Canon SX70 HS vs Fujifilm S3 Pro
63 Imaging
47 Features
67 Overall
55
54 Imaging
43 Features
43 Overall
43
Canon SX70 HS vs Fujifilm S3 Pro Key Specs
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Fully Articulated Screen
- ISO 100 - 3200
- Optical Image Stabilization
- 3840 x 2160 video
- 21-1365mm (F3.4-6.5) lens
- 608g - 127 x 91 x 117mm
- Announced September 2018
(Full Review)
- 6MP - APS-C Sensor
- 2" Fixed Screen
- ISO 100 - 1600
- No Video
- Nikon F Mount
- 930g - 148 x 135 x 80mm
- Released March 2005
- Older Model is Fujifilm S2 Pro
- Updated by Fujifilm S5 Pro
Photography Glossary Canon SX70 HS vs Fujifilm FinePix S3 Pro: An Expert Comparison for Enthusiasts and Professionals
Choosing the right camera for your photography needs involves balancing features, performance, and budget - all while considering the type of work you aspire to create. Today, we’re placing two very different cameras side by side: the 2018 Canon PowerShot SX70 HS, a modern small-sensor superzoom bridge camera, and the 2005 Fujifilm FinePix S3 Pro, a classic professional DSLR heralded for its large APS-C sensor and unique color profiles.
While the Canon SX70 HS represents versatility and convenience with its massive zoom and video capabilities, the Fujifilm S3 Pro stands as a testament to traditional DSLR craftsmanship and image quality from an earlier digital era. Whether you’re a landscape shooter, wildlife enthusiast, portrait artist, or an event photographer, this comprehensive comparison will give you a grounded understanding of how these cameras perform across disciplines - and help you find the right tool for your creative vision.
Let’s dive in.
First Impressions: Size, Build, and Ergonomics
Before delving into image quality and specs, handling and size define your day-to-day shooting comfort and use case.

-
Canon SX70 HS: This bridge camera offers a compact yet solid SLR-like body weighing 608 g. Its physical dimensions (127x91x117 mm) fall into a portable range, ideal for travel and street photography. The built-in 65x zoom means you don’t have to carry multiple lenses. The grip and button layout cater well to one-handed operation for quick shots. Its fully articulated 3-inch LCD adds flexibility in composing shots from awkward angles.
-
Fujifilm S3 Pro: At 930 g and larger dimensions (148x135x80 mm), the S3 Pro is a heavyweight DSLR built for durability and professional use. It features environmental sealing uncommon for its time, providing dust and moisture resistance for rough conditions. However, its fixed 2-inch LCD (235k resolution) is relatively small and not articulating, which limits compositional flexibility, and it does not support live view. The body demands a two-handed grip but provides tactile feedback that many professionals appreciate.
Ergonomic takeaway: The Canon SX70 HS is more compact and travel-friendly, perfect if portability and all-in-one convenience appeal to you. The Fujifilm S3 Pro offers a classic, robust DSLR feel with professional durability but may feel bulky for casual shooting or long handheld sessions.
Sensor and Image Quality: The Heart of Photography
Sensor size, resolution, and technology critically influence your images’ detail, dynamic range, noise performance, and creative potential.

| Feature | Canon SX70 HS | Fujifilm S3 Pro |
|---|---|---|
| Sensor Type | 1/2.3" BSI-CMOS | APS-C CCD |
| Sensor Dimensions | 6.17 x 4.55 mm (28.07 mm² area) | 23 x 15.5 mm (356.5 mm² area) |
| Resolution | 20 MP (5184x3888) | 6 MP (4256x2848) |
| Native ISO Range | 100–3200 | 100–1600 |
| Anti-aliasing Filter | Yes | Yes |
| RAW Support | Yes | Yes |
Sensor Technology
The SX70 HS uses a small 1/2.3-inch backside-illuminated CMOS sensor, common in bridge and compact cameras. Although it packs a high 20 MP resolution, its small size limits light-gathering capabilities and dynamic range.
The S3 Pro features a larger APS-C format CCD sensor with 6 MP resolution. CCD technology excels in color depth and tonal gradation. Despite having fewer megapixels, the S3 Pro’s sensor yields superior dynamic range metrics (DxOMark rates 13.5 EV vs. typical ~9-10 EV for small sensors) and facilitates smooth tonal transitions, essential for fine art and portrait photography.
Real-World Image Quality
-
The Canon SX70 HS produces sharp, detailed images with the telephoto reach to capture distant subjects, but its smaller sensor area struggles with noise beyond ISO 800. It handles skin tones reasonably well, but not with the nuance of larger sensor cameras.
-
The Fujifilm S3 Pro delivers images with richer colors, deeper shadows, and lower ISO noise, even though its maximum ISO is lower. Its "Super CCD" structure was innovative in advancing highlight preservation and color reproduction at the time.
Autofocus Systems: Speed, Accuracy, and Tracking
Autofocus plays a pivotal role, especially for wildlife, sports, and action photographers.
| Autofocus Feature | Canon SX70 HS | Fujifilm S3 Pro |
|---|---|---|
| Type | Contrast-detection AF | Phase-detection AF |
| AF Points | 9 | Unknown, but supports selective AF |
| AF Modes | Single, Continuous, Tracking | Single, Continuous |
| Face Detection | Yes | No |
| Eye Detection | No | No |
| Animal Eye AF | No | No |
| Live View AF | Yes | No |
The SX70 HS’s contrast-detection autofocus shines in live view mode, especially with face detection, which aids portrait and street photographers seeking accuracy in identifying subjects. Its 10 fps burst with AF tracking makes it a solid option for casual sports and wildlife.
The S3 Pro employs a traditional phase-detection autofocus system through the optical viewfinder with selective AF points. While reliable for its age, it lacks face or eye detection and is comparatively slower in tracking fast-moving subjects.
Focus performance summary:
-
The Canon’s autofocus is more versatile and efficient for dynamic subjects in video or fast-paced photography but may hunt in low light due to contrast-detection's nature.
-
The Fujifilm’s system feels precise and deliberate, excellent for deliberate compositions but not geared towards high-speed autofocus needs.
Build Quality and Reliability
| Attribute | Canon SX70 HS | Fujifilm S3 Pro |
|---|---|---|
| Weather Sealing | No | Yes |
| Shockproof/Crushproof | No | No |
| Material | Polycarbonate with metal elements | Magnesium alloy body |
| Button Illumination | No | No |
| Viewfinder Coverage | 100% electronic viewfinder | 94% optical pentaprism |
The Fuji’s magnesium alloy body and environmental sealing attest to its professional design intent, enabling robust field use. The Canon opts for lighter polycarbonate construction - less rugged, more lightweight, better suited for casual outdoor shooting. The SX70 HS’s electronic viewfinder offers 100% coverage, an advantage over the S3’s 94% optical coverage for precise framing.
Display and Interface: Live View and Controls

The touchscreen is absent on both cameras, but the Canon’s 3-inch fully articulating LCD with 922k dots edges past the Fujifilm’s fixed, modest 2-inch 235k screen for composing and reviewing images. The articulated screen is invaluable when shooting at low or high angles, especially for macro or creative street photography.
The Canon features illuminated buttons for easier night handling - though neither has notable button illumination. The Canon’s touchscreen absence is a slight drawback when compared to contemporary cameras in its class but remains manageable.
Both cameras offer familiar Sony-like manual controls, exposure compensation, and customizable white balance, with the Fuji being more manual and traditional in approach.
Lens System and Versatility
| Lens Feature | Canon SX70 HS | Fujifilm S3 Pro |
|---|---|---|
| Lens Mount | Fixed 21-1365mm (65x optical zoom) | Nikon F mount (interchangeable) |
| Max Aperture Range | f/3.4–6.5 | Depends on lens used |
| Macro Capability | 0 cm minimum focus distance | Depends on lens + accessories |
| Magnification | Moderate due to fixed zoom | Dependent on lens choice |
The SX70 HS’s integrated 65x superzoom lens is its greatest selling point - delivering a huge focal range from wide-angle to super-telephoto (21-1365 mm equivalent). This “one-and-done” approach is perfect for travelers, wildlife spotters, or street photographers who want adaptability without changing lenses.
In stark contrast, the Fujifilm S3 Pro uses the Nikon F mount, granting access to hundreds of lenses (>300 supported), including fast primes and professional telephotos. This setup allows customization of your system for portraits, macro, landscapes, and everything in between, making it future-proof if you already own Nikon glass or want to expand.
Performance Across Photography Genres
Portrait Photography
-
Canon SX70 HS: Face detection autofocus helps nail eyes and expressions on the fly. The small sensor limits background blur for creamy bokeh, especially at longer focal lengths and wider apertures. Skin tones are good but less nuanced than the Fujifilm.
-
Fujifilm S3 Pro: Its larger sensor size and CCD technology provide exquisite tonal gradations and natural skin rendering. Interchangeable fast lenses grant beautiful shallow depth of field, critical for professional portraiture.
Winner: Fujifilm S3 Pro for professional portrait work; Canon SX70 HS for casual to intermediate portraits.
Landscape Photography
-
Canon SX70 HS: The superzoom covers wide angles, but sensor dynamic range and high ISO noise constrain image quality in varying light conditions. Limited weather sealing reduces intensive outdoor use.
-
Fujifilm S3 Pro: Outstanding dynamic range and color depth shine here, complemented by weather sealing. The APS-C sensor resolves detail superbly, especially using landscape lenses on the Nikon mount.
Winner: Fujifilm S3 Pro for serious landscape work.
Wildlife and Sports Photography
| Category | Canon SX70 HS | Fujifilm S3 Pro |
|---|---|---|
| Autofocus Speed & Tracking | Fast contrast-detection with face AF | Slow phase-detectionly AF |
| Burst Speed | 10 fps | Not specified / limited |
| Telephoto Reach | 1365mm effective telephoto | Dependent on lens choice |
| Image Stabilization | Optical IS included | None |
The Canon SX70 HS’s 65x zoom and 10 fps burst suit wildlife and sports enthusiasts who want immediate reach and action capture without changing lenses. Optical IS helps handhold long focal lengths.
The Fuji lacks built-in stabilization and has slower autofocus better suited to slower-paced shooting. However, pairing it with professional telephoto Nikon lenses could compensate somewhat.
Street Photography
Here discreetness, size, and quick responsiveness matter.
-
The Canon SX70 HS is slightly more compact with faster AF but has a bulkier lens shape. The articulated screen is a plus for diverse framing angles.
-
The Fujifilm S3 Pro, while larger, offers superior image quality for deliberate street shoots but lacks quick live view AF and video.
Macro Photography
-
The Canon’s close focusing range (0 cm) and superzoom allow some macro capabilities, aided by optical IS.
-
Fuji’s macro performance depends entirely on your lens choice, but professional macro lenses for Nikon mounts offer superior image quality and magnification.
Night and Astrophotography
-
The Canon’s max ISO 3200 and noise-prone small sensor limit low-light performance.
-
The Fuji’s lower max ISO of 1600 but larger sensor size produces cleaner images with better dynamic range in low light.
Neither camera offers specialized long exposure noise reduction modes or dedicated astro features.
Video Capabilities
| Feature | Canon SX70 HS | Fujifilm S3 Pro |
|---|---|---|
| Max Video Resolution | 4K UHD (3840 x 2160) @ 30p | None |
| Video Formats | H.264 MOV | None |
| Microphone Jack | Yes | No |
| Stabilization | Optical IS | No |
Here the Canon SX70 HS dominates with modern 4K video, external mic input, and optical image stabilization for smooth handheld footage. This makes it compelling for vloggers and hybrid shooters.
Travel Photography
With its compact SLR-like body, extensive zoom, articulated screen, and advanced video features, the Canon SX70 HS is a versatile travel companion.
The Fujifilm is bulkier and less video-capable but offers rich image quality when travel includes intentional photography sessions with interchangeable lenses.
Professional Work and Workflow Integration
You might wonder how each system fits into a pro's workflow.
-
The Fujifilm S3 Pro’s RAW files (7-9 MB) are supported by major software, with unique color profiles beloved by wedding and portrait photographers for natural skin tones.
-
The Canon’s 20 MP RAW files are larger but less flexible in post-processing due to small sensor limitations.
Storage, Battery, and Connectivity
| Feature | Canon SX70 HS | Fujifilm S3 Pro |
|---|---|---|
| Storage Type | SD/SDHC/SDXC (UHS-I supported) | xD Picture Card, Compact Flash I/II |
| Single Card Slot | Yes | Yes |
| Battery Life (Shots) | 325 | Not specified (200+ estimated) |
| Battery Type | Built-in | Removable (EN-EL4) |
| Wireless Connectivity | Wi-Fi, Bluetooth | None |
| USB | USB 2.0 | USB 2.0 |
| HDMI | Yes | No |
The Canon’s modern connectivity options facilitate instant image transfer and remote control via smartphone apps. The Fuji offers none, reflecting its era.
Battery life favors the Canon for travel and event shooting, although the Fujifilm’s removable battery allows for spares - useful in professional contexts.
Price-to-Performance and Value
-
The Canon SX70 HS at roughly $550 (new or used) offers extraordinary zoom versatility and modern features at an attractive price.
-
The Fujifilm S3 Pro, no longer in production and mostly collectible or used, often appears with lenses and accessories increasing the overall investment. Image quality and build make it valuable for specific pro niches.

Expert Recommendations by Photography Discipline
| Photography Type | Recommended Camera | Why |
|---|---|---|
| Portrait | Fujifilm S3 Pro | Superior skin tone rendition, shallow DOF, professional color |
| Landscape | Fujifilm S3 Pro | Large sensor, wide dynamic range, weather sealing |
| Wildlife | Canon SX70 HS | Superb superzoom, fast AF, optical stabilization |
| Sports | Canon SX70 HS | High burst rates, AF tracking, video capabilities |
| Street | Canon SX70 HS (for portability) / Fujifilm S3 Pro (for image quality) | Depends on preference; Canon for quick shots, Fuji for planned shoots |
| Macro | Fujifilm S3 Pro + dedicated lenses | Superior macro lenses and focusing precision |
| Night/Astro | Fujifilm S3 Pro | Larger sensor, better noise control at low ISO |
| Video | Canon SX70 HS | 4K UHD, mic input, stabilization |
| Travel | Canon SX70 HS | All-in-one zoom, light weight, connectivity |
| Professional Studio Work | Fujifilm S3 Pro | Pro file formats, robust color profiles |
Final Thoughts: How to Choose Your Next Camera
When comparing these two cameras, you’re essentially choosing between convenience and optical excellence.
-
Pick the Canon PowerShot SX70 HS if:
- You want an all-in-one travel or wildlife camera.
- Video and modern wireless features matter.
- Portability and a generous zoom range are critical.
- You prefer an easy-to-use, versatile system with long battery life.
-
Opt for the Fujifilm FinePix S3 Pro if:
- You value large sensor image quality over megapixel count.
- Your work involves controlled portrait, landscape, or studio photography.
- You are comfortable with interchangeable lenses and a classic DSLR workflow.
- You seek a durable, weather-sealed body for professional use.
Understanding each camera’s strengths in your preferred photography genres will help you invest wisely. Remember, hands-on experience is invaluable - if possible, test each model or similar cameras in real-world shootouts to see which feels right in your creative hands.
Additional Resources to Explore
- Check out sample galleries and user reviews for the Canon SX70 HS’s zoom capabilities.
- Explore vintage DSLRs forums and Fujifilm lens compatibility guides.
- Consider pairing the Fujifilm S3 Pro with legacy Nikon optics for expanded possibilities.
- For video-focused content creators, examine the Canon’s autofocus and stabilization in action on YouTube.
In Summary
The Canon SX70 HS brings a strong feature set wrapped in portability and convenience, ideally suited for enthusiasts venturing into diverse photography styles with a single tool.
The Fujifilm S3 Pro remains a landmark in DSLR history with an emphasis on image quality, reliability, and professional color science that holds relevance for discerning photographers who prefer advanced control and interchangeable lenses.
Both cameras commendably embody the spirit of their respective eras and purposes, serving distinct roles in a photographer’s toolkit. Whichever you choose, understanding these nuances ensures you’re empowered to capture your best images yet.
Happy shooting!
Canon SX70 HS vs Fujifilm S3 Pro Specifications
| Canon PowerShot SX70 HS | Fujifilm FinePix S3 Pro | |
|---|---|---|
| General Information | ||
| Make | Canon | FujiFilm |
| Model type | Canon PowerShot SX70 HS | Fujifilm FinePix S3 Pro |
| Type | Small Sensor Superzoom | Pro DSLR |
| Announced | 2018-09-20 | 2005-03-16 |
| Physical type | SLR-like (bridge) | Large SLR |
| Sensor Information | ||
| Processor Chip | Digic 8 | - |
| Sensor type | BSI-CMOS | CCD |
| Sensor size | 1/2.3" | APS-C |
| Sensor measurements | 6.17 x 4.55mm | 23 x 15.5mm |
| Sensor area | 28.1mm² | 356.5mm² |
| Sensor resolution | 20MP | 6MP |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 |
| Highest resolution | 5184 x 3888 | 4256 x 2848 |
| Highest native ISO | 3200 | 1600 |
| Min native ISO | 100 | 100 |
| RAW format | ||
| Autofocusing | ||
| Focus manually | ||
| AF touch | ||
| AF continuous | ||
| Single AF | ||
| AF tracking | ||
| Selective AF | ||
| Center weighted AF | ||
| Multi area AF | ||
| AF live view | ||
| Face detection focusing | ||
| Contract detection focusing | ||
| Phase detection focusing | ||
| Total focus points | 9 | - |
| Lens | ||
| Lens mount type | fixed lens | Nikon F |
| Lens zoom range | 21-1365mm (65.0x) | - |
| Highest aperture | f/3.4-6.5 | - |
| Macro focusing distance | 0cm | - |
| Total lenses | - | 309 |
| Focal length multiplier | 5.8 | 1.6 |
| Screen | ||
| Type of screen | Fully Articulated | Fixed Type |
| Screen diagonal | 3 inch | 2 inch |
| Resolution of screen | 922 thousand dots | 235 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch capability | ||
| Viewfinder Information | ||
| Viewfinder type | Electronic | Optical (pentaprism) |
| Viewfinder resolution | 2,360 thousand dots | - |
| Viewfinder coverage | 100% | 94% |
| Features | ||
| Lowest shutter speed | 15s | 30s |
| Highest shutter speed | 1/2000s | 1/4000s |
| Continuous shooting rate | 10.0fps | - |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | Yes | Yes |
| Custom WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | 5.00 m (at Auto ISO) | 15.00 m |
| Flash settings | Auto, on, slow sync, off | Auto, On, Off, Red-eye reduction, Slow Sync |
| Hot shoe | ||
| AE bracketing | ||
| WB bracketing | ||
| Highest flash synchronize | - | 1/180s |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 3840 x 2160 @ 30p / 120 Mbps, MOV, H.264, AAC | - |
| Highest video resolution | 3840x2160 | None |
| Video data format | MPEG-4, H.264 | - |
| Microphone support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 608g (1.34 lbs) | 930g (2.05 lbs) |
| Physical dimensions | 127 x 91 x 117mm (5.0" x 3.6" x 4.6") | 148 x 135 x 80mm (5.8" x 5.3" x 3.1") |
| DXO scores | ||
| DXO All around rating | not tested | 60 |
| DXO Color Depth rating | not tested | 20.9 |
| DXO Dynamic range rating | not tested | 13.5 |
| DXO Low light rating | not tested | 346 |
| Other | ||
| Battery life | 325 images | - |
| Style of battery | Built-in | - |
| Self timer | Yes (2 or 10 secs, custom) | Yes (2, 5, 2 or 100 sec) |
| Time lapse recording | ||
| Type of storage | SD/SDHC/SDXC (UHS-I supported) | xD Picture Card, Compact Flash Type I or II |
| Card slots | One | One |
| Launch cost | $550 | $0 |