Casio EX-100 vs Panasonic TS4
83 Imaging
37 Features
64 Overall
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92 Imaging
35 Features
33 Overall
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Casio EX-100 vs Panasonic TS4 Key Specs
(Full Review)
- 12MP - 1/1.7" Sensor
- 3.5" Tilting Screen
- ISO 80 - 12800 (Increase to 25600)
- Sensor-shift Image Stabilization
- 1/20000s Maximum Shutter
- 1920 x 1080 video
- 28-300mm (F2.8) lens
- 389g - 119 x 67 x 50mm
- Released February 2014
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 28-128mm (F3.3-5.9) lens
- 197g - 103 x 64 x 27mm
- Launched January 2012
- Other Name is Lumix DMC-FT4
- Replaced the Panasonic TS3
- Replacement is Panasonic TS5

Casio EX-100 vs Panasonic Lumix TS4: A Hands-on Deep Dive into Two Compact Cameras with Very Different Targets
When it comes to compact cameras, the field is vast, covering everything from rugged, waterproof shooters to high-zoom small sensor specialists designed for travelers and casual pros. I’ve put thousands of cameras through their paces over 15 years - testing everything from autofocus speed to dynamic range, build quality to ergonomics - and today I want to share my experience comparing two quite different compact cameras: the Casio EX-100, a high-zoom “superzoom” compact from 2014 with enthusiast features, and the Panasonic Lumix TS4 (aka FT4), a rugged waterproof point-and-shoot aimed at adventurers and outdoor types.
While both sport 12MP sensors and full HD video, their design philosophies diverge sharply. If you’re in the market for a small camera and weighing these two options, this comparison covers all the angles - portrait, landscape, wildlife, travel, and even video shooting - based on thorough, real-world testing from first-hand experience with both bodies.
Let’s dig in.
Size, Feel, and Handling: Classic Compact vs. Rugged Mini
Right out of the gate, these cameras feel completely different in your hands, reflecting their target users.
The Casio EX-100 is the bigger, heavier, and more solid of the two. It’s a compact alright, but its body dimensions (119x67x50 mm) and weight (389 g) put it in a more serious “travel zoom” category rather than “pocket-friendly”. This weight translates into better handling stability, and the body has a refined design with good custom buttons and a tilting 3.5-inch Super Clear LCD that helps with tricky angles (more on that screen shortly). It sports a solid grip that accommodates even larger hands comfortably, making it a steady option for one-handed shooting.
The Panasonic Lumix TS4 is a tank of a different sort - a tiny, shockproof, waterproof, freezeproof marvel that weighs just 197 g and is much smaller overall (103x64x27 mm). It’s designed to live through all kinds of rough treatment in environments where cameras conventional cameras fear to tread: underwater, dusty trails, or freezing cold. Its fixed lens and small size mean it fits easily into a jacket pocket or glove compartment.
As you can see here, the EX-100’s more robust dimensions give you club-like confidence for composed photography, while the TS4’s small footprint caters to trip-ready convenience and comfort for tough outdoor activity. Your decision here boils down to whether you want a camera to babied on delicately or one to throw around without a worry.
Lens and Sensor Considerations: Superzoom Giant Meets Rugged Versatility
Both cameras have fixed lenses, but the lenses couldn’t be more different.
The EX-100 boasts a 28-300 mm equivalent zoom with a bright F2.8 max aperture across the zoom range (which is pretty rare and valuable in a compact). This gives it significant versatility - from wide-angle landscapes to tight telephoto wildlife shots - and surprisingly shallow depth-of-field possibilities in this form factor, which makes it interesting for portraits with creamy bokeh.
Meanwhile, the Panasonic TS4 features a shorter optical range of 28-128 mm equivalent with a slower F3.3-5.9 aperture. Its strength lies less in zoom reach and more in durability and ease of use underwater or in dirty conditions.
Sensor size also plays a big role here.
- The Casio EX-100 packs a 1/1.7” CMOS sensor sized 7.44 x 5.58 mm (about 41.5 mm²).
- The Panasonic TS4 sports a smaller 1/2.3” CCD sensor measuring 6.08 x 4.56 mm (27.7 mm²).
In practice, that larger sensor in the Casio leads to improved image quality, less noise at higher ISOs, better dynamic range, and richer color depth. The EX-100 also supports RAW capture, giving you more breathing room in post-processing, which is a big plus for enthusiasts and pros who want to maximize image quality.
The TS4 only shoots JPEG, which is a bummer if you want full control or plan to do heavy editing. But again, the tradeoff here is ruggedness and waterproof capabilities that the Casio doesn’t offer.
Controls, Interface, and Usability: Where Ergonomics Meet Practicality
Often overlooked in spec sheets, the user interface and handling quirks can make or break the experience. While specs hint at capabilities, how they translate into real shooting scenarios is crucial.
The EX-100 comes with a traditional layout that’s intuitive for enthusiasts: shutter speed and aperture priority modes are included, plus full manual exposure control. That’s rare in compacts and puts it a notch above typical point-and-shoots for creative photographers. The tilting 3.5" screen with 922k dots is sharp and bright, facilitating framing and menu navigation.
The Panasonic TS4, built for robustness, has a smaller 2.7” fixed TFT LCD with only 230k dots resolution - adequate but not inspiring, especially under bright sunlight. It lacks manual focus, shutter or aperture priority modes, and leans heavily on fully automatic or basic scene modes.
Neither has an electronic viewfinder, but the EX-100’s bigger screen and better resolution make for less eye strain during use.
From my hands-on testing, the EX-100 feels like a camera designed for deliberate composition with clubs for thumbs - buttons have satisfying weight, and the menu system is responsive. The TS4 favors simplicity and quick reaction over finesse.
A closer look from above reveals that the EX-100 includes dedicated dials and buttons for ISO, exposure compensation, and drive modes, while the TS4’s controls feel more minimal.
Autofocus, Burst, and Shooting Performance: Speed vs. Durability Showdown
In my workflow tests, especially for fast-paced genres like wildlife or sports photography, autofocus system speed and accuracy are paramount.
The Casio EX-100 features contrast-detection AF with 25 focus points and face detection, including tracking AF and selective AF options. It locks focus reliably and quickly in good light, even tracking moving subjects reasonably well. Burst mode hits a blistering 30 fps, albeit likely at reduced resolution or with focus lock on first frame, making it a great candidate for action sequences.
The Panasonic TS4 only offers contrast-detection AF with 23 focus points but does not include face detection and is noticeably slower in acquiring focus, as you’d expect from a tougher, more basic camera. Burst is limited to a modest 4 fps, constraining its use in fast action scenarios.
In low light, the EX-100’s larger sensor and higher max ISO rating (up to 12,800 native, with boosted ISO 25,600) enable cleaner images and much more reliable AF tracking than the TS4, which maxes out at ISO 6400 with a smaller sensor.
This difference is critical in genres needing speed or low light performance - sports, wildlife, events - where the Casio can outperform the Panasonic by a wide margin.
Image Quality and Real-World Shooting Results
Delivering great pixel-level image quality in a compact camera is a balancing act, and the EX-100 generally comes out ahead thanks to sensor and lens advantages.
To illustrate, here is a gallery featuring sample images from both cameras, shot under similar conditions (daylight landscapes, portraits, and close-ups):
The Casio’s photos show better sharpness, richer colors, and pleasing out-of-focus bokeh in portraits thanks to its large aperture lens. Skin tones appear natural, with good highlight control and dynamic range capturing subtle shadow detail.
Meanwhile, images from the Panasonic look flatter with less punch, softer detail at telephoto, and noisier shadows. Its JPEG-only compression produces artifacts more noticeably in complex textures.
Of course, the Panasonic shines where it’s supposed to: underwater shots and snowy or dusty environments, where the EX-100 would be vulnerable. It’s waterproof up to 12m, dustproof and freezeproof down to –10°C, features none of which the Casio offers.
Specialized Photography: How Each Camera Performs Across Genres
Portraiture
I tested skin tone reproduction and bokeh performance - areas where lens speed and autofocus count for a lot. The EX-100’s aperture of F2.8 gives a shallow depth-of-field, allowing beautiful subject isolation even at modest zoom ranges. Its face detection autofocus was accurate and consistent.
The TS4’s slower aperture and lack of face detect made indoor portraits dimmer and less crisp, though it holds up for casual snaps.
Landscape Photography
For landscapes, dynamic range, resolution, and weather sealing are all important. The EX-100 delivers more detailed, vibrant wide-angle shots thanks to its sensor size and aperture. However, the TS4 offers weatherproofing to withstand rain, dust, and cold without a second thought - crucial for outdoor adventurers.
Wildlife and Sports
Fast, reliable autofocus and frame rate are crucial here. The EX-100’s superior autofocus system, 30 fps burst (albeit with caveats), and longer zoom reach make it a clear choice for casual wildlife or sports enthusiasts.
The TS4’s slow AF and limited burst mean it’s only good for casual snapshots on rugged trips.
Street Photography
For stealth and portability, the TS4’s small size and silent operation work in its favor for candid street shots, while the EX-100’s size and more pronounced shutter noise can draw attention.
Macro Photography
Both cameras focus down to 5cm, but the EX-100, with its sharper lens and manual focus options, gave me more consistent, precise close-up shots.
Night and Astro
The EX-100’s high ISO performance and manual exposure modes provide more control, whereas the TS4’s CCD sensor and JPEG-only output make it less ideal.
Video Recording
Both offer 1080p full HD video, but the Panasonic comes with higher frame rate options and optical stabilization optimized for video. Panasonic’s AVCHD format support makes it friendlier for video workflows.
The Casio is well suited for casual videos but lacks microphone input or headphone jacks.
Travel Photography
While the EX-100’s zoom versatility and image quality shine, its size and lack of weather sealing may reduce appeal to backpackers or adventure travelers favoring durability.
The TS4 excels here with long battery life, ruggedness, and ease of carry.
Professional Usage
Neither is a pro-grade camera, but the EX-100’s RAW capability, manual controls, and superior sensor make it more useful as a backup or secondary camera for pros.
Build Quality and Environmental Toughness
The Panasonic TS4 is built to endure:
- Waterproof to 12 meters
- Freezeproof to –10°C
- Shockproof to 2m drops
- Dustproof sealing
This triple-threat construction is unique at this price and size.
The Casio EX-100 lacks these protections and should be treated delicately.
Connectivity and Storage: Modern Features Check
The Casio EX-100 offers built-in wireless connectivity (though limited), USB 2.0, and HDMI output.
The Panasonic TS4 lacks wireless but includes built-in GPS - handy for tagging photos on hikes or trips.
Both accommodate SD/SDHC/SDXC cards, though the TS4 also has some internal storage.
Battery life slightly favors Casio with 390 shots per charge vs. Panasonic’s 310.
Price to Performance: Crunching the Numbers
At release, the Casio EX-100 commanded a premium price (~$570), reflecting its enthusiast-grade features.
The Panasonic TS4 aimed at a mid-range rugged compact segment around $400.
Given their radically different feature sets, price comparison is more about matching needs than seeking bargains. If extreme durability is your priority, the TS4 offers unmatched value. If image quality and control matter more than getting soaked, the EX-100 justifies its higher cost.
Overall Performance Ratings at a Glance
Here’s a snapshot of their overall scores based on image quality, features, performance, and ergonomics:
And a breakdown by photography type shows where each shines:
In Summary: Who Should Buy Which?
Buy the Casio EX-100 if you:
- Want a versatile, high-zoom compact with bright optics and manual control
- Need RAW files and enjoy post-processing flexibility
- Value image quality for portraits, landscapes, and wildlife on a budget
- Don’t require extreme weather sealing but want decent burst and autofocus speed
- Prefer a larger LCD with tilting for framing creativity
Choose the Panasonic Lumix TS4 if you:
- Require a rugged, waterproof camera for underwater and adventure use
- Need a tiny, lightweight shooter that won’t fail in dust, cold, or shock
- Are content with JPEG output and auto exposure modes
- Want GPS tagging built-in
- Prioritize portability and durability over lens speed and manual control
- Plan casual photography on hikes, showers, or wintersports
Wrapping Up with a Personal Note
I once brought the Casio EX-100 on a trip to a wildlife preserve and was blown away by its reach and quiet stealthy AF. Its bright F2.8 lens let me isolate birds against softly blurred backgrounds, something unexpected from a compact. But after accidentally getting caught in a sudden rainfall, I wished I had something tougher in my backpack.
The Panasonic TS4, meanwhile, has been a trusty companion on snowy hikes and rocky beaches, never once complaining about drops or splashes. Its modest specs are a fair trade for peace of mind and living for the moment without worrying about gear abuse.
In the end, your choice comes down to priorities: uncompromising image quality and zoom versatility or rock-solid toughness with modest capabilities. Both cameras fill their niches well.
Hopefully, this detailed comparison has saved you some time and steered you toward the right companion on your photographic adventures.
Happy shooting!
- Your Hands-on Compact Camera Specialist
Appendix: Detailed Pros and Cons
Feature | Casio EX-100 | Panasonic Lumix TS4 |
---|---|---|
Sensor & Lens | Larger 1/1.7” CMOS, bright 28-300mm F2.8 | Smaller 1/2.3” CCD, 28-128mm F3.3-5.9 |
Image Quality | Superior, RAW support, better low light | Lower resolution, JPEG-only, noisier shadows |
Autofocus | Fast, accurate, face detection, 30 fps burst | Slower AF, no face detect, 4 fps burst |
Build and Durability | No weather sealing, heavier, bigger | Waterproof, dustproof, freezeproof, shockproof |
Controls & UI | Tilting high-res screen, full manual modes | Fixed low-res screen, auto-focused simplicity |
Video | 1080p HD, no external mics | 1080p HD with AVCHD, optical IS |
Connectivity | Wireless, HDMI, USB | GPS built-in, HDMI, USB |
Battery Life | 390 shots per charge | 310 shots per charge |
Price at Launch | ~$570 | ~$400 |
If you’re a photography enthusiast or professional carefully weighing compact bodies, I hope this in-depth exploration helps you choose the camera that truly fits how and where you shoot. Both Casio EX-100 and Panasonic TS4 earn their place, just in very different photographic pockets.
Casio EX-100 vs Panasonic TS4 Specifications
Casio Exilim EX-100 | Panasonic Lumix DMC-TS4 | |
---|---|---|
General Information | ||
Brand Name | Casio | Panasonic |
Model type | Casio Exilim EX-100 | Panasonic Lumix DMC-TS4 |
Otherwise known as | - | Lumix DMC-FT4 |
Type | Small Sensor Superzoom | Waterproof |
Released | 2014-02-06 | 2012-01-31 |
Body design | Compact | Compact |
Sensor Information | ||
Processor | - | Venus Engine FHD |
Sensor type | CMOS | CCD |
Sensor size | 1/1.7" | 1/2.3" |
Sensor measurements | 7.44 x 5.58mm | 6.08 x 4.56mm |
Sensor surface area | 41.5mm² | 27.7mm² |
Sensor resolution | 12 megapixels | 12 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest resolution | 4000 x 3000 | 4000 x 3000 |
Highest native ISO | 12800 | 6400 |
Highest boosted ISO | 25600 | - |
Minimum native ISO | 80 | 100 |
RAW data | ||
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
Continuous AF | ||
Single AF | ||
Tracking AF | ||
AF selectice | ||
Center weighted AF | ||
AF multi area | ||
Live view AF | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | 25 | 23 |
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 28-300mm (10.7x) | 28-128mm (4.6x) |
Largest aperture | f/2.8 | f/3.3-5.9 |
Macro focusing distance | 5cm | 5cm |
Crop factor | 4.8 | 5.9 |
Screen | ||
Range of screen | Tilting | Fixed Type |
Screen diagonal | 3.5 inches | 2.7 inches |
Resolution of screen | 922k dot | 230k dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Screen tech | Super Clear LCD | TFT LCD |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Lowest shutter speed | 15s | 60s |
Highest shutter speed | 1/20000s | 1/1300s |
Continuous shooting speed | 30.0 frames/s | 4.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 6.10 m | 5.60 m |
Flash settings | Auto, flash on, flash off, redeye reduction | Auto, On, Off, Red-eye, Slow Syncro |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1920 x 1080 | 1920 x 1080 (60, 30 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps) |
Highest video resolution | 1920x1080 | 1920x1080 |
Video format | - | MPEG-4, AVCHD |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 389 gr (0.86 lb) | 197 gr (0.43 lb) |
Dimensions | 119 x 67 x 50mm (4.7" x 2.6" x 2.0") | 103 x 64 x 27mm (4.1" x 2.5" x 1.1") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 390 pictures | 310 pictures |
Battery form | Battery Pack | Battery Pack |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
Time lapse recording | ||
Storage media | SD/SDHC/SDXC | SD/SDHC/SDXC, Internal |
Storage slots | One | One |
Pricing at launch | $572 | $399 |