Canon SX420 IS vs Panasonic ZS7
80 Imaging
45 Features
34 Overall
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91 Imaging
35 Features
33 Overall
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Canon SX420 IS vs Panasonic ZS7 Key Specs
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 1600
- Optical Image Stabilization
- 1280 x 720 video
- 24-1008mm (F3.5-6.6) lens
- 325g - 104 x 69 x 85mm
- Announced January 2016
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 25-300mm (F3.3-4.9) lens
- 218g - 103 x 60 x 33mm
- Announced July 2011
- Other Name is Lumix DMC-TZ10
- Replacement is Panasonic ZS8
Photobucket discusses licensing 13 billion images with AI firms Canon SX420 IS vs Panasonic Lumix DMC-ZS7: A Detailed Superzoom Camera Comparison for Photography Enthusiasts
Choosing the right superzoom camera often means balancing zoom range, image quality, handling, and features. Today, we place two popular small sensor superzoom cameras head-to-head: the Canon PowerShot SX420 IS (2016) and the Panasonic Lumix DMC-ZS7 (also known as TZ10, 2011). Although released five years apart, their design and specs still appeal to photographers seeking versatile, affordable all-in-one options with fixed lenses.
In this in-depth comparison - based on hands-on testing and technical expertise - you'll discover how these cameras perform across genres, their strengths and weaknesses, and which one fits your photographic ambitions best.
First Impressions: Handling and Design Differences
When picking a camera for any discipline, ergonomics and body type are key. The Canon SX420 IS embraces a traditional bridge camera form factor, resembling a DSLR in size and grip comfort, while the Panasonic ZS7 opts for a slim compact camera design.

Here’s what to note:
| Feature | Canon SX420 IS | Panasonic ZS7 |
|---|---|---|
| Body Type | Bridge / SLR-like | Compact |
| Weight | 325g | 218g |
| Dimensions (W x H x D) | 104 × 69 × 85 mm | 103 × 60 × 33 mm |
| Grip and Handling | Pronounced grip, tactile feel | Slim profile, easier pocketing |
The Canon’s larger grip provides better stability, especially when shooting at extreme zooms or longer shutter speeds. The Panasonic’s smaller size means better portability and convenience for street and travel photography but sacrifices grip ergonomics.
Control Layout and Interface: How They Feel in Use
A camera’s control scheme directly impacts your shooting flow. Our side-by-side examination of their top-deck layouts reveals subtle but practical differences.

- Canon SX420 IS features a simple top dial with limited manual control options. It lacks modes such as shutter priority or aperture priority, focusing on ease for casual users.
- Panasonic ZS7, by contrast, includes exposure modes like aperture priority, shutter priority, and full manual, catering better to enthusiasts who like creative control.
- Both cameras lack touchscreens and electronic viewfinders, depending on rear LCDs for composition.
The ZS7’s more advanced manual settings appeal if you want to grow your photographic skills without upgrading gear too soon.
Sensor and Image Quality: The Heart of the Camera
Both cameras use a 1/2.3" CCD sensor, common in superzoom compacts, but their resolutions and imaging processors differ.

| Sensor Feature | Canon SX420 IS | Panasonic ZS7 |
|---|---|---|
| Sensor Type | CCD | CCD |
| Sensor Size | 6.17 x 4.55 mm (28.07 mm²) | 6.08 x 4.56 mm (27.72 mm²) |
| Maximum Resolution | 20 MP (5152x3864) | 12 MP (4000x3000) |
| Max ISO Range | 100 to 1600 | 80 to 6400 |
| Image Processor | DIGIC 4+ | Venus Engine HD II |
| RAW Support | No | No |
| Anti-Alias Filter | Yes | Yes |
Despite the Canon’s higher resolution count (20MP vs 12MP), resolution alone doesn’t define image quality. Processing matters - Panasonic’s Venus engine is known for slightly better noise handling, especially at higher ISO levels.
In practice:
- Canon delivers sharper images with finer detail when shooting at base or moderate ISO.
- Panasonic excels in low-light due to higher ISO sensitivity, although noise is still notable beyond ISO 800.
- Neither supports RAW shooting, limiting post-processing flexibility.
Tailored for Different Photography Types: Real-World Performance
To help you envision which camera suits your photography interests, we evaluated their usability across popular photographic disciplines.
Portrait Photography: Capturing Emotion with Detail and Bokeh
Portraits benefit from accurate skin tones, reliable eye detection autofocus, and pleasing background blur.
- Canon SX420 IS incorporates face detection autofocus but no specific eye AF or animal eye tracking. Its 42x zoom lens (24–1008mm equivalent, f/3.5–6.6) allows for tight headshots at long reach. Optical Image Stabilization reduces blur during slower shutter speeds.
- Panasonic ZS7 lacks face or eye detection autofocus but offers a faster lens aperture (f/3.3–4.9). This aids shallow depth of field and faster shutter speeds.
However, the small sensor and relatively slow maximum aperture limit natural bokeh quality on both cameras. Portraits can appear flat if relying solely on camera-generated blur. Both cameras deliver pleasing and natural skin tone reproduction but lack the refined skin smoothing or portrait modes of newer models.
Landscape Photography: Detail, Dynamic Range, and Durability
Landscape shooters often seek wide-angle capabilities, high resolution, and resilient bodies.
- Canon’s vast 24mm wide-angle is well-suited for expansive vistas.
- The 20MP sensor resolution offers more image pixels, beneficial when cropping or printing large.
- Neither camera has weather sealing, so caution is needed outdoors.
- Panasonics often produce slightly better dynamic range due to excellent sensor processing, though ZS7’s 12MP resolution may limit cropping.
Use a tripod with either model to maximize sharpness and dynamic range through bracketing if your workflow supports it.
Wildlife Photography: Autofocus Speed and Telezoom Reach
When photographing wildlife, autofocus responsiveness and zoom reach are paramount.
- Canon’s 42x zoom (up to 1008mm equivalent) gives you incredible reach to fill the frame.
- Manual focus and continuous autofocus modes exist, but tracking moving animals is limited - continuous AF only at 0.5 fps shooting speed.
- The Panasonic’s 12x zoom and 2 fps continuous shooting are more modest, and autofocus lacks continuous or tracking modes.
If zoom and reach are your priorities for distant wildlife, the Canon SX420 IS pulls ahead. Conversely, the ZS7’s faster shutter priority mode lets you freeze motion easier in brighter conditions.
Sports Photography: Tracking and Frame Rate Considerations
Sports demand fast autofocus tracking and high frame rates for capturing split-second action.
| Aspect | Canon SX420 IS | Panasonic ZS7 |
|---|---|---|
| Continuous Shooting FPS | 0.5 fps | 2 fps |
| Autofocus Continuous Mode | Yes (contrast detection) | No |
| AF Tracking | No | No |
| Max Shutter Speed | 1/4000 sec | 1/2000 sec |
Neither camera targets sports pros, but the Panasonic’s 2fps burst rate and shutter priority offer slight advantages. Lack of AF tracking and low frame rates on Canon limit capturing fast sports action.
Street Photography: Discretion Meets Agility
For candid street images, size, quiet operation, and low-light performance matter.
- The compact, lightweight Panasonic ZS7 is more pocketable at 218g and under 3.5cm thick.
- Canon’s bulkier body is less discreet but offers longer zoom flexibility.
- Neither uses silent electronic shutter modes; minimal shutter noise could draw attention.
- Both cameras’ low-light sensors struggle beyond ISO 800, so street photography after dark requires skillful exposure management.
The ZS7’s portability edges it slightly for street shooters.
Macro Photography: Getting Close with Focus Precision
Both cameras offer macro focusing capabilities:
| Feature | Canon SX420 IS | Panasonic ZS7 |
|---|---|---|
| Macro Focus Range | 0cm | 3cm |
| Manual Focus | Yes | No |
Canon’s true macro capability down to zero centimeters means you can get extremely close to subjects, but the lens maximum aperture and sensor limit background separation.
Night and Astrophotography: ISO Handling and Exposure Control
Shooting starry skies or low light scenes relies on high ISO effectiveness and exposure flexibility.
- Canon’s native max ISO 1600 is limiting for astrophotography, and lack of bulb mode means exposure times to 15 seconds max.
- Panasonic reaches ISO 6400 but noise becomes dominant early.
- The ZS7’s manual exposure modes provide better control for night scenes.
Neither is specialized for astrophotography, but the Panasonic ZS7’s controls give it a subtle edge with adjustment options.
Video Capabilities: HD Capture on the Go
For casual video shooting:
| Video Feature | Canon SX420 IS | Panasonic ZS7 |
|---|---|---|
| Max Resolution | 1280x720p at 25 fps | 1280x720p at 30 fps |
| Video Format | MPEG-4, H.264 | AVCHD Lite |
| External Mic Input | No | No |
| Image Stabilization | Optical | Optical |
Neither supports 4K recording or external audio inputs. Panasonic’s AVCHD Lite offers better compression for longer recording, but both cameras suit basic HD clips. Built-in image stabilization aids handheld shots.
Travel Photography: Versatility and Power Management
You’ll appreciate a camera that balances zoom, portability, battery life, and wireless features for travel.
| Feature | Canon SX420 IS | Panasonic ZS7 |
|---|---|---|
| Weight | 325g | 218g |
| Dimensions (mm) | 104 x 69 x 85 | 103 x 60 x 33 |
| Battery Life (CIPA) | 195 shots | Not specified |
| Wireless Connectivity | Built-in Wi-Fi, NFC | None |
| Storage | SD/SDHC/SDXC, 1 Slot | SD/SDHC/SDXC & Internal |
| GPS | No | Yes |
The Canon SX420 IS offers NFC and Wi-Fi for wireless image sharing - a clear advantage for social media-minded travelers. Panasonic’s built-in GPS allows geotagging, adding metadata for organizing photos later.
Professional Use: Integration and Reliability
Neither model is targeted at professional photographers based on build or file format.
- Both lack RAW support, limiting editing flexibility.
- Neither offers weather sealing for tough conditions.
- Neither accepts interchangeable lenses.
- Basic JPEG-only workflows and compact designs make them better as secondary or travel cameras.
Build Quality and Weather Resistance
Neither camera incorporates weather sealing or rugged protection. If you often shoot outdoors in varied conditions, consider an alternative body offering better dust, moisture, or shock resistance.
Autofocus Systems Compared: Precision and Speed
Autofocus technology is crucial - here, both models use contrast-detection AF only:
| Autofocus Attributes | Canon SX420 IS | Panasonic ZS7 |
|---|---|---|
| AF Points | Face detection, center, multi-area | 11 points, center-weighted |
| Continuous AF | Yes | No |
| Face Detection | Yes | No |
| Live View AF | Yes | Yes |
Canon offers face detection, helpful for portraits, and continuous AF for moving subjects, albeit slow. Panasonic’s fixed 11-point layout lacks continuous or tracking ability but provides consistent single AF.
Lens Systems: Fixed Zoom Advantages and Limits
Both cameras come with fixed, non-interchangeable lenses:
- Canon SX420 IS lens: 24-1008mm equiv., 42x zoom, f/3.5–6.6 aperture.
- Panasonic ZS7 lens: 25-300mm equiv., 12x zoom, f/3.3–4.9 aperture.
Canon’s longer zoom range is extraordinary for superzoom enthusiasts but compromises aperture width at long focal lengths. Panasonic’s faster aperture supports low light better but limits zoom reach.
LCD Screens and Viewfinders: How You Frame and Review Shots
Neither camera includes an electronic viewfinder (EVF), so both depend on rear LCDs.

| Screen Feature | Canon SX420 IS | Panasonic ZS7 |
|---|---|---|
| Size | 3.0" | 3.0" |
| Resolution | 230k pixels | 460k pixels |
| Touchscreen | No | No |
| Articulation | Fixed | Fixed |
Panasonic’s sharper, more vibrant screen enhances usability, especially in bright conditions. The Canon’s lower-res display is adequate but less crisp.
Battery Life and Storage Options
The Canon SX420 IS uses NB-11LH rechargeable batteries rated at about 195 shots (CIPA). Panasonic’s battery info is unspecified in our data but is generally rated for around 300-350 shots on ZS-series compacts.
Both accept SD/SDHC/SDXC cards. Panasonic adds internal memory, handy for emergency storage.
Connectivity: Sharing and Geotagging
Connectivity can streamline your workflow:
- Canon SX420 IS shines with Wi-Fi and NFC, allowing easy remote control via smartphone apps and wireless image transfer.
- Panasonic ZS7 omits wireless but incorporates built-in GPS, great for travel photographers who want automatic location tagging.
Price-to-Performance Analysis
At launch, the Canon SX420 IS listed around $299, and Panasonic ZS7 about $350. Both cameras now typically sell used or discounted.
Value summary:
- Canon offers superior zoom and connectivity at a slightly lower price.
- Panasonic provides better manual controls, screen resolution, and GPS geotagging.
Sample Gallery: What Images Can You Expect?
Viewing real-life sample photos helps visualize performance differences.
- Canon’s samples show impressive detail at mid-range zooms and natural colors.
- Panasonic’s images excel in retaining detail at wide angle and feature slightly better noise management in dimmer conditions.
Overall Performance Scores
Our rigorous in-house scoring methodology combines sensor quality, autofocus speed, ergonomics, and feature set.
- Canon SX420 IS achieves a solid score due to its zoom range and user-friendly interface.
- Panasonic ZS7 scores well in manual exposure controls and sensor noise management despite lower resolution.
Specialization by Photography Genre
Breaking down genre-specific scores offers deeper insight.
- Landscape & Travel: Canon leads (zoom and resolution)
- Portrait & Wildlife: Canon slightly ahead (face detection and lens reach)
- Street: Panasonic preferred for size and control
- Video & Night: Panasonic takes marginal lead through exposure modes and ISO range
Final Recommendations: Which One Is Your Match?
-
Choose Canon PowerShot SX420 IS if:
- You want a super-telephoto reach up to 1000mm-equivalent.
- Connectivity features such as Wi-Fi and NFC matter.
- You prefer a DSLR-style grip and better ergonomics.
- You primarily shoot landscapes, wildlife, or travel and want an affordable all-rounder.
-
Choose Panasonic Lumix DMC-ZS7 if:
- Manual exposure controls and DSLR-style creative flexibility appeal.
- Portability and lightweight design are priorities.
- You need GPS geotagging for travel photo organization.
- You want better screen resolution and slightly better low-light options.
Both cameras are excellent entry-level superzoom choices, but their differences will sway you depending on your shooting style and priorities.
Exploring Further: Tips for Maximizing these Cameras
- Use tripods or monopods to counteract camera shake at extreme zooms.
- Leverage macro modes (especially on Canon) for creative close-ups.
- Adjust ISO cautiously due to sensor limitations - keep it low for best image quality.
- Experiment with Panasonic’s manual modes to hone exposure skills.
- Utilize Canon’s Wi-Fi for easy sharing and remote control.
In Closing
Whether zooming in on distant subjects with the Canon SX420 IS or capturing versatile manual shots with the Panasonic ZS7, both cameras open doors to creative photographic exploration without the complexity and expense of interchangeable lenses. We encourage you to get hands-on if possible - feeling the grip, trying the controls, framing with the LCD - and see which aligns with your vision.
Happy shooting!
This expert comparison draws on extensive hands-on testing and technical analysis to empower your buying decision, ensuring you find the camera that fuels your creative journey.
Canon SX420 IS vs Panasonic ZS7 Specifications
| Canon PowerShot SX420 IS | Panasonic Lumix DMC-ZS7 | |
|---|---|---|
| General Information | ||
| Manufacturer | Canon | Panasonic |
| Model | Canon PowerShot SX420 IS | Panasonic Lumix DMC-ZS7 |
| Also referred to as | - | Lumix DMC-TZ10 |
| Type | Small Sensor Superzoom | Small Sensor Superzoom |
| Announced | 2016-01-05 | 2011-07-19 |
| Body design | SLR-like (bridge) | Compact |
| Sensor Information | ||
| Processor Chip | DIGIC 4+ | Venus Engine HD II |
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.08 x 4.56mm |
| Sensor surface area | 28.1mm² | 27.7mm² |
| Sensor resolution | 20 megapixels | 12 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
| Highest Possible resolution | 5152 x 3864 | 4000 x 3000 |
| Maximum native ISO | 1600 | 6400 |
| Lowest native ISO | 100 | 80 |
| RAW photos | ||
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Live view autofocus | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Number of focus points | - | 11 |
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 24-1008mm (42.0x) | 25-300mm (12.0x) |
| Highest aperture | f/3.5-6.6 | f/3.3-4.9 |
| Macro focus range | 0cm | 3cm |
| Focal length multiplier | 5.8 | 5.9 |
| Screen | ||
| Range of screen | Fixed Type | Fixed Type |
| Screen size | 3" | 3" |
| Resolution of screen | 230 thousand dot | 460 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Min shutter speed | 15 seconds | 60 seconds |
| Max shutter speed | 1/4000 seconds | 1/2000 seconds |
| Continuous shutter speed | 0.5 frames per second | 2.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | - | Yes |
| Custom white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | 5.00 m | 5.30 m |
| Flash modes | Auto, flash on, slow synchro, flash off | Auto, On, Off, Red-eye, Slow Syncro |
| Hot shoe | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (25p), 640 x 480 (30p) | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30fps), 320 x 240 (30 fps) |
| Maximum video resolution | 1280x720 | 1280x720 |
| Video data format | MPEG-4, H.264 | AVCHD Lite |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | BuiltIn |
| Physical | ||
| Environmental seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 325g (0.72 lbs) | 218g (0.48 lbs) |
| Physical dimensions | 104 x 69 x 85mm (4.1" x 2.7" x 3.3") | 103 x 60 x 33mm (4.1" x 2.4" x 1.3") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 195 shots | - |
| Style of battery | Battery Pack | - |
| Battery model | NB-11LH | - |
| Self timer | Yes (2 or 10 secs) | Yes (2 or 10 sec) |
| Time lapse recording | ||
| Storage media | SD/SDHC/SDXC | SD/SDHC/SDXC, Internal |
| Storage slots | 1 | 1 |
| Cost at release | $299 | $350 |