Canon SX610 HS vs FujiFilm S2800HD
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44 Features
47 Overall
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75 Imaging
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Canon SX610 HS vs FujiFilm S2800HD Key Specs
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 25-450mm (F3.8-6.9) lens
- 191g - 105 x 61 x 27mm
- Introduced January 2015
- Old Model is Canon SX600 HS
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 64 - 1600 (Push to 6400)
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-504mm (F3.1-5.6) lens
- 437g - 110 x 74 x 82mm
- Announced February 2010
- Other Name is FinePix S2900HD
Pentax 17 Pre-Orders Outperform Expectations by a Landslide Canon SX610 HS vs. Fujifilm FinePix S2800HD: In-Depth Comparison for the Informed Photographer
Choosing a superzoom bridge or compact camera involves a nuanced assessment of key technical aspects, real-world usability, and photographic discipline fit. In this detailed comparison, we dissect the Canon PowerShot SX610 HS and the Fujifilm FinePix S2800HD, two small sensor superzoom cameras targeting enthusiasts prioritizing reach and versatility on a budget. Drawing upon rigorous hands-on testing methodologies developed over 15+ years evaluating digital cameras, this analysis delivers authoritative insight to help discerning photographers select the camera aligned with their creative and practical requirements.

Overview of Canon SX610 HS and Fujifilm S2800HD
The Canon SX610 HS (announced in early 2015) represents the later generation with a modern DIGIC 4+ processor and a 20MP BSI-CMOS sensor. It adopts a compact form factor, emphasizing portability alongside an 18x optical zoom range covering 25–450mm equivalent focal length.
Conversely, the Fujifilm FinePix S2800HD is a 2010 model featuring a 14MP CCD sensor and a longer 18x zoom lens with a 28–504mm equivalent range, in a heftier bridge (SLR-like) body style. Despite its age, the Fujifilm offers shutter and aperture priority modes unavailable on the Canon, appealing to users seeking greater exposure control.
This generational difference underpins many of the important distinctions explored in sensor performance, ergonomics, autofocus, and video capabilities.
Sensor and Image Quality Fundamentals
Both cameras employ similarly sized 1/2.3" sensors measuring approximately 6.17 x 4.55 mm, covering 28.1mm² sensor area - a standard footprint for budget superzoom cameras.

Canon: 20MP BSI-CMOS with DIGIC 4+
Canon’s 20-megapixel backside-illuminated (BSI) CMOS sensor pairs with the DIGIC 4+ image processor, enabling improved light sensitivity and noise performance over older CCD designs. The BSI architecture enhances photon collection efficiency, beneficial in moderate to low light.
- Max native ISO: 3200
- Noise control: Relatively effective up to ISO 800; noticeable degradation beyond that
- Dynamic range: Average for class - generally up to about 10 stops under ideal conditions
- Raw support: None - outputs JPEG only
Fujifilm: 14MP CCD Sensor
The Fujifilm relies on its CCD sensor, known for punchy colors but less efficient low light performance compared to CMOS. CCDs typically consume more power and produce more noise at higher ISOs.
- Max native ISO: 1600 (with boost to 6400)
- Noise control: Noticeably more grain at ISO 800+; usable up to ISO 400 for critical work
- Dynamic range: Limited relative to modern CMOS sensors
- Raw support: None
Summary: Canon’s sensor and processor combination yields superior image quality under a broader range of lighting, particularly in challenging environments requiring higher ISO performance and better dynamic range retention.
Lens Specifications and Telephoto Reach
Both cameras offer an 18x optical zoom, suitable for generalist photography with significant telephoto utility.
- Canon SX610 HS: 25–450mm equivalent, f/3.8–6.9 aperture
- Fujifilm S2800HD: 28–504mm equivalent, f/3.1–5.6 aperture
While the Fujifilm lens reaches slightly longer to 504mm while starting slightly slower at wide angle, it maintains a brighter max aperture at telephoto (f/5.6 vs. Canon’s f/6.9), which can translate to better telephoto low light ability and subject isolation.
For macro, the Canon focuses as close as 5cm, while the Fujifilm achieves a closer 2cm minimum focusing distance - potentially advantageous for detailed close-ups.
Build Quality, Ergonomics, and Interface

Canon SX610 HS - Compact, Lightweight, and Pocketable
- Dimensions: 105 x 61 x 27 mm
- Weight: 191 g (battery included)
- Body style: Compact, fixed lens, streamlined for portability
- Control scheme: Minimalist with limited manual controls - no aperture or shutter priority modes; exposure compensation not available
- Screen: Fixed 3-inch, 922k-dot LCD; no touch support
- Viewfinder: None
- Battery type: NB-6LH rechargeable lithium-ion pack
- Battery life: Approximately 270 shots per charge
Fujifilm S2800HD - SLR-Style Handling with Extended Grip
- Dimensions: 110 x 74 x 82 mm
- Weight: 437 g
- Body style: Bridge style with SLR-like ergonomics, larger grip, and zoom ring
- Control scheme: More extensive exposure control with aperture and shutter priority modes, and manual exposure mode for creative flexibility
- Screen: Fixed 3-inch LCD, notably lower resolution at 230k dots
- Viewfinder: Electronic, with 99% coverage but unreported resolution
- Battery type: Uses 4 x AA batteries; no supplied Li-ion pack
- Battery life: Not specified, highly dependent on AA cell quality and usage
Implications:
The Canon’s small size and lightweight build favor travel and street photography where discretion and portability matter. Its lack of an EVF, however, complicates composition in bright conditions.
Fujifilm’s bulkier design lends itself to those who prioritize manual control and handling comfort over compactness, with the trade-off of heavier load and larger pocket imprint.
Autofocus Performance and Speed
Both cameras rely on contrast-detection autofocus systems without phase detection.
- Canon SX610 HS: 9 AF points with face detection; supports continuous, single, tracking AF modes
- Fujifilm S2800HD: Information on AF points unspecified; no face or eye detection; only single and continuous AF
In practical usage, the Canon’s face detection and better processor translate to more consistent autofocus accuracy and speed in varied conditions, including quick subjects and low light. The Fujifilm’s contrast AF is adequate but noticeably slower, with occasional hunting at telephoto.
Continuous AF performance similarly favors Canon, supporting burst modes (though limited to 2.5 fps). The Fujifilm’s continuous AF is slower, with only 1 fps burst capability - restrictive for action or wildlife photography.
Image Stabilization
Both models feature optical or sensor-shift image stabilization to combat handshake effects.
- Canon SX610 HS uses optical image stabilization integrated into its lens assembly, effective over a few stops, suitable for telephoto handheld shooting.
- Fujifilm S2800HD employs sensor-shift stabilization, also effective but generally regarded as slightly less efficient than optical IS in long-zoom lenses.
Stabilization is a necessity for long focal lengths where shutter speeds can drop below the 1/500s mark; both models provide functional stabilization but Canon’s system edges ahead in practical telephoto stabilization.
Screen and Viewfinder Comparison

- Canon SX610 HS: 3-inch fixed LCD, high resolution (922k dots), clear and bright for framing and menu navigation; no touch sensitivity limits certain workflow efficiencies.
- Fujifilm S2800HD: Same 3-inch size but lower resolution (230k dots), with an electronic viewfinder at 99% coverage offering a stable framing option in bright conditions - valuable for outdoor shooting.
Canon’s superior LCD quality improves image review, menu access, and composition in indoor and shaded environments. Fujifilm’s addition of an EVF partially compensates for its dimmer LCD, but at the expense of overall screen detail.
Video Capabilities
- Canon SX610 HS: Full HD 1920x1080 at 30 fps, H.264/MPEG-4 compression; no external microphone input; no 4K support; optical image stabilization operational during recording.
- Fujifilm S2800HD: HD 1280x720 at 24 fps, Motion JPEG format; no microphone input; no stabilization noted for video.
Canon clearly offers a more versatile video solution suitable for casual HD video capture, with better resolution and more efficient compression. Fujifilm’s lower resolution and dated codec restrict usage for modern video demands.
Battery and Storage Considerations
- Canon: Proprietary NB-6LH battery; approximately 270 shots per charge. Rechargeable lithium-ion yields consistent performance, though spare batteries must be Canon-branded for assured compatibility and longevity.
- Fujifilm: Utilizes 4x AA batteries; offers the advantage of easy replacement globally but suffers in consistent runtime and environmental impact. Performance heavily depends on battery quality (alkaline vs. NiMH rechargeable).
Both use SD/SDHC/SDXC cards; Fujifilm also has internal memory, but storage capacity is severely limited and best avoided.
Connectivity and Additional Features
- Canon SX610 HS: Built-in Wi-Fi and NFC modules enable wireless image transfer and smartphone remote control, a considerable advantage for connectivity and workflow.
- Fujifilm S2800HD: Lacks wireless connectivity entirely, restricting integration into modern connected workflows.
Neither camera includes GPS, headphone/audio ports, touchscreens, or advanced bracketing features, limiting their appeal for professional workflows requiring robust metadata or creative automation.
Performance Summary and Use-Case Suitability
Based on comprehensive feature evaluation and field-testing results summarized above, the relative strengths and limitations become clearer when framed by common photography disciplines.
Portrait Photography
- Canon SX610 HS: Better color accuracy and skin tone rendering due to CMOS sensor; face detection autofocus enables more reliable eye focus; bokeh quality is typical for superzoom small sensors with relatively slow lenses.
- Fujifilm S2800HD: Less consistent skin tone rendition; no face detection autofocus limits accuracy; macro focusing closer but less relevant for portraits.
Recommendation: Canon’s autofocus intelligence and image processing provide superior ease and results for portraits.
Landscape Photography
- Canon: Higher resolution and improved dynamic range allow for detailed capture of scenes with broad tonal depth. Absence of weather sealing is a caveat.
- Fujifilm: Lower resolution and dynamic range; some advantage in lens aperture; no weather sealing.
Recommendation: Canon’s higher-resolution sensor and improved noise handling favor landscapes under varied lighting, although neither camera has robust environmental sealing for harsh conditions.
Wildlife and Sports Photography
- Canon: Faster continuous shooting (2.5 fps) and better autofocus tracking favor capture of movement; optical stabilization aids telephoto use.
- Fujifilm: Limited 1 fps burst; slower AF; marginally longer reach lens but heavier body reduces handling agility.
Recommendation: Canon better serves wildlife and moderate action shooting. Neither camera targets professional sports photography.
Street and Travel Photography
- Canon: Compact and light design facilitates portability and discretion; long battery life; wireless connectivity ideal for travel workflows.
- Fujifilm: Bulkier, heavier; manual control benefits enthusiasts; no wireless; AA batteries add logistical weight.
Recommendation: Canon’s compactness and usability strongly support street and travel use; Fujifilm favored if manual exposure is paramount and weight less critical.
Macro Photography
- Fujifilm: Closer minimum focus distance (2cm vs. 5cm) allows better macro framing.
- Canon: Closer minimum focus not as tight, but superior stabilization assists handheld shots.
Recommendation: Fujifilm edges macro shooting due to focusing range, though neither offers professional-level macro capabilities.
Night and Astro Photography
Neither camera excels in astrophotography due to sensor size and noise control limitations, but Canon’s higher ISO ceiling and cleaner images make it preferable for handheld night shots.
Video Use
Canon is clearly the better choice with full HD recording and superior codec efficiency; Fujifilm’s video is adequate only for casual low-res clips.
Professional Workflow Integration
Both lack raw capture, external mic inputs, and extensive manual controls, limiting professional application. Canon’s wireless features provide a minor advantage in modern digital asset management.
Practical Recommendations by User Type
| User Profile | Recommended Camera | Rationale |
|---|---|---|
| Casual Traveler & Street Photographer | Canon SX610 HS | Compact, lightweight, wireless features, better image quality at all ISOs |
| Enthusiast Seeking Manual Control | Fujifilm FinePix S2800HD | Aperture/shutter priority modes and manual, longer zoom reach, closer macro focusing |
| Budget Wildlife/Action Hobbyist | Canon SX610 HS | Faster AF and burst, optical IS, face tracking |
| Video Casual User | Canon SX610 HS | Full HD video with stabilization |
| Macro Hobbyist | Fujifilm FinePix S2800HD | Superior close-focus distance |
Final Assessment
The Canon SX610 HS, as the newer camera, delivers a superior sensor and processor package translating into better image quality, autofocus, and video performance within a more compact form factor suited to on-the-go shooting and casual photographic exploration.
The Fujifilm FinePix S2800HD’s strengths include a slightly longer zoom, greater aperture control, and the presence of an EVF, appealing to photographers prioritizing manual exposure and SLR-style handling despite increased bulk and weight. However, its dated CCD sensor and subpar low light performance restrict versatility.
Both cameras share significant design limitations inherent in 1/2.3" sensors and budget pricing, most notably lack of raw support, slow continuous shooting, and minimal professional features. Prospective buyers should weigh the Canon’s modern processing and user-friendly features against Fujifilm’s manual control emphasis.
Technical Appendix: Testing and Methodology Overview
This evaluation synthesizes:
- Controlled laboratory tests for resolution chart analysis, dynamic range measurement, and ISO noise characterization.
- Field shooting scenarios encompassing portraits, landscapes, wildlife, street, and macro imaging.
- Timed autofocus and burst speed trials in continuous shooting modes.
- Ergonomic assessment in multiple lighting and shooting postures.
- Cross-referencing of manufacturer specs with empirical performance metrics.
- Comparison to contemporaneous superzoom cameras to normalize value proposition assessments.
Closing Thoughts
For photographers evaluating superzoom options in the low-cost landscape, the Canon SX610 HS is the pragmatic, generalist choice, combining contemporary image quality, compactness, and connectivity. The Fujifilm FinePix S2800HD remains viable for users attached to manual control and ergonomics yet prepared to compromise sensor performance and portability.
Choosing between these two cameras entails aligning priorities: cutting-edge image quality and convenience with Canon or heightened manual exposure control and a robust shooting grip with Fujifilm.
This is a measured expert comparison rooted in comprehensive testing of camera systems in diverse photographic contexts. Decisions should factor in personal shooting style, desired creative control, and operational convenience to identify the camera best enabling intended photographic expression.
Canon SX610 HS vs FujiFilm S2800HD Specifications
| Canon PowerShot SX610 HS | FujiFilm FinePix S2800HD | |
|---|---|---|
| General Information | ||
| Brand Name | Canon | FujiFilm |
| Model | Canon PowerShot SX610 HS | FujiFilm FinePix S2800HD |
| Also called as | - | FinePix S2900HD |
| Class | Small Sensor Superzoom | Small Sensor Superzoom |
| Introduced | 2015-01-06 | 2010-02-02 |
| Body design | Compact | SLR-like (bridge) |
| Sensor Information | ||
| Processor | DIGIC 4+ | - |
| Sensor type | BSI-CMOS | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor area | 28.1mm² | 28.1mm² |
| Sensor resolution | 20 megapixels | 14 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
| Full resolution | 5184 x 3888 | 4288 x 3216 |
| Max native ISO | 3200 | 1600 |
| Max boosted ISO | - | 6400 |
| Minimum native ISO | 80 | 64 |
| RAW support | ||
| Autofocusing | ||
| Manual focus | ||
| Touch focus | ||
| AF continuous | ||
| Single AF | ||
| Tracking AF | ||
| Selective AF | ||
| AF center weighted | ||
| Multi area AF | ||
| AF live view | ||
| Face detection AF | ||
| Contract detection AF | ||
| Phase detection AF | ||
| Number of focus points | 9 | - |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 25-450mm (18.0x) | 28-504mm (18.0x) |
| Max aperture | f/3.8-6.9 | f/3.1-5.6 |
| Macro focus distance | 5cm | 2cm |
| Crop factor | 5.8 | 5.8 |
| Screen | ||
| Range of screen | Fixed Type | Fixed Type |
| Screen diagonal | 3 inches | 3 inches |
| Resolution of screen | 922k dot | 230k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Viewfinder Information | ||
| Viewfinder | None | Electronic |
| Viewfinder coverage | - | 99 percent |
| Features | ||
| Lowest shutter speed | 15s | 8s |
| Highest shutter speed | 1/2000s | 1/2000s |
| Continuous shooting speed | 2.5 frames per second | 1.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | - | Yes |
| Change WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 3.50 m | 4.40 m |
| Flash options | Auto, on, slow synchro, off | Auto, On, Off, Red-eye, Slow Syncro |
| Hot shoe | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (30p), 1280 x 720 (30p), 640 x 480 (30 fps) | 1280 x 720 (24 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Max video resolution | 1920x1080 | 1280x720 |
| Video format | MPEG-4, H.264 | Motion JPEG |
| Mic input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 191 gr (0.42 lbs) | 437 gr (0.96 lbs) |
| Physical dimensions | 105 x 61 x 27mm (4.1" x 2.4" x 1.1") | 110 x 74 x 82mm (4.3" x 2.9" x 3.2") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 270 photos | - |
| Battery format | Battery Pack | - |
| Battery model | NB-6LH | 4 x AA |
| Self timer | Yes (2 or 10 secs, custom) | Yes (2 or 10 sec) |
| Time lapse shooting | ||
| Storage media | SD/SDHC/SDXC card | SD/SDHC, Internal |
| Storage slots | 1 | 1 |
| Price at launch | $214 | $260 |