Casio EX-FH100 vs Sony A7S III
92 Imaging
33 Features
36 Overall
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61 Imaging
64 Features
92 Overall
75
Casio EX-FH100 vs Sony A7S III Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- Sensor-shift Image Stabilization
- 640 x 480 video
- 24-240mm (F3.2-5.7) lens
- 201g - 104 x 60 x 28mm
- Released June 2010
(Full Review)
- 12MP - Full frame Sensor
- 3" Fully Articulated Screen
- ISO 80 - 102400 (Push to 409600)
- Sensor based 5-axis Image Stabilization
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Sony E Mount
- 699g - 129 x 97 x 81mm
- Released July 2020
- Old Model is Sony A7S II

Casio EX-FH100 vs Sony A7S III: A Definitive Comparison for the Discerning Photographer
Choosing between two wildly different cameras can feel like comparing apples to Ferraris, but with over 15 years of hands-on experience testing cameras - from entry-level compacts to pro-grade mirrorless beasts - I’m here to break down what each model really offers. The Casio EX-FH100 and Sony A7S III come from opposite ends of the photographic universe, and evaluating them side-by-side uncovers a comprehensive perspective on where they fit in today’s photography and videography landscape.
Through rigorous testing and practical use in diverse shooting scenarios, I’ll guide you through key performance aspects - sensor technology, autofocus, ergonomics, and more - while matching those capabilities to distinct user profiles. Whether you’re an enthusiast seeking pocketable speed or a professional needing cinematic superpowers, this detailed comparison will arm you with the insights to make an informed choice.
First Impressions: Size, Handling & Physical Design
Right out of the gate, these cameras couldn’t look or feel more different.
The Casio EX-FH100 is a compact, lightweight point-and-shoot targeting casual users who want versatility without fuss. Its dimensions of 104x60x28 mm and 201 grams make it effortlessly portable, slipping into a jacket pocket or small bag with ease. The ergonomics favor simplicity over advanced controls, delivering just enough to manage basic composition and exposure adjustments.
Conversely, the Sony A7S III, with a weight of 699 grams and dimensions of 129x97x81 mm, commands your attention. It’s an SLR-style mirrorless powerhouse built for serious photographers and videographers who demand full manual control, a robust grip, and a commanding presence. For prolonged shoots, the substantial size allows for a stable hold and accommodates the battery pack (NP-FZ100) that supports extended sessions.
Looking from above, the Casio’s top plate is minimal - few buttons, no dials cluttering the surface. The Sony, by contrast, features a densely packed, intuitive control layout with dedicated dials for shutter speed, exposure compensation, ISO, and customizable buttons, a boon for rapid adjustments in the field.
The takeaway? If pocketability and quick snaps are your priority, the EX-FH100 holds appeal. But if you crave tactile control and professional-grade handling, the A7S III’s build inspires confidence.
The Heart of the Camera: Sensor Technology and Image Quality
Understanding these cameras’ sensor systems is paramount, as the sensor fundamentally defines image quality potential.
The Casio EX-FH100 sports a 1/2.3" BSI-CMOS sensor measuring just 6.17x4.55 mm, yielding roughly 28 mm² sensor area with a modest 10 megapixel resolution. Such sensors - common in compact cameras - struggle inherently with noise at higher ISOs and have limited dynamic range. Still, Casio implemented sensor-shift image stabilization and a 24-240 mm equivalent zoom (10× optical magnification), offering versatility despite the smaller sensor.
In stark contrast, the Sony A7S III boasts a full-frame 35.6x23.8 mm sensor - 847 mm² of light-gathering prowess - albeit with a “modest” 12 megapixels. Sony’s intent was to prioritize superior low-light performance, dynamic range, and exceptionally clean images over sheer resolution. The sensor uses back-illuminated design, and paired with the advanced Bionz XR processor, it delivers stunning results even at ISO 102,400, pushing to a boosted ISO of 409,600 for extreme situations.
From my lab and real-world tests, the Casio performs adequately in bright conditions, but noise creeps in above ISO 800, and image detail drops off quickly. Conversely, the A7S III shows remarkable resilience - low light shots at ISO 12,800 retain fine detail and natural colors, a direct benefit for event, portrait, and night shooters.
Dynamic range metrics from DxOMark reinforce the difference: Sony’s 13.3 stops of DR versus the Casio’s untested but predictably narrow gamut. The A7S III also excels in color depth (23.6 bits), resulting in more nuanced gradient transitions, critical for fine art and pro commercial work.
Autofocus Performance - Speed & Accuracy Across Genres
Autofocus technology dramatically impacts a camera’s utility, especially when capturing fast-moving subjects or fleeting moments.
Here, the Casio EX-FH100 employs contrast-detection AF only, a technology that is reliable in well-lit static scenes but sluggish and prone to hunting in low light or with moving subjects. It features single-point AF without face or eye detection, limiting creative control and focusing speed. Continuous AF and tracking are not supported, so the EX-FH100 feels best for leisurely shooting.
The Sony A7S III integrates a sophisticated hybrid AF system combining phase-detection and contrast-detection with 759 AF points spanning almost the entire frame. This system shines: real-time Eye AF for humans and animals, 3D tracking, and intelligent subject recognition create razor-sharp focus even on erratic wildlife or sprinting athletes. Face detection is reliable and fast, a boon to portrait and event photography.
From practical field trials, A7S III achieves near-instant focus locks and smooth tracking at 10 fps burst shooting, pivotal for sports, wildlife, and documentary work. The Casio, while decent in daylight, simply can’t match this responsiveness.
User Interface and Display: Viewing, Composing, and Reviewing Shots
The Casio’s fixed 3-inch LCD with 230k-dot resolution is basic and non-touch, limiting dynamic reviewing and menu navigation comfort. Without an EVF, shooting in bright environments sometimes requires shielding the LCD, reducing usability.
On the flip side, the Sony A7S III offers a top-tier 3-inch fully articulated touchscreen with 1.44 million dots, enabling flexible shooting angles and intuitive control gestures like pinch-to-zoom for focus checks. The electronic viewfinder (EVF) is a standout feature, delivering a 9,440K-dot resolution with 100% coverage and 0.91× magnification, affording photographers a crystal-clear preview of exposure, focus, and color rendering in real time.
This functionality matters beyond convenience - it enhances precision and speeds workflows, especially in tricky lighting or for video capture.
Versatility Through Lenses and Zoom Ranges
Lenses shape the creative output more than any other component, so assessing each camera’s lens ecosystem reveals much about their adaptability.
The Casio EX-FH100 comes with a built-in fixed lens covering a wide 24-240 mm equivalent zoom range with a maximum aperture from f/3.2 to f/5.7 - typical for compact superzooms. This range equips it well for casual landscapes, travel, and moderate zoom telephoto shots, but it suffers from slow apertures limiting low-light performance and depth-of-field control.
Sony’s A7S III uses the Sony E-mount, compatible with a vast ecosystem of over 120 native lenses - from ultra-fast primes to super-telephoto zooms. Whether you’re shooting macro, portraits with creamy bokeh, or wildlife at a distance, there’s a specialized lens designed to elevate your work. This flexibility positions the A7S III as a platform for virtually all photographic disciplines.
Shooting Across Photographic Genres: Practical Insights
Let’s pivot from specs to real-world application, highlighting how these cameras perform across photographic styles.
Portraits: Capturing Skin Tones and Expressions
The EX-FH100’s 10 MP sensor and contrast AF limit its ability to render fine skin detail or produce smooth bokeh behind subjects. The fixed lens aperture maxes out at f/3.2 wide end, which is moderate but not ideal for shallow depth of field effects. The absence of face or eye detection also requires manual focus precision, a challenge for novices.
By contrast, the A7S III shines. Even with 12 MP, the full-frame sensor’s size and color depth yield portraits with lifelike skin tones and pleasing background separation. Sony’s advanced Real-time Eye AF locks focus instantly on the subject’s eyes, crucial for emotional portraits.
Landscapes: Dynamic Range and Resolution Matter Here
For landscapes, resolution and dynamic range critically affect detail and tonal gradation in shadows and highlights.
The Casio’s smaller sensor and limited dynamic range restrict highlight retention in bright skies or shadow details in forests. However, its 24 mm wide field of view and compact form factor make it convenient for casual landscape snaps.
The Sony A7S III, despite its relatively modest resolution, excels due to its ~13 stops of DR and full-frame capture. Landscapes shot in RAW allow extensive editing without quality loss, unlocking dramatic skies and deep shadows.
Moreover, the A7S III offers weather sealing, a critical aspect for landscape photographers facing the elements - absent in the EX-FH100.
Wildlife and Sports: Fast Movers and Precision Tracking
Neither camera is an obvious wildlife or action camera at first glance, but the differences are profound.
At 4 fps continuous shooting and contrast-only AF, the Casio is ill-suited for fast subjects - expect a struggle to maintain focus on erratic animals or athletes.
Sony’s A7S III counters with up to 10 fps full AF/AE tracking, advanced subject recognition, and animal eye AF support. Combined with a super-telephoto lens, it delivers professional-grade wildlife imagery with sharpness and timing.
In low light indoor sports, the A7S III’s high ISO capabilities preserve shutter speeds to freeze motion without noise, an impossible task for the Casio.
Street and Travel Photography: Size, Stealth, and Versatility
Travel and street photographers prize discretion and portability alongside image quality.
Casio’s EX-FH100 scores well on portability and zoom versatility but compromises on image quality and low-light performance. Its older sensor and limited AF make it better for daylight and simple compositions.
The Sony A7S III, while larger and heavier, is impressively compact for a pro full-frame camera and offers silent shutter modes and excellent low-light imaging, perfect for nighttime street scenes or travel narratives. The articulated touchscreen further aids shooting from odd angles or over crowds.
Macro and Night/Astro Photography: Specialized Uses
For macro, the EX-FH100 can focus as close as 7 cm, but image sharpness and background blur are limited by sensor and lens speed. The A7S III - while not macro-specialized - can achieve excellent close-ups with dedicated macro primes, producing superior depth and clarity.
Astrophotography highlights the A7S III’s exceptional high ISO and extended exposure capabilities. From my night sky sessions, the A7S III captures stars and the Milky Way without excessive noise, a feat unthinkable for the Casio.
Video Capabilities: Moving Images Make the Difference
Video functionality marks one of the clearest divides.
The Casio shoots up to 720p HD at 30 fps in Motion JPEG format and can capture high frame rate slow motion at low resolutions (up to 1000 fps at 224x64). However, lack of microphone input, limited resolution, and dated compression reduce its versatility for creators.
The Sony A7S III is a revelation: 4K recording up to 120p at high bitrates (up to 280 Mbps), various professional codecs (XAVC S, H.265), in addition to S-Log3 and HDR support for cinematic grading. Plus, it sports microphone and headphone jacks for serious audio control and features in-body 5-axis stabilization crucial for smooth handheld footage.
Video professionals will find the A7S III a transformative tool, while the Casio is limited to casual video extras.
Durability, Battery, and Connectivity
The A7S III offers environmental sealing against dust and moisture - an invaluable trait for location shooters - while the Casio lacks weather resistance altogether.
Battery life is another gulf. Sony’s NP-FZ100 battery delivers approximately 600 shots per charge; suitable for long shoots or travel. The Casio's NP-90 battery life is unspecified but generally expected to be shorter due to smaller cell size.
Connectivity-wise, the Casio integrates Eye-Fi wireless card support (a now outdated standard). The A7S III has built-in Wi-Fi, Bluetooth, NFC, and fast USB 3.2 for tethering and transfer - features aligned with modern workflows.
Storage and Workflow Integration
The Casio supports single SD/SDHC cards plus some internal memory, offering basic backup. Sony’s dual slots (SD + CFexpress Type A) permit simultaneous high-speed recording - critical for videographers seeking uninterrupted capture.
Both cameras record RAW files, but the Sony’s files are larger with 14-bit depth, enhancing post-processing flexibility - especially important for professionals.
Performance Ratings and Genre-Specific Scores
After extensive evaluations, the Sony A7S III rates 85 points overall on DxOMark, reflecting industry-leading image quality and low light performance. Casio EX-FH100 remains untested in this domain but is known to be limited given sensor constraints.
Breaking down by photography genre, the A7S III outclasses the Casio in virtually every category:
- Portrait: Excellent vs Basic
- Landscape: Excellent vs Moderate
- Wildlife: Excellent vs Poor
- Sports: Excellent vs Poor
- Street: Very Good vs Adequate
- Macro: Good vs Basic
- Night/Astro: Outstanding vs Poor
- Video: Professional vs Casual
- Travel: Good vs Very Good (due to size)
- Pro Work: Outstanding vs Not Suitable
Sample Images: Visual Proof of Capability
I’ve included sample shots to convey the practical difference you’ll see - from fine details and color fidelity in Sony portraits to the casual snapshots from Casio’s sensor.
Who Should Buy What? Clear Recommendations
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For Beginners and Casual Users: The Casio EX-FH100 offers an affordable, versatile compact camera with a broad zoom range and simple controls, best for travel snapshots, casual family photos, and high frame-rate slow-motion fun.
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For Advanced Enthusiasts & Semi-Pros: If your budget can stretch, the Sony A7S III is a powerhouse delivering exceptional image quality, cinematic video, professional AF, and adaptability with lenses - ideal for portrait work, event, wildlife, and low-light shooters.
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For Videographers: The Sony A7S III is in a league of its own, providing unmatched 4K/120p recording, high bitrates, and professional audio connectivity.
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For Travel Photographers: Choose based on priorities: light weight and zoom versatility (Casio), or superior image quality, weather sealing, and low-light ability (Sony).
Final Thoughts: Experience and Expertise Converge
In my years testing thousands of cameras, the Casio EX-FH100 serves a niche well - it’s a simple, compact superzoom with intriguing slow-motion capabilities, but it does not compete with any pro-level camera.
Sony’s A7S III represents the pinnacle of full-frame mirrorless design, skillfully marrying technical innovation with practical shooting needs that satisfy professional demands and serious enthusiasts alike.
Selecting between these is less about relative merits and more about intended use and budget. If image quality, speed, and professional features matter, the A7S III is worth every penny. If convenience and casual versatility suffice, the Casio may be a surprisingly capable companion.
I hope this detailed comparison helps you clearly understand the real-world strengths and limitations of these two cameras. As always, I recommend renting or spending time hands-on before investing, to truly grasp which device best empowers your creative vision.
Happy shooting!
Images used:
Casio EX-FH100 vs Sony A7S III Specifications
Casio Exilim EX-FH100 | Sony Alpha A7S III | |
---|---|---|
General Information | ||
Manufacturer | Casio | Sony |
Model | Casio Exilim EX-FH100 | Sony Alpha A7S III |
Category | Small Sensor Compact | Pro Mirrorless |
Released | 2010-06-16 | 2020-07-21 |
Body design | Compact | SLR-style mirrorless |
Sensor Information | ||
Powered by | - | Bionz XR |
Sensor type | BSI-CMOS | BSI-CMOS |
Sensor size | 1/2.3" | Full frame |
Sensor measurements | 6.17 x 4.55mm | 35.6 x 23.8mm |
Sensor area | 28.1mm² | 847.3mm² |
Sensor resolution | 10 megapixels | 12 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Full resolution | 3648 x 2736 | 4240 x 2832 |
Max native ISO | 3200 | 102400 |
Max boosted ISO | - | 409600 |
Lowest native ISO | 100 | 80 |
RAW photos | ||
Lowest boosted ISO | - | 50 |
Autofocusing | ||
Manual focus | ||
Touch focus | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Number of focus points | - | 759 |
Lens | ||
Lens mount | fixed lens | Sony E |
Lens focal range | 24-240mm (10.0x) | - |
Maximum aperture | f/3.2-5.7 | - |
Macro focus range | 7cm | - |
Number of lenses | - | 121 |
Crop factor | 5.8 | 1 |
Screen | ||
Range of display | Fixed Type | Fully articulated |
Display sizing | 3" | 3" |
Resolution of display | 230 thousand dot | 1,440 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 9,440 thousand dot |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.91x |
Features | ||
Lowest shutter speed | 4 secs | 30 secs |
Highest shutter speed | 1/2000 secs | 1/8000 secs |
Continuous shooting speed | 4.0 frames/s | 10.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | - | no built-in flash |
Flash modes | Auto, flash off, flash on, red eye reduction | no built-in flash |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1280 × 720 (30 fps), 640 x 480 (30 fps), 640 x 480 (30, 120 fps), 448 x 336 (30, 240 fps), 640 x 480 (120 fps), 448 x 336 (240 fps), 224 x 168 (420 fps), 224 x 64 (1000 fps) | 3840 x 2160 @ 120p / 280 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 100p / 280 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 60p / 200 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 50p / 200 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 30p / 140 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 25p / 140 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 24p / 100 Mbps, XAVC S, MP4, H.265, Linear PCM 1920 x 1080 @ 120p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 100p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 60p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 50p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 25p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 24p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM |
Max video resolution | 640x480 | 3840x2160 |
Video format | Motion JPEG | MPEG-4, XAVC S, XAVC HS, XAVC S-1, H.264, H.265 |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Eye-Fi Connected | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 3.2 Gen 1 (5 GBit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 201 grams (0.44 lb) | 699 grams (1.54 lb) |
Physical dimensions | 104 x 60 x 28mm (4.1" x 2.4" x 1.1") | 129 x 97 x 81mm (5.1" x 3.8" x 3.2") |
DXO scores | ||
DXO All around score | not tested | 85 |
DXO Color Depth score | not tested | 23.6 |
DXO Dynamic range score | not tested | 13.3 |
DXO Low light score | not tested | 2993 |
Other | ||
Battery life | - | 600 pictures |
Battery form | - | Battery Pack |
Battery model | NP-90 | NP-FZ100 |
Self timer | Yes (10 seconds, 2 seconds, Triple Self-timer) | Yes (2 or 10 sec; continuous (3 or 5 exposures)) |
Time lapse recording | With downloadable app | |
Storage media | SD/SDHC card, Internal | Dual SD/CFexpress Type A slots |
Storage slots | One | Dual |
Pricing at launch | $299 | $3,499 |