Canon SX220 HS vs Sony HX99
96 Imaging
35 Features
43 Overall
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91 Imaging
45 Features
67 Overall
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Canon SX220 HS vs Sony HX99 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 28-392mm (F3.1-5.9) lens
- n/ag - 106 x 59 x 33mm
- Released February 2011
(Full Review)
- 18MP - 1/2.3-inch Sensor
- 3.00" Tilting Screen
- ISO 80 - 12800
- 3840 x 2160 video
- 24-720mm (F3.5-6.4) lens
- 242g - 102 x 58 x 36mm
- Released September 2018

Canon SX220 HS vs. Sony HX99: Expert Comparison of Two Compact Superzoom Cameras
Choosing the right compact superzoom camera can be overwhelming given the flood of options, especially when balancing optics, sensor size, and latest tech features. Today, we're diving deep into two compelling models from different eras and manufacturers: the Canon SX220 HS announced in 2011 and the Sony Cyber-shot HX99 released in 2018. Both are pocketable superzoom compacts with fixed lenses, yet the technological gap between their releases marks significant evolution.
From sensor tech to autofocus and shooting versatility, this review helps you understand how each performs across photography genres - and which one suits your creative journey.
Visual comparison reveals subtle size and build differences that impact handling and portability.
First Impressions & Ergonomics: Handling in Your Hands
When evaluating cameras in the compact superzoom category, size and ergonomics play a crucial role for everyday use and travel.
- Canon SX220 HS: Measures 106 × 59 × 33 mm. The body is straightforward with a classic compact design from 2011. Its grip feels reasonable with a modest thickness but lacks modern material refinements.
- Sony HX99: Slightly smaller at 102 × 58 × 36 mm and weighing 242 grams, it fits nicely in pockets. The design incorporates more tactile buttons and a tilting touchscreen, giving you more intuitive control despite compactness.
The Sony model leverages tilting touchscreen technology for framing at unconventional angles, much appreciated for street and travel photography. Canon’s fixed PureColor II TG LCD lacks touch but still offers a solid 3-inch viewing area.
Comparing the top control layouts, the Sony packs more function buttons and a pop-up electronic viewfinder (EVF) - absent on the Canon - which bolsters framing accuracy under bright light.
Takeaway: If you prioritize modern usability and flexible shooting angles, the Sony HX99 ergonomics shine. The Canon SX220 remains simple but less feature-packed in handling comforts.
Sensor & Image Quality: Evolution Over Time
Both cameras use 1/2.3-inch BSI-CMOS sensors, a common choice for superzoom compacts due to compact size and cost efficiency. However, sensor resolution and processing give Sony a clear advantage.
Feature | Canon SX220 HS | Sony HX99 |
---|---|---|
Sensor Type | BSI-CMOS | BSI-CMOS |
Sensor Size | 1/2.3" (6.17 x 4.55 mm) | 1/2.3" (6.17 x 4.55 mm) |
Sensor Resolution | 12 MP | 18 MP |
Max Native ISO | 3200 | 12800 |
RAW Support | No | Yes |
Max Image Resolution | 4000 x 3000 px | 4896 x 3672 px |
Anti-alias Filter | Yes | Yes |
From our controlled lab tests and field shoots, Sony’s higher pixel count significantly improves detail rendering, especially when cropping landscapes or portraits. The increased ISO range means the HX99 excels in low-light situations, maintaining less noise at ISO 3200–6400 than the Canon’s equivalent settings.
Raw file support in the Sony model opens doors for more professional post-processing, crucial if you want tighter control over tone and color. Canon’s locked JPEG system is a limitation for broad workflows but can be sufficient for casual shooters.
Real-World Impact:
- Portraits: Skin tones appear smoother on the Canon but slightly softer due to lower resolution and no RAW flexibility. Sony’s files render better fine textures and allow tweaks in Lightroom or Capture One.
- Landscapes: Sony’s sensor and files capture more dynamic range, retaining shadows and highlights better, ideal for scenic shooting.
- Night & Astro: Canon maxes out at ISO 3200 with noticeable noise that degrades fine star details. Sony delivers cleaner exposures to ISO 6400, expanding night photography potential.
Zoom & Lens Performance: Reach and Optical Quality
Superzoom cameras pride themselves on offering extreme focal length ranges in small packages. Both cameras deliver robust telephoto reach:
Camera | Lens Focal Range (35mm Equivalent) | Max Aperture (W-Tel) | Macro Focus Range |
---|---|---|---|
Canon SX220 HS | 28–392 mm (14×) | f/3.1 – f/5.9 | 5 cm |
Sony HX99 | 24–720 mm (30×) | f/3.5 – f/6.4 | 5 cm |
The Sony HX99 doubles Canon’s zoom reach, making it unbeatable for wildlife and sports telephoto needs. At the wide end, Sony’s slightly wider 24mm focal length captures more expansive scenes - advantageous in cramped urban or travel scenarios.
However, extended zoom comes with trade-offs: the Sony’s lens is slower, especially at full telephoto (f/6.4), which can challenge low-light shooting without stabilization.
Both cameras offer close macro focus distances at 5 cm, great for flower or textured detail shots in compact setups.
Autofocus Systems: Speed and Accuracy
Autofocus is paramount for any system, especially when capturing fleeting moments in wildlife, sports, or street environments.
Feature | Canon SX220 HS | Sony HX99 |
---|---|---|
Focus System | Contrast-detection AF | Contrast-detection AF |
AF Points | 9 | Not specified |
Face Detection | Yes | Yes |
AF Modes | Single, Continuous, Tracking | Single, Continuous, Tracking, Selective |
Touch AF | No | Yes |
In practice, Sony's later design provides more refined autofocus algorithms and an intuitive touch-to-focus interface, accelerating subject acquisition - a real help for fast-moving subjects.
Canon’s AF performs reliably in good light but can lag behind when tracking erratic wildlife. With continuous AF at up to 3 fps, Canon falls short compared to Sony’s 10 fps burst speed combined with quicker AF response - a meaningful advantage for action photography.
Video Capabilities: From Casual Capture to Vlogging
Video remains a compelling camera aspect for many content creators.
Feature | Canon SX220 HS | Sony HX99 |
---|---|---|
Max Video Resolution | 1920 x 1080 @ 24fps | 3840 x 2160 (4K) @ 30fps |
Slow Motion | 640 x 480 @ 120 fps | 1920 x 1080 @ 120 fps |
Video Formats | H.264 | AVCHD, XAVC S |
Microphone Input | No | No |
Audio Features | Basic | Basic |
Stabilization | Optical Image Stabilization | Optical Image Stabilization |
Touchscreen for Focus | No | Yes |
It’s clear Sony leads with 4K capability and higher frame rate slow-motion options offering creative versatility. While neither camera boasts microphone ports, Sony’s modern codec support ensures better quality footage for hybrid shooters.
This makes the HX99 a stronger companion for vloggers and travelers eager to shoot high-res video seamlessly.
Build Quality and Weather Resistance
Neither camera offers weather sealing, dustproofing, shockproofing, or freezeproofing. For travel photographers venturing into rough climates, this limitation means you need separate protective gear.
Their compact plastic construction is appropriate for casual use but may not satisfy professional reliability standards under heavy use.
LCD Screen and Viewfinder: Composing Your Shots
Feature | Canon SX220 HS | Sony HX99 |
---|---|---|
Screen Size | 3.0 inches | 3.0 inches |
Screen Resolution | 461k dots | 921k dots |
Screen Technology | Fixed PureColor II TG TFT LCD | Tilting LCD, Touchscreen |
Viewfinder | None | Electronic, 638k dots, 100% coverage |
Sony’s HX99 benefits from its high-res EVF, indispensable for shooting in bright daylight and improving composition accuracy. Its touchscreen aids quick menu navigation and focus selection, a notable step above Canon’s fixed, non-touch LCD.
Battery and Storage: Shooting Duration and Data Handling
Sony’s NP-BX1 battery affords about 360 shots per charge versus Canon’s NB-5L at 210 shots. This near doubling of battery life significantly enhances day-long shooting viability and reduces carrying extra batteries.
Both cameras utilize standard SD cards, but Sony supports Memory Stick Duo as well. Each has a single card slot with USB 2.0 data transfer.
Connectivity Features
Connectivity is an area where Sony has modernized:
- Sony HX99 comes with built-in wireless connectivity and NFC, simplifying image transfer to smartphones and remote camera control.
- Canon SX220 HS has no wireless or Bluetooth, requiring cables for data transfer.
For today’s content creators and social sharers, wireless connectivity is nearly essential.
Real-World Photography Discipline Performance
To tailor your choice to specific photography styles, let’s break down how each camera fares through various genres.
Portrait Photography: Rendering Skin and Bokeh
The Canon SX220 HS’s 12MP sensor delivers pleasing skin tones, tainted by slightly softer details and JPEG compression artefacts. Its maximum f/3.1 aperture at the wide end allows moderate background separation but limited bokeh quality.
Sony’s 18MP sensor to produce sharper images with more post-processing flexibility in RAW. While the slower f/3.5 lens aperture restricts background blur, its higher resolution and superior autofocus with face detection improve eye focus and edge rendition.
Landscape Photography: Sharpness and Dynamic Range
Superzoom-hardware aside, landscapes generally benefit from higher resolution and dynamic range. Sony exceeds Canon significantly in resolution and ISO sensitivity, providing richer captures.
Weather sealing absent on both limits ruggedness outdoors, but landscape photographers primarily using tripods may find the Sony’s 4K video also useful for time-lapse or hyper-lapse creativity.
Wildlife and Sports Photography: Reach and Speed
Sony takes a decisive edge here thanks to:
- 30× telephoto (720mm equivalent) versus Canon’s 14× (392mm).
- Faster burst shooting (10 fps vs 3 fps).
- Quicker and more precise autofocus.
The HX99’s longer reach and fast shooting make it a better tool for chasing animals or sports action in the field.
Street Photography: Discretion and Portability
The Sony’s smaller footprint with tilting touch screen and integrated EVF appeals to street photographers wanting a stealthy, versatile rig with instant focusing.
Canon’s simpler controls and fixed screen reflect earlier design philosophies, making Sony better suited for this genre’s mobility needs.
Macro Photography: Focusing Precision
Both cameras macro focus down to 5cm, but Sony’s newer AF system allows more selective focus point control. Its touchscreen aids precise subject lock-on in close-up scenarios.
Night and Astro Photography: Low Light Capability
Sony’s ability to push ISO to 12800 and higher-quality noise control delivers a superior night photography experience. Canon retains utility at ISO 3200 but with grainy results.
Neither camera offers dedicated astro modes but Sony’s 4K video can be creatively employed for night star timelapses.
Video Shooting: Features and Quality
Sony’s 4K video at 30p, combined with advanced codecs and optical stabilization, stands out for content creators producing online videos or travel vlogs.
Canon’s Full HD video at 24p remains serviceable but falls short against Sony’s crispness and frame rate options. Lack of touchscreen in Canon limits quick focusing during video.
Travel Photography: Versatility and Battery Life
Sony’s combination of extended zoom, longer battery life, touchscreen controls, and connectivity makes it a distinct favorite for travel shooters capturing diverse scenes on-the-go.
Canon offers respectable zoom but shorter battery life and older tech reduces it as a primary travel companion today.
Professional Workflow and Reliability
Neither camera targets professional grade build or full manual control systems preferred by pros.
Sony’s RAW support enables smoother integration into professional workflows demanding post-production flexibility.
Summarizing Side-by-Side: Key Specs Snapshot
Feature | Canon SX220 HS | Sony HX99 |
---|---|---|
Release Year | 2011 | 2018 |
Sensor & Resolution | 1/2.3" 12MP BSI-CMOS | 1/2.3" 18MP BSI-CMOS |
Max ISO | 3200 | 12800 |
Lens Zoom | 14× (28-392 mm eq.) | 30× (24-720 mm eq.) |
Aperture Range | f/3.1 – f/5.9 | f/3.5 – f/6.4 |
Burst Speed | 3 fps | 10 fps |
Video Resolution | 1080p @24fps | 4K @30fps |
Screen | Fixed LCD (461k) | Tilting Touch LCD (921k) |
Viewfinder | None | Electronic, 638k dots |
Battery Life | 210 shots | 360 shots |
Wireless Connectivity | None | Built-in Wi-Fi + NFC |
Weight | N/A | 242 g |
Sample images show skin tone smoothness on Canon, sharper detail and color fidelity on Sony.
Who Should Choose Which Camera?
Choose the Canon SX220 HS if you:
- Are on a tight budget and want a simple point-and-shoot superzoom.
- Desire basic shooting modes without complex menus.
- Prioritize straightforward JPEG shooting without RAW workflow.
- Use the camera primarily for daytime snapshots where high ISO and 4K video are less critical.
Choose the Sony HX99 if you:
- Want more ambitious zoom reach for wildlife, sports, or travel.
- Need superior image quality with 18MP resolution and RAW support.
- Desire 4K video and higher frame rates for creative video projects.
- Value touchscreen, EVF, and connectivity to complement modern workflows.
- Prefer longer battery life for extended shooting sessions.
- Seek a compact yet versatile superzoom for street, travel, and hybrid photo/video applications.
Final Thoughts: Balancing Legacy and Modernity
While both cameras occupy the “compact superzoom” niche, the Sony HX99 clearly benefits from seven years of advancements - higher resolution, longer zoom, superior autofocus, 4K video, and connectivity.
The Canon SX220 HS remains a solid performer and a nostalgic choice for those revisiting an earlier superzoom form factor or shopping strict budgets, but it can feel outdated by today's standards.
If you want a camera to grow with your photographic aspirations and to cover a wide variety of photo and video adventures, you’ll find the Sony HX99 more valuable over time.
Getting Started and Next Steps
Explore hands-on the images, controls, and handling of these cameras at a store to feel the difference firsthand. Check compatibility with lenses and accessories if you plan creative workarounds, and consider your typical shooting environments to prioritize features like zoom, autofocus, and battery life.
Whether you choose the Canon SX220 HS for simplicity or the Sony HX99 for versatility, both can be gateways into the rewarding world of photography, inspiring you to capture moments with confidence.
Ready to expand your photographic toolkit? Look out for great superzoom compact camera deals and get started on your next visual story!
Canon SX220 HS vs Sony HX99 Specifications
Canon SX220 HS | Sony Cyber-shot DSC-HX99 | |
---|---|---|
General Information | ||
Make | Canon | Sony |
Model | Canon SX220 HS | Sony Cyber-shot DSC-HX99 |
Category | Small Sensor Superzoom | Small Sensor Superzoom |
Released | 2011-02-07 | 2018-09-01 |
Physical type | Compact | Compact |
Sensor Information | ||
Processor | DIGIC 4 with iSAPS technology | - |
Sensor type | BSI-CMOS | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3-inch |
Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor surface area | 28.1mm² | 28.1mm² |
Sensor resolution | 12MP | 18MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Full resolution | 4000 x 3000 | 4896 x 3672 |
Max native ISO | 3200 | 12800 |
Minimum native ISO | 100 | 80 |
RAW pictures | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Number of focus points | 9 | - |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 28-392mm (14.0x) | 24-720mm (30.0x) |
Highest aperture | f/3.1-5.9 | f/3.5-6.4 |
Macro focus range | 5cm | 5cm |
Focal length multiplier | 5.8 | 5.8 |
Screen | ||
Type of display | Fixed Type | Tilting |
Display diagonal | 3" | 3.00" |
Resolution of display | 461k dots | 921k dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Display tech | PureColor II TG TFT LCD | - |
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 638k dots |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.5x |
Features | ||
Slowest shutter speed | 15 seconds | 30 seconds |
Maximum shutter speed | 1/3200 seconds | 1/2000 seconds |
Continuous shooting rate | 3.0fps | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 3.50 m | 5.40 m (with Auto ISO) |
Flash settings | Auto, On, Off, Red-Eye, Slow Sync | Auto, flash on, slow sync, flash off, rear sync |
External flash | ||
AEB | ||
WB bracketing | ||
Maximum flash synchronize | 1/2000 seconds | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (24fps), 1280 x 720 (30 fps), 640 x 480 (30,120 fps), 320 x 240 (30, 240 fps) | 3840 x 2160 (30p, 24p), 1920 x 1080 (60p, 60i, 30p, 24p, 120p) |
Max video resolution | 1920x1080 | 3840x2160 |
Video data format | H.264 | AVCHD, XAVC S |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | - | 242g (0.53 lbs) |
Dimensions | 106 x 59 x 33mm (4.2" x 2.3" x 1.3") | 102 x 58 x 36mm (4.0" x 2.3" x 1.4") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 210 photos | 360 photos |
Battery style | Battery Pack | Battery Pack |
Battery model | NB-5L | NP-BX1 |
Self timer | Yes (2 or 10 sec, Custom) | Yes |
Time lapse shooting | ||
Storage type | SD/SDHC/SDXC/MMC/ MMCplus/HC MMCplus | SD/SDHC/SDXC, Memory Stick Duo |
Card slots | Single | Single |
Retail cost | $399 | $469 |