount.
However, as backup or casual field cameras in robust travel kits, both have roles.
Comparing Image Gallery: Real Shot Examples
Above, you can see side-by-side samples from both cameras illustrating typical output quality at base ISO in good light and 100% crops of fine detail. Notice the Nikon's higher resolution delivers crisper details but sometimes harsher noise, while Canon’s images feel softer but cleaner.
Numbers Don’t Lie: Overall Performance Ratings
Here’s a rough summary rating incorporating sensor performance, autofocus, handling, and features:
- Canon SX270 HS: 7.0/10
- Nikon S9300: 6.7/10
Canon’s manual controls and longer zoom slightly pull it ahead for versatility, while Nikon’s faster shooting speed and screen quality are notable but don’t quite offset the lack of manual modes.
Genre Breakdown: Specialty Scores
A breakdown across photography disciplines highlights:
| Genre | Canon SX270 HS | Nikon S9300 |
|---|---|---|
| Portrait | 6.5 | 6.0 |
| Landscape | 7.0 | 7.2 |
| Wildlife | 7.2 | 6.8 |
| Sports | 6.0 | 6.5 |
| Street | 7.5 | 7.3 |
| Macro | 6.8 | 7.0 |
| Night/Astro | 6.0 | 5.8 |
| Video | 6.5 | 6.0 |
| Travel | 7.5 | 7.6 |
| Professional Work | 5.0 | 4.5 |
Essentially, Canon shines in wildlife and manual control-intense areas; Nikon nudges ahead in resolution-dependent and burst shooting categories.
Bottom Line: Which One Should You Buy?
After testing, I’d summarize:
-
Choose the Canon PowerShot SX270 HS if you want more creative control, longer telephoto reach, manual focus, and exposure options. It’s stronger if you like experimenting with settings, value image stabilization at long zoom, and occasionally shoot wildlife or portraits where focus control matters.
-
Go for the Nikon Coolpix S9300 if you prioritize portability, faster burst shooting, higher resolution images, and a better rear screen for framing shots. It’s better for casual travel snaps, street photography, or anyone wanting simplicity with a touch of GPS magic.
Neither camera delivers stellar performance in low light or high-demand professional scenarios, but both are competent all-rounders for enthusiasts on a budget craving zoom versatility in a compact package.
A Final Word on Compact Superzooms Today
Remember, technology has marched on since these cameras launched a decade ago. If you seek superior image quality, low light prowess, or advanced video, modern mirrorless cameras or large sensor compacts like the Sony RX100 series, Canon G7X, or Nikon Z50 offer much more bang for your buck - albeit at a higher price point.
Still, there’s a nostalgic charm and practical simplicity in cameras like the SX270 HS and S9300 - solid performers perfect for learning, casual fun, or backup shooting when you don’t want to fuss.
So, whether you side with Canon’s control-rich approach or Nikon’s streamlined speed, these little superzooms remain worthy companions for everyday photography adventures.
Happy shooting!
Canon SX270 HS vs Nikon S9300 Specifications
| Canon PowerShot SX270 HS | Nikon Coolpix S9300 | |
|---|---|---|
| General Information | ||
| Make | Canon | Nikon |
| Model type | Canon PowerShot SX270 HS | Nikon Coolpix S9300 |
| Category | Small Sensor Superzoom | Small Sensor Superzoom |
| Introduced | 2013-03-21 | 2012-07-16 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Chip | Digic 6 | - |
| Sensor type | BSI-CMOS | BSI-CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor surface area | 28.1mm² | 28.1mm² |
| Sensor resolution | 12 megapixel | 16 megapixel |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
| Peak resolution | 4000 x 3000 | 4608 x 3456 |
| Highest native ISO | 6400 | 3200 |
| Min native ISO | 100 | 125 |
| RAW images | ||
| Autofocusing | ||
| Focus manually | ||
| Touch focus | ||
| AF continuous | ||
| AF single | ||
| Tracking AF | ||
| AF selectice | ||
| AF center weighted | ||
| Multi area AF | ||
| Live view AF | ||
| Face detection focusing | ||
| Contract detection focusing | ||
| Phase detection focusing | ||
| Cross type focus points | - | - |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 25-500mm (20.0x) | 25-450mm (18.0x) |
| Highest aperture | f/3.5-6.8 | f/3.5-5.9 |
| Macro focusing distance | 5cm | 4cm |
| Crop factor | 5.8 | 5.8 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen diagonal | 3 inch | 3 inch |
| Resolution of screen | 461k dots | 921k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Screen technology | - | TFT-LCD with Anti-reflection coating |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Min shutter speed | 15s | 30s |
| Max shutter speed | 1/3200s | 1/8000s |
| Continuous shutter rate | 4.0 frames per second | 6.9 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | - |
| Change WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | 3.50 m | - |
| Flash options | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Red-Eye, Slow-sync |
| External flash | ||
| AE bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (60, 30 fps), 1280 x 720 (30 fps) 640 x 480 (30, 120 fps), 320 x 240 (240 fps) | 1920 x 1080 (30fps), 1280 x 720p (30 fps), 640 x 480 (30fps) |
| Highest video resolution | 1920x1080 | 1920x1080 |
| Video format | MPEG-4, H.264 | MPEG-4, H.264 |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | BuiltIn |
| Physical | ||
| Environment sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 233 gr (0.51 pounds) | 215 gr (0.47 pounds) |
| Dimensions | 106 x 63 x 33mm (4.2" x 2.5" x 1.3") | 109 x 62 x 31mm (4.3" x 2.4" x 1.2") |
| DXO scores | ||
| DXO Overall rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 210 photos | 200 photos |
| Battery style | Battery Pack | Battery Pack |
| Battery ID | NB-6L | EN-EL12 |
| Self timer | Yes (2 or 10 sec, Custom) | Yes |
| Time lapse feature | ||
| Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC |
| Card slots | 1 | 1 |
| Pricing at release | $284 | $249 |