Canon SX50 HS vs Nikon P1000
65 Imaging
36 Features
55 Overall
43


49 Imaging
42 Features
67 Overall
52
Canon SX50 HS vs Nikon P1000 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.8" Fully Articulated Screen
- ISO 80 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 24-1200mm (F3.4-6.5) lens
- 595g - 123 x 87 x 106mm
- Released January 2013
- Replaced the Canon SX40 HS
- Successor is Canon SX60 HS
(Full Review)
- 16MP - 1/2.3" Sensor
- 3.2" Fully Articulated Display
- ISO 100 - 6400
- Optical Image Stabilization
- 3840 x 2160 video
- 24-3000mm (F2.8-8) lens
- 1415g - 146 x 119 x 181mm
- Introduced July 2018
- Earlier Model is Nikon P900

Canon SX50 HS vs Nikon P1000: The Definitive Superzoom Bridge Camera Showdown
When it comes to bridge cameras with extreme zoom ranges, few names stand out like Canon and Nikon. Their Canon PowerShot SX50 HS and Nikon Coolpix P1000 models represent two generations of superzoom evolution, offering photography enthusiasts remarkable focal lengths in relatively compact SLR-like bodies.
Having thoroughly tested both myself over the years on everything from wildlife safaris to urban street strolls, I’m here to share an in-depth, no-nonsense comparison of these two cameras across real-world uses, technical prowess, and overall value. Whether you’re a passionate enthusiast looking for insane zoom to get closer to your subjects or a pro seeking a versatile travel companion, this guide will help clarify which model suits your style and budget best.
Let’s dive right into how these cameras stack up.
First Impressions: Size, Handling & Ergonomics
Physically, both cameras flaunt an SLR-like design that quite literally bridges the gap between compact shoot-and-shoots and bulky DSLR rigs. It’s a style Canon cemented early on, and Nikon perfected later with even heftier bodies.
As you can see, the Canon SX50 HS is noticeably smaller and lighter - weighing around 595g and measuring a more compact 123x87x106mm. The Nikon P1000, by contrast, tips the scales at a hefty 1415g with its expansive 146x119x181mm frame. This size difference clearly reflects not just weight savings but also increased grip space and control real estate on the P1000.
Holding the SX50 HS feels closer to a large point-and-shoot, which many will find comfortable for quick shooting and travel. It fits nicely in one hand and slips into a roomy jacket pocket or day bag without fuss. The P1000 is a hand-filling beast - more camera than pocket companion. You’ll definitely need a sturdy strap or small backpack for longer sessions.
Ergonomics-wise, the P1000 boasts a more pronounced grip and thoughtfully placed buttons optimized for extensive manual control, whereas the SX50 HS can feel a bit cramped during prolonged use or when accessing submenus. If your shooting style values portability over endless controls, the Canon may win you over.
Top Control Layout and Interface: Who’s More Intuitive?
Ergonomic impressions continue on top, where button layout and dial placement influence workflow, especially in demanding shooting conditions.
Canon’s SX50 HS opts for a cleanly arranged top deck with the classic mode dial housed closest to the shutter - familiar territory for longtime Canon users. It offers quick access to Program, Manual, Aperture priority, Shutter priority, and scene modes, making it user-friendly for those less keen on full manual mayhem.
In contrast, the Nikon P1000’s top deck balances dense control with purposeful separation. Its mode dial and customizable function button provide faster switching in high-pressure scenarios like wildlife or sports shooting. You also get an exposure compensation dial, allowing real-time fine-tuning without digging into menus.
Both cameras sport fully articulated screens and electronic viewfinders - but the P1000 edges out the SX50 HS with a higher-resolution EVF and bigger, higher-res rear LCD.
In practice, the Nikon’s 3.2-inch 921k-dot screen and viewfinder with 2359-pixel resolution deliver noticeably richer images when composing and reviewing shots, critical for checking focus in super zoom ranges.
If I had to pick, I’d say the Sony offers a gentler novice introduction but the Nikon shines for semi-pros and pros who want quick, tactile adjustments at their fingertips.
Sensor Technology and Image Quality Analysis
Both cameras share the same small sensor category - 1/2.3-inch back-illuminated CMOS sensors designed for superzoom bridge cameras, trading off sensor size for zoom reach. This inherently limits noise performance and dynamic range compared to larger APS-C or full-frame sensors.
Let’s examine the key specs side-by-side.
The Canon SX50 HS sports a 12MP sensor, focusing on balancing resolution with noise control. Nikon’s P1000 ups that resolution to 16MP, offering slightly more detail potential, albeit with the same sensor footprint of 6.17 x 4.55mm.
Practical testing reveals both cameras struggle in low light beyond ISO 400, with noise quickly becoming aggressive at ISO 800 and above. The Canon SX50 HS marginally outperforms the P1000 in noise handling at mid ISOs, likely due to its older Digic 5 image processor tuning. The Nikon’s Expeed processing provides better color accuracy and subtle tonal gradations, especially at base ISO.
Looking at dynamic range datasets (Canon: 11.2 EV, Nikon not officially tested but indication points to a similar range), you won’t get wide latitude for exposure recovery in harsh lighting. Get your histogram right or brace for clipped highlights or muddy shadows.
Raw shooting flexibility exists on both, though Nikon’s updated processing pipeline arguably yields better quality from NEF files than the Canon’s CR2.
Autofocus Performance: Tracking Wildlife & Sports Action
For superzoom bridge cameras, autofocus system performance is vital. Hunting birds or athletes demanding predictive focus tracking is where these cameras truly prove their mettle.
The Canon SX50 HS has a straightforward 9-point contrast-detection AF system augmented by face detection. It offers single AF, continuous AF, and tracking, but you’ll find focus hunting under low contrast or low light common.
The Nikon P1000 also uses contrast-detection AF with face-detection and an unspecified number of focus points. In practice, it offers superior AF speed and steadier tracking in continuous mode, helped by a higher maximum frame rate of 7 fps compared to SX50’s paltry 2 fps burst.
While neither camera can rival a dedicated DSLR or mirrorless in speed or accuracy for fast-moving subjects, the Nikon performs more reliably at longer focal lengths and in challenging lighting.
Zoom Power and Lens Capabilities: How Much Reach Do You Really Need?
This is the main event for these bridge champions, right?
- Canon SX50 HS: 24–1200mm equivalent (50x zoom), aperture f/3.4–6.5
- Nikon P1000: 24–3000mm equivalent (125x zoom), aperture f/2.8–8
The Nikon P1000 smashes the Canon far out of the water with its mind-blowing 3000mm reach. This ultratelephoto allows shooting subjects miles away - something once only achievable with specialized super-telephoto lenses costing thousands more.
The SX50 HS’s 1200mm is impressive but comparatively modest, suiting birders and travel photographers targeting distant landscapes or decent wildlife distances.
Optical quality at extreme zoom on both degrades as is typical; expect softness and chromatic aberrations near full telephoto. However, optical image stabilization in both models (optical, lens-based) helps shaky hands mitigate blur - crucial at 125x zoom! The P1000’s advanced VR system stands out here.
Macro capability is better on the Nikon too, achieving subject-to-lens distances down to 1 cm compared to Canon’s zero cm (though Canon’s macro focus remains less versatile in practice).
Battery Life and Storage Practicalities
For extended outings, battery endurance and storage matter - especially for travelers and event shooters.
- Canon SX50 HS offers approximately 315 shots per charge using the NB-10L battery, stored on a single SD/SDHC/SDXC card slot.
- Nikon P1000 lasts slightly less at around 250 shots on its battery, also using SD cards with UHS-I support for fast write speeds.
Though the Canon’s marginally longer battery life wins a nod, the Nikon’s intensive functions like 4K video and high frame rates justify the cost in stamina. I always carry at least one spare for either camera for day-long excursions.
Video Capabilities: Who Wins the Moving Image Battle?
The Canon SX50 HS records Full HD (1920x1080) at 24 fps, using H.264 codec. While serviceable for casual video, this 2013-era spec feels dated now, lacking HD slow motion or 4K.
Conversely, the Nikon P1000 features 4K UHD video recording at 30p, MP4 format with H.264 compression and AAC audio better suited for semi-pro video work. The inclusion of a microphone port is a big plus for vloggers or interviewers, although there is no headphone jack for monitoring.
Neither camera supports advanced features like in-body stabilization for video or high frame rate slow motion modes. The P1000, however, undoubtedly provides a more versatile platform for hybrid shooters who want solid stills and decent video in one package.
Shooting Across Genres: Which Camera Suits Which Photographer?
To give a clearer picture, I’ve scored these cameras by photography discipline, integrating real-world feedback and technical specifications.
Portrait Photography
The Canon’s gentler skin rendering and decent face-detection AF (though limited) allow you to get pleasing portraits, especially when combined with its articulated screen for creative angles. The SX50 HS’s shallower max aperture at the long end helps yield some background separation, but bokeh is quite artificial. The Nikon offers greater resolution, but its f/8 max aperture at full telephoto hampers blurring backgrounds.
Edge: Canon for natural skin tones and casual portraiture.
Landscape Photography
The Nikon P1000’s higher resolution sensor combined with bursts of zoom options and articulated, higher-res screen makes composing sweeping vistas easier. Dynamic range limitations persist in both, but the P1000’s improved image quality pushes it ahead slightly.
Edge: Nikon for detail and framing flexibility.
Wildlife Photography
Reach counts here, and the P1000’s 3000mm focal length paired with faster continuous autofocus and higher frame rate gives it a commanding edge. The SX50 HS can serve smaller animal photography but falters with speedy, distant subjects.
Edge: Nikon hands down.
Sports Photography
Fast frame rates and good AF tracking matter, and the P1000’s 7fps burst outpaces Canon’s 2fps. However, neither camera is designed for serious sports shooting - both show focus lag and delayed processing under intense motion.
Edge: Nikon, but consider a fast mirrorless or DSLR for serious sports.
Street Photography
Portability and discretion are key; here, the Canon’s smaller size and lighter weight make it ideal for blending into the urban crowd. Both cameras lack silent shutters, though, and street shooting at max zoom isn’t practical.
Edge: Canon for urban jaunts.
Macro Photography
Nikon offers a close focusing distance of 1cm, enabling impressive macro shots without extra gear, while Canon’s macro focus isn’t particularly flexible.
Edge: Nikon.
Night and Astrophotography
Neither camera excels in high ISO noise control or long exposures needed for starscapes. The Canon allows a minimum shutter speed up to 15 seconds - longer than the Nikon’s 60 seconds - which is helpful for star trails, but sensor noise will limit quality.
Edge: Tie, with slight functional advantage Canon from longer shutter times.
Video Work
With 4K capture, microphone input, and better autofocus during video, the Nikon P1000 beats Canon’s aging Full HD offering.
Edge: Nikon.
Travel Photography
Size, weight, versatility, and battery life matter most here. Canon’s lighter body and longer battery life are clear wins, especially for long hikes or flights, though you’ll sacrifice ultimate zoom reach and video features.
Edge: Canon.
Professional Use and Workflow Integration
Both cameras offer raw formats for post-processing, but neither supports advanced connectivity beyond Nikon’s built-in wireless and Bluetooth. Build quality is solid but neither models sport weather sealing expected in professional gear.
Edge: Tie for casual pro work, but serious pros will likely look elsewhere.
Sample Images Comparison: Seeing Is Believing
Sometimes a side-by-side look tells the story better than any spec sheet. Here is a gallery comparing shots from both cameras under varied conditions.
Notice the Nikon’s added detail at telephoto and richer colors, alongside Canon’s cleaner noise profile at ISO 400. Lens distortion correction and chromatic aberrations are visible on both but generally manageable.
Overall Performance and Value Rankings
To wrap up, here’s my subjective overall rating based on extensive controlled testing and field use:
- Nikon P1000: Outstanding superzoom offering with excellent reach, 4K video, and advanced controls; heavy and pricier.
- Canon SX50 HS: Compact, affordable, and user-friendly; less zoom, weaker video, but great for day-to-day versatility.
The Final Takeaway: Which Should You Choose?
Here’s the bottom line:
-
Get the Canon SX50 HS if you want:
- Smaller, lighter daily carry
- A budget-friendly superzoom around $400–$450
- Simpler operation for casual to mid-level photography
- Better battery life and slightly better low light noise
- Primarily portraits, street, travel shooting
-
Pick the Nikon P1000 if you want:
- Insane 125x zoom to reach remote subjects
- 4K video and better video accessory support
- Faster AF and burst rates for wildlife or sports
- Macro work at extremely close distances
- Don’t mind the weight and higher ~$1000 price tag
Personally, I prefer having the Nikon P1000 on wildlife trips for its reach and video abilities, but I favor the SX50 HS for casual travel or urban photography when I want to travel light.
Both cameras carve out natural niches, so your choice should reflect which features and compromises align best with your shooting preferences.
A Few Last Tips From My Experience
- Don’t underestimate the stabilization systems on both cameras; thanks to their long focal lengths, this feature dramatically improves the usability of hand-held shots, especially on the Nikon P1000.
- Despite the P1000’s heavier package, it balances surprisingly well on a tripod, which I highly recommend for serious telephoto shooting.
- The Canon’s articulated screen is helpful for creative angles, but its low resolution is noticeable in bright sunlight.
- Sticker shock on the Nikon P1000 is real - if budget is a concern, consider the Canon SX50 HS or newer Canon bridge cameras.
Dear Canon, if you’re listening, a modern successor with 4K, bigger sensor, and improved ergonomics to replace the SX50 HS would be amazing!
If you want a more visual breakdown, do check out my YouTube channel where I put both cameras through their paces in real-world situations - everything from birdwatching to night photography.
Let me know your thoughts or experiences with these cameras in the comments - your practical insights could help other enthusiasts!
In conclusion: Both the Canon SX50 HS and Nikon P1000 shine in their own ways. Whether you prioritize portability and ease or zoom power and video, understanding their strengths and limitations will help you pick the perfect superzoom bridge camera for your photo adventures. Happy shooting!
End of article.
Canon SX50 HS vs Nikon P1000 Specifications
Canon PowerShot SX50 HS | Nikon Coolpix P1000 | |
---|---|---|
General Information | ||
Brand Name | Canon | Nikon |
Model type | Canon PowerShot SX50 HS | Nikon Coolpix P1000 |
Class | Small Sensor Superzoom | Small Sensor Superzoom |
Released | 2013-01-15 | 2018-07-10 |
Body design | SLR-like (bridge) | SLR-like (bridge) |
Sensor Information | ||
Processor Chip | Digic 5 | Nikon Expeed |
Sensor type | BSI-CMOS | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor surface area | 28.1mm² | 28.1mm² |
Sensor resolution | 12MP | 16MP |
Anti alias filter | ||
Aspect ratio | 1:1, 5:4, 4:3, 3:2 and 16:9 | 4:3 |
Highest Possible resolution | 4000 x 3000 | 4608 x 3456 |
Maximum native ISO | 6400 | 6400 |
Minimum native ISO | 80 | 100 |
RAW photos | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
AF continuous | ||
Single AF | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
Multi area AF | ||
Live view AF | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Total focus points | 9 | - |
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 24-1200mm (50.0x) | 24-3000mm (125.0x) |
Maximal aperture | f/3.4-6.5 | f/2.8-8 |
Macro focusing range | 0cm | 1cm |
Focal length multiplier | 5.8 | 5.8 |
Screen | ||
Screen type | Fully Articulated | Fully Articulated |
Screen diagonal | 2.8" | 3.2" |
Resolution of screen | 461 thousand dot | 921 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 202 thousand dot | 2,359 thousand dot |
Viewfinder coverage | 100% | 99% |
Features | ||
Minimum shutter speed | 15s | 60s |
Fastest shutter speed | 1/2000s | 1/4000s |
Continuous shutter speed | 2.0fps | 7.0fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 5.50 m | 12.00 m (at Auto ISO) |
Flash modes | Auto, On, Off, Red-Eye, Slow Sync, Second Curtain | - |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Fastest flash sync | 1/2000s | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1920 x 1080 (24 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) | 3840 x 2160 @ 30p, MP4, H.264, AAC |
Maximum video resolution | 1920x1080 | 3840x2160 |
Video format | H.264 | MPEG-4, H.264 |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | Yes |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 595 gr (1.31 lb) | 1415 gr (3.12 lb) |
Dimensions | 123 x 87 x 106mm (4.8" x 3.4" x 4.2") | 146 x 119 x 181mm (5.7" x 4.7" x 7.1") |
DXO scores | ||
DXO Overall rating | 47 | not tested |
DXO Color Depth rating | 20.3 | not tested |
DXO Dynamic range rating | 11.2 | not tested |
DXO Low light rating | 179 | not tested |
Other | ||
Battery life | 315 photos | 250 photos |
Battery format | Battery Pack | Battery Pack |
Battery ID | NB-10L | - |
Self timer | Yes (2 or 10 sec, Custom) | Yes (2 or 10 secs) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC (UHS-I support) |
Storage slots | 1 | 1 |
Price at release | $429 | $1,000 |