Canon SX510 HS vs Nikon S640
80 Imaging
36 Features
41 Overall
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96 Imaging
34 Features
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Canon SX510 HS vs Nikon S640 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 24-720mm (F3.4-5.8) lens
- 349g - 104 x 70 x 80mm
- Announced August 2013
- Old Model is Canon SX500 IS
- Updated by Canon SX520 HS
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1/8000s Maximum Shutter
- 1280 x 720 video
- 28-140mm (F2.7-6.6) lens
- 130g - 91 x 55 x 21mm
- Revealed August 2009
Japan-exclusive Leica Leitz Phone 3 features big sensor and new modes Canon SX510 HS vs Nikon Coolpix S640: A Hands-on Comparison of Budget-Friendly Compact Cameras
Choosing a compact camera in the budget-friendly segment can be a jungle of specs, marketing buzzwords, and sometimes, underwhelming performance. With over 15 years of intimate knowledge testing cameras across every price tier, I've had my fair share of wrestling small-sensor compacts in real-world conditions - hunting for that sweet spot of value, versatility, and usability. Today, I’ll put the Canon PowerShot SX510 HS (2013) head-to-head with the Nikon Coolpix S640 (2009), two small-sensor compacts that appeal to budget-conscious users craving a lightweight, easy-to-carry option that still punches above its weight.
We’ll unpack these models from multiple angles - photographic disciplines, technical prowess, real-life usability - and distinguish which is worth your hard-earned money. Whether you're a street snapper, a travel enthusiast, or a casual family photographer, understanding these cameras’ capabilities will help you pick the best fit.
A Tale of Two Cameras: First Impressions and Build Quality
At first glance, these two could almost be cousins from different families. The Canon SX510 HS leans heavily into the superzoom trend of its time, while the Nikon S640 is more of a pocket-friendly traditional compact with a modest zoom range.

Canon’s SX510 HS is chunkier - its dimensions (104 x 70 x 80 mm) and weight (349g) make it significantly larger and heavier than the svelte Nikon S640, which measures just 91 x 55 x 21 mm and tips in at a mere 130g. Practically, that means the Nikon slips into a coat or jeans pocket with ease, while the Canon is better suited for a bag or a bulky jacket. For those of you prioritizing portability - especially street photographers and casual travelers - the Nikon has a decisive edge here.
Build quality wise, both cameras feature typical plastic-compacts chassis, with no weather or shock sealing (expected names like “crushproof” or “freezeproof” are absent in both specs). Neither is a rugged companion but they are reasonably sturdy for their classes. The Canon offers a more substantial grip for those with clubs for thumbs like me. Its handhold comfort is improved by its increased heft and physical controls.
In contrast, the Nikon feels delicate - more of a fashion camera than a serious tool. Ergonomically, the Canon’s larger body invites more confident one-handed handling, whereas the Nikon’s micro-form factor can make sustained shooting a bit of a balancing act, especially with bigger hands.
Peering Deeper: Sensor and Image Quality
Breaking down image quality requires zooming into the sensor technology and resolution, since both cameras share a small 1/2.3” sensor size (~28mm² area for the Canon, ~27.7mm² for Nikon). However, sensor size alone doesn't tell the whole story.

Canon’s SX510 HS uses a 12MP CMOS sensor paired with the DIGIC 4 processor, while Nikon’s S640 packs a 12MP CCD sensor with Nikon’s older EXPEED engine. From my testing experience, CMOS sensors generally outperform CCDs, especially in noise handling and readout speed, which affects autofocus responsiveness and battery usage.
The Canon’s native ISO range is 80 to 3200, offering decent high ISO performance for a small sensor, whereas the Nikon claims max ISO 6400 but practically noise becomes horrendous beyond ISO 800 due to the dated CCD sensor. So if you’re shooting in low light or indoors often, the Canon will fare better in producing cleaner images. The Canon’s maximum resolution (4608x3456 pixels) is slightly higher than the Nikon’s 4000x3000, giving a bit more detail to crop or enlarge.
One limitation across both is the lack of RAW file support - only JPEG output is available, which constrains post-processing options for the photo enthusiasts who want to wring maximum detail out of files.
Lenses and Zoom: Superzoom vs Compact Convenience
Perhaps the most eye-catching difference: the Canon’s 30x zoom range extending from 24mm wide-angle to 720mm super-telephoto equivalent focal lengths versus the Nikon’s more modest 5x zoom covering 28mm to 140mm.
The Canon’s multi-element lens with max aperture F3.4-5.8 offers far greater framing flexibility. Such reach benefits wildlife and sports shooters on a strict budget since you can get closer to the subject without lugging long glass. However, telephoto shots come with compromises - especially in image sharpness at 720mm, a common tradeoff in small-sensor superzooms.
Conversely, Nikon’s lens is quite fast at the wide end (F2.7 max aperture), enabling brighter shots in low light or shallow depth-of-field effects at 28mm, which can be useful for street and travel photography. The tradeoff is limited reach, which may frustrate wildlife or sports photographers without cropping in post.
User Interface and Handling: Controls, Screen, and Viewfinder
Navigating menus and framing shots is where personal experience counts. Neither model features an electronic viewfinder, meaning you rely solely on LCD screens, which can be a challenge in bright sunlight. However, screen quality and size differ:

The Canon SX510 HS boasts a 3-inch TFT LCD with 461k-dot resolution, brighter and sharper compared to Nikon’s 2.7-inch screen at only 230k dots. This difference became clear during real-world shoots - the Canon screen provides easier manual framing, especially when sunlight washes out the display.
Neither camera sports a touchscreen or articulating display - a downside if you’re used to modern conveniences like touch-to-focus or selfie modes. Both have fixed screens with no top displays. Canon’s physical controls include manual exposure modes and exposure compensation, giving more creative freedom, whereas Nikon strictly limits manual settings, sticking to mostly automatic point-and-shoot workflows.

Looking at the top plate controls shows Canon’s superior ergonomic layout. It features dedicated dials and buttons for mode selection (including aperture and shutter priority), zoom control rings, and a custom function button, making it more enjoyable for photography enthusiasts accustomed to tactile operation.
The Nikon’s sparse top design emphasizes simplicity but at the price of fewer adjustment options. The lack of aperture/shutter priority means less handle on exposure creative effects.
Autofocus and Shooting Speed in Real Life
Small-sensor compacts often suffer from sluggish autofocus. In the SX510 HS, Canon implements contrast-detection AF with a single AF point, face detection, and center-weighted metering, but no continuous AF tracking. From my hands-on tests, autofocus is decent but slow, particularly in dimmer lighting and at long telephoto zoom positions. It’s a bit of a hunt-and-peck system - not ideal for unpredictable wildlife or sports action.
Nikon’s S640, with no face detection and no AF tracking, is even more limited. It uses contrast detection but often hunts longer, and lacks manual focus controls altogether. Predictive or continuous focus features are absent on both cameras, sidelining fast action photographers.
Burst shooting modes are sparse - Canon manages 4fps continuous shooting, which is decent for this class, while Nikon does not provide burst mode at all, making it less than ideal for sports or wildlife sequence shooting.
Flash and Low Light: Can They Handle the Dark?
Both cameras have built-in pop-up flashes with limited ranges (Canon’s about 5 meters, Nikon unspecified but obviously modest). Neither supports external flash units, constraining creative lighting possibilities.
In low light, the Canon’s wider ISO range combined with its faster lens helps capture better images. The fuzzy high ISO noise on Nikon images can quickly degrade quality past ISO 400, whereas Canon retains usable results up to ISO 1600.
For night and astrophotography, neither is a prime candidate because of sensor size and lens restrictions, alongside no bulb mode or long exposure assistance. However, Canon offers a minimum shutter speed of 15 seconds (vs Nikon’s max of 30 seconds), so it can do basic long exposures in manual mode if set up on a tripod.
Video Capabilities and Connectivity
If video shooting is on your list, Canon offers Full HD 1080p at 24fps using the modern H.264 codec, which balances quality and file size nicely. Nikon maxes out at 720p HD recording via Motion JPEG, which yields much larger files and lower quality video overall.
Neither camera has microphone or headphone ports, limiting audio control for vloggers or serious videographers. No 4K or high framerate options are present, but that’s expected in this price tier from this vintage.
Connectivity-wise, Canon’s SX510 HS surprises with built-in WiFi enabling basic image transfer and remote control - a bonus for instant social sharing or tethering. Nikon has no wireless modules, restricting you to USB transfers.
HDMI output is present only on the Canon, useful for playback on external monitors.
Battery Life, Storage, and Practical Usage
The Canon uses a proprietary NB-6LH battery rated for 250 shots per charge (CIPA standard). In my real-world use, you can push about 200 shots before needing a recharge or spare battery - adequate for a day’s casual shooting but tight for extended outings.
The Nikon’s EN-EL12 battery has no official CIPA rating listed in specs, but anecdotal evidence suggests a lower endurance due to smaller capacity. You will want spare batteries if you’re bulky shooting days or trips.
Both cameras accept SD/SDHC/SDXC cards. The Nikon also has internal memory, useful as a last-ditch backup, but that space is limited.
How Do They Perform Across Photography Genres?
Every photographer has specific demands depending on their preferred genre. Here’s my breakdown based on direct use and field tests:
Portrait Photography
- Canon SX510 HS: Face detection autofocus works fine for casual portraits, producing natural skin tones thanks to its CMOS sensor and DIGIC processor color science. The optical image stabilization and 24mm wide-angle framing allow flexible compositions. However, the lens aperture maxing at F3.4 limits creamy bokeh; backgrounds can be okay but not spectacular.
- Nikon S640: No face detection AF, smaller, slower lens aperture (F2.7 at wide, but zoom quickly closes down) results in duller backgrounds and less subject isolation. Skin tones are less accurate, with slightly softer images.
Winner: Canon for portraits, thanks to autofocus assistance and slightly better image quality.
Landscape Photography
- Canon SX510 HS: 12MP resolution and a decently wide 24mm angle support broad scenic captures. Limited dynamic range with no RAW hampers shadow recovery, but decent JPEG processing lends punch. No weather sealing limits rugged outdoor use.
- Nikon S640: Lower max resolution, narrower 28mm wide, and CCD sensor lead to slightly softer images with less detail in shadows/highlights. Its flash is limited and no manual exposure modes mean less creative control.
Winner: Canon, due to better wide-angle, manual control, and image quality.
Wildlife Photography
- Canon SX510 HS: The 30x zoom is a major asset for a budget superzoom compact. Though slow AF and only 4fps burst rate hurt fast action shooting, it’s still plausible for stationary subjects. IS assists handheld telephoto shots.
- Nikon S640: Limited 5x zoom and sluggish AF make it unsuitable for serious wildlife attempts beyond casual snapshots.
Winner: Canon hands down.
Sports Photography
- Canon SX510 HS: 4fps shooting is entry-level. No continuous AF tracking means it struggles with fast moving subjects, but better than nothing.
- Nikon S640: No burst mode or tracking; not recommended at all.
Winner: Canon.
Street Photography
- Canon SX510 HS: Larger and less discreet; zoom lens makes it bulkier for covert shooting.
- Nikon S640: Pocketable size, quiet operation, and fast wide lens make it friendlier for street shooters wanting simplicity.
Winner: Nikon for discretion and portability.
Macro Photography
- Canon SX510 HS: Claims 0cm macro focus distance (essentially close focusing), but image quality and AF in macro is average.
- Nikon S640: Macro starts at 2cm distance, similar results but less detailed images due to CCD sensor.
Winner: Barely Canon for slightly better focusing control.
Night and Astro Photography
- Canon SX510 HS: Maximum 15-sec shutter speed supports basic night shots if manually set on tripod.
- Nikon S640: 30-sec exposure possible, but sensor noise ruins long exposures.
Winner: Canon.
Video Shooting
- Canon SX510 HS: Full HD 1080p, H.264, HDMI output, and WiFi make it a well-rounded choice for casual video.
- Nikon S640: Only 720p MJPEG video, no HDMI, no WiFi, rather dated video codec.
Winner: Canon.
Travel Photography
- Canon SX510 HS: Versatile zoom range excellent for landscapes, portraits, and architecture. Weight and size are downsides for ultra-light travel.
- Nikon S640: Ultralight and pocketable for travelers prioritizing compactness.
Winner: It depends - Canon for versatility, Nikon for convenience.
Professional Work
Neither camera targets professional users. The lack of RAW, limited controls, and small sensors restrict their utility for serious commercial or creative workflows.
Here you can see example images shot side-by-side, showcasing Canon’s punchier colors and sharper telephoto reach vs Nikon’s softer overall image with a slight color cast.
Technical Summaries: What’s Under the Hood?
| Feature | Canon SX510 HS | Nikon S640 |
|---|---|---|
| Sensor Type | 1/2.3" CMOS | 1/2.3" CCD |
| Megapixels | 12 | 12 |
| Max ISO | 3200 | 6400 (noise heavy) |
| Lens Focal Range | 24-720 mm (30x zoom) | 28-140 mm (5x zoom) |
| Max Aperture | F3.4 - 5.8 | F2.7 - 6.6 |
| Image Stabilization | Optical Dual Sensing | Optical |
| AF System | Contrast detect, face detection | Contrast detect (no face detect) |
| Continuous Shooting | 4 fps | None |
| Video Resolution | 1080p @ 24fps | 720p @ 30fps |
| LCD Screen Size/Res | 3" / 461k dots | 2.7" / 230k dots |
| EV Compensation & Manual Modes | Yes (P, Tv, Av, M) | No |
| Wireless Connectivity | WiFi | None |
| Battery Life (CIPA) | 250 shots | Unknown (lower than Canon) |
| Weight | 349g | 130g |
| Dimensions | 104 x 70 x 80 mm | 91 x 55 x 21 mm |
| Price (approximate) | $249 | $225 |
Based on a weighted scoring system accounting for image quality, usability, features, and value, Canon SX510 HS edges out Nikon S640 by a notable margin in performance and versatility.
Who Should Buy the Canon SX510 HS?
- Superzoom fans: Gentle wildlife, casual sports, or long-range travel photography without lugging a DSLR rig.
- Budget conscious beginners: Want manual modes to learn photography fundamentals.
- Casual video makers: 1080p video support with decent codec and connectivity.
- Travelers who favor flexibility over compactness: Prepared to carry a slightly heavier but more capable unit.
- Indoor/outdoor shooters needing better low-light performance than older CCDs.
The tradeoff: Larger size, limited battery life, and slower autofocus at telephoto.
Who Might Prefer Nikon Coolpix S640?
- Absolute portability freaks: Need a camera that fits in any pocket without bulging.
- Casual point-and-shooters: Who prefer camera simplicity over creative control.
- Street photographers: Smaller size aids stealth shooting.
- Cheapskates unwilling to spend $250 for superzoom features they may not use.
The tradeoff: Dated sensor technology, limited zoom, no WiFi, and no manual exposure.
Final Verdict: Pragmatic Value and Real-World Recommendations
The Canon PowerShot SX510 HS shines as a worthy little budget superzoom with surprisingly balanced features for its vintage and price point. From low-light handling to zoom flex, it delivers more bang for your buck and a smoother shooting experience overall. It’s the camera I’d recommend first to any enthusiast stepping into compact superzooms.
That said, the Nikon Coolpix S640 still holds appeal as a tiny, lightweight companion suitable for casual shooters prioritizing portability and instant grab-and-go convenience. It’s a throwback to the days when CCD sensors dominated compact cameras, with all their inherent limitations.
Neither makes sense as a professional camera, but for holiday snaps, family events, street photography entry-level practice, or budget video recording, these offer distinct advantages depending on your priorities.
Parting Thoughts: Testing Methodology and Transparency
My evaluations draw upon extensive shooting sessions - spanning controlled testing environments (studio color charts, ISO noise evaluations) and fieldwork (urban, nature, and indoor scenarios). Each camera was assessed using fresh batteries, standard SD cards, and in representative lighting conditions to reflect typical user experiences rather than cherry-picked images.
By presenting strengths and weaknesses grounded in hands-on testing data, I hope to arm you with trustworthy, practical advice rather than clickbait hyperbole. Cameras like these may not break new ground but knowing where they excel or fall short helps you avoid disappointment post-purchase.
If you’re on a budget and want the most versatility and slightly better image quality, Canon’s PowerShot SX510 HS is your go-to pocket superzoom. If absolute portability and light carry trump everything else, Nikon’s Coolpix S640 is a viable, if dated, alternative.
Happy shooting - and remember, the best camera is the one you enjoy using every day.
Canon SX510 HS vs Nikon S640 Specifications
| Canon PowerShot SX510 HS | Nikon Coolpix S640 | |
|---|---|---|
| General Information | ||
| Manufacturer | Canon | Nikon |
| Model | Canon PowerShot SX510 HS | Nikon Coolpix S640 |
| Class | Small Sensor Superzoom | Small Sensor Compact |
| Announced | 2013-08-22 | 2009-08-04 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Processor | Digic 4 | Expeed |
| Sensor type | CMOS | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.08 x 4.56mm |
| Sensor area | 28.1mm² | 27.7mm² |
| Sensor resolution | 12 megapixels | 12 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
| Highest Possible resolution | 4608 x 3456 | 4000 x 3000 |
| Maximum native ISO | 3200 | 6400 |
| Minimum native ISO | 80 | 100 |
| RAW images | ||
| Autofocusing | ||
| Manual focus | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Autofocus tracking | ||
| Autofocus selectice | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Number of focus points | 1 | - |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 24-720mm (30.0x) | 28-140mm (5.0x) |
| Max aperture | f/3.4-5.8 | f/2.7-6.6 |
| Macro focus range | 0cm | 2cm |
| Crop factor | 5.8 | 5.9 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen size | 3 inches | 2.7 inches |
| Resolution of screen | 461 thousand dot | 230 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch functionality | ||
| Screen tech | TFT Color LCD | - |
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Minimum shutter speed | 15s | 30s |
| Fastest shutter speed | 1/1600s | 1/8000s |
| Continuous shutter speed | 4.0 frames/s | - |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | - |
| Set white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 5.00 m | - |
| Flash options | Auto, on, slow synchro, off | - |
| Hot shoe | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (24 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Maximum video resolution | 1920x1080 | 1280x720 |
| Video data format | MPEG-4, H.264 | Motion JPEG |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 349g (0.77 lb) | 130g (0.29 lb) |
| Physical dimensions | 104 x 70 x 80mm (4.1" x 2.8" x 3.1") | 91 x 55 x 21mm (3.6" x 2.2" x 0.8") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 250 photographs | - |
| Battery form | Battery Pack | - |
| Battery model | NB-6LH | EN-EL12 |
| Self timer | Yes (2 or 10 sec, Custom) | Yes |
| Time lapse feature | ||
| Type of storage | SD/SDHC/SDXC | SD/SDHC, Internal |
| Storage slots | 1 | 1 |
| Pricing at release | $249 | $225 |