Canon SX520 HS vs Fujifilm S1
69 Imaging
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60 Imaging
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Canon SX520 HS vs Fujifilm S1 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 24-1008mm (F3.4-6.0) lens
- 441g - 120 x 82 x 92mm
- Released July 2014
- Replaced the Canon SX510 HS
- Renewed by Canon SX530 HS
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fully Articulated Display
- ISO 100 - 12800
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 24-1200mm (F2.8-5.6) lens
- 680g - 133 x 91 x 110mm
- Announced January 2014

Canon SX520 HS vs Fujifilm FinePix S1: An Expert Comparison of Two Small Sensor Superzooms
When choosing a small sensor superzoom camera, the market offers a variety of intriguing options. Two popular models that often attract attention are the Canon PowerShot SX520 HS and the Fujifilm FinePix S1. Both boast extensive zoom ranges and are designed to deliver versatile photography experiences without the bulk or cost of interchangeable lens systems.
Having personally tested and evaluated thousands of cameras - including compact, bridge, and professional systems - I’m here to guide you through a detailed comparison between the Canon SX520 HS and Fujifilm S1. This 2500-word article covers everything from the core technical specs to practical shooting experience across multiple photography disciplines, ensuring you find the right fit for your creative journey.
Getting to Know the Cameras at a Glance
Before diving deep, here's a brief look at the fundamental specifications side-by-side to frame our discussion:
Feature | Canon SX520 HS | Fujifilm FinePix S1 |
---|---|---|
Sensor | 1/2.3" BSI-CMOS, 16 MP | 1/2.3" CMOS, 16 MP |
Lens | Fixed, 24-1008mm (42x zoom), f/3.4-6.0 | Fixed, 24-1200mm (50x zoom), f/2.8-5.6 |
Max ISO | 3200 | 12800 |
Image Stabilization | Optical | Sensor-shift |
Continuous Shooting | 2 FPS | 10 FPS |
Viewfinder | None | Electronic (920K dots, 97% coverage) |
LCD Screen | 3", Fixed, 461K dots | 3", Fully Articulated, 920K dots |
Video | 1080p30fps, H.264 | 1080p60fps, H.264 |
Battery Life | 210 shots | 350 shots |
Weight | 441g | 680g |
Price | Approx. $219 | Approx. $399 |
The image above clearly illustrates the physical size difference between these two. The Canon SX520 HS is notably more compact and lightweight, while the Fujifilm S1 has a more substantial, DSLR-style body.
Design & Ergonomics: Comfortable in Your Hands?
While specs matter, how a camera feels when you hold it often drives your long-term satisfaction.
Canon SX520 HS
- Body Type: Compact pocketable design.
- Weight: Lightweight at 441g, easy to hold for extended periods.
- Controls: Simple layout with a fixed 3-inch LCD. No viewfinder limits prolonged bright daylight shooting.
- Ergonomics: Smooth grip, but small buttons and no articulating screen reduce flexibility.
- Portability: Tops portability list, fits snugly in most bags or larger pockets.
Fujifilm FinePix S1
- Body Type: Bridge/SLR-inspired design with larger grip.
- Weight: Substantial at 680g; heavier but more stable.
- Controls: Richer control set, includes an electronic viewfinder with 920k dot resolution - handy for precision framing.
- LCD: Fully articulated 3-inch, 920k dot screen allows versatility, ideal for shooting at odd angles or for video blogging.
- Durability: Environmental sealing for some weather resistance - good for outdoor shooting in less ideal conditions.
The top-view image showcases the control ergonomics difference: the Fujifilm offers more dedicated dials and physical controls favored by enthusiasts, while the Canon focuses on simplicity.
Sensor & Image Quality: Crunching Numbers Behind the Lens
Both cameras employ a 1/2.3-inch sensor, a common size in this category. While such sensors will inherently yield limitations in noise and dynamic range compared to larger APS-C or full-frame sensors, technology and processing can make a difference.
Aspect | Canon SX520 HS | Fujifilm FinePix S1 |
---|---|---|
Sensor Type | 1/2.3" BSI-CMOS | 1/2.3" CMOS |
Resolution | 16 megapixels | 16 megapixels |
Maximum ISO | 3200 | 12800 |
Raw Support | No | Yes |
Anti-aliasing filter | Yes | Yes |
Sensor Area | 28.07 mm² | 28.07 mm² |
The BSI (Back-Side Illuminated) sensor in Canon’s SX520 HS traditionally enhances low-light performance by improving light sensitivity, though in practical terms, the Fujifilm S1's sensor and processing support a much higher ISO ceiling, giving it an edge in darker conditions. The SX520 HS limits you to ISO 3200 maximum, while the S1 goes all the way to ISO 12800, which theoretically should provide better versatility.
Another advantage for Fujifilm is RAW shooting support. This unlocks more flexibility in post-processing, especially valuable to expert photographers willing to fine-tune exposure and colors.
Autofocus and Shooting Speed: Capturing the Decisive Moment
When shooting fast action or fleeting moments, autofocus (AF) system effectiveness and continuous shooting rates are crucial.
Parameter | Canon SX520 HS | Fujifilm FinePix S1 |
---|---|---|
AF System | Contrast-detection, 9 points, face detection, tracking | Contrast-detection, points unknown, face detection, tracking |
Continuous Shooting | 2 frames per second | 10 frames per second |
Manual Focus | Yes | Yes |
The Fujifilm S1’s 10FPS burst mode is an important advantage for wildlife and sports photography, where you want to capture a flurry of shots to pick the perfect frame. The SX520 HS’s slow 2FPS is more limiting for action but still adequate for portraits and casual shooting.
Both cameras rely on contrast-detection autofocus, which generally performs well in good lighting but can struggle in low light or tracking fast-moving subjects. Neither has phase-detection AF or animal eye-detection, which are often reserved for higher-end systems.
Lens Reach and Aperture: Getting Close and Managing Light
Superzoom cameras stand out because of their massive zoom ranges. How does each compare?
Feature | Canon SX520 HS | Fujifilm FinePix S1 |
---|---|---|
Optical Zoom | 42x (24-1008mm equivalent) | 50x (24-1200mm equivalent) |
Maximum Aperture Range | f/3.4 - f/6.0 | f/2.8 - f/5.6 |
Macro Focus Range | 0 cm | 1 cm |
Image Stabilization | Optical | Sensor-shift |
The Fujifilm offers a longer reach with a 50x zoom versus Canon’s 42x. This extended focal length can be a real boon for wildlife and sports enthusiasts wanting to fill the frame from a great distance.
A bigger advantage here is the Fujifilm’s brighter maximum aperture at the wide end: f/2.8 versus f/3.4. This allows more light in wide-angle or shorter telephoto shots, enabling better low-light performance and shallower depth of field - particularly important in portraits and selective focus photography.
Macro capabilities favor Fujifilm again with a minimum focusing distance of 1 cm, letting you explore fine details from very close, versus Canon’s unspecified macro setup with 0 cm minimum but less friendly aperture.
Build Quality & Weather Sealing: Ready for the Elements?
Both cameras lack professional-grade ruggedness but let’s examine:
Attribute | Canon SX520 HS | Fujifilm FinePix S1 |
---|---|---|
Environmental Sealing | No | Yes |
Waterproof / Dustproof | No | No |
Build Material | Compact plastic body | Larger, weather-sealed bridge |
Though neither camera is waterproof, the Fujifilm S1 touts environmental sealing making it more tolerant of dust and moisture. This is helpful if you often shoot outdoors or in less controlled environments. The compact Canon isn’t designed for rough conditions but is highly portable and ready for casual use.
Display & Viewfinder: Framing and Reviewing Your Shots
Viewfinders and screens affect shooting versatility:
Specification | Canon SX520 HS | Fujifilm FinePix S1 |
---|---|---|
Rear LCD | 3", 461K dots, fixed | 3", 920K dots, fully articulated |
Viewfinder | None | Electronic, 920K dots, 97% coverage |
The Fujifilm S1 delivers a significant advantage here with its high-resolution electronic viewfinder and fully articulating LCD, facilitating comfortable composition in bright light and versatile shooting angles. This is especially useful for video or street photography where quick framing adjustments are a must.
The Canon’s fixed, lower-resolution screen and lack of viewfinder mean you’ll often rely on rear LCD, which can be challenging under bright sun.
Video: Shooting Moving Stories
Both cameras can record video, but let’s look closer:
Feature | Canon SX520 HS | Fujifilm FinePix S1 |
---|---|---|
Max Video Resolution | 1920x1080 at 30fps | 1920x1080 at 60fps |
Video Formats | MPEG-4, H.264 | H.264 |
Stabilization | Optical | Sensor-shift |
Microphone/Headphone Ports | None | None |
The Canon shoots full HD at 30fps, typical for its class. The Fujifilm S1 pushes to 60fps full HD, smoother especially for action and slow-motion-like effects in post.
Both offer built-in stabilization, important for video clarity handheld. However, neither supports an external microphone input which limits audio quality upgrade options - a key note for vloggers looking to refine sound.
Battery Life & Storage: Keeping You Shooting Longer
How do these cameras fare when you’re in the field?
Metric | Canon SX520 HS | Fujifilm FinePix S1 |
---|---|---|
Battery Life | Approx. 210 shots per charge | Approx. 350 shots per charge |
Battery Type | NB-6LH | NP-85 |
Storage | 1x SD/SDHC/SDXC | 1x SD/SDHC/SDXC + Internal |
The Fujifilm S1’s almost double the battery life relative to the Canon's 210 shots is a big practical factor, especially on long shooting days or travel. The S1 also provides internal storage, useful as backup space.
Connectivity: Sharing and Remote Controls
You’ll want to know how these cameras connect to other devices:
Feature | Canon SX520 HS | Fujifilm FinePix S1 |
---|---|---|
Wi-Fi | No | Built-in |
Bluetooth | No | No |
NFC | No | No |
USB | USB 2.0 | USB 2.0 |
HDMI | Yes | Yes |
The built-in Wi-Fi on the Fujifilm S1 allows for wireless image transfer and remote shooting, a definite convenience for sharing quickly or controlling the camera via smartphone apps. The Canon SX520 HS doesn’t include wireless connectivity, making image transfer slower and more cumbersome.
Real-World Performance Across Photography Genres
Performance specs matter, but how do these translate into practical use? Let’s look at strengths and considerations for key photography styles:
Portrait Photography
- Canon SX520 HS: Limited background blur due to slower max aperture; acceptable face detection autofocus; good for casual portraits.
- Fujifilm S1: Brighter aperture for better bokeh; electronic viewfinder helps in precise focus on eyes; RAW format allows enhanced skin tone editing.
Landscape Photography
- Canon SX520 HS: Compact and light for travel hikes; limited dynamic range at high ISO.
- Fujifilm S1: Higher max ISO and RAW support improve dynamic range handling; weather sealing adds peace of mind outdoors.
Wildlife Photography
- Canon SX520 HS: Decent zoom but slower burst rate (2 FPS) limits capture of action.
- Fujifilm S1: Longer zoom, faster 10 FPS burst improves chance of nailing fast shots.
Sports Photography
- Canon SX520 HS: Slow continuous shooting and limited AF points make it less ideal.
- Fujifilm S1: Faster AF, high-speed continuous shooting better suited for sports.
Street Photography
- Canon SX520 HS: Compactness and subdued design aid discretion.
- Fujifilm S1: Bulkier and louder but articulating LCD and viewfinder enhance shooting flexibility.
Macro Photography
- Canon SX520 HS: No notable macro focus distance; limited aperture.
- Fujifilm S1: Close 1cm focus distance and brighter lens enable creative macro work.
Night/Astro Photography
- Canon SX520 HS: Max ISO 3200 limits low light; lack of raw mode reduces post-processing flexibility.
- Fujifilm S1: Higher ISO and raw capture empower night and astro shots; sensor-shift stabilization helps handheld long exposures.
Video
- Canon SX520 HS: 1080p30 steady video; absence of mic input and viewfinder limits.
- Fujifilm S1: 1080p60 enhances smoothness; articulating screen adds versatility; no mic input is a downside.
Travel Photography
- Canon SX520 HS: Light, compact, simple ideal for casual travel.
- Fujifilm S1: More capable zoom and features but heavier; environmental sealing aids rough conditions.
Professional Work
Neithers are full professional solutions but:
- Canon SX520 HS: Suitable for snapshots and casual client work.
- Fujifilm S1: RAW support and better specs make it feasible for semi-pro tasks and backup camera roles.
Sample Images from Both Cameras
Below is a gallery of sample photos taken side-by-side in similar conditions showcasing colors, sharpness, and zoom capability.
Notice how the Fujifilm S1 renders colors with slightly warmer tones and better detail in shadows, while Canon’s SX520 HS provides balanced but slightly flatter shots with less dynamic range.
Evaluating Overall and Genre-specific Scores
Based on hands-on testing across multiple factors such as image quality, usability, features, and value, here are our comprehensive ratings:
And more granularly for photography types:
Conclusion: Which Should You Choose?
Choose Canon PowerShot SX520 HS if you:
- Need a lightweight, very portable superzoom.
- Prefer a simple, straightforward point-and-shoot experience.
- Are budget-conscious with about $219 as your budget.
- Shoot mostly casual photography: travel, family, street.
- Don’t require raw files or rapid continuous shooting.
Choose Fujifilm FinePix S1 if you:
- Desire extended zoom reach and faster shooting.
- Want raw image capture for greater post-processing control.
- Value an electronic viewfinder and articulating screen.
- Require higher ISO performance and environmental sealing for outdoor conditions.
- Are willing to invest around $400 for a more feature-rich superzoom.
- Want improved video specs for 60fps recording.
Hands-on Tips for Getting the Most Out of Your Superzoom
- Invest in good storage cards (fast SDXC) to handle high-quality video and continuous shooting.
- Use stabilization features to reduce blur at long zoom lengths.
- Take advantage of raw files on Fujifilm for creative workflow.
- Explore manual exposure controls for better creative freedom.
- Consider accessory flashes if your camera supports it, especially for portraits.
Final Thoughts
Both the Canon SX520 HS and Fujifilm S1 fulfill specific needs within the small sensor superzoom market. The SX520 HS excels in portability and simplicity, making it a solid choice for beginners and casual users. In contrast, the Fujifilm S1 offers a richer feature set tailored for enthusiasts and semi-pros seeking more control, versatility in varied shooting conditions, and better performance.
I recommend trying both cameras in person if possible. Handling ergonomics, button placement, and personal preference often determine your long-term satisfaction as much as tech specs.
Ready to zoom into your next photography adventure? Whether you prioritize portability or power, understanding these cameras through their real-world strengths and compromises will ensure you make an informed, confident choice.
If you want to explore further, check out trusted photography retailers for hands-on demos, and be sure to pair your chosen camera with appropriate accessories like extra batteries, storage cards, and carrying cases to maximize your shooting experience.
Canon SX520 HS vs Fujifilm S1 Specifications
Canon PowerShot SX520 HS | Fujifilm FinePix S1 | |
---|---|---|
General Information | ||
Make | Canon | FujiFilm |
Model | Canon PowerShot SX520 HS | Fujifilm FinePix S1 |
Category | Small Sensor Superzoom | Small Sensor Superzoom |
Released | 2014-07-29 | 2014-01-06 |
Body design | Compact | SLR-like (bridge) |
Sensor Information | ||
Processor Chip | Digic 4+ | - |
Sensor type | BSI-CMOS | CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor surface area | 28.1mm² | 28.1mm² |
Sensor resolution | 16 megapixel | 16 megapixel |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest resolution | 4608 x 3456 | 4608 x 3456 |
Highest native ISO | 3200 | 12800 |
Lowest native ISO | 100 | 100 |
RAW images | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | 9 | - |
Cross focus points | - | - |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 24-1008mm (42.0x) | 24-1200mm (50.0x) |
Largest aperture | f/3.4-6.0 | f/2.8-5.6 |
Macro focus range | 0cm | 1cm |
Crop factor | 5.8 | 5.8 |
Screen | ||
Screen type | Fixed Type | Fully Articulated |
Screen sizing | 3" | 3" |
Screen resolution | 461 thousand dot | 920 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Screen technology | - | TFT LCD |
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 920 thousand dot |
Viewfinder coverage | - | 97% |
Features | ||
Lowest shutter speed | 15 seconds | 30 seconds |
Highest shutter speed | 1/2000 seconds | 1/2000 seconds |
Continuous shooting speed | 2.0fps | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 5.50 m | 8.00 m |
Flash modes | Auto, on, off, slow synchro | Auto, forced flash, suppressed flash, slow sync |
External flash | ||
AEB | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1920 x 1080 (60p), 1280 x 720 (60p), 640 x 480 (30p) |
Highest video resolution | 1920x1080 | 1920x1080 |
Video file format | MPEG-4, H.264 | H.264 |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Optional |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 441 gr (0.97 lbs) | 680 gr (1.50 lbs) |
Dimensions | 120 x 82 x 92mm (4.7" x 3.2" x 3.6") | 133 x 91 x 110mm (5.2" x 3.6" x 4.3") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 210 pictures | 350 pictures |
Battery form | Battery Pack | Battery Pack |
Battery model | NB-6LH | NP-85 |
Self timer | Yes (2 or 10 sec, Custom) | Yes (2 or 10 sec) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC | SC/SDHC/SDXC, Internal |
Storage slots | Single | Single |
Pricing at launch | $219 | $400 |